Jump to content
Why become a member? ×

Leaderboard

Popular Content

Showing content with the highest reputation on 13/02/20 in all areas

  1. 10 years ago, my brother and I did this: We participated in a Dutch TV quiz. While driving to the final round in my Fiat Panda, we fantasized about what we would do with the prize money. My brother (a drummer) said he'd have a drum kit built, and I said I'd buy a vintage Fender bass. Not long before that I was at Paul's Bass Matters here in NL to have some coffee and drool over vintage Fenders, as I did pretty often back then because I lived very close to his shop. That specific time, I played on a 1966 Jazz that was absolutely perfect for me. It had everything. The colour was right, dots & binding on the neck, sound, feel, the lot. But then there was the price. The 19-year-old me thought he'd never be able to afford this kind of bass. And then we won. The prize money was more or less exactly the price of that bass. I don't recall it exactly but I think I sent Paul an e-mail that very day stating "please hold the bass for me, I'm coming for it". And so, a day before my 20th birthday, exactly 10 years ago, I drove to Nijmegen to pick up my favourite bass of all time. I take it to pretty much every recording session I do, and especially since it got some new frets last year, it's seeing more stages again. What a bass. Everything is absolutely perfect.
    11 points
  2. I'd give him another chance. Give him 5 songs to master for next time then give him all night to have them sorted in a band scenario. I can play just about anything, but cant 'jam' for love nor money. I absolutely hate it! and I'm useless at it. He may just be a player who can play what hes practiced. Also, nerves play a huge role when first meeting up. Once he relaxes he may be fine. If after that he isnt up to it, and doesnt have the enthusiasm to improve, then take it from there.
    7 points
  3. He may not be a jamming type of guy, but can get a decent part together with some practice beforehand, I know it takes me longer than my guitarist to sort something jamming out other than a root note, so we record it and revisit it the next week when I have had time to work something out (as long as the guitarist doesn’t change it!) Give him a workload which is fair and not unrealistic to learn for the next rehearsal and see where he is at, if he puts the work in, plays a decent tune and provides a consistent layer of sound that others who can jam over the top can fold around, then actually it’s not a bad thing. If he cannot pop together pre-prepared material either due to not being able to have the time to do the work, or he doesn’t play well enough, then that is another issue. Better to play with nice people of lesser ability than a genius who is a bell end
    6 points
  4. "All band members take one step forward!" "Not so fast sunshine, where do you think you are going?"
    5 points
  5. I bought this on eBay - to my astonishment the seller accepted an offer from me that was below my ceiling price for a Faker - and it arrived just this afternoon. To my untrained eye it looks and sounds very much like a Rickenbacker. Certainly heavy enough! That, if anything, will be the deal breaker for me but I am going to give it a go because I think we are going to get on famously. So - no brand name on the truss rod cover or identifying marks that I can see externally. What is this likely to be - one of Cushin Gakki ones? Whatever it is I am going to call it my Sprackenbacker that being close enough to my name to make me smile every time I say it.
    4 points
  6. b) kind of - maybe not "you're not good enough" though, as this may cause long term issues with his playing / development. Maybe something more constructive - that you're looking for someone to fully contribute to writing and the creative process and that he's just not ready / at the same level as everyone else, which will cause frustrations for both parties. OR,if he's keen and you could happily be with the type of personality in the band situation, do you have the time to spend with him helping him develop?? I've been in bands with people with amazing ability, but horrendous personalities - I'd go for the better personality 9 times out of 10.
    4 points
  7. I must go & see this before it ends in April. Its good to see that Paul's bass is resting on a nice padded cushion to prevent it from getting damaged.
    3 points
  8. An interesting take on the 1973 classic Radar Love by those wonderful DCR chaps from down south in Hampshire. Enjoyed playing my P bass on this track which was put together by the Bass Doc and features a vintage p bass pickup by Eternal Guitars.
    3 points
  9. Thanks for posting this 👍 If you can get this on to a stage with your spine in tact, then it doesn’t get much better (IMO), proper earth shattering stuff. The folk-lore about Trace watts is true!!
    3 points
  10. Personally I would work on this Dave , because now you’re conscious of it you can pay more attention to keeping the thumb on the back of the neck, the only time my thumb does that is when I’ve been playing for a long time and I’m getting tired 🙂
    3 points
  11. Title of my forthcoming autobiography, there.
    3 points
  12. 3 points
  13. Of course having gone through all this he will be in touch shortly telling you that you are not quite what he's looking for so he's letting you all go.
    3 points
  14. I should add another important exception to the rule, I always stick to the original bassline if it was written by a master. The day I think I can come up with better than Jamerson, Osborn, Kaye, Entwistle, Watt-Roy or Thomas is the day I need sectioning.
    3 points
  15. Don’t we all son... don’t we all.
    3 points
  16. Purchased this bass toward the end of last year from GuitarGuitar, here: https://www.guitarguitar.co.uk/product/pxp191018349985001--csl-circa-1970s-4-string-plexi-bass-pre-owned It’s a great example of CSL’s tribute to the Dan Armstrong Plexi Bass. Only selling as I want to get back from being a collector of basses that I don't play, I play my Nate Mendel precision most of the time, everything else stays in its case/bag or looks good on display. These short scale basses were made by fugigen, same basses carrying Ibanez name also The bass dates to the mid 70’s and is in great condition as you will see from the pictures attached. Whilst the case is structurally sound it does show show signs of age, again shown in the pictures. Price is £499 which is what I paid, I am in Ipswich if collecting otherwise £30 for delivery.
    2 points
  17. Ok - (had to go desktop to post this, as my mobile was being annoying) Lookit - new '51 P Bass model in 32” scale announced from the ever inventive @Chownybass Reading further: Retrovibe will offer a Custom version too. This could be very GAS-inducing!
    2 points
  18. Went in to the Bass Gallery today to put my old bass up for commission sale and try a few basses out. Thank you to the excellent staff in there for all their help and subsequent set up. I am now a very happy owner of the Sadowsky Will Lee they had for sale in there, although one of my idols was in there at the same time getting some work done on their basses so had no idea what to play! Really versatile bass and way too good for me but I am unlikely to be in a position where I could do something like this again.
    2 points
  19. 2x Vanderkley 210MNT 600W 8ohm cabs with custom Roqsolid covers in great condition. I have previously put these up at £1000 but withdrew them cos they were just too nice. But lack of space and ongoing lack of use means that this time they just have to go. I've dropped the price to £800 for the pair to try and ensure they sell before I change my mind again! Hardly used since I bought them from a Basschat member here in April 2017, previous owner had them from new and also hardly used them so these are in great condition. A few minor transport scuffs, as shown in the pics. They look and sound absolutely amazing, no buzzes or rattles just pure clean tone. If you need the specs, head over to Bass Direct http://www.bassdirect.co.uk/bass_guitar_specialists/MNT210.html where you will see these are £765 new each, with covers, so this represents a significant saving. Run as a pair, they can handle 1200W at a 4ohm so well suited to a high powered head. (And by complete luck, I'm selling a GK MB800 fusion head elsewhere - the perfect companion - as seen in one of the pics but not included in this price.) Any questions, please ask. You are welcome to try out. Collection please, Barnet (North London/Herts borders). Thanks for looking.
    2 points
  20. I'm looking to trade rather than sell. As it says, 2017 Elite Precision in Ocean Turquoise 9lb 4oz, immaculate as far as I can see. Like a few other folks I see the Ultra as a slight regression from these basses, but I want a simple passive Precision, with potential new gig on the horizon. Edit new band achieved. Happy to meet up within about 100 miles of Darlington. PREFERRED TRADES (remember, the last shop selling price of these before being discontinued was £2049). 1. Fender American Professional Precision (plus £200 to me) not the Vintage Olive colour though I'm afraid. 2. Fender Nate Mendel (plus £400 to me) I think those offers are reasonably generous, but fair to seller as well. Feedback linked below, thanks for looking.
    2 points
  21. Teddy Swims. If you haven't heard of him yet, then check this out. Stunningly beautiful.
    2 points
  22. Could be. Mrs Trueno swears by tonic water for alleviating cramp. Don't dilute it with too much gin, though.
    2 points
  23. The Clash and Paul Simonon were / are a big part of my musical life so I really enjoyed the exhibition. It was great to see the instruments, clothes, artefacts etc from a band and an album that changed my life. It was great to see Paul’s bass up close. It’s an iconic object for sure, but also it was good to see and photograph it in detail as I’m building a replica at the moment. Intact though haha.
    2 points
  24. I've been asked for photos of the case etc. which is understandable ... Mike Lull cases are attractive examples of the breed. There's very little by way of case candy for this bass, I'm afraid, not even the Certificate of Authenticity or the (completely useless) keys! But isn't that a lovely shade of blue?
    2 points
  25. Something has been thought of. Halfords - there's the answer. Socking great cartons that used to hold daft bicycles, you know, the ones made of very expensive materials and costing ridiculous amounts of money when you can achieve exactly the same thing by buying something far cheaper and ... oh hang on ... wait a minute ...
    2 points
  26. A bit of buggering about with the supplied foam and packing out the lid foam a bit deeper and job done.
    2 points
  27. The gist seems to be that how close you get depends upon the situation and the song. As a bassist in a covers band the aim for me is to serve the band and serve the song in that order. It's rare for the rest of the band to play a song note for note so you will have to adapt a little anyway. The multitracking in anything recorded since the mid 60's make it impossible for five people to cover what can 30+ recorded tracks anyway. Just as a simple example you can't play the bass to Walk On The Wild Side with a single bass however clever you are. If the drummer plays a different rhythm then I'm going with the drummer. I'll even have a go at a guitar fill if there's only one guitar and a two part bit of the song. I've a pet hate though, I can't bear it when a band can't be bothered to learn the song 'properly'. I've no problems at all with rewriting it or re-arranging it but there's a certain sort of musician (guitarists mainly) who seem to think if they have the chords for the verse and chorus they don't even need to listen to the song. I kind of think that if you are going to mess with a song people love you need a reason; keys solo when you don't have keys, too difficult to play, just bored and want to mix it up a bit, want to make the song your own are all fine reasons but drop that bit because you can't be assed (escaped the filter ) and then claim it's artistic integrity... You are in a covers band for Pete's sake.
    2 points
  28. £1700. Recently bought this beautiful bass new from Camden’s Bass Gallery. It’s only been gigged once. I just cannot get a sound that suits me. Someone else will love it I’m sure. It’s so so nice to play. The price is what I paid. Just testing the water as they say. If it doesn’t sell I’ll try new pickups probably. Honestly, this bass is perfectly made and I’m sad to be doing this. I was seduced by looks alone! I think it’s the only one with this spalted maple. At least I’ve not seen another one and I’ve looked!
    2 points
  29. Well the answer could easily be Sister Rosetta Tharp. She's certainly better than many others I've heard from the era. https://laughingsquid.com/sister-rosetta-tharpe-godmother-of-rock/
    2 points
  30. must admit when we dumped our last drummer we got the new one to start booking rehearsals under his name so we couldn't be tracked down. Old drummer was a dangerous man. During today ive since found out our guitarsist has booked himself as not available for a lot of the spring and summer weekends. partly because of the football, and the rest he is just going away with his wife etc I will not pull my punches when he gets the chop.
    2 points
  31. If you read it a year ago it would have been a vastly different (and quite impenetrable) manual. Also it would have been for v2; v3 is very different. My new version was released at the end of October. I completely rewrote it, added screenshots, examples, wrote new sections on useful stuff and rendered it into clear English so it’s a completely different beast. Read it either here or from within the editor under the “help” menu tab.
    2 points
  32. This is tricky. But maybe here’s some language to help put your message across tactfully. (Always say ‘we’ and not ‘I’ – to show it’s what the band thinks collectively, not your personal opinion) · - We’re not sure you’re ready for this yet. · - Your playing’s coming on well, but we’re not sure you can handle this – you’ll be under a lot of pressure. · - It’s obviously going to take up a lot of your time preparing the material – we’re not sure you can really spare the time for this. · - We’re not sure you’re the right fit for this material. · - We’re not sure you’re on the same page as us. · - We’re not sure you have the breadth of experience you’ll need for this. · - You’d certainly fit in well as a person but we’re not sure it would work musically.
    2 points
  33. It's an Ibanez... Or maybe not... No idea what make it is, but it looks great, so enjoy it for what it is... a bass that needs to be played.
    2 points
  34. I don't think one pink highlighter is enough.
    2 points
  35. Having given that a little more thought (as I was fettling the pickup height on a false jazz bass), I reckon beta males such as ourselves, David Byrne out of Talking Heads, etc -- are alright... it's the alphas that shouldn't be allowed to be singers. 👍
    2 points
  36. Fella can sing alright, but to my ears it's identikit mawk-by-numbers, headed straight for a regular Jools slot. Nothingremotelyunusual/10
    2 points
  37. Home 5 strings neck through , 2019 model im sure i going to regret this. This is going to be dificult but im letting go a unique bass i gona try it this way , if not is going to kristall basses back . im only selling it because i really only play jazz bass style basses and this bass deserve to be played ,you could do pretty much every kind of music with it i use to own many nice bouitique basses and is not getting better then this . bass ist really like new and will be deliverd with a mono gig bag really nice as well preffer streight sell butt here some trade options , cash my way or your way as well fodera 5 strings clasic or others, mollon jazz bass plus cash , fender masterbuild or custom stenback bass , alleva coppolo , f bass v5 , fender vintage basses here specs: neck 5 pieces maple , bolivian rosewood 34 ´`scale , fretboard brazilian rosewood fret medium jumbo like new body solid nice figured koa wings , back side same wood cover over the neck weight: ist not so heavy that koa was the lighter i got tuners hipshot ultra light black bridge hipshot modern pickups nordstrand big singles electronics nordstrand 3 band preamp active passive , with passive tone control( amazing)2 18volt batteries
    2 points
  38. There is a lot more to being a pro than that. Getting enough work to pay the bills for one. I can play stuff blind, in the dark and in my sleep, doesn't make me a pro. Its just playing by rote. Creativity is the measure of a musician for me.
    2 points
  39. Sanded back the orange a bit, as I wanted more burl visible. Started roughing the maple neck. The Birdseye fingerboard will have binding and blocks
    2 points
  40. Great singer. I love it when ones expectations are confounded. The woman in this vid' of a covers band looks as if she works in the local hairdressers, but boy can she sing -
    2 points
  41. Most professional musicians I know, have a wife who has a proper job.
    2 points
  42. I'd have ticked the box 'All of the above', if there had been one. It depends entirely on the song, so, for different songs, I (in the case of the drum part...) or the bass player (Our Youngest son...) will do any, and have done all, of the choices shown. When I was playing bass, I'd do the same. 'Nail it' if I'm able to, 'Close enough' if I'm not, 'Embellish' if it works better that way, 'Dumb it down' for the same reason, and adapt to the group's style when there's an obvious mis-match. Nice try, though.
    2 points
  43. This is the nicest P bass I've ever had and it trounces any modern Fender in terms of looks, feel and tone. The body is lightweight at around 7 lbs (3 kg) and the neck has a gorgeous dark Brazilian rosewood fingerboard on beautiful yellowy maple that is visually excellent but feels well worn in after 38 years of playing. The neck is pencil dated 11 .1. 1982 and it has the original reverse tuners, which hold their tuning perfectly but are visually a bit tarnished and creak a wee bit when you're changing strings. This bass has been played and played and played and feels totally worn in with all the mojo. The body has a gorgeous old-style sunburst where the red and black have faded a bit in the sun, there's plenty of edge wear but the top is clean. The neck is tight in the neck pocket and I added a thin card shim to get the best action. The back of the body has a gouge by the neck plate a few other marks and lines in the finish. The tortoiseshell pickguard is the original one and looks amazing - it's shrunk a bit in a couple of places like the old ones do but it fits good overall. There are some added screw holes under the guard where the previous owner added a different guard. The pickup is the original one in a newer casing as the original one cracked (I still have it) and has just had one of its bobbins rewound by Bare Knuckle pickups so it's back to factory spec. The ground is soldered to the original copper shielding plate in the pickup cavity. The tone is thick and punchy with flatwounds but retains all the definition, drives the amp well and goes all Motown when you roll the tone off - ultimate P bass tone. Unfortunately. the previous owner lost the neck plate with the JV serial number when he tried a jazz neck on it (just bonkers huh?) so the bass comes with a similar one from a Vester bass. I thought about buying a replacement JV neck plate but that felt a bit wrong so I'm leaving it as is. A new blank plate is a few quid on ebay. The bridge is a more modern replacement although I have the original bridge with the threaded saddles but the outer two grub screws are seized meaning you can't get the outer string's action right. There's an extra two screw holes under the bridge where someone must have experimented with another bridge. The knobs look like they're more modern versions with slightly domed tops rather than the flat tops. Again these are a few quid on ebay. All in all this is a fantastic bass with tons of vintage mojo and it just oozes class from every viewpoint. It looks, sounds and feels as close as you can get to a vintage early 70s bass but without the £3k price tag. I'm gutted to have to sell it as this was supposed to be a keeper but bills are piling up. A perfect example would be over a grand so someone will get a great deal here. Comes with a Hiscox case. I'm down in Cornwall but would be happy to meet on the M5 somewhere for a quick sale. I'm open to different options and can ship if necessary.
    1 point
  44. Replied Andy. I may regret the loss of this one, but a bit of stock control is required, and I'm making way for this (which is quite blowing the socks off so far) - a '98 USA P Special now with new Cobalts on.
    1 point
  45. The Hu at the Ritz in Manchester. Oh, my ears and whiskers, what a band they are...no pics, I'm afraid: like thankfully most of the audience, I was too busy grinning from ear to ear to be holding a phone up in everyone's way. Those low, low vocals (seven singers) through a big PA? Goosebumps. Ninety minutes of Mongolian lyrics, and they had five words of English between them*, but completely mesmerising. And not a single guitar solo all night...bonus... I've seen Rammstein, Manowar and Motorhead many times, but this was on another, different level. The bloke next to me turned to me and said "You can see how they conquered the world, can't you?", and he was right. If someone had stood up at the end and suggested we go and sack Wigan, we'd all have been halfway down the East Lancs before someone went 'Hang on a minute...' The support band suffered from a horrible sound, the usual cannon-kick, inaudible bass and massive mid-scoop that seems to pass for rock gig mixes these days, but the main boys sounded really, really good: despite two sets of drums (a conventional kit and a bloke hitting four huuuuuge toms with what looked like broom handles) the bottom end wasn't overpowering, and they were actually quieter than the support band; just goes to show you don't need bludgeoning volume to be powerful... Confirmed again the confidence in the Ritz to produce great sounds for bands - I've never heard headliners with a bad sound there, and that's why it's my favourite venue. I'd recommend them to anybody, whether a rock fan or not, because they're so different from so much that's out there that they're an experience all of their own. I spent a lot of the gig laughing out loud at the sheer energy of it all. You may walk out feeling a bit, erm, invadey, but that passes quite quickly... Oh, and I'd like to go to Mongolia now, please... 😃 * 'Next song'...'Thank You'..'Manchester' 😀
    1 point
  46. TL;DR -- we had a power cut but managed it anyway. As per my status update, I was in the studio with Train To Skaville this weekend. Set-up on Saturday afternoon, recording Sat evening and all day yesterday. Or at least, that was the plan. The idea was to record 3 takes of each song 'live' as a band and patch up or cut/paste any hiccups after. We put 3 songs in the can on Saturday evening and had another 12 planned for Sunday. All was going well and we were blasting through take 2 of Rancid's "Time Bomb" when Ciara put the lights out... We waited for a while -- "anyone want tea while we w... oh boIIocks" -- until a google revealed that half of Wiltshire was fecked and we were looking at probably a 6 hour wait. Hold on, says Gil the keys, I know a bloke who hires generators... could we make that work? A quick scout around the control room and some fag packet work and yeah, if we just plug in the bare bones of what we need and forget most of the rack gear then why not? Jim from Powerline turns up with his trailer genny and ten miles of electric spaghetti, and much plugging and trailing and swearing and we're back in business. We finished all the songs as planned, a bit later than planned but with a sense of triumph in the face of adversity. What a TOTALLY BRILLIANT weekend. Here's engineer-producer Steve in the moodily-lit control room. The live room wasn't much brighter
    1 point
  47. Big fan of Glenn Hughes here. I have the book but haven't read it yet. I'm an 'acquaintance' (not close enough to call friends, but we've been out drinking and chatting etc) with a guitarist who knows him well, and I heard a few sad stories of Glenn. He seems to be doing alright these days, and what a voice!
    1 point
×
×
  • Create New...