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Showing content with the highest reputation since 05/07/19 in all areas

  1. 42 points
    WoT Snr is far, far handier on the tools than I am. He's just built me a stand, and it's marvellous. Have a look...
  2. 41 points
    arrived this morning. Birdseye maple facings, ebony fingerboard I've had a couple of Wal's before (one second hand from the mid '80's, one that was new but not my custom order from the late '90's) and those never quite felt like they were "mine". Also, necks a bit on the chunky side. This one is most definitely mine, and the neck is unbelievably slim and fast. Plus, you know, it sounds like a Wal. Just all round gorgeous - now that I have it the two year wait seems completely worth it. Another reason to hope for the end of the lockdown so I can take it to a studio and play it through a cranked up amp And Paul and Philip at Wal were excellent to deal with - top marks all round. My boss thinks I'm working this afternoon. My boss is wrong
  3. 26 points
    Well obviously those awful foreigners keep coming over here and taking all the well-paid gigs away from talented-but-starving hard-working BRITISH people who have paid for the social services and stuff that they want to nick and take back to foreign-land with them when they steal all our best tunes and leave talented-but-starving musical geniuses to rot in garrets while they take all the cash which should have been ours but it's OK cos we're going to kick out Johnny Foreigner and tow Britain out into mid-Atlantic where we can become the first-choice trading partner with North Korea and Peru.
  4. 21 points
    Noticed a funky looking Wishbass on ebay: https://www.ebay.co.uk/itm/Bass-Fretless-4-String-Curly-Ambrosia-Maple-J-B-Wishbass-Kent-Armstrong-J-PU/143531217204?hash=item216b209134:g:ks0AAOSw7UheGOpm and this fugly one: https://www.ebay.co.uk/itm/Lefty-Bass-Fretless-4-String-Red-Cedar-Fiddle-Shape-Short-Scale-28-Wishbass/133325147860?_trkparms=aid%3D555021%26algo%3DPL.SIMRVI%26ao%3D1%26asc%3D20190711100440%26meid%3Daf81145a6a9f4ca6b4d1f88154fb85a7%26pid%3D100752%26rk%3D1%26rkt%3D18%26mehot%3Dpf%26sd%3D143531217204%26itm%3D133325147860%26pmt%3D1%26noa%3D0%26pg%3D2047675&_trksid=p2047675.c100752.m1982 Also noticed the verbiage near the bottom of the page: Unfortunately this video exists with Mr Wishnevsky himself demoing one of his basses by using it to make a noise like a dying cow
  5. 20 points
    A stunning example of Leo Fender’s G&L P bass. It’s a proper U.S. model built in 2016 at the Fullerton, California plant. Hang tag, warranty card, certificate, spec sheet etc is included. Alder body. Finish is cherry burst. The three ply guard is more like the lovely old vintage looking tort. Saddle lock bridge. 9.5 radius dark Rosewood fret board. Bone nut. Width at the nut is 1.5/8th”. Frets are medium/jumbo and all seated and finished perfectly. G&L Alnico pick up G&L ultralite tuners. Weight is 9lb 12oz. Original hard-shell, black tolex case, which looks almost as new. This bass has not had a hard life, the first owner only used it at home, I’ve gigged it twice. Although I believe it left the factory, with round wound strings, the previous owner fitted a set of flats, so there is no fret wear. Condition is near perfect, with just a little swirling/signs of use to the pick guard. Lovely tight, neck pocket and with six securing screws, the neck/body joint is rock solid. I love this bass, it’s comfortable to play seated or standing, looks amazing and sounds great in a band setting. My reason for selling? Well a near miss last night, on a crowded stage, when our drummer knocked over a heavy cymbal stand, made me rethink gigging with a pristine instrument like this. I’m going to use my old G&L and a P bass that I built for myself, both of which sport war wounds and genuine road wear. Hopefully the photos will give a good indication of the condition. Anything that looks like a blemish or damage to the body finish, is purely down to my photography. Price is £950. I’m in Hoddesdon, Herts. Would really prefer collection but we can discuss shipping if necessary.
  6. 19 points
    It’s become blatantly obvious all gear sounds the same. I am talking literally everything, basses, amps, cabs, PA’s, pedals within their respective category, strings. The only thing that makes a difference is the tonewood and compression. Those that think otherwise forgot to ask Santa for the gift musicality for Christmas consistently for their entire life. Also people who mainly play with a pick are superior in every way. This way tone can only be in the Finger - not plural. While I am here, chordal type players don’t count, they can do one to the guitarchat sister site. I am not wrong, I have read every post of every single thread on this site and this is the logical conclusion, hence no poll - discuss if you wish, but....... oh and a happy new year
  7. 19 points
    I went out today, ostensibly to check out a MusicMan Cutlass bass, in Diamond Blue, with maple fretboard. But with a whole day at my disposal and visting a shop run by a friend, I had to check out a few alternatives. My 2 main basses at the moment are EBMM Stingrays. A classic and a special. So the Cutlass seemed a very nice alternative to the Rays. I also played a mapleglo Rickenbacker 4003s, which despite it's rediculous hardware (bridge & string cover-rest), felt very nice to play and was a nicely built bass. But I didn't like the sound of the pickups at all, thick, harsh and a little crude. I had a quick go on a couple of 5-strings, an MTD Kingston and an EBMM 'Ray. Neither convinced me to have another go with a fiver. Alao had another try on a Marleaux Consat 4-string, I'd played before, but still didn't gel with. The Cutlass was pretty much exactly what I expected. Like a passive Precision but IMO, better. I was close to saying I'd have it, when Gary, the shop guy suggested a Jazz Bass. Now I've owned/played a load of Jazz basses but had gone right off them, about 3 years ago. But he pulled out a real nice one, although my intial comment was "not a pink bass!". It was indeed shell pink, with an off white (mint?) scratchplate, being a Fender Limited Edition American Pro Jazz Bass. But what grabbed my attention and got my juices flowing, was the all rosewood neck. A thing of beauty that played as well as it looked. But it had the narrow nut of a Jazz and it was pink! I plugged it in and was surpised at how much I liked the tones available. I mainly settled on middle pickup up 100%, bridge pickup and 75% and varying the tone from 100 to 75%. Then I said to Gary, this would look much better with a tort scratchplate. He agreed and produced one. We slid it into place and it transformed the looks of this bass. Wow, now I was really interested. So Gary said he'd replace the plate and put some Elixirs on for me. Yes please! Trouble was the plate fitted everywhere, except there was a small gap between it and the chrome, control panel. stinky poo! So the original went back on, with the Elixirs and Fender are sending a tort plate for this series, for me to put on ASAP. Got it home and have been blasting along to my tunes and loving it. I've been playing actives for years but my ears are enjoying this passive bass. And my hands are feeling very comfortable on this lovely neck. Just need that tort scratchplate, to perfect the aesthetics.
  8. 19 points
    Mrs S made the basic error of leaving me on my own with time to kill in Nottingham for the afternoon. I made the even more basic error of nipping in to Hotrox in Sneinton. They had this.... I wasn't going to buy it until i realised; a) that it is medically necessary as the binding on a 4003 is a bit sharp on the forearm, and b) that it will annoy Young Teebs. Oh, and; c) it is bloody lovely. Mrs S did the rolly eyes thing until I mentioned (b) then she understood why i had to get it. Of course, I've broken my one-in-one-out rule so expect some major activity in the marketplace shortly. Or I have a kidney if Raymondo's interested.....
  9. 19 points
  10. 18 points
    The plan was to visit Mark and the boys at Bass Direct to try and buy a US Lakland Jazz they have advertised. That was the plan. What happened was, well, basically my head got turned by a spotless 2011 4003 in my favourite colour scheme and once I plugged it in and heard that Ric "fizz" it was only ever going to finish up one way. The Lakland was lovely but left me feeling completely underwhelmed. It was a gorgeous piece of work and the build quality was superb, but I just didn't feel anything from it. It was (as they say) me, not the Lakland. I need to change the strings but it's a real beauty and fills a gap I didn't know needed filling in my collection. All in all, a worthwhile trip.
  11. 18 points
    Easily solved. Just leave the UK. Plenty more cheap Thomann goodies for me. 😁 Oh, and did I mention the cheap beer, low cost of living, borderless travel, and the right to live and work anywhere in Europe unhindered. I really miss the UK. 😋
  12. 18 points
    I had a get together with a band planned for tomorrow, the guitarist sent through a couple of original tunes and asked me to learn a cover. All done, excited. Got a message from the guitarist this morning to say that it's off, the drummer's had to cancel, and that's the final straw as he's been unreliable recently. No band, no get-together. As far as I know this is the third time this has happened - I reply to an ad and the band breaks up Anyone know any bands they don't like that need a bass player ? Maybe another covers band is nicking your regular slot at the Dog & Duck ? Ex-spouse getting somewhere with their Nu-Klezmer band ? Sick of that residency at the Filmore and you want a change ? Email me the band ad, I'll reply with my schedule of services and we can get to work....
  13. 17 points
    This little beauty arrived today!
  14. 17 points
    I love that this was edited by one of the mods As a flag waving, T-shirt wearing techy I'll bite. Mic that rig up and pump it through a really good Class D, Neo speakered, festival sized PA rig and it'd sound just as good. So it isn't class D or lightweight neo speakers, it is something else. I'll tell you my theory, in the olden days speakers and amps were designed to enhance your bass sound (guitar sound even more so but this is Basschat) They didn't need to be clean and undistorted they just had to sound good. People built cabs and tried them out with bass and the ones that sounded best or most popular got made and sold. Theory wasn't really worked out until the 70's and didn't get through to instrument amp design until much later. The truth is we don't much like uncoloured sound for bass and most of us aren't very good at finding the eq to achieve it so a nice old Trace that gives us the Trace sound sounds better to us than our own attempts to recreate it. The second thing is that we like things that are loud, too loud to be sensible but there is joy in just cranking up an old monolith of a speaker with an amp with the frequency response curve of the Cairngorms. Sensibly we'd scrap the backline, use in-ears or at least floor monitors and let the PA do it's job but for some that's no fun. There's also a lot of self delusion, I used to have fun in my old rear wheel drive cars with cross ply tyres sliding round bends double declutching because the synchromesh was rubbish but I can't really pretend those cars were 'better' than those I drive now. One day soon the computer modelling will be so good we won't be able to tell the difference but that is still a little way away. Until then if you love an old Peavey stack and don't mind shifting it then the important thing isn't technical perfection so go for it and enjoy.
  15. 17 points
    Hopefully you won't get fooled again.
  16. 17 points
  17. 17 points
    Blimey, once you start looking they turn up in all sorts of places!
  18. 16 points
    Ebay isn’t the problem. People are the problem, exploiting systems put in place to protect buyers and actually using them against good sellers.
  19. 16 points
    Evening all I played this bass in a shop years ago (Chandlers I think), at which time I was still firmly in something of a Jaco phase. I loved it, and thought "I'll own that one day when I have a proper job"! It popped up for sale on Reverb earlier this year so I jumped at it. It's absolutely glorious, and pretty much sounds like it looks (and smells), open the case and plug it in and it oozes a 50+ year history of jazz/blues bars, sweat, nicotine and alcohol. It's obviously had a few changes over the years, but none detract from the fact that this is a fine example of a well played vintage musician's bass, and far closer I imagine to Jaco's than the FCS relic ever was (I've owned that also). But I sank almost £3k into a bass that I only play at home, which simply doesn't work with any of the bands I play in, and which I think I'd prefer to sell or trade for something more useful (I also have a Warmoth FL Jazz that works better for me having a 44mm). Photos below from the dealer's site, I can provide more detailed shots if needed. Cheers Chris
  20. 16 points
    Do you seriously believe that things will improve for workers? The cheap Eastern European worker is a myth. How many British born people do you know would work in a field in the pouring rain and cold picking whatever seasonal crop, for the minimum wage? The crops will and are going unpicked. Bottoms will go unwiped in nursing and care homes. They’re on average better qualified and better trained that UK workers, their qualifications and training obtained abroad, so not at our expense. What they’re actually doing, if you look properly, is making it harder for you and I to go abroad to work. They’ve also lowered the salary cap for workers from abroad, and lowered the minimum qualification from a degree to the equivalent of an A level. Bearing in mind that most Europeans have a fantastic grasp of English, then the requirement to speak English won’t be much of a hindrance. This thread though, is meant to be about musicians and other creatives coming here, and us going there. Everyone I know from both sides of the channel who has performed abroad, in whatever capacity is saying the new rules will prevent them from doing so in the future. The only people who aren’t, have probably never performed abroad, and probably have never had any intention of doing so. Therefore I would rather listen to those who have, than those who’re talking without any experience. As an artist and an academic, it will cause massive disruption, and negatively impact what I do.
  21. 16 points
    On the 22nd December 1989, I narrowly scraped into the 80s with my first live performance. It was a less than impressive slot as the band that played the Sixth Form Pantomime in our school production of Cinderella... I'm not sure if she'd have wanted her shoe back after that racket! Fast forward through thirty years and I've definitely had a lot of fun sharing some great, and occasionally not so great stages, with some amazing friends, meeting many of my best mates and generally having a blast. Not sure if I have another thirty years in me but I guess the fun is in the finding out. And 2020 is already looking pretty good for the first few months. Rock on! *Fun fact but the top 3 photos were the same bass, a Fender Precision MIJ 57RI from 1989 that lasted until I went online and discovered GAS. The bottom right photo is a Fender Precision MIJ 57RI from 2016 that shows how life sometimes goes full circle!
  22. 16 points
    The more appropriate question is whether you should be banned or not. For asking if 42 is too old. 😂
  23. 15 points
    I have fond memories of Sid, my 70RI CIJ Precision from my first punk band Kismetik, a decade or so back. Nice narrow, almost J-like nut width and neck, and my fave style of Fender P logo. So when I spotted this pretty rare, late 1990s surf green edition online I dived in. Also I have been under pressure from Mrs C (who ranks basses purely based on colour) to replace 'Minty', my now-sold 62RI surf green Jazz ... oh and @Happy Jackwouldnt sell me his surf green 54P Lull. Well thats my list of excuses ...
  24. 15 points
    He answered, and what a nice guy!! It was the 59 P bass through the Basing street Ampeg amp. Yay!
  25. 15 points
    Greatest ever does not travel well within the Arts. We all have solos we enjoy but calling something the best is a bit crass.
  26. 15 points
    Hey hey... the official pics have arrived. Here's some...
  27. 15 points
    Whilst I understand that occasionally posts on here can be a bit sarcastic, even pompous (and I've been guilty of it myself once or twice) please keep in mind that for every bass player that may have achieved the dizzy heights at which you are fortunate enough to have found yourself, there are many thousands who play in their bedrooms, in rehearsal bands, or whose peak of achievement might be a gig down their local pub. If you have done much better, you are to be applauded, admired, and even envied. But please show a bit more deference to those who are what could be termed in the lower echelons of the bass community. We far outnumber you. I'm a 'pro'. I played in a pub last week. I got paid a modest amount. I've also played in Hyde Park, on national TV in many different countries, and to crowds of 20,000 and more on numerous occasions. This may sound like I'm blowing my own trumpet, but I've never said any of this on here before, the reason being that it has nothing to do with anything. I'm a just bass player, and part of a community, as you are. If people do, in fact 'avoid this forum', it's for their own reasons, not because they're 'pros'.
  28. 15 points
    It’s hard, but it’s done and nothing can change that. If that’s how little they value you, well, you’re better off finding out as soon as possible and having these people out of your life. Let the negative rage go and move on. Believe in yourself. Use that energy to get something else going. F**k ‘em.
  29. 14 points
    Hi, Im from Argentina (excuse my poor english) and I made this bass starting with an old jazz body, some pallet wood and a chinese lefty neck. Pickups are from 2 Squier basses and tunners are Gotoh Classic. I hope you like it.
  30. 14 points
    As part of my astrophotography hobby, I have software that takes multiple images and averages them together to bring out faint details and hidden shapes. You can then apply techniques like deconvolution and contrast enhancement to achieve a striking but accurate image. I thought I'd try applying this technology here, so I've fed in all of your different favourite basses, and this is the result:
  31. 14 points
    Due to financial reasons, up for sale is this rare USA Lakland Hollowbody. Specs are: - Mahogany body - quartersawn maple neck with ebony fretboard, no face dots (just side dots) - sonic blue finish - USA Hipshot tuners with original D-Tuner - Chi-Sonic pickups, passive - 3,7kg Bass comes with OHSC and is in excellent condition, has some player wear blemishes (not a mint bass). Bass is located in Czech Republic and I am happy to ship it within Europe. £1950 shipped.
  32. 14 points
    Providing a facility for people to argue about planks of wood with strings on (Basschat)
  33. 14 points
    Hey gang Following a recent fling with a '63 Precision, which made me realise the early 60's neck profile isn't for me, I'm back in the bosom of the lovely fat early 70s P neck. I picked this up a few days ago - it's a '72, with a neck stamp dated the month & year of my birth. It's light (about 8.5lbs) and resonant, original black, with a maple neck. They're just teaser pics at the moment as it needs a little bit of love, but I'll post the full story soon. In the meantime, I can barely stop playing it...
  34. 14 points
    Good job I fished this out of your dustbin last year. No, you can't have it back.
  35. 14 points
    I was teaching one of my A level music students a couple of years ago, talking specifically about his composition and where he could go with the bass line,. I recommended he listen to Danny Thompson, to which he replied that his mum , who was in a band, had worked with Danny Thompson. Anyway, a couple of weeks later he says “my mum asked me to ask you if you could give her guitar lessons”, this student knowing that I am a bit of a fan of alternate tunings. I asked him more about his mum, and which band she played in. “Oh you won’t have heard of them” he said. “She is the lead singer in Lamb”. Talk about OMFG! “But Lamb are my absolute favourite band, they are what inspired me to get into music technology”., fast forward a couple of months later, after she got back from a tour, and I’m talking to her about how she recorded the orchestra parts on Gorecski, and working out a Dadgad acoustic part with her for an unplugged version of her most famous song, Gabriel!! Robbie
  36. 13 points
    Made in Japan 51 Precision in two tone sunburst with maple neck Weighs 10lb 10ozs Serial Number V018392 Absolutely superb Sale only
  37. 13 points
    Look at it...😍
  38. 13 points
    Friday: scroll down for another! A glimpse of Utopia - from Rhinos Winos & Lunatics Poulseur – pronounced ‘pulls hair’ – is a little village in Belgium; 15 houses, a church, a bridge, a bar, and a large, civic building. Set picturesquely on the banks of a wide, slow-running river, I have yet to find it on a map. We arrived there on a blazing hot August day. It was in the middle of a two-week tour of the Low Countries we undertook straight after the Plymouth bust. It was late afternoon and the sun was having a final blast before knocking off for the day. Bits of white fluff – which I assumed to be some sort of plant-life – hung, motionless, in the still, heavy air. An occasional bee managed to summon up a perfunctory buzz. Of human life, there was no sign. We pulled up outside the large civic building, assuming it to be the gig. The doors were open. We looked inside. There was a stage and seating for about 400 people – wooden schoolchairs, joined together in groups of ten by a spar running along the backs. This must be the gig. We shouted hellos. Nothing. We set the gear up. As gig-time approached, we experienced a whiff of apprehension. Just as we were about to call it a day, a party of seven arrived; six teenagers and an adult. Introductions were effected and the kids ran off into the hall, while the adult started pottering around backstage, switching things on. Under questioning, he revealed that he was the promoter. He was also, he said, the Mayor, the Chief of Police, and the Chairman of the Poulseur Chamber of Commerce. ‘Where are the audience?’ we asked. ‘You have just met them,’ he replied. He explained the situation. The city fathers – probably the Mayor, the Chief of Police, and the Chairman of the Poulseur Chamber of Commerce – in their benign wisdom, worried that the isolated location of their village would mean that the village youth would be culturally deprived, had given them an entertainment budget, which they could spend any way they liked. In previous years they had hired local bands, once a month. This year was different. They had decided to spend the whole year’s budget on us. As we walked onstage, the six kids sat in a line, halfway up the hall. The first number was a half-hour ‘Spunk Rock’. At the end of it, the six kids went apeshit, leaping to their feet, yelling and stamping. The more we played, the madder they got. By the end of the gig, they were on the stage with us. We did three encores and they screamed themselves hoarse. After the gig we were taken to the bar. The whole village was there and we ate a riotous supper. We asked the promoter if we could roll a joint. He convened an ad hoc meeting with the Mayor, The Chief of Police and the Chairman of the Poulseur Chamber of Commerce and, after due deliberation and careful consideration of all the relevant facts, he came to the unanimous decision that, yes, we could. Some hours later, we inquired about the sleeping arrangements. Poulseur, he apologised, had no hotel but they had fixed up something for us in the attic of the gig. We followed him up stairs, ladders and gantries to the attic, which ran the whole length of the building. It was totally empty except for a large square gymnasium mat, laid out in the centre. This was, said the promoter, the best they could do. Would it be alright? Yes, it would. We bedded down for the night. I managed half a page of The Sirens Of Titan before I fell asleep. We surfaced about noon into another blazing hot day. Everybody in the street waved cheerily to us and pointed towards the bar. We obeyed. Inside, the tables were laid and the staff were straining at the leash. We were shown to a table and given copious amounts of alcohol. Gradually, the place filled up and it became obvious that the whole village had turned out. A sumptuous meal arrived. The Mayor rose, unsteadily, and proposed a toast to the guests of honour. Martin reciprocated with a touching speech about the incalculable value of transitory friendship. The party spilled out into the garden and then the river-bank. Martin, swimming-trunkless, decided to cut his jeans into shorts and called for scissors. A pair were produced and Martin set to work, to the delight of the Poulseurians. As the legs of the jeans became available, they were snatched away. Somebody put ‘Two Ounces Of Plastic’ on the record player in the bar and villagers danced around the garden, tossing the legs back and forth to each other. Then, with due ceremony, they carried them, on high, into the bar. Someone found a stepladder and the legs were pinned, in crossed position, above the middle of the bar. The revelry continued, breaking off occasionally to toast the legs. Then, we had to heed the unforgiving call of duty; it was time to leave. As we drove off the entire village waved us goodbye. The Mayor was there, the Chief of Police was there, in charge, no doubt, of crowd control, and I think I spotted the Chairman of the Poulseur Chamber of Commerce, but I can’t be sure. We like to think that, now and again, they still put ‘Two Ounces Of Plastic’ on the record player and toast the legs. As for me, I would like, one day, to return to Poulseur, there to die.
  39. 13 points
    So finally got the bass back from being wrapped. I’m sure it’s not everyone’s cup of tea but I am a Batman Fanboy. It was wrapped by a company in Oxford called Vinyl Revolution and I can honestly say they were an absolute pleasure to deal with. They have wrapped the pickguard to match the image but also wrapped the same image underneath in case I ever want to change the pickguard for a clear one. I supplied the image(found on the internet.) They did the rest. Cost £115 + VAT. It’s obviously cheaper if they just supply the wrap and you do it yourself. I think that was £30 + VAT to produce a wrap in an image you supplied but I’m not that patient or handy to fit myself lol.
  40. 13 points
    Hi, not an easy decision ... but I need to invest in a new roof for my old house, so I have to sale some of my babies. This Status has one of the most beautifull top made by Rob, unique piece of Myrtle wood. No leds, 17.5mm. The bass is with me since 2012 (and during a short period with Mike) , and rarely used in concert, so the condition is nearly perfect I live in Belgium, I have the hard case Status, so I can send it everywhere on earth (cost of shipping for you). I would like to have 2800 EUR for it, no trade pls. So sexy ! no ? I have also an Alembic Rogue 5 and a MM Stingray Classic 5 on market, so I could cancel this sale at any time. Regards Luc
  41. 13 points
    Now Sold One rather nice US Precision in Oly White - or as our drummer used to call it, cheesecake - it’s much creamier looking in real life than the pics suggest. In good condition, a couple of slight knocks as per pics, has graphite rods in the neck for stability, Custom Shop 62 pickups, hi-mass bridge and I’ve added a string retainer to the A tuner plus a Graph Tec nut. Comes in a Hiscox hard case. All important Basschat answer is 3.85kg or 8lbs7.8oz In true Basschat spirit am looking to recoup what I paid for it, £850. No trades. Can look at shipping at buyers expense.
  42. 13 points
    I move the following motion: That any band follower or random 'friend' who sits in on rehearsals be henceforth referred to as a 'Carl', this irrespective of their gender. Example: 'There this Carl who keeps turning up every week. She's quite cute but between every f*cking song she asks us if she can get us some tea from the machine and frankly it's a bit off-putting'.
  43. 13 points
    Just spoke to Dave, to make sure I understood what the situation was. "Carl has always been sort of associated with the band, without ever playing with us. We were simply trying to help out a good friend", he said. I asked if Carl would be at future rehearsals. "He may well be - he's a good friend of ours. He sits at the back and doesn't usually say anything. Is that a problem?". Not really the answers I was wanting to hear. I wouldn't want Carl to be at rehearsal, but the band can't quite see that. I can't think of any other band I've been in that starts with me stipulating who can/can't be at rehearsal. And, furthermore, what happens if he does turn up? I flounce off?! I said to Dave that I don't think the whole situation was handled well and that, on reflection, this isn't the right band for me long-term. I've offered to dep for them while they keep looking for a permanent bassist. "So, will you be OK attending our regular rehearsals?" asks Dave. "No", I said.
  44. 13 points
    Thanks for all the comments guys, makes me feel a bit better. I was on a huge downer last night. We’ve been through a lot since I joined in summer 2015, and the way they’ve handled it just leaves a bad taste. I’ve decided not to do the gig. It’s their problem and they can fix it. When I asked them what they were going to do they both looked surprised, as if they hadn’t considered the possibility of finding a new bass player. Weird... unless they have a replacement already lined up. Oh well, onwards and upwards... (Incidentally, I suspect they’ve forgotten that I run all the social media accounts and am the only one with the passwords 😏)
  45. 13 points
    I've never really got into the self-titled Jaco CD, but I do like his playing on Joni Mitchell's albums
  46. 13 points
    I can't be the only one, can I? Don't get me wrong, I love being in a band, hanging around with my mates making music, that's where the pleasure comes from for me. I know public performance is the pinnacle of being in a band for most people, but I'm just not feeling it. The way I feel at the minute, I honestly wouldn't care if I never played in public again Lugging gear around, trying to fit it all in the car. Spending the best part of an hour at the other end unloading it and setting everything up. Standing round like a spare part waiting to go on, then performing to a load of annoying, well lubricated people, who, in many cases aren't even interested. Only to have to break everything back down while the audience who haven't shown a bit of interest all night, start demanding "more". Then lug everything around back into the car, drive home, lug it around again into the house and finally get to relax about 3 hours after the people you've been "entertaining" have gone to bed. The only part I actually enjoy is if we get time for a couple of cheeky pints after the gig. Why do I do it?
  47. 13 points
    @Teebs can't be with us tonight, but I happen to know he'd like three or four thousand of his posts deleted, please? And he wants all of his daily reactions transferred to me, if that's OK. 👍
  48. 13 points
    The site was the inspiration for this one and there’s a huge amount of experience and some great people on there. With any site that size you’re going to get some arses who like the sound of their own voice but imo if you ask a good question and don’t give them any room for stupid replies to generally can find what you need.
  49. 12 points
    Anyone remember Tom's ( our very own @wwcringe ) African Build? Turning a wavy, cracking, variable hardness, unknown species and less than an inch thick body, presented to him by African drum-maker contacts of his in (I think) The Gambia: Into this fretless through-neck: Which he played later that year at the Mayor of London's Show in Trafalgar Square?: Well - they've presented him with another one: And before you ask....of course I said yes
  50. 12 points
    Just had this delivered by our resident gear tart Karl to my hotel room in Newcastle. Blown away by the bass and Karl's 50 cash back to buy the strings of my preference. What a diamond geezer.

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