Mainly the drummer.
He’s clearly a monster musician, but his feel is as straight as hell. Every little bit of Collins / Thompson swing has been left on the floor in the rehearsal room.
Tempos are all over the shop (may have been deliberate, so I’ll not blame the drummer for that one) - Afterglow flew along and lost every bit of poignancy. Some songs jarringly leap forward.
The arrangement of I Know What I Like needs to be erased from history.
Some pivotal ‘Seconds Out’ moments are MIA (the dead-stop end of Cinema Show), the last notes of Los Endos (ends with a whimper).
Steve’s absolutely entitled to do what he wants, but he’s thrown the baby out with the bathwater.
Lights & sound were great, tho.