Leaderboard

Cheers! With mine the Stomp supplementary switch is as wide as the gap you want to leave to the next pedal. Actually, for a Stomp, the two switches are just momentary press going to a TRS jack, so making one into a project enclosure (you can get good quality aluminium ones for a few quid) is a pretty simple job. The one I bought lights up too, so it's got that "essential" extra featurette... On my board the MicroBass 3 preamp is the hub and the switcher along the front just connects to its fx loop and switches the 4 supplementary pedals in/bypass at the touch of a button. That means you can switch out a pedal (eg. the Stomp), silently change its setting, and then switch it back in when ready.

@Jean-Luc Pickguard Voice is great and sounds as big as the band. Three chord keys hook - fantastic - comes over really well.

The Ironbird which really grabbed my attention first was Johnny Rod's yellow one, love this bass.

It depends on what you mean by handle low B string. It is the 30hz to 80hz content that is the concern. Most modern 12" bass cabs will handle it pretty well with a high pass filter to snuff out the 30hz content and let through some 60hz. The higher performing ones folks are recommending you can make that 60hz quite loud. None of them will produce audible 30hz so a HPF is still a very handy thing. A lot of players even take out a bit of the 60 to 80hz. Their cab is too good at making it and the tone gets to be wallowing in lows.

I'm playing Glastonbury 2025, I have 4 gigs lined up, playing with Andrew Maxwell Morris. Wednesday 25th: Toad Hall - 17.10-17.50 (40mins) Thursday 26th: Mandala Stage - 14.00-14.45 (45 mins) Friday 27th: Open Arms - 12.00- 12.45 (45 mins) Small World Stage - 14.10-15.00 (50 mins) I so can't wait 😁

I'd love to play it, but I've got no interest in being a punter.