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Showing content with the highest reputation since 17/09/17 in all areas

  1. 57 points
    After my wife died I gave up music. Then 2 years ago I started playing with some mates from school. Old blokes are us! It was going knowhere so I replied to an ad on joinmyband doing covers. Got the gig. Now 6 rehearsals later we are doing a gig! My first in 30 years! I am 61. So... Just keep trying... My love for bass is rekindled. It has only taken me 50 year's to get the best bass sound I have ever had. Thanks markbass and Cort. And the bass soul food pedal. And thank you to this forum/site for being an inspiration!
  2. 42 points
    WoT Snr is far, far handier on the tools than I am. He's just built me a stand, and it's marvellous. Have a look...
  3. 42 points
    Hey dudes, it finally uploaded... So, word of warning... this ended up a little (understatement) longer than I though it was gonna be, but I wanted to cover a few things. Things I hit upon that may be of interest: The reason why we're experimenting with longer form dripped courses outside of the SBL Academy What's actually included within the SBL Academy (for those of you who have no idea) The reason why my YouTube content has changed over the years (this will probably be of most interest to you, as it's likely not what you think) Am I the same in "real life"... or is it a show for the camera? And a bunch or other morning ramblings Ezzzzz
  4. 39 points
    Epic fail on at least two levels. 1. Define 'best' - best chops, best playing for the song, best songwriting...? Get promptly mired in controversy. 2. Last time I checked, people don't play bass with their genitals, therefore 'female bassist' is as relevant as 'gay bassist' or 'black bassist.'
  5. 22 points
    Can you imagine if The Police had their van nicked? *Ring Ring* Hello, police. Hi there, this is Gordon from the police. Our van's been nicked. Jeeze, a police van? Boy you're in trouble. No... well, yes, I suppose you could say its a police van... it's certainly the police van. What? Look, I'm in the police. OK. And our van's been nicked. Right. Well can you like, find it? You're in the police. Yes. Find your own ****ing van before your Sgt finds out. No... I'm not in the police! You said you were! Well in one way I am. I'm recording this, you know. Oh, that's ironic. What? Etc...
  6. 22 points
    I believe Scott's brother, Barry Devine, has a Youtube channel which is aimed at builders. In an hour-long special, he covers "Why do a lot of builders use a Ford Transit" with an interesting 12 minute monologue by a roofer who presents an alternate view and owns a Renault Trafic. Also he has a 15-part mini-series on the premium channel, on different types of sand.
  7. 22 points
    The best one I ever saw was at an Iron Maiden gig. They were being supported by a then (and probably still) little known band called Funeral for a Friend (catchy huh). They were a bunch of fresh faced young lads about 18 or 19 playing to an arena full of Maiden fans who just wanted to see the main act, and they were being heckled mercilessly and having things thrown at them by a couple of hundred hard core Maiden fans right at the front of the stage. Three or four songs in and they were going down like a turd sandwich at a buffet. At which point the singer who was about as old as my favourite socks, walked to the front of the stage, stared straight at the offending crowd, lifted the mic, and in a level voice said "F#ck you! I'm 19 years old and I'm up here supporting Iron Maiden, and any one of you f#ckers would give your right arm to be where I am now", at which point an almighty cheer erupted across the whole arena, the band started playing the next song and all the offending Maiden fans started moshing along. The rest of their set was absolutely brilliant! I've never before or since seen anyone turn a crowd like that. Absolutely legendary!
  8. 19 points
    It’s become blatantly obvious all gear sounds the same. I am talking literally everything, basses, amps, cabs, PA’s, pedals within their respective category, strings. The only thing that makes a difference is the tonewood and compression. Those that think otherwise forgot to ask Santa for the gift musicality for Christmas consistently for their entire life. Also people who mainly play with a pick are superior in every way. This way tone can only be in the Finger - not plural. While I am here, chordal type players don’t count, they can do one to the guitarchat sister site. I am not wrong, I have read every post of every single thread on this site and this is the logical conclusion, hence no poll - discuss if you wish, but....... oh and a happy new year
  9. 19 points
    I went out today, ostensibly to check out a MusicMan Cutlass bass, in Diamond Blue, with maple fretboard. But with a whole day at my disposal and visting a shop run by a friend, I had to check out a few alternatives. My 2 main basses at the moment are EBMM Stingrays. A classic and a special. So the Cutlass seemed a very nice alternative to the Rays. I also played a mapleglo Rickenbacker 4003s, which despite it's rediculous hardware (bridge & string cover-rest), felt very nice to play and was a nicely built bass. But I didn't like the sound of the pickups at all, thick, harsh and a little crude. I had a quick go on a couple of 5-strings, an MTD Kingston and an EBMM 'Ray. Neither convinced me to have another go with a fiver. Alao had another try on a Marleaux Consat 4-string, I'd played before, but still didn't gel with. The Cutlass was pretty much exactly what I expected. Like a passive Precision but IMO, better. I was close to saying I'd have it, when Gary, the shop guy suggested a Jazz Bass. Now I've owned/played a load of Jazz basses but had gone right off them, about 3 years ago. But he pulled out a real nice one, although my intial comment was "not a pink bass!". It was indeed shell pink, with an off white (mint?) scratchplate, being a Fender Limited Edition American Pro Jazz Bass. But what grabbed my attention and got my juices flowing, was the all rosewood neck. A thing of beauty that played as well as it looked. But it had the narrow nut of a Jazz and it was pink! I plugged it in and was surpised at how much I liked the tones available. I mainly settled on middle pickup up 100%, bridge pickup and 75% and varying the tone from 100 to 75%. Then I said to Gary, this would look much better with a tort scratchplate. He agreed and produced one. We slid it into place and it transformed the looks of this bass. Wow, now I was really interested. So Gary said he'd replace the plate and put some Elixirs on for me. Yes please! Trouble was the plate fitted everywhere, except there was a small gap between it and the chrome, control panel. stinky poo! So the original went back on, with the Elixirs and Fender are sending a tort plate for this series, for me to put on ASAP. Got it home and have been blasting along to my tunes and loving it. I've been playing actives for years but my ears are enjoying this passive bass. And my hands are feeling very comfortable on this lovely neck. Just need that tort scratchplate, to perfect the aesthetics.
  10. 19 points
    Mrs S made the basic error of leaving me on my own with time to kill in Nottingham for the afternoon. I made the even more basic error of nipping in to Hotrox in Sneinton. They had this.... I wasn't going to buy it until i realised; a) that it is medically necessary as the binding on a 4003 is a bit sharp on the forearm, and b) that it will annoy Young Teebs. Oh, and; c) it is bloody lovely. Mrs S did the rolly eyes thing until I mentioned (b) then she understood why i had to get it. Of course, I've broken my one-in-one-out rule so expect some major activity in the marketplace shortly. Or I have a kidney if Raymondo's interested.....
  11. 19 points
  12. 18 points
    The plan was to visit Mark and the boys at Bass Direct to try and buy a US Lakland Jazz they have advertised. That was the plan. What happened was, well, basically my head got turned by a spotless 2011 4003 in my favourite colour scheme and once I plugged it in and heard that Ric "fizz" it was only ever going to finish up one way. The Lakland was lovely but left me feeling completely underwhelmed. It was a gorgeous piece of work and the build quality was superb, but I just didn't feel anything from it. It was (as they say) me, not the Lakland. I need to change the strings but it's a real beauty and fills a gap I didn't know needed filling in my collection. All in all, a worthwhile trip.
  13. 18 points
    Easily solved. Just leave the UK. Plenty more cheap Thomann goodies for me. 😁 Oh, and did I mention the cheap beer, low cost of living, borderless travel, and the right to live and work anywhere in Europe unhindered. I really miss the UK. 😋
  14. 18 points
    I had a get together with a band planned for tomorrow, the guitarist sent through a couple of original tunes and asked me to learn a cover. All done, excited. Got a message from the guitarist this morning to say that it's off, the drummer's had to cancel, and that's the final straw as he's been unreliable recently. No band, no get-together. As far as I know this is the third time this has happened - I reply to an ad and the band breaks up Anyone know any bands they don't like that need a bass player ? Maybe another covers band is nicking your regular slot at the Dog & Duck ? Ex-spouse getting somewhere with their Nu-Klezmer band ? Sick of that residency at the Filmore and you want a change ? Email me the band ad, I'll reply with my schedule of services and we can get to work....
  15. 17 points
    I love that this was edited by one of the mods As a flag waving, T-shirt wearing techy I'll bite. Mic that rig up and pump it through a really good Class D, Neo speakered, festival sized PA rig and it'd sound just as good. So it isn't class D or lightweight neo speakers, it is something else. I'll tell you my theory, in the olden days speakers and amps were designed to enhance your bass sound (guitar sound even more so but this is Basschat) They didn't need to be clean and undistorted they just had to sound good. People built cabs and tried them out with bass and the ones that sounded best or most popular got made and sold. Theory wasn't really worked out until the 70's and didn't get through to instrument amp design until much later. The truth is we don't much like uncoloured sound for bass and most of us aren't very good at finding the eq to achieve it so a nice old Trace that gives us the Trace sound sounds better to us than our own attempts to recreate it. The second thing is that we like things that are loud, too loud to be sensible but there is joy in just cranking up an old monolith of a speaker with an amp with the frequency response curve of the Cairngorms. Sensibly we'd scrap the backline, use in-ears or at least floor monitors and let the PA do it's job but for some that's no fun. There's also a lot of self delusion, I used to have fun in my old rear wheel drive cars with cross ply tyres sliding round bends double declutching because the synchromesh was rubbish but I can't really pretend those cars were 'better' than those I drive now. One day soon the computer modelling will be so good we won't be able to tell the difference but that is still a little way away. Until then if you love an old Peavey stack and don't mind shifting it then the important thing isn't technical perfection so go for it and enjoy.
  16. 17 points
    Hopefully you won't get fooled again.
  17. 17 points
  18. 17 points
    Blimey, once you start looking they turn up in all sorts of places!
  19. 17 points
  20. 17 points
    TBF I'm a bit dissapointed that several BC members seem to be seriously advocating pulling out of a contract you've committed yourself to. If it was another BC member you'd stiffed (might yet be for all anybody knows) I'll bet it would be a different story. 'Man up, pay up and deal with it' would be my advice.
  21. 17 points
    Hey gang! I've finally joined the pre-CBS club. Never thought it would happen... Not original: refin, replaced jack, and a couple of wires. The rest is as-is. Weighs 9lbs-ish, it's resonant and has that midrange. Gigged it last night, and it's lovely.
  22. 17 points
    Ted Nugent seems to be generally quoted with the famous quote of "if it's too loud, you're too old". However, following a recent conversation with a pub landlord and customer it seems then the modern day version in smaller gig locations should be "if it's too loud, you really are too loud". . . Some background - we played a gig at a new venue for us that's had regular live music for a long time. After sound check the landlady came over and told us we sounded really good and were the best band they'd had in for a long time. Obviously we're all smiling and happy but a bit confused as all we'd played was a few sections of three songs to set the sound up for each instrument. I asked her what it was she liked - she replied without hesitation that we weren't stupidly loud and she could hear herself think when we were playing and also her customers when they ordered. We got a decent crowd and seemed to go down well and spoke to her about possible future gigs. She said she really liked us but that she was almost certainly going to stop having live bands completely. Her reasons were really interesting: Too many of them are too loud - deafening the staff and punters and increasingly annoying neighbours Poor quality sound - guitars drowning out the vocals, bass making things shake around the room and everything sounding a bit disconnected One of her regulars joined the conversation and backed her up. He obviously knew a bit about live sound and he reiterated that bands were getting louder and louder (he mentioned they seemed to be able to do this even with small combos - which is true of course with so much modern gear). The thing that annoyed him the most was the imbalance of sound, only vocals in the PA, PA sounding 'thin' and lacking clarity and the dreaded guitarist and bassist continually turning up to drown each other out whilst the drummer thrashed away regardless. Neither of them thought the musicianship was poor - although they said they often couldn't tell because of poor vocal quality. They both also said that vocals were the single most important thing for most everyday pub gig goers and they couldn't understand why bands seemed to pay so little attention. Soon after we played another gig where the landlord said something along the same lines. He felt he was losing customers because his local bands were simply too loud week after week. He was always telling them to turn down but they always said they had to be that loud because they couldn't hear what they were playing. He said he was not booking any more bands this year This morning I saw a thread (not here) where someone was saying he was in a new band playing weddings and corporate functions but probably wouldn't be in the front of house mix. Another player then said he needed a really powerful amp that went really loud. I see this 'it's great, goes really loud' quote all the time from people playing small gigs and also so many players saying that the PA is just for vocals. I can understand that 'volume' is all part of the dynamics of playing live but surely it should be 'controlled' rather than the mayhem unleashed by so many pub bands? It amazes me that people still think, in an age where quality PA is easily available for not too much money, that being insanely loud is something to aspire to and that they don't seem to really care about setting a band up for the audience rather than themselves. Putting everything into the FoH mix allows you to balance the sound across all instruments so that the audience can hear everything clearly - especially those all important lead vocals. It also allows everyone on stage to pull back on volume so they aren't deafening each other and can hear what everyone else is playing (adding stage monitors or in-ears is a bonus but I realise that's often too much additional expense or is taking up too much floor space). The lead guitarist in my band sets his Mesa Boogie combo to 5w and never needs any more volume. So, apologies for the long post but it genuinely worries me that more & more gigs will disappear if bands don't get their sound in order. . .
  23. 17 points
    I was playing keyboard in a pop-reggae band a few years back (well, we thought we were reggae but really we were a rock band with a passing offbeat acquaintance) and one of the doormen round town booked us to play at his nephew's christening. He wasn't offering much but he was a nice lad and we already owed him a few favours for 'well-timed assistance' around town, so we hop in the van and troll down to Brum for a play. We rock up outside this old community hall about 6PM to meet Mustafa, and after a minute he comes out dressed in this incredible full-length black and red leather robe, which makes him look like something out of Star Wars. That was Red Flag No 1. Red Flag No 2 was the polyrhythmic music playing at punishing volume inside the hall. We go inside only to find ourselves walking into the middle of a traditional Ghanian christening ceremony (or whatever the equivalent is) and that was the point where we instantly realise we are not going to go down well. We're sat down over at the back of the room with the other men and given a plate of rice that nearly takes my head off (our singer causes a minor scandal by sitting with us instead of the women, but I think we got tagged with the 'musician' exemption) and Staf introduces us to approximately 350 members of his extended family, who are all absolutely lovely and just as totally baffled as to why we're there. The ladies are all sat in circle of chairs in the middle of the room with the kid in the middle, the men are sat around the edges, and the actual ceremony is being conducted by two MCs, one man and one woman, who will quickly become MC Tall and MC Short respectively. They're taking it in turns to shout through a PA turned up so loud it's become a fuzzbox; there is a second PA playing music at a volume where my eyeballs are vibrating; I do not recognise a single tune all evening. Every few minutes MC Tall or Short will double up on the shouting tempo and the women all get up and pull huge wads of dollars out of their pocket, which they then throw at the kid. The ladies are all stunning with incredibly elaborate hairstyles and the men are wearing the same leather robes as Staf - this is clearly a big occasion and everyone is putting on their best 'look how much money we have' display, which explains the throwing of the dollars. We are under-dressed, hungover, and trying to make awkward chit-chat at the top of our voices. Eventually the ceremony is over and we set up on the community hall stage, planning to make this the shortest set of our lives. We have a quick argument about what to play, which ends with us scrapping everything from our set that isn't the reggae material. Our singer is already nervous after the men's section faux pas and we've not been able to understand a single word of the ceremony so far so we have NO IDEA what is happening. We're gamely vamping away at our best imitation of an authentic roots band but are keenly aware that our material is aimed at a spot several thousand miles and a different hemisphere away from what the crowd is expecting, and it's just dropping into the abyss of stares. The crowd is polite but clearly expecting something which is not happening. Second song in and we're contemplating dropping the rest of the set and legging it. Singer is visibly wilting under the stares of an entire flock of matriachs perched to stage right; I'm getting extremely interested in the top of the keyboard, which I have never examined so closely before. My nose is scraping the flat keys at points. Suddenly MC Short is on stage with us and grabbing the mic off the singer. What fresh hell is this??? We're expecting to be cut off unceremoniously, but instead she starts shouting at the crowd with a variation on her earlier theme. This lady is about 60 and barely four feet tall, but she can shout for God and with the backup of the PA she is reaching pitches that are melting my fillings. Every dog in a twenty mile radius is starting to howl. At her instigation, the entire front row of (stunning) women gets up as a unit to start throwing dollars at us - I'm beginning to have some very complicated feelings indeed. After she feels the crowd are sufficiently harangued we get the mic back and play another few songs which are met with respectful applause if not much actual interest, so we take the hint and finish up. We've picked up about 600 dollars in ones and have to carry them in a basket along with our gear. As soon as we finish the party is back on and everyone is off their chairs and dancing; hundreds of kids have appeared out of nowhere to do the old church hall skidding dance which apparently transcends culture! Huge baskets of homemade fried fish and curried rices have started appearing round the edges of the hall and we eat as much as we can physically carry back to the table. It's all delicious but so hot my hair starts curling and I spontaneously develop sunburn, which the kids all find hilarious. Staf is crazily happy that we played as he seems to think we are megastars rather than the chancers we are, and we're just happy to have been asked to do it so we decline our fee and take petrol money instead, reasoning that the story will likely pay for itself in beer over the years. We donate the dollars to the kiddo as a gift because we're all fairly drunk on Star Beer at this point and getting them changed seems like hassle. Some of the stunning girls from earlier are starting to give us the eye but my daddy taught me never to hit on a girl when A) you're at someone else's family occasion and B) her daddy is roughly the size of a car, in the room, and giving you the death glare, so prudence becomes the better part of valour and we make a swift exit. In reality it wasn't actually that desperate considering we were playing to an audience who had absolutely no interest in what we were doing, but it was hell of a night at the time. Don't think I've ever felt so out of place before or since. The food sure beat the hell out of my family dos though! I'd do it all again just for another crack at that buffet, even if my fragile little English stomach meant I spent three hours glued to the toilet next morning...
  24. 16 points
    Evening all I played this bass in a shop years ago (Chandlers I think), at which time I was still firmly in something of a Jaco phase. I loved it, and thought "I'll own that one day when I have a proper job"! It popped up for sale on Reverb earlier this year so I jumped at it. It's absolutely glorious, and pretty much sounds like it looks (and smells), open the case and plug it in and it oozes a 50+ year history of jazz/blues bars, sweat, nicotine and alcohol. It's obviously had a few changes over the years, but none detract from the fact that this is a fine example of a well played vintage musician's bass, and far closer I imagine to Jaco's than the FCS relic ever was (I've owned that also). But I sank almost £3k into a bass that I only play at home, which simply doesn't work with any of the bands I play in, and which I think I'd prefer to sell or trade for something more useful (I also have a Warmoth FL Jazz that works better for me having a 44mm). Photos below from the dealer's site, I can provide more detailed shots if needed. Cheers Chris
  25. 16 points
    On the 22nd December 1989, I narrowly scraped into the 80s with my first live performance. It was a less than impressive slot as the band that played the Sixth Form Pantomime in our school production of Cinderella... I'm not sure if she'd have wanted her shoe back after that racket! Fast forward through thirty years and I've definitely had a lot of fun sharing some great, and occasionally not so great stages, with some amazing friends, meeting many of my best mates and generally having a blast. Not sure if I have another thirty years in me but I guess the fun is in the finding out. And 2020 is already looking pretty good for the first few months. Rock on! *Fun fact but the top 3 photos were the same bass, a Fender Precision MIJ 57RI from 1989 that lasted until I went online and discovered GAS. The bottom right photo is a Fender Precision MIJ 57RI from 2016 that shows how life sometimes goes full circle!
  26. 16 points
    The more appropriate question is whether you should be banned or not. For asking if 42 is too old. 😂
  27. 16 points
    I've had a fantastic opportunity and landed the bass slot with Del Bromham's Blues Devils/Stray. I had my first gig last night at the Legends of Rock Festival at Great Yarmouth where we were playing in the V Arena at 7.15. We were joined for a couple of numbers by an old band member - Pete Dyer who also travelled and stayed with us. I've had such a blast this weekend being looked after by the band and roadies and being regaled with stories from Del and Pete about the band's past - dodgy management, Charlie Kray, The Mafia and the Teamsters, just so much stuff! The set itself went really well, loads of energy, decent sound and a great reception despite a couple of techie issues, and I finally got to play through an SVT and fridge! To say I'm over the moon is an understatement and this is only the beginning. By far the best weekend of my musical career so far. Happy Tut!
  28. 16 points
    A singer friend of mine and myself were starting a new project, writing songs together. We would meet at mine to write and record a bit of guitar and bass. I was playing guitar but I wanted to stick to bass, so we auditioned guitarists. This guy comes in, and within seconds we realise he can't even play. He was having trouble shaping chords with is fingers... and you could see he was feeling very nervous and embarrased. Singer is giving me this look like "we're done here"... but I felt sorry for him, so I took one of my guitars and showed him something simple to play, and I played another guitar and singer sang a bit... then moved to bass... and over all I taught him 3-4 little things and we played for another 30 minutes or so. Then he left, apologising for his lack of preparation and he laughed at how silly he was for thinking he could do it. Then he says he had only been learning guitar for 2 weeks... I emailed him a couple of days later to see how he was. We laughed. He was a cool guy, he just jumps into things with lots of enthusiasm and not enough preparation sometimes We became friends, I encouraged him and eventually he went on to form his own band. I played a couple of gigs with him as a dep, recorded a bit, I went to his wedding... so yeah, cool audition ha! stinky poo guitarist at the time, but I ended up with one of the coolest friends I've got.
  29. 16 points
    It is all a ruse. You don't need books, CDs, hifi system, magazines, videos, DVDs or TV...all you need is your laptop and a subscription to lots of things at only £9.99 per month each. Oh, and cloud storage for all your backups at £9.99 a month for when your laptop breaks. "Why am I so poor?" the junior office worker mused, listening to Spotify though bluetooth headphones on his iPhone X while clicking away at his laptop. His £4.20 large coffee with cream from Starbucks cooled next to him.
  30. 15 points
    Whilst I understand that occasionally posts on here can be a bit sarcastic, even pompous (and I've been guilty of it myself once or twice) please keep in mind that for every bass player that may have achieved the dizzy heights at which you are fortunate enough to have found yourself, there are many thousands who play in their bedrooms, in rehearsal bands, or whose peak of achievement might be a gig down their local pub. If you have done much better, you are to be applauded, admired, and even envied. But please show a bit more deference to those who are what could be termed in the lower echelons of the bass community. We far outnumber you. I'm a 'pro'. I played in a pub last week. I got paid a modest amount. I've also played in Hyde Park, on national TV in many different countries, and to crowds of 20,000 and more on numerous occasions. This may sound like I'm blowing my own trumpet, but I've never said any of this on here before, the reason being that it has nothing to do with anything. I'm a just bass player, and part of a community, as you are. If people do, in fact 'avoid this forum', it's for their own reasons, not because they're 'pros'.
  31. 15 points
    It’s hard, but it’s done and nothing can change that. If that’s how little they value you, well, you’re better off finding out as soon as possible and having these people out of your life. Let the negative rage go and move on. Believe in yourself. Use that energy to get something else going. F**k ‘em.
  32. 15 points
    For sale again, I've withdrawn the previous ad but I can really use the money since I've bought a new house last week, so here we go again.... Very early Warwick Streamer, serial no. 067, should be from 1984. Cherry body, neck through construction 5 piece neck with wengé and cherry, rosewood fretboard. EMG electronics, Schaller bridge and tuners. All original. Has a neck/headstock repair, pro job and now stronger than ever. Lightweight about 3,8 kg. Plays smooth and sounds soo good. £1165 / 1300€ Cash is king, but a part ex will do as well.
  33. 15 points
    I'm not a fan of either McCartney or The Beatles - probably because they have no direct influence on my musical DNA, I've always felt fairly indifferent. However, it really bugs me (or "triggers" me, if we're gonna be all 2019 ) when this term "overrated" gets thrown around in relation to artists who are indisputable originators - absolutely pivotal and seminal in the evolution of both music as a creative & cultural force, and in the development of the role of the bass. McCartney is one such - his influence, direct or indirect, is enormous, it's probably entirely reasonable to say that without him & his band, none of us would be playing the music we play now, wherever we sit on the musical spectrum, or however we personally feel about McCartney. Fair enough to say you don't like him/them, or you think so-and-so would have done it better - but "overrated"? Look it up.
  34. 15 points
    Having reached the age when my kids should be going off on tour, somehow it is me that is venturing out for the first time! My band, Lee Ainley's Blues Storm, is heading out with Zoe Green and Eliana Cargnelutti, on a three female fronted band tour, Ladies of the Blues. A bit of a message for all of those who ask "am I too old?" "is it too late?" "should I/Shouldn't I", well the answer is go out there and do it, you never know what is around the corner. For any of you within striking distance of any of the dates, do come along, support your local venue and fellow Basschatter! Here's the dates.
  35. 15 points
    No. Rock & Roll is dead as ärseholes. Anything new is either unlistenable or a tired retread. In fact, it's got so bad one can play 'Spot The Influences' Bingo for days on end. Metal is a self-referential Moebius loop of infinitely smaller and smaller sub-genres, each of which sounds - surprise, surprise - pretty much exactly like most of the others and is populated by hopelessly deluded, vacuous twits with tattoos and piercings who think they're 'dangerous' but pose as much threat as my Aunt Mabel's budgie. Who's dead. The budgie, that is. Though so is Aunt Mabel. She liked Glen Miller, y'know. In fact, Metal is now about as much fun as an exit wound from a Mossberg shotgun and as believable as a school Christmas play. The utter hopelessness of the protagonists shines through just as if each of them had written on their foreheads 'I'm more than a loser - I'm a gaping a$$hole of a loser who knows he's a loser but depends on other losers to keep giving him their money so he can carry on being a loser and not have to go back to his old day job as an artificial limb salesman for SW England and Wales". I'm not saying that 'Rock' was better in my day. It just was - in the sense that it existed at all - but now it doesn't exist beyond its function as a label hung off a t-shirt. Indeed, those old stagers who 'keep the rock flag flying high' (Black Star Riders, anyone?) are just as terminally pointless as - say - Greta Van Fleet who are forty years younger. If you don't believe me about old rock musicians, watch The Story Of Anvil. It's so sad, you just want to cut your wrists at the sheer desperation. Clive Dunn? Well, yes, rock in the 70's (strangely) co-existed in the pop charts with novelty songs and ballady dreck. But the singles charts were a sideline to the real action and Rock existed in its own far larger hinterland of albums and tours and TV sets going out of windows and sweet, sweet punani. Now the charts are a desert of homogeneously over-produced, knowing pop-bait for 11 year-old girls and very little of any note occurs beyond it, except among microscopically small groups of 'enthusiasts' who sit around saying 'Have you heard this? It's new and it's just like the Grateful Dead mashed up with Anthrax and Pat Metheny' and stroking their chins like a crew of smelly ol' jazzbos who've just found an unreleased Thelonius Monk session and are preparing to engage in a disgusting circle jerk of pseudo-scholarly delight. But it's not all bad: Rock isn't really 'Dead'. Rock has just been quietly shuffled into the old folks home and now sits in the day room with its friends Folk, Jazz, Ragtime and Swing, gumming away at a nice Digestive biscuit and slurping a cup of milky tea and saying' I'm still relevant, me. Oh, I've wee'd myself' while young people wander down the street outside doing something much more interesting than listening to Rock music like - I don't know - texting their idiot 'friends' or bullying their schoolmates into suicide or posting pictures of kittens. And if these kids do actually go to a gig, they and the sad, middle-aged has-beens around them don't listen, oh no, they all just film the gig through their phones and walk out afterwards and say 'Who was that we just saw?' And while Rock passes its twilight years in the Springfield Retirement Castle, the advertisers and the media and the record companies (f*ck you, Jimmy Iovine, f*ck you) have successfully cultured a clone from Rock's stinky, yellow toenail clippings and now that clone staggers around wearing a sandwich board that says 'Hi! I'm Rock! This musical experience was brought to you in association with (insert brand here)'. It would be a kindness if someone were to put a bullet into Rock & Roll. I'd do it with a song on my lips and that song would be 'Oh What A Beautiful Morning' from the musical Oklahoma (Rodgers & Hammerstein: 1955).
  36. 15 points
    Well it turns out it’s never too late to give up on your dreams. This is my band from the 80s with yours truly on bass!
  37. 15 points
    I left a band once after a blazing row at the rehearsal rooms in the coffee machine area, stormed off back into the room, packed my kit...and then had to go back and ask for a hand getting my Ampeg 810 up the stairs and into my car. This is why lightweight cabs are the way forward...Flouncing Ability is an often-overlooked plus point...
  38. 14 points
    Wasn’t sure whether this should be in here or in Repairs & Technical but here goes…. The restoration of the electrics on my '83 SB-R150 is finally complete and I'm very pleased with the result. Huge thanks go to @Prostheta for his wizardry and patience and also to Rautia Pickups for the pair of MB-1E replacement pickups. This bass was originally listed for sale on here several years ago although I subsequently found it through an ad elsewhere (EDIT - I was actually given the heads up by @Fionn of the ad on FB). Turned out that the BC ad was indeed still live. I purchased it because it was in such beautiful condition, including the original case. The big (very big) and obvious issue was that the original pickups and electronics had long since been removed and disposed of. After conversations with Prostheta as to what was or wasn't possible I decided to push on with trying to get it restored to as close to stock as possible. The first pictures show the bass as I bought it, then with everything stripped out. Note the packers that had been fitted inside the pickup cavities to take the screws for the previously installed Armstrong pickups. Fortunately after some careful chipping away I managed to clear the old glue off to reveal the original pickup screw bushings. As you can see the loom (including 6-position Varitone and preamp) that Prostheta provided is a work of art and it seemed a shame to have to try and cram it into the seemingly tiny electronics cavity in the back of the bass. It was a squeeze but it went in and it is beautifully quiet running. No humming, no buzzing, even sat directly in front of the amp with the volume up to gigging levels it is uber quiet. Finally there are a couple of pics with this now complete bass taking its place alongside my R60 and R80. I may look out for a set of black or bronze pickup screws as the silver ones do stand out a little but all in all I'm thrilled with it. It sounds great with a powerful preamp and a huge range of tones and I know it’ll be good for years. I'm a happy chappy and I hope you enjoy the pics showing the seemingly simple but oh not so simple transformation. 😀
  39. 14 points
    Due to financial reasons, up for sale is this rare USA Lakland Hollowbody. Specs are: - Mahogany body - quartersawn maple neck with ebony fretboard, no face dots (just side dots) - sonic blue finish - USA Hipshot tuners with original D-Tuner - Chi-Sonic pickups, passive - 3,7kg Bass comes with OHSC and is in excellent condition, has some player wear blemishes (not a mint bass). Bass is located in Czech Republic and I am happy to ship it within Europe. £1950 shipped.
  40. 14 points
    Providing a facility for people to argue about planks of wood with strings on (Basschat)
  41. 14 points
    Hey gang Following a recent fling with a '63 Precision, which made me realise the early 60's neck profile isn't for me, I'm back in the bosom of the lovely fat early 70s P neck. I picked this up a few days ago - it's a '72, with a neck stamp dated the month & year of my birth. It's light (about 8.5lbs) and resonant, original black, with a maple neck. They're just teaser pics at the moment as it needs a little bit of love, but I'll post the full story soon. In the meantime, I can barely stop playing it...
  42. 14 points
    Good job I fished this out of your dustbin last year. No, you can't have it back.
  43. 14 points
    I was teaching one of my A level music students a couple of years ago, talking specifically about his composition and where he could go with the bass line,. I recommended he listen to Danny Thompson, to which he replied that his mum , who was in a band, had worked with Danny Thompson. Anyway, a couple of weeks later he says “my mum asked me to ask you if you could give her guitar lessons”, this student knowing that I am a bit of a fan of alternate tunings. I asked him more about his mum, and which band she played in. “Oh you won’t have heard of them” he said. “She is the lead singer in Lamb”. Talk about OMFG! “But Lamb are my absolute favourite band, they are what inspired me to get into music technology”., fast forward a couple of months later, after she got back from a tour, and I’m talking to her about how she recorded the orchestra parts on Gorecski, and working out a Dadgad acoustic part with her for an unplugged version of her most famous song, Gabriel!! Robbie
  44. 14 points
    I feel sorry for young people today. IME, job ads have been heading in this direction for the last twenty years or so. Tons of pious crap like "must be prepared to crawl over broken glass and barbed wire to deliver against key performance metrics; world-class team engagement skills 200% essential". IMO, bonkers job ads stem from the fashionable idea of superimposing inappropriately controlling and over-complicated management techniques on otherwise simple jobs. It's all of a one with the kind of buzzword bingo which suffuses meetings, 'mission statements' and corporate press releases. Hot drinks machines become 'beverage vending solutions'. Ratcatchers become 'rodent extermination executives'. It is not enough that a company simply does whatever it is they do; they must be 'passionate' about it. It's linguistic hyper-inflation. I am reminded of the Simpsons' episode where some Hollywood types are sat round a table discussing something and one of them is banging on in corporate speak and a colleague says something like: "So, basically, we're all randomly using big words so that other people think we're smart? (pause) I'm fired, aren't I?"
  45. 14 points
    I think this thread has run it's course now and given Scott has responded I think we can put it to bed.
  46. 14 points
    Sorted the nut height and then put my 'see if it all fits together' set of strings on. At my action height starting point (medium) there are no buzzes at all so I think the basic levelling job was OK. When the proper strings are on, I'll set it up properly and do a double check with the fret rocker and the buzz check at low action in case there are some high spots anywhere. This is how the tru-oil slurry and buff has ended up, finishing at 1500 grit. This is an oblique shot to the light so you can see the surface finish: ...and this is tilted to see the figuring better: It's LOVELY to the touch. Still got to do the final 1500 slurry and buff on the back - and I've still got to do the final buffing of the fretboard and neck - but this is how the whole thing is panning out: All being well it should be finished by the end of the weekend
  47. 14 points
    Why are you being rude? What an odd reply. Literally an opinion, a point of view - my 2p. The concept of a cheaper (‘kiddy’) Flea bass in itself was acknowledged by Flea when he brought out the “fleabass” range of instruments and further addressed by the introduction of a lower price point Fleabass (street bass). I was just pointing out that Fender may have missed a trick by only having the one price point which would be out of reach for younger/less affluent fans when they’ve done broader attempts to previously... Mike Dirnt has/had a Fender and a Squier model simultaneously BB King had a Gibson and Epiphone version of Lucille (there are plenty more examples) It just broadens their buying audience somewhat and more buyers means more money. Makes more business sense. And having left the guitar/bass retail industry after 12 years in 2015 - I might have an idea of what people buy into. As a point, the cheap fleabass instruments weren’t that great - but we sold 100’s of them because people bought into the Flea name/image. But what would I know, I’m only a child.
  48. 14 points
    I expressed the following sentiment in a thread about my Trace combo and thought it may be fun to start a new topic on the subject... "...All these decades spent chasing a 'sound' when in fact it's all in your head - how you sound live is largely down to how everyone else in your band sounds and how good they are at what they do. You can get chronic GAS, spend thousands on gear and attempt to get the 'best' bass tone in the world, but it's all for nothing if your drummer can't play in time, your singer's falling-down drunk, or your guitarist routinely deafens everyone in the room. If your drummer is really on it and they and the other members of the band know how to play quietly and tastefully and listen to each other, you've got half a chance - and what's more, it won't matter if you're playing a Harley Benton Jazz through a Behringer combo, you will sound great..." So what do you think? Is the fact that you (and your band) can actually play more important than your choice of bass and amp? Have you (like me) been largely wasting your time and a huge sum of cash on searching for 'that' bass sound, when the whole enterprise is really a fool's errand and a wild goose chase? Should you have been concentrating on your playing instead of trawling the internet for bass guitar porn and spending time on BassChat pontificating about strings and what's good for metal..?
  49. 14 points
    HB PB-50 - v3.0 Becomes v4.0... *AUDIO CLIP* You'll be pleased to know that this will be the final reincarnation of this HB PB-50 Precision Bass. Yes... I know I said that last time - but Shoreline Gold, though a very nice finish, isn't really my thing. My thing is basses that are white. Or cream. Or aged Oly White. Or yellow, basically... you know what I mean. I was particularly taken with the new Player Series 'Buttercream' P bass - hence this refinish and reworking - saving myself £649. This one has a custom handmade Herrick dual-coil pickup in it - and very nice it is too... warm, taut and punchy, with the mid-range push typical of a 57-type split-pickup, but in a 51-type four-pole format. It's a beast... check out the audio clip. https://www.herrickpickups.com/ The previous version 3.0 bass is here. Now read on. Body refin in TV Yellow nitro Pickguard in Acrylic White Fender American Deluxe Bridge, Top-Loading or Through-Body Herrick Dual-Coil Telebass '51' pickup overwound to 11k ohms CTS solid-shaft pots, Chiclet cap .047uF, Switchcraft Jack in cats-eye side plate Fender Chrome '51' Pickup Cover Fender Tug Bar Fender dome-top knurled control knobs with grub screws Wilkinson WJBL 200 tuners La Bella 760FS Steel Flatwounds 45-65-85-105, Through-Body Stringing Is this really the final version..? I hope so, because I just don't have the time (or disposable bass tokens) for any more finishing shenanigans... I thank you!
  50. 14 points
    The crowdfunding page ended today and I would just like to once again thank each and everyone of you for going beyond the call of duty and making a donation to this fund, I never thought we would raise this much to help against Funkinshui's and my losses after being ripped off by he who shall not be mentioned YET. You have raised a mind blowing grand total of £620 pounds and have restored our faith in humanity, just to mention once again, I was the end of the chain in this fraud and I ended up buying the bass face to face with the fraudster, which was his biggest mistake as the police couldnt link it to him. But seeing as I can id the guy without doubt and we know who he really is he should get whats coming to him. I have requested an update from CID and will let you know whats going on as things progress. I being the end of the chain would of recieved nothing and lost all my money. Thanks to Funkinshui being so genorous and offering to split the loss with me and you guys suggesting we open a crowd funding page, we will loose a lot less than we expected. I cant really put into words how grateful I am for your generosity, Basschat is awesome and the community is like no other I have been part of, I tip my hat to every one of you, thank you all once again


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