Jump to content
Left leaderboard


Popular Content

Showing content with the highest reputation since 07/11/19 in all areas

  1. 19 points
    Mrs S made the basic error of leaving me on my own with time to kill in Nottingham for the afternoon. I made the even more basic error of nipping in to Hotrox in Sneinton. They had this.... I wasn't going to buy it until i realised; a) that it is medically necessary as the binding on a 4003 is a bit sharp on the forearm, and b) that it will annoy Young Teebs. Oh, and; c) it is bloody lovely. Mrs S did the rolly eyes thing until I mentioned (b) then she understood why i had to get it. Of course, I've broken my one-in-one-out rule so expect some major activity in the marketplace shortly. Or I have a kidney if Raymondo's interested.....
  2. 16 points
    The more appropriate question is whether you should be banned or not. For asking if 42 is too old. 😂
  3. 15 points
    I went out today, ostensibly to check out a MusicMan Cutlass bass, in Diamond Blue, with maple fretboard. But with a whole day at my disposal and visting a shop run by a friend, I had to check out a few alternatives. My 2 main basses at the moment are EBMM Stingrays. A classic and a special. So the Cutlass seemed a very nice alternative to the Rays. I also played a mapleglo Rickenbacker 4003s, which despite it's rediculous hardware (bridge & string cover-rest), felt very nice to play and was a nicely built bass. But I didn't like the sound of the pickups at all, thick, harsh and a little crude. I had a quick go on a couple of 5-strings, an MTD Kingston and an EBMM 'Ray. Neither convinced me to have another go with a fiver. Alao had another try on a Marleaux Consat 4-string, I'd played before, but still didn't gel with. The Cutlass was pretty much exactly what I expected. Like a passive Precision but IMO, better. I was close to saying I'd have it, when Gary, the shop guy suggested a Jazz Bass. Now I've owned/played a load of Jazz basses but had gone right off them, about 3 years ago. But he pulled out a real nice one, although my intial comment was "not a pink bass!". It was indeed shell pink, with an off white (mint?) scratchplate, being a Fender Limited Edition American Pro Jazz Bass. But what grabbed my attention and got my juices flowing, was the all rosewood neck. A thing of beauty that played as well as it looked. But it had the narrow nut of a Jazz and it was pink! I plugged it in and was surpised at how much I liked the tones available. I mainly settled on middle pickup up 100%, bridge pickup and 75% and varying the tone from 100 to 75%. Then I said to Gary, this would look much better with a tort scratchplate. He agreed and produced one. We slid it into place and it transformed the looks of this bass. Wow, now I was really interested. So Gary said he'd replace the plate and put some Elixirs on for me. Yes please! Trouble was the plate fitted everywhere, except there was a small gap between it and the chrome, control panel. stinky poo! So the original went back on, with the Elixirs and Fender are sending a tort plate for this series, for me to put on ASAP. Got it home and have been blasting along to my tunes and loving it. I've been playing actives for years but my ears are enjoying this passive bass. And my hands are feeling very comfortable on this lovely neck. Just need that tort scratchplate, to perfect the aesthetics.
  4. 11 points
    Hi Folks, This is a bit of a feeler really as I have my eye on something else.. So, this is - as far as I can tell from the serial number - a Made in Japan Fender Precision bass, circa 1991/2. I'm looking for £750 or very near offer for this beauty. It sounds and looks great, has a beautiful Ash body and a slim, almost Jazz like maple neck and is in brilliant condition for a 27 year old bass. It's everything a 70s P Bass should be IMHO ! 😊 Full disclosure ; there's one tiny ding on the neck which I'll try to photograph tomorrow when there's hopefully some decent light.. It has been set up professionally and is currently strung with a set of Rotosound steels. Comes with a functional hard case. As ever, I'd prefer to sell this to someone who could come and try it out in person here in Littlehampton West Sussex first however, I am prepared to ship it at buyer's expense by insured courier service. If you've any questions, please PM me or ask away here and I'll try to get back to you ASAP. I am away in Birmingham from tomorrow afternoon for 3 days , so please bear in mind that I may not be able to answer certain questions.. Thanks for looking as ever! 😊 Nik
  5. 7 points
    is that like a drive thru plane wash thing or are you really a pilot.
  6. 7 points
    I recorded the bass part for this in my home studio (Bag End). I roadied and did the lights for this band in the 1980s and always wanted the gig but it never happened (the bass player they had was perfectly competent and I moved on long before he did ;)). In these days of email and home recording, it became a possibility. An old dream come true. It is off Multi Story's forthcoming album CBF10 (I am only on this one track). The whole track is recorded on my Wal Custon Fretless 4 string.
  7. 6 points
    Another satisfied Ashdown customer here... Ashdown do not get the recognition that they deserve IMO. British built, well priced, great Customer service and VERY under-rated gear - seems like a not very closely guarded secret that should be more acknowledged.
  8. 6 points
    For sales - my lovely Shuker 5-sting single-cut. I bought this from John in December last year, and he had just taken it back as a part exchange. It’s a beautiful bass to play, the neck join is exquisite. Pretty wide-range of sounds available from the Aaron Armstrong pickups. I’ve currently got it set as E-C but can put back to B-G if wanted. It’s great either way. Some more details below. Happy to ship local and international (buyer pays) and it’s got a lovely Shuker hard-case (made by HISCOX). I’ve just bought another bass (Ha!) so don’t really want trade. Anything that looks like a scratch or a ding in the pictures is just a trick of the light - there’s none! I live near Reading in the UK if you want to pop round and have a slap. 🙂 34” scale 24 frets Maple / black veneer laminated set neck Palmwood Fingerboard Stainless steel medium frets Black walnut headstock scarf Laurel Burr headstock facings front and rear Brass nut Gotoh GB707 tuners Two way truss rod, carbon fibre reinforcement Laurel Burr curvetop and rear facing Black Walnut body Polyester basecoat Polyurethane wet look gloss top coat Schaller 2000 bridge Black Hardware Aaron Armstrong pickups. Blackout pre-amp with passive / active select (volume knob pull / push)
  9. 6 points
    Here for sale is my Stingray 3eq from 2010, it's in immaculate condition throughout. In Tobacco Sunburst it looks wonderful and plays superbly with a low action. Bass weighs 8.85 lbs or 4kg on my digital scales which is very good for a Stingray. Also the straplocks will be back on too. Comes with the EB hard case too. No trades thanks. ***forgot to mention you can have either the scratchplate that's on or the original black one* Price is posted to the UK.
  10. 6 points
    The rig looks really happy about the whole thing!
  11. 5 points
    Reluctantly putting up for sale my Barefaced Six10. Looking at buying a house this coming year and need the money (also will need the space) I'm sure everyone knows what these are all about and the wording on the Barefaced website is better than anything i could write: https://barefacedaudio.com/products/six_10?variant=13875021119546 I've had this since the start of the year (arrived 30.01.19) and to be honest haven't used it as much as i wanted to. (band hasn't been giggin enough!) It sounds amazing and come with barefaced protective cover. Could be tempted with a swap for a barefaced two10 with some money my way! Collection only as i don't fancy putting this through the post Will put more details pictures up if needed! Cost £1359 new with cover so i think £900 is a fair price for one in this condition.
  12. 5 points
    I joined the yamaha BB club last week... genuinely blown away by both the build and tone, at any price point let alone a smidge above the price of a mex fender!
  13. 5 points
    So I guess your (or someone else’s) mass purchase distorts the market? I’m not phased by this, although the high numbers available could compress the price. Perhaps delaying selling or buying so many would have an effect. My theory is a bit loopy, and echoes previous comments however. Sorry
  14. 5 points
    Thanks! I only made pickguards out of necessity, as nobody was cutting PJ Mustang pickguards when I got my white one. Prior to the tort I made a white pearloid one for my original blue Mustang bass. It isn't easy or quick work and you could do it much quicker with a router and template. I got it down to about four hours per pickguard, but I've not done one for a while! I'm pleased with how close in around the neck I was able to get: I also hand cut the pickguard for my Rick: I only put the subtlest of round-overs on the 4003 pickguard. The stock pickguard had no bevel at all, but I put a soft edge on it to smooth it into the bass slightly. Final pickguard was a red Stingray pickguard that is out there somewhere in Glasgow now! This was hardest as it had to be totally symmetrical!
  15. 5 points
    Great! I've got some strap buttons with no bass attached. I'm off!
  16. 4 points
    Teenagers. Every word really means something during teenage years!
  17. 4 points
    Ha ha, I was 55 when I started playing bass. I've been in bands pretty much ever since. I actually don't really get why people would play bass other than to be in a band. Music for me is to be enjoyed and shared. Bass in particular is about how music fits together to make a whole which you hope is greater than the sum of it's parts. It's rarely a solo or lead instrument and so much more fun when working with a drummer. Working with other people can be an issue, usually fun but sometimes really frustrating and you have to compromise; sometimes quite a lot So what are your options? Join a covers band? There is a limited choice of songs, you have to go where the money and audiences are but immediately you have a hobby that pays for itself, people tell you that you are wonderful when the reality for me is that I'm just about OK but watching a room full of people dancing to the rhythm in your fingers well that is a blast! You don't want to compromise what you play? Maybe you can't afford that level of commitment, 30+ songs take a lot of learning and keeping up to performance standard (I practice every day) and a gig can take 6hours out of your day which is a big chunk out of every weekend. Well it's still fun playing with other people. Just playing half a dozen songs over a few beers with mates is a nice way to spend an evening and you'll inevitably end up doing the odd jam at a party sooner or later. If your mates don't play then there are loads of open mics around. Go along have a listen and chat with anyone who plays songs you fancy a go at and see if anyone bites. Talk to the organiser and they might be able to match you up with someone. I run a kind of open session for people whose lives are too full to cope with proper gigging bands. It's tough to find time if you have a family and a job. There's loads of really good musicians who can play to a high standard but just want a run out once a month or even once a year, but it makes the hours of nurdling away on their own worth it and every now and then some of my musicians do go off and form bands. Good luck, get out there, persevere until you find what you want and yes, you may have to kiss a few frogs on the way
  18. 4 points
    First rehearsal with the new LaBella low tension flats. At home i thought they sounded a bit dull and thud sounding. Today in a band setting they were absolutely perfect. They didn't have the attack of the rounds i was using but it wasn't overly noticeable in most songs. Most enjoyable part was no sore fingers on my plucking hand and no blisters. My fingers glided along the strings which was an unusual feeling when playing in earnest but really pleased with them. Think i'll need to fiddle about with my EQ to get just right with a bit more mid to top end just to clarify things. At times i found the bass getting a little lost in the mix. Not a big issue and can be sorted i reckon. Tension on the strings was pretty close to the rounds i normally use but the other thing i noticed was no fret rattle. I quite enjoyed not hearing as much rattle from the strings. All in all i think i'm pretty happy with them. Dave
  19. 4 points
    Just got one... pretty useful tool when you're playing about with a bunch of effects and wondering how to power all the pedals. Not much more to say... it just works... plug it in, see the reading, make a note. Here's a handful I just checked... First, a digital pedal that I thought was very power-hungry. The Source Audio Bass Envelope Filter... wasn't as bad as I thought, at just 120mA. Then, the EXH Bass MicroSynth... I had no idea how much current it required. I thought it would not be a crazy amount, but I was not sure. Now I know. Just 40 mA. How about the little Caline Reverb "Snakebite"? 33mA And what about an overdrive? A lot of this kind of pedals are between 10-15mA, so how about the Valeton Tube Refiner (which sounds GREAT on bass)... just 10mA. Cool. And finally... a monster. I got this valve overdrive pedal. It's a really strange thing, but sounds really nice. It's a Nobsound (yes, I know) G3 Little Bear that cost something like £35-40. A battery cannot power it. It's just very bad. It recommends a 500mA supply, if I recall correctly. I plugged into a 250mA supply and it worked ok, but it does work a bit better with a bigger supply. So, what does this one measure? 343mA!!! Makes sense.
  20. 4 points
    Picked up this beauty last week. Needed a decent setup and some fresh strings but man its lovely!
  21. 4 points
    For anyone interested in the origins, history, technical specs and model variations of the JV Squiers, this website and the attached forum should tell you anything you want to know. It's particularly recommended for anyone labouring under the bizarre and baseless delusion that MIJ Squiers, and the JV models in particular, were some sort of cheaply bodged-out, corner-cut borderline knockoff aimed at beginners. Read and learn. http://www.21frets.com/
  22. 4 points
    Time for sanding. A lot of sanding 🤬 Started with 80 and ended with 2500. On with the tung oil. I'll leave it overnight then rub another coat with wet/dry paper first thing.
  23. 4 points
    Very pretty SkinnyPeeps. 👍 Just sayin'
  24. 4 points
    Very short review: It's very good. Closest to the VTDI from the existing lineup, but with a darker speaker sim, tighter lows, more low mids, and a lower frequency on the treble EQ. Very flexible control of the mids and very punchy. Sounds more like a real amp than the other pedals.
  25. 3 points
    @GisserD Confession time... I've recently become a Sandberg Artist, and they knew what I was looking for, so the VM5 sort of got lost on the way to Bass Direct and ended up in my rack
  26. 3 points
    I think I have replied to all the PM's I've had. Give me a nudge if you're waiting to hear back from me! Here is a video of a previous owner putting the bass through it's paces. The below photo illustrates the area where the finish had worn through. You may note the figuring on the wood, as this is merely a part that had worn though over time, exposing the wood below. This was refinished prior to me getting the bass, as the worn parts have been sanded smooth and sealed with a satin finish, such that they are practically imperceptible to the touch. Although this bass has clearly been all over Europe and well played and recorded with it, it remains in great shape and plays and sounds fantastic. I also think the pricing for reflects the fact it has a bit of mojo, which I benefited from when I bought it, making a considerable saving over what a box-fresh Pentabuzz would have cost.
  27. 3 points
    I’m terribly camera shy - hate posing for pics and hate looking back at them! - so there’s not many to choose from but this was taken a handful of years ago at a charity gig (guess the charity anyone?). Damn I looked a lot younger back then...!
  28. 3 points
    I have also had this and I play EXL165 nickle wound. I don't recall actually finding a metal splinter so the Phantom splinter thing may be what it was. It was very sensitive for at least two weeks. Solution - Just play open strings and hold your sensitive clenched fist in the air in a display of defiance. 😎
  29. 3 points
  30. 3 points
    I had the 4ohm version of the RM410, it sounded great, a bit less scooped sounding than the ABM but tonally not that far apart. I used it with my ABM600 and it handled the power really well. I only moved it on due to vanity of wanting an ABM stack, in reality it was an excellent cab that was more than sufficient for my needs, I’d recommend the RM cabs to anyone (my current gigging set up is two of the 210s).
  31. 3 points
    I gave up bands when i was about 35 various reasons. Got interested again when i was 50 when i was asked to jam with couple of old mates. Enjoyed it so much i started looking. Joined a Deep Purple tribute band. Did the audition and got offered on the spot. Did that for about 12-18mths and it folded and i've never been so busy playing in varying styles of bands from Classic rock thru Prog to tribute bands and 70's / 80's covers and some funk / blues rock and then onto my current fav band ever a 70's Glam Rock covers band that i'm just loving. Guys are all first class now that we got rid of the keys player who was a pain in the butt. We have a new guy depping with us till after Xmas and we'll see where we go with it. He might even stay. All in all i've been busier since i turned 50 than i ever was as a youngster and far more enjoyable. Not as many ego's when you get older. I'm now 59. Dave
  32. 3 points
    Just noticed the herningbone pattern on the skunk stripe on the Powder Blue Sterling. Beautiful.
  33. 3 points
    I’m not really one for short scale but they certainly look the business 👍 Price is not surprising if they are fully built in the US. Costs money to make stuff in countries you have to pay people a reasonable wage.
  34. 3 points
    And another vote for the headless conversion. Looks waaaaaaay better. Great job.
  35. 3 points
    Forgot to add that with my current band a lot of people (women) want their pics taken because of the Glam outfits. This was something new to me and never been asked for after show pics before this band. I def like that part even if i am soaking with sweat they just love it. Dave
  36. 3 points
    Weeeell….I MIGHT be! Ya see the problem is there's not much call for Kidney these days. Besides it's the wrong colour....Now if it wor orange then maybe I could go a bit higher but as it is pall yud ave ta pay me tu tek it off yer ands.
  37. 3 points
    I'm the same. I periodically think I CBA with it any more, then get there, get all set up, start playing, and it's good again. My most recent extra smile was on Tuesday, when we did a guest slot at an open mic night with an eye on getting a few gigs at the pub in question. Our percussionist normally does a harmonica solo in "Three little birds", but just as he came up to it, realised he didn't have the gob-iron in question with him, so I stepped in and did a kazoo solo.
  38. 3 points
    And Seventh Son, and writing the keyboard parts for someone else to play on a few albums, then playing keyboards on the last 6 Iron Maiden albums But you are correct, he is better know for bass playing (no sarcasm intended here)
  39. 2 points
    Getting my skank on with Train To Skaville this summer. 😎
  40. 2 points
    Tech21 Para Driver, Boss TU2, then spend the rest on mince pies.
  41. 2 points
    Only was a lot 'cos you had to pay VAT and Customs (like the rest of us) 😁 Slander. I'll have you know that me and dB have held onto some of our pedals for a good fortnite, some even a few days longer. Very generous as ever Andy. I suspect it will be that rather gorgeous Alembic rather than any Tech21 kit that proves the pull for me!
  42. 2 points
    Let us know how you get on. Good luck
  43. 2 points
    I must say, I really do like the colour of this. I noticed when they released these new Vintera's and was immediately struck by the colour. Looks great with the Maple board too GLWTS PS. @karlfer - we all promise to let you out from under the stairs once this sells
  44. 2 points
    Just joined the Darkglass family. The boss even encouraged me to buy it when I said “I’ll think about it first” after boring her for 45 minutes in Andertons 😎
  45. 2 points
    I can get lost in that song. Played on her 60's jazz. "My mother used to whore herself" Its a great start.😆 But an insite into Meshell's childhood. Like you say her touch and funky nuances on the bass are just fantastic with the keys near the end...
  46. 2 points
    I don't know, I think you're still insecure...
  47. 2 points
    Why do I keep doing this? What else can I do. Playing to an audience with great musicians is the biggest buzz I've found so far in this life. Getting it right just makes me smile inside and want to do it again and again.
  48. 2 points
    These look nice but not £1.8k nice
  49. 2 points
    Good (from a blagger's POV) to see this sort of thing still happens! I've had more than my fair share of very, very silly Ebay bargains - typically when the seller had no idea what they had, or from errors in the listing making it hard for most people to find. Really very unusual these days.
  50. 2 points
    Some years ago I was in a guitar shop where a young lad was explaining to his Obviously Very Well-Heeled Father that the Marshall DSL full-stack on display was the ideal home practice amp. To his eternal credit, the salesman tried to dissuade OVWHF from this course of action, suggesting a smaller and less expensive option. 'No, if that's what he wants then that's what he'll have,' harrumphed OVWHF, oblivious to the hideous fate that awaited him.
  • Create New...