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Raslee

⭐Supporting Member⭐
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About Raslee

  • Birthday 23/01/1974

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  • Location
    Devon UK

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  1. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  2. Big Eden fan here! Many amps come and go but the Eden WT550 surpasses them all 😁
  3. Looks stunning, love the wrap too. What’s the weight like on the 5’s ?
  4. …ahh, the Sue Ryder still rules 😂
  5. Furthering the cull of my heavier basses, this beauty is 9.7lbs and is causing me back pain unlike my lighter basses. A bit gutted as this bass looks and sounds great and is far too nice to live in my home studio only (got my beater P for that!) - it needs to be out to breath with the loads of tonal flexibility. This bass is also pretty much immaculate, only been used for a handful of times. Plays beautifully with an unusual combination of a rosewood/cherry fret board and a bit of Birdseye throughout too - a classy bass. F/S £300 collected F/T Looking for a Class D Amp of at least 700Watts + ( i need the headroom for a reggae project), preference for a more hifi modern type - could add around £300 ish to upgrade i.e. Genzler, Darkglass etc, or a Darkglass D112N cab. Typical G&L blurb: When Leo Fender† launched the G&L L•2000 bass in 1980, it was clear he was ready to make history all over again. Never before had such a wide range of tones come from a single bass, and throughout its evolution the iconic L•2000 has continued to win the hearts of bassists of every style and musical taste. The foundation of the L•2000 is a pair of G&L Magnetic Field Design humbuckers backed by the flexible Tri-Tone control system,* providing the sort of versatility that’ll let you find your tone no matter what kind of bass line you’re laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L•2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. What’s more, the L•2000 features an innovative Leo Fender-designed Saddle-Lock bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. The Tribute® Series L•2000 delivers the magic of Leo’s revolutionary bass at a price attainable for every working musician. Once you play a G&L Tribute Series, you’ll never look back.
  6. Very chuffed with my second 1st Gen ME recently purchased from Thomann, can't believe it at only £349. It is also much lighter than a Sire in the same price range and the quality on this one is truly excellent, quiet electrics, a nice set up will low buzz free action, great fret work and a beautiful neck. Really happy with my decal job too
  7. Same boat, just ordered this evening...decal is the first job.
  8. Saddened to read this. He was top and friendly Basschatter.
  9. Having been through many amps I keep coming bass to the Orange Terror bass when it comes to class D. Something about their core sound. Does it for me…3rd time round 😂
  10. Selling off a few of my heavier basses that i don't gig anymore. This is a lovely Yamaha BB414, 9.4lbs weight wise, fresh Elites strings, a few marks here and there but nothing tragic. Plays and sounds great like a good BB should. Has an upgraded Wilkinson bridge, i have the original too if required but the Wilkinson is much better. Will also be selling the immaculate G&L L2000 in the last picture., £300 -can send more pics if required. May consider a trade for a lighter 4 string fretted bass on either. SOLD
  11. Decided this too good to let go! If anyone has a second to sell do let me know Having picked up a second Orange cab to go with my other this one is now surplus. A brilliant high spec cab, lightweight, excellent condition, 500w @ 8ohms, nice custom cover Specs here: https://www.darkglass.com/creation/dg112n/ £375 May consider an amp head 500w+ or bass trade, - can add a small bit of cash if necessary.
  12. Very sad, lovely chap and 100% Funkadelic.
  13. Funny how some basses sound dire at home, yet great in the live mix - and vice versa of course. So I’ve found this same phenomenon with my new Orange OBC112cab too - a little initially underwhelming at home, but my word at rehearsal it was thunderous, vintage sounds and just simply great. Now I’m thinking I may sell my Darkglass DG1x12 and get a second Orange….really didn’t see that one coming.
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