Daz39

Just been reading up on XTC, inspired by the above posts, gosh music managers in the 80s were a special breed of t**ts weren't they! I hope they all died of horrible diseases in their villas on the Costas.

TMS Podcast: View from the Boundary. I love these chats with people of note who happen to be cricket fans. Today it was Toby Jones; actor, master of a thousand weary expressions, and lifelong cricket fan.

I was just reading that in my inbox. @Quatschmacher you rule!

Nice - what construction cable is that for the Low F#?

Wow! Are you sure there's enough neck bolts though?

What inlays? Zoiks!!

Crikey!

Lovely noise, i’ll have to cheat and get the ehx pedal instead!

Oh well that's bargainous then! I love the contrast of the back of the headstock and the neck. Also - I do not envy you the electronics exam. I'd have melted trying to remember my pre-GCSE physics.

Lovely work - questione though - presume @wwcringe provided the H pickup - it would have been cool to have exposed poles like the others: was one not used due to preference of quality of pickup or not wanting a headache at all the extra poles?

Inflexibly you mean?

I was just waiting for the location of the inevitable duel! Surely honour demands it!

Ofc! Who do you think’s under all that bronze, holding the bass!

Now that's a story!

My brain is over-sensitive just reading all this! I, and many players, would probably just want to listen to a couple of cabs through the same amp to hear the difference in volume and tone at the range of volumes you're likely to use. (boring answer!) I think the marketing and design is often the biggest factor in swaying preference on how 'good' a cab is: e.g. (3 random brands at 3 price ranges) - Vanderkley, Markbass, Bugera. - even though if you can bear it long enough, a detailed look at what specs are decipherable would probably leave them in that order of 'good' anyway.