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Showing content with the highest reputation on 13/06/22 in all areas

  1. SOLD - I bought this new in 2013. It's never left the house and is in immaculate condition. This is as close to an original 1960 stack pots jazz that you'll find, short of a Fender Custom Shop special order for who knows how much £££££. Beautiful dark rosewood fretboard. Comes with all case candy, vintage made in USA leather strap, bridge and neck pickup covers, thumb rest and mutes, none of which have ever been fitted. Deluxe G&G brown tolex case with gold interior and key. Weight is 9.25 lbs according to digital bathroom scales. Price is £1600 by cash/bank transfer collected from or local meet/delivery close(ish) to Hertford. Full specs below photos. More photos on request. Thanks for looking.
    9 points
  2. I had three gigs Thursday through Saturday (local, Hull and East London) and a video shoot on the Sunday (Bristol). I was kind of relieved when Thursday AND Saturday's shows both got pulled / postponed. Friday night was a trek from Wiltshire all the way up to Hull for one show, that had been postponed 4 times during covid. With fuel prices at an all time high, it wasn't going to be lucrative but I've never been to Hull and I like playing places I haven't been to. The traffic was awful; at every point where there was an opportunity for a delay, there was one! The two main guys in the band are both about to launch solo albums so I wondered how well we'd all get on. I arrived ready for an argument, with anyone! However, the mood was great. The venue was The New Adelphi Club which has hosted everyone from Pulp to Adam Ant to Green Day over the years. The sound was superb, the lighting was the best I have ever seen it and everyone was super friendly. I didn't get to eat until after the show but a fan bought me dinner and the venue loaded us up on a decent rider so my only costs were fuel (ahem!). A great night and with the rest up on Saturday I didn't look too shattered for the video shoot on Sunday.
    9 points
  3. Just collected from " Chiliwailer" fantastic bass & easy transaction The short scale stock is increasing!!!!
    9 points
  4. On lead guitar again with a Rock’n’roll band. During setup the drummer found that the jack socket for the trigger cable had fallen inside the body of his electronic cymbal. I opened it up (14 screws!) and managed to gaffer-tape the PCB in place. This got us through the rather excellent gig, after which I nipped home with the cymbal and fixed it properly with a nut from my spares stash, and Mr Drummer picked it up on his way home. I love a good kit fix!
    8 points
  5. Up for sale is my beloved Riki, year of manufacture is 2010. great condition for year, usual dings as shown in the photos. As you can see I have replaced the scratch plate and the truss rod cover, which was hand made by a company in the U.S.A, but obviously I still have the white originals. Plays great, and I am always complimented on the sound that this bass produces, dual truss rods are all working and I will include a special truss rod tool that you can use to adjust if required. it is supplied with the original hard case and candy that was included in the original sale. reluctant sale, no trades, no offers. thanks for looking, any questions please ask. Thank you
    6 points
  6. *** Now Traded *** Hi Folks, Heavily modified 70s MIJ Maya Jazz 'Stealth Bass' , with John Birch pick-ups For Sale. Back in January, I was scouring the internet as you do, looking for an unusual bass to buy, and this one caught my eye on Gumtree. It's a heavily modified 70s Maya Jazz Bass (which in itself is a good thing IMHO) that has been turned into a 'Stealth Bass', complete with a body refinish in a kind of satin black (that's almost impossible to photograph), and kitted out with all black hardware, which I think looks great with the maple neck and black block inlays. The most interesting of all those mods are the two John Birch pick ups, which are not only very unusual, but super-loud and sound great! The guy I bought it from who had all the work done, said he wanted the loudest, punchiest sounding pick-ups he could find, so he chose these... There seems to be a lot of mystique around John Birch pick-ups, and I have to confess, I don't know much of the background .. But these pick ups - set up in a simple V/V/T configuration - really are quite different sounding to me.. Too my ears, they're much more like a proper vintage Thunderbird than a Jazz Bass, but there's a fab, old-skool, Motown tone to be had too from the neck pick up and, when balanced so that the bridge pick is more prominent, the sound reminds me a little of my old Wal Pro IIE basses.. I'm not 100% sure, but I think these are John Birch Hyperflux pick-ups.. See here for more details.. https://www.seymourduncan.com/blog/swd/years-ago-i-heard-of-a-company-out-of-birmingham-england-that-made-guitars-and-many-models-of-pickups-who-was-it-and-what-kind-of-pickups-did-they-make-lewis-harley-isle-of-sky-scotland And there's more info on John Birch as a luthier, and his pick up designs, here: https://en.m.wikipedia.org/wiki/John_Birch_(luthier) (I've included a couple of photos of basses fitted with John Birch pick-ups for reference..) When I bought it, the bass played well and sounded really good to my ears, but I was convinced that the bridge was slightly out of alignment. So, I took it to our very own @gary mac, who did an excellent job of moving the bridge 2mm, and giving the bass a good set up with a set of D'Addario NYXL strings... The action is set now at what I would call medium height , and the neck plays really well.. However, the truss rod is working as it should, so a lower action could definitely be achieved on this bass if required. Weight is 4.6kg (10.14 lbs). As quirky and cool as this bass is, I find myself still defaulting to either my G&L SB1 or my BC Rich Eagle when playing, so this is just not getting used.. Hence why, as part of my gear clear out, I've decided to put it up for sale. Hard to put a value on this, but it owes me the best part of £400, so I'm offering it for sale at Now Traded. Try out welcome and collection preferred from Potton, near Sandy in Bedfordshire, but postage is possible at buyers expense and risk. Please note that I don't have a case for this, but I would ensure that it is very well packaged up for shipping. Having said that, I do have a nice tweed Thomann case that could be included at an additional cost.. Any questions, please ask here or send me a PM and I'll do my best to answer them. Thanks for looking.. 😊 Nik
    5 points
  7. So in conclusion, guitarists and most people are gear snobs. So are us lot on here except when we are being open minded and not snobs. We are however real snobs/pedants about naming things correctly and socks.
    5 points
  8. So anyway - I made a thing: I think that constitutes a proof of concept - everything's nailed on, everything looks straight, everything seems to work. A couple of niggles - the tuners are very, very stiff - albeit I have not yet smothered them with grease as I don't want to risk oily splats on the unfinished wood. The other is something I didn't forsee - the ball ends on this set of strings (the old ones that were on this before I dismantled it) slip out of the tuners unless the ends are laid horizontal. Not too important - I've had bridges that did this before (the Gotoh on an Ibanez SR800 I had didn't like small balls!) and it's easy enough to place them flat. The ends on these strings are fairly small & rounded so it likely won't be a problem with other strings, but if push comes to shove I can slip washers over them like I did on my old Ibby! Very pleased with this so far, I have some ideas for reshaping the headstump, & I'm starting to think this could be quite special when it's done.
    5 points
  9. Not sure if these are rare or valuable, but I'm certain this one is mine now 1991 Leo Fender Signature L-2000
    5 points
  10. Woe betide the concert flautist deigning to present him or herself wielding a vulgar Boosey & Hawkes. A solid-silver Kessler & Sons, however, would pass muster without a further glance. Yes, people are people the World over.
    5 points
  11. Could we then program Super Trampa to play Dreamer?
    4 points
  12. 4 points
  13. First gig in 3 weeks last night with my classic rock covers band "Fossil". A new venue for us(The Benton Ale House in North Tyneside) and a new start time of 8pm rather than the usual 9-9.30pm start. I was pleasantly surprised by the turn out and everyone stuck around even after we started playing! 😁 Got a lot of positive feedback and were asked to come back again. It was also nice to get back in the house an hour earlier than normal! 😊 We're off again next weekend but then back into the usual 2 gigs a weekend after that.
    4 points
  14. Here is a video of a trio I did as we were coming out of lock down the first time. I chose to use a £150 Harley Benton bass because I was looking for a certain vibe. I left the £2000 double bass and £5000 Wal at home. Nobody gave a s***. In my experience, gear snobbery is a sign of an amateur. Anyone who really understands what being a musician means will wait until they hear a player before judging them and will pretty much never comment on their gear. A poor player is a poor player, whatever instrument they are playing and a great player is a great player. This is not genre specific and applies to all settings including classical, jazz and everything else. It's the music that matters not the instruments.
    4 points
  15. For sale rare Parker pb41 Hornet bass Perfect condition 3,9kg Active Bass Humbuckers (EMG-35H2) Maple neck with carbonite fretboard. Urethane body Finish: Polyurethane Bridge: Mono Rail / String Stopper Neck Wood: Maple Neck Design: 2-piece Neck-Body Joint: Custom PAF deep pocket, long-tongue design Scale: 34″ Number of Frets: 24 Fret Material: Nickel silver Fret Size: .039″ high, .106″ wide Fret Board: Carbonite Fretboard Shape: 10″ ” 15″ conical form Finish: Polyurethane Nut: Graphite Price: 800€
    3 points
  16. Fender Jazz Ultra £1,400 plus courier (Prefer a cash sale, but trade wise a Rickenbacker 4003 in Midnight blue would do it) Very sadly I need to split up my blues brothers Fenders, (as photographed) for sale is my beautiful US Fender Jazz Ultra in Cobra Blue. She has been pretty much left in her case since purchasing her in December of last year with just the odd noodle. I purchased a second scratch plate (white perloid) as wasn’t too keen on the stock one, but happy to supply both to the buyer. No marks or skuffs at all, and as clean as the day I bought her. specs below and the sale is within UK only, happy to pack up and send by insured courier at your expense, these go for just under £2k new so grab yourself a bargain! Blurb: American Ultra is our most advanced series of guitars and basses for discerning players who demand the ultimate in precision, performance and tone. The American Ultra Jazz Bass features a unique “Modern D” neck profile for hours of playing comfort, and the tapered neck heel allows easy access to the highest register. A speedy 10”-14” compound-radius fingerboard with 21 medium-jumbo frets means effortless action, while the Ultra Noiseless™ Vintage pickups and redesigned preamp provide endless tonal possibilities – without hum. The sculpted rear body contours are as beautiful as they are functional. This versatile, state-of-the-art instrument will inspire you to push your playing to new heights. Other features include “F”-stamped lightweight vintage-paddle tuning machines with tapered shafts, chrome hardware and bone nut. Includes premium molded hardshell case. FEATURES Alder or ash body with sculpted rear contours “Modern D”-shaped neck with Ultra satin finish Bound 10”-14” compound-radius fingerboard; 21 medium-jumbo frets Two Noiseless Vintage Jazz Bass pickups Redesigned active/passive preamp Body Material Alder Body Finish Gloss Urethane Body Shape Jazz Bass® NECK Neck Material Maple Neck Construction 5-Bolt Neck Binding Cream Neck Finish Satin Urethane with Gloss Urethane Headstock Face Neck Shape Modern "D" Scale Length 34" (86.36 cm) Fingerboard Material Maple Fingerboard Radius 10" to 14" Compound Radius (254 mm to 355.6 mm) Number of Frets 21 Fret Size Medium Jumbo Nut Material Bone Nut Width 1.5" (38.1 mm) Position Inlays Black Pearloid Blocks Truss Rod Bi-Flex™ ELECTRONICS Bridge Pickup Ultra Noiseless™ Vintage Jazz Bass® Middle Pickup Ultra Noiseless™ Vintage Jazz Bass® Controls Master Volume, Pan Pot (Pickup Selector), Treble Boost/Cut, Midrange Boost/Cut, Bass Boost/Cut, Passive Tone, Active/Passive Mini Toggle Configuration SS HARDWARE Bridge 4-Saddle HiMass™ (Toploaded) Hardware Finish Nickel/Chrome Tuning Machines Fender® "F" Light-Weight Vintage-Paddle Keys with Tapered Shafts Weight: 9.1 lbs (according to my scales) Cheers, Steve.
    3 points
  17. Selling my CTM Pre Tube. in mint condition actually the CTM has never been used. Only selling as there’s something else I fancy going for but if it sells and mine hasn’t I will withdraw mine CTM Pre Amp £300
    3 points
  18. Call me superstitious but does anybody else feel that if you have a great final practice, the gig seems to turn out below par? I HATE practicing for a gig the day before, I find it over-saturates slightly - I prefer to turn up to a gig feeling somewhat under-rehearsed so I concentrate more and any solos are a precise response to the mood/vibe of the gig. I had practice last night for a gig this evening and it went really, really well. So now I'm expecting to play a shocker later...
    3 points
  19. Well I don't see what your monkey snobbery has to do with bass snobbery.
    3 points
  20. In a former life as a guitarist, I was once told at the end of the version of 'Another Brick in the Wall' that "David Gilmour wouldn't have played it like that." To which I had to own up and admit that I wasn't David Gilmour. Rock star name snobbery? 😀
    3 points
  21. Being bored I attached a pointer made out of a post-it note to the top of my tuner and measured the rotation of the post required to go from pitch to slack. The E (.105) needed 1/8th of a full rotation, the G (.045) needed 3/16ths. The tuner post is 11.1mm diameter which stirred together I think gives: Note 1: This was with TI flats Note 2: I need to get out more
    3 points
  22. I put the DiMarzio set on my (full size) PJ and love them. Great colour too. 🙂
    3 points
  23. 3 points
  24. How about 5 little motors driving five little windlass' to tension the strings. Then you could program Trampa to tune it for you to to play a whole range of differently tuned songs.
    3 points
  25. I don't actually mind or care what other people are playing because at the end of the day, if they are out playing music and being creative and if that's all they can afford or it works for them or they are happy playing it then crack on. However, similar to Lozz196's comment on Page 1, I do have my own standards that I set myself. I've played for 35 years, had quite a bit of success and got to a standard of musicianship that I feel justifies me spending a certain amount of money or at least, treating myself to certain grade of instrument. Plus, having been pro, semi pro and a weekend warrior, I'm out there using the instrument rather than it sitting in my house looking pretty. I don't like expensive boutique basses and there is a limit on what I will spend but if I am going to buy a bass, then chances are its a Fender Jazz or Precision so it will be a US model or a US signature/re-issue. If its a Stingray then it will be a US model, a Warwick will be a German model. Saying that, a lot of my good basses I've bought second hand, be it my AVRI 75 Jazz bass, US Standard Precision and Jazz and all my Stingrays. My current good bass, a Stingray SR4 fretless was also secondhand. I also prefer Japanese Fender's and would sooner play one of them over a dearer US Fender. So I have my own personal standard that I feel I can justify owning but what others play then I couldn't care less.
    3 points
  26. Yeah I was aware the Mustang had a similar design to the 1976 Musicman version - however I wasn’t sure whether the Mustang was under CBS and Leo had already gone - in which case it was reprised on the Stingray. Cue lots of debate……. you also need a screwdriver to activate them on a Mustang (thumb screw for easy application on a Stingray). I’ve even activated them between songs, live it’s that easy!! Whatever the answer, it’s a great system as you can vary the pressure of each individual mute - they sound great recorded on a Stingray - very very thumpy!!
    3 points
  27. For sale Origin Bassrig Super Vintage, Ampeg SVT in a box, 1 month old, never used. Unwanted gift. collection welcome UK delivery £10 SOLD based in Reading The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box. When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages. With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.
    3 points
  28. Nope. I arrive at a rehearsal knowing the material, so all we have to do is top and tail the songs. A good rehearsal equals a good gig in my experience.
    3 points
  29. A good place to start would be a pre-amp pedal of some sort, it's effectively an amp but without a power section. That way you'll get a more familiar, amp like tone through the PA. There's a million different pre-amp pedals on the market so go for one that has the type of sound you like. I don't think Eich make a pre-amp pedal but there's a shed load of pedals that will give you a similar clean tone that you get from the amp. Something like the Helix Stomp will cover more than you'll ever need although I got rid of mine because of option fatigue and replaced it with a simple pre-amp and compressor pedals as that suits my simple needs better. Although thinking about it, you may even be able to carry on using the Eich by running the DI into the desk. Just check that you can run the amp without a cab load first! There's wired and wireless in ear monitor options to explore and there's a couple of extensive threads on here that will answer all your questions. This is the obvious place to start...
    3 points
  30. I think it's more a case if you have a bad practice immediately before the gig, you make more effort during the gig. When I've directed plays, it's often been the case that a few days before opening, we have a shocker of a rehearsal. People have a tendency to "coast" once they think they've got it cracked in terms of their performance, which can then result in it going completely haywire. We also find, during the run of the show, that opening night is great, then it drops on the second night, as again, complacency sets in. The rest of the run then picks up again to the previous level. There will always be things that happen which you don't expect, but as long as you carry it as a "team" 99% of the time the audience won't notice* *I'm excluding the last song of our set on Friday night, where it was very noticable for most of our audience, apart from the lead singer/guitarist's wife! 🤣
    3 points
  31. Pick Up The Pizzas ~ Average White Bread
    3 points
  32. I fell out of love with this for quite some time, but just recently (since returning to gigging after lockdown) it’s my go to.
    3 points
  33. For years my criteria for a bass guitar were that it had to be affordable and versatile, i.e. suitable for a range of genres as the band I was in played all sorts of songs and all sorts of gigs. We were mostly in pubs to start with and the acoustics were almost always dodgy, so the sound was secondary. For the first 12 years of my bass gigging 'career', I didn't own any new basses and hadn't paid more than about £250 for the ones I had. As the gigs got better (and as I improved as a bass player) I started to invest in the sound aspect; better amp and speakers and a new Epiphone EB0. Finally I decided to buy a 'decent' instrument (a Sterling Ray34HH). I've never experienced bass snobbery although I've seen guitar snobbery aimed at our guitarist and on one occasion a case of band snobbery - we were gigging in a pub and another band was watching. Halfway through the set they decided to critique our backline for some reason. After a while our singer engaged with them along the lines of 'what's the matter guys'? to which the response was something like 'we'd never gig with that old kit'. So he asked them where they were gigging tonight. And where they were gigging tomorrow night. And next week. They walked off and later the landlord explained that they rehearsed in the pub but never actually played any gigs.
    3 points
  34. I picked up a cab, an ebay purchase, at 2pm yesterday and drove straight to a gig, loaded in at 3.45, soundcheck at 4.30 and started the first set at 5. And the new cab sounded great! I'm sure others could beat a three hour 'purchase to gig' turn-round, but I was pretty chuffed by my experience.
    2 points
  35. Selling my Sandberg Basic Ken Taylor - a five-string active bass in a subtle and fetching blackburst. I'm not sure what year it is - 2005-ish? Serial number is 2250. Six bolt neck joint, textured grain pattern, German engineering, Delano pickups. Weight is about 4.5kg (10lb). 34" scale length. Zero fret. Controls: Volume, pickup pan, bass, middle, treble, active/passive switch and coil split switch. It's in absolutely superb condition. I can only find two very minor blemishes (shown in ultra close-up, but barely visible unless you're looking for them). It didn't come with a case or even a gig bag, but I'm including a Hiscox P/J hardcase. It's not a tight fit, but it does offer decent protection. I've come to the conclusion that I need to keep it simple when it come to basses - four-strings and passive! I'd strongly prefer for the buyer to collect (we've all heard the postage horror stories). I'm in Hampshire and can meet up at a local train station (Havant, Petersfield) or drive a not-too-crazy distance. If postage is the only option, let me know and we can sort something out (at extra cost to the buyer).
    2 points
  36. Having never owned a headless bass I am interested to know how much tension you need to get on the strings before locking and tuning, and as @Si600asks, how much movement is needed. Me, I like headstocks, stops my left hand falling off the end of the bass
    2 points
  37. All I Want For Christmas Is My Two Front Teeth - Spike Jones
    2 points
  38. scooby snacks - Fun lovin' criminals
    2 points
  39. Back up for sale, G & L Tribute Kiloton bass c/w hipshot detuner. In pretty much unmarked condition. Finish is 'Irish Ale' over a swamp ash body. Plays beautifully. Not getting used since i bought my Dingwall, so here she be for sale. Sub 4kg in weight so not a boat anchor by any means. All the usuals come round, meet up or pay (insured for a courier. Specs.. CONSTRUCTION: bolt-on SCALE: 34" PICKUPS: Leo Fender†-designed G&L MFD™ Magnetic Field Design humbucker made in Fullerton, California BODY WOOD: Swamp Ash NECK WOOD: Hard-Rock Maple w/ Maple fingerboard NECK WIDTH AT NUT: 1 1/2" NECK RADIUS: 12" NECK PROFILE: medium C FRETS: 21 medium jumbo, nickel TUNING KEYS: Traditional open-back + Hipshot de-tuner on E string BRIDGE: Leo Fender-designed G&L Saddle-Lock™ ELECTRONICS: 3-way series/split/parallel mini toggle, volume, tone **note: scratch-plate is the original tortoiseshell, but covered in car wrap carbon fiber effect.
    2 points
  40. In one of my previous jobs, we used to apply a £1500 a$$hole tax to certain clients just because we'd end up spending so many extra hours dealing with their a$$holery
    2 points
  41. I like the back, but if it's formed a skin, it's probably not worth trying to save. Good effort, though! 👍 Not as random as you were attempting, but I always thought the pendulum painting process could be very effective on a bass, especially given the contours of the body and non-regular outline. Something like this (apologies for the terrible music...):
    2 points
  42. My issue with nut-fiddling is the tools. Good nut files are very expensive for what is a very occasional, maybe even once in a decade, job. Not so good nut files are hopeless and you just end up rubbing the slot for ever. Other bodges are available, like thin needle files, but the results can be a bit hit and miss. I hacve lived OK with the result though.
    2 points
  43. A Sunday early evening Bandeoke for me this weekend. A pub in somewhere called Wantage 🤷‍♂️. First time there, booked despite the landlord being somewhat sceptical, and it went down a storm. Another one on the list.
    2 points
  44. That looks so cool...but bizarrely I don't know why my first thought (seriously) was that it should have a red light on it that travels left to right, it should be renamed KITT, and have a Turbo Boost button added somewhere.
    2 points
  45. To be mind-numbingly pedantic and tedious, a normal new sock is topologically identical to a flat sheet, is has just been pressed into a shape. Same topology as a tumbler, a bowl, or a vase. So it has no hole. Once it has (one) hole then it's the same as a doughnut. The important question is: cotton or bamboo for the best tone on a folk gig?
    2 points
  46. I don't consider myself a bass snob, and certainly never look down on other people's choices of instrument, but I have six basses at the moment and all are Fenders - four Precisions (two US, two Mexican) and two Jazz basses (both Mexican). When I was starting out on bass in the mid seventies, just about every bass player I admired played a Fender, usually a Precision, so I graduated from no-name cheap plywood basses through copies of Fenders and finally was able to have a real Fender, or two… Owning a Fender wasn't a case of being one up on anyone else, it was just a natural aspiration for a young player growing up in that era.
    2 points
  47. I love the simplicity and compact form factor of the Boss WL-20 wireless. Seems to have a pretty decent range too. Here's me misbehaving at a gig last weekend courtesy of the WL-20s:
    2 points
  48. My main tone is the middle pickup soloed. Occasionally engage beast mode (all 3) if i'm cranking some drive too. Shameless pic from last week's gig:
    2 points
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