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Showing content with the highest reputation on 07/10/19 in all areas
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Since the demise of my regular slot in the rock band, I've been dabbling in a bit of mainstream jazz and latin stuff - trying to get a handle on walking bass but not finding anyone to give it a go with me. Actually, I did, but after saying they wanted me to play with them, they then wrote back and said they had no drummer so it was a no go. Hmmm. Anyway I went along to play bass at the local jazz jam. Very low key, low stakes stuff. Turns out that night there was nobody else on bass, so I had to cover the whole evening straight from the chord charts. On the strength of that I got asked to be the 'house band' the following month, do a dep on a gig last Sunday, to be the bass at the next jam and to join a jazz band as bassist. Shows you can fool a lot of the people some of the time. To be fair, I know the repertoire inside out - but as a listener, or a saxophonist. I'm less secure with all the walking bass patterns - I'm sure the low riders in the audience are cringing. But the drummer at the dep gig said how much he enjoyed playing with me - so there's that. I think the point of this is that I got over the imposter syndrome for a moment and made myself just do it.5 points
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Here you go.5 points
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I've had three custom builds over the last 15 years or so, and I've moved them all on for various reasons. They rarely turn out quite as you might expect. That's not to say they've been disasters, far from it, but I'm not sure the dream bass is really attainable, perhaps only a good compromise at best. To compound the problem, a few bass makers I've had dealings with have had rather rigid ideas of what a bass should be like, right down to the type of strings you should use. Some appear to only be willing to entertain making an instrument the way they think it should be, as opposed to the way you might happen to want it! Don't get me wrong, I'm not a luthier, so I'm very much up for taking advice on what may or may not work, but I've found it can be a bit of a tussle to get what you want sometimes. The fact I no longer have any of the customs I had made may indicate that some of my ideas were flawed, or my expectations were unrealistic, of course. My fourth custom bass arrives later this week! If anyone's interested, I'll let you know how it turns out...4 points
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Sandberg TT4 Super light. Mine is 6.58 lb / 2.9 kg It's fantastic.4 points
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I have a PA sub for sale at £550. I got an offer of £200 because all 2nd hand speakers are past their best. I told him he best not buy it then. He said no one will. Be prepared for dickheads too. Always post good pictures and indicate any faults/ damage. The other thing is courier. If you can arrange a courier, you will probably get a better price. I'm not sure about insuance with couriers as they are all different4 points
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A glorious mini fridge in perfect working order that comes with Roqsolid cover. Shows some signs of wear and is USA made. 4 ohms cab that is thunderous and has an amazing tone but is just not getting used anymore. Has been in safe storage for a while. South Wales area but willing to courier if you arranged it. Priced to sell. Cheers, Dave.3 points -
Yep, NBD.3 points
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For anyone who was here ten years ago, you may remember me and my blog. Under the old forum format and with the original Photobucket, there was a fair amount of content that was put up on here and I kept in touch with many of the members via PMs but with the change over, mine and everyone else's didn't make the transition and I sort of lost touch with those who were around at the time, along with all the information that went with it. The blog carried on but due to my personal circumstances, less content was posted but as of yesterday, the beginnings of my ramblings are now ten years old, with 250 posts. So, Hi and thank you to all those who have visited the blog over the years - I am now hoping to get it back into gear and put up more content. Bass and Guitar Collection Blog Anyone from days of yore, would be great to hear from you. Cheers.3 points
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I like it that he won't send you the wiring diagram, as if people are beating down his door for it3 points
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Will be covered in biro by the end of the week.3 points
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Next time use this...3 points
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Ready to start painting 🙂 First coat applied to the bottom.3 points
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For me it's just how ballsy it sounds. It is lacking in treble but, in a gigging situation, that doesn't really matter. And you can actually get more highs when you work out how. It's just a workhorse, no nonsense gigging amp, and at a sensible price. All you need and nothing you don't. Frank.3 points
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3 points
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An Overwater PJ Custom with possibly the highest spec available and some extraordinary bespoke appointments. Completed in June 2018. Poplar Burl top on a two-piece centre-jointed alder body with black pinstripe (the second instrument I've owned with the Burl and from the same log as the facing on John Entwhistle's bass). The burl is also used for the facing of the headstock. Exquisite Birdseye maple board on a flame and Birdseye neck - the timbers used throughout this bass are some of the most beautifully figured that I've seen. Black hardware including the Overwater bridge and string retainer unit. The bass is passive (sort of) but has the Overwater/East buffer circuit. This works extremely well to deliver with extreme clarity (and boost) the core tone of the bass/pickups. The bass is supplied with two sets of pickups - the PJ set that it's currently wearing (in rectangular covers) and a humbucking set in similar covers. The bass is also supplied with its certificate and spotless/as new Overwater branded Hiscox case. There's a story to this for those interested. The bass was originally spec'd by an extraordinary aesthete of this parish - this man has an eye for detail beyond even mine (and I'm really picky). It was supplied originally with a personalised logo at the 12th fret and the whole build was extended as the purchaser pondered multiple detailed additions and enhancements throughout the build process. The result of the attention lavished on the bass by both the purchaser and Chris and his team was quite something to behold - the bass was also a seriously expensive investment (really expensive - somewhere around £3400 I believe). This is where I entered the scene in late 2018. The original purchaser had a change of heart and I picked up the bass at a good price. I'd decided that I was in need of a 34" scale that could be a racing machine... (yes, I know). I'm really a short-scale player but wanted a 34" that could play as easily and as fast as a shorty. The bass was everything that I'd hoped for, but in the search for absolute perfection (we're talking real margins here), I sent the bass back to Chris to have the logo replaced, have the frets dressed to facilitate a stupidly low-action, have the nut replaced with something really bespoke in connection with the latter, and have a set-up with super light strings (35-95) and an action down to the limits. Chris did all of this to a superb standard and charged me accordingly. I hate to think what the bass has had spent on it but probably somewhere around £3750 in total. Now, after a change of heart myself and the need to pay for a fretless, the bass is up for sale. I'm not particularly sentimental about basses but this is one that I really don't want to sell. It's been a major investment of time and cash and does exactly what I want, and the body has the most beautiful contouring that I've seen on a P (something that is really important to me - take a look at the images - there's an organic quality to the carving, the body is like a pebble washed over tens of thousands of years). So, that was quite a long way to go about it, but here are the basics: Precision body with PJ or double humbucker configuration (both sets of pickups supplied) Burl poplar top and headstock facing (with Birdseye scratch plate with a black laminate) Alder body - two-piece, highly figured timber Birdseye and flame maple neck with Birdseye maple fretboard - 22 fret 34" neck Black hardware including Overwater bridge unit and hipshot ultralite tuners Nut width approx 41mm (1.62") 19mm string spacing (adjustable) Passive but with Overwater/East buffer circuit (1 x 9v battery) Through body stringing Weight is around 8.8lbs (I think, I have no easy way of weighing accurately) - superb balance Supplied with Overwater branded Hiscox case, and original Overwater CoA As above, the bass is set-up with an extremely low action and d'Addario nickel rounds 35-95 - I find these to have a fairly low tension (a particular favourite). It is around 16 months old and in absolutely mint/as new condition... apart from one tiny, extremely shallow impression on the neck behind the 11th fret. This is a short line and is impossible to photograph, though it can be felt by rubbing a finger over it - it has no impact on playability and is barely there, I just want to mention it for full disclosure. I didn't do it and it seems to have been something that occurred when the bass was back in the Overwater workshop. It doesn't bother me at all and is truly tiny/insignificant. In sum, a beautiful, bespoke and custom bass with many really high-end and very well thought-through appointments. The instrument has had a lot of money spent on it. We all know about Overwater quality and this bass would grace any stage or studio (Overwaters record beautifully and thus are the choice of many pit players and studio professionals!) I'm not a massive fan of hyperbole in adverts, though I think this bass probably merits it. It looks stunning - it's my partner's favourite in terms of looks (and she's picky). It's one that she doesn't mind seeing on a stand around the house (and I happily oblige). The neighbour's cat also loves it (mine evidently couldn't care less). I think that £1650 is probably a very reasonable price and I'm taking quite a hit at this, thus I'm pretty firm on it. I'd prefer collection from Manchester, though I can ship at the buyer's expense and risk (I can check out insurance if necessary). I can ship to the UK, most of Continental Europe and the US. Any questions please just ask. Apologies for the fairly poor quality of the images - Manchester is devoid of light this morning (indeed, most mornings). If you need any further images, please just let me know.2 points -
This is a Fender precision USA Highway One Made in 2008. Thanks for the info on that Karl. It's in great condition as you can see from the photos. Couple of light blemishes, but really nothing too bad at all. Sounds exactly like you'd expect a P bass to sound! Currently strung with flats. Comes with spare torte pick guard, that I quite like too. Apparently these are meant to come with a different bridge. I don't have the original, only this one. Neck is pretty slim. Definitely not like a baseball bat. Happy for you to come try it out. Can courier, but at the risk of the buyer! Any questions, give me a shout.2 points -
I’m hovering over the warning button ⚠️2 points
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Mainly into off topic... 😂2 points
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Just to add, I took the drivers out and although they were Eminence, someone had used a knife to cut away the model no's on every one and the area that usually bears the model name on the magnet sticker was blank. They are a type of 16 ohm driver that look a bit like the beta (250w) and delta (350w) but with a mix of traits from both. The magnet was delta sized but the shape and design of the cone beta sized. Maybe some weird OEM custom job? The actual cab itself was manufactured by Carvin but I know for a fact that the speakers are aftermarket.2 points
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Thanks for all the help and insight guys. I also moved house the same week so everything has been a bit chaotic, hence the late update. Panic over. The lovely people at Lean (https://www.lean-business.co.uk/) sorted me out just in time as at that point the thread seemed to be pretty much in favour of replace>repair. Cannot recommend them enough, a really lovely couple. Gig went really well and the cab sounded monstrous all night pushed to extremes by the weird and noisy bands on the bill. As an aside, the mad squat party was far better organised than the two mainstream clubs we played last week. I'm going to attempt a fix on the damaged speaker, so will give it a go and update a little later down the line along with photos. I'm reasonably handy but not so with intricate/technical stuff, luckily it doesn't really matter if my patient doesn't pull through!2 points
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No, no don't do that, that wouldn't be right.2 points
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Nobody notices the bass player in a Jazz band unless he catches fire.2 points
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It will do exactly that fattening up thing. It'll add weight to the notes as well as volume compared with a 'normal' class D amp2 points
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I'm using PVA glue - all I mean is I give it 2 coats of glue on each bit, no need to let it dry first. They joints go together fine, no sanding of panels needed for me, as long as you have enough clamps. I'm just trying to avoid dry joins as its very absorbent ply.2 points
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Baffle painted with matt black spray paint bought in Proper Job. It came out more of an eggshell satin finish but I'm happy with it - it will match the satin Tuff Cab paint nicely 🙂2 points
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Monday morning bump! The Super Compact works great with lots of different amps. I know, I have used an Orange Terror, Mark Bass TTE500, Ampeg PF500, Ampeg PF50 with it!2 points -
Hi I can make it. will bring Ken Smith, Wal and Markbass ninja head and ninja cab2 points
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Its the sound more than the size. I've had loads of class D heads and this is the only one I've found that has proper slam to the sound - its got real girth,warmth and shake to it. Slightly unusual controls but after you've spent 10 minutes tinkering with it everything becomes easy to understand and dial in quickly. Its a bit treble shy but it's stupidly loud whilst staying clear and just getting bigger as you crank it up. I love my BB800. Oh and it fits in the front of a gig bag too....😉2 points
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He certainly is a lateral plucker!2 points
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I’ve managed to commandeer a bedroom on the top floor for my gear ( my wife got the ground floor office). Not pictured is the king size bed where I can often be found when practicing gets a bit too emotional.2 points
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I have yet to get my head around them. I’m sure I saw a post the other day linking to IRs to download from Line6 but I can’t find it now, perhaps I dreamt it?1 point
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Just in case anyone doesn't know who the singing bass player in Poco was , he was the man who , when Carvin wanted to make a signature bass for him , he asked that it should only have the one control knob , a volume control . And , back on topic , give Santana;s Flor De Luna track a listen , particularly the coda (3:47) where the bass does that typically Latin thing of pushing the track along by anticipating the one of the bar by playing on the four and the four and of the previous bar . So simple , but it rolls along .1 point
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Damn, until yesterday I was, thanks for the heads up though mate1 point
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TC Mojomojo at the budget end. Or if you want everything under one bonnet from mild OD to full fat fuzz, with great retention of low end, pick up a used SA Aftershock for around £90 Actually both pedals retain low end well and added to in the case of the AS by providing a clean blend. Job done 😉1 point
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Cable envy!1 point
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The original SGC Nanyo Bass Collections from the 80/90s are incredibly light. I've got 3 x 5 Strings and the heaviest is 7.25 lbs. Fantastic build quality and Gotoh Hardware.1 point
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I have the identical twin of this bass - love it to bits. Good price too!1 point -
I still consider myself a noob and what I'm finding is my taste/style/whatever is evolving, though still pretty eclectic. I'd start off with something like a Squier and add to the collection from there cos 1 is most definitely not enough. Let your music point you to your next purchase. I've got 3 totally different kinds of bases and have promised myself a fetless electric next year sometime. A clip on tuner is very handy. Finally we can say whatever we like but you're the one who is going to live with it and hopefully play it for hours, so in the end its what appeals to you. I find instruments usually jump out at me, so happy new bass hunting and ENJOY1 point
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BassDirect have some 4B for sale at the moment. An ideal match for another?1 point -
A beginner could have had a shitty old bass for a good price. But instead this happened.1 point
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You forgot to add The Axe...1 point
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Nah, I have a healthy shame for me and my silly drumming friends. I do like the one about checking if the stage is level thoughbut. Here's me at the 100 club in yer london. I promise to *mostly* talk about bass though.1 point
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Yes, you can do a temporary repair, but the right thing to do is replace the driver. It's such a simple job. But made harder for anyone to help the OP as his cab is anonymous. Given that the cab is a secret, you take the front grille off, undo the screws/allen bolts holding the driver to the front of the cab, gently pull out the driver and disconnect the two cables running to it (making a note of which one went to which terminal on the driver, albeit that they'd hopefully be coloured red & black). Look at the brand and model of the driver, which should be printed on the back, then Google is your friend to find a replacement. Installing is simply the reverse of the operation.1 point
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Good Vibrations1 point
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I really like the bassline to 'Something'1 point
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(Looks up human anatomy.)1 point
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Uli Jon Roth at a small gig at Dieter Dierks' studio in my little dorp outside Cologne. The man can play ...1 point
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Little Steven and the Disciples of Soul - last night at the 02 Ritz in Manchester. Full on show, over 2 hours of high energy soulful brass laden stuff. Amazing 3 ladies on vocals and groovy dancing, 5 piece horn section and a great sounding room. Heaven.1 point
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I'm just about to quit a wedding/function band, because: 1) The guitarist.I HATE the way the guitarist plays. His attitude is terrible too. I can go into details on his playing - but in an effort to keep this post shortish, I won't! 2) we don't often practice as everyone knows the set and gig often. But, if we do practice, for a wedding or whatever, it's slack. The singer is staring at their phone whilst half arseing the vocals. 3) despite being the newest member, I do ALL the leg work, emails, calls and bookings. Over the last few months I've booked nothing as I've become disillusioned with it. My band mates actually moaned we didn't have any bookings, but none of them did anything about it! 4) The PA we use is terrible, but no one is willing to chip in for upgrades. And finally, 5) I've had an offer from another band. I suppose in summary, I want to be part of a professional outfit that sound and look good. Decent PA, lights, repertoire and great musicians. I worked hard to make my current band the premier functions outfit in our area; the rest of the band wanted it too, but don't want to work for it. Shame, as we've done some great gigs. But, an new opportunity has presented itself and I'll be about 75% less legwork for more of a reward... oh, and the guitarist knows knows how to play a diminished chord...1 point
