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Showing content with the highest reputation on 22/11/17 in all areas

  1. A small rant because sometimes you just have to. I frequently look through the sale thread here and Gumtree/eBay and various other selling platforms, and keep an eye out for certain things I would like to own again or like to try. Recently a few things have popped up and I have got all excited until I see photos or the description which basically outlines how the owner has done loads of (unnecessary in my opinion) modifications to the instrument to 'make it better' and now they want basically what the instrument cost new, or close to it, or even in some cases, more than it was in the first place. I am sorry, but this seriously p*sses me off, why would you badly fit a load of hardware, damage the bass, sand or refinish it yourself and then expect to get so much money for the thing?? Worst of all is that most of the time they don't even keep the original parts to put it back to how you actually want it. I have seen tuners fitted wonky and the person didn't even go to the effort of buying tuners that retrofitted, botched logo changes (seriously who are you trying to kid) huge amounts of damage through use and low and behold its £20 less than I could buy new one with a years warranty! That is all, I am in a bad mood today.
    2 points
  2. Trying to buy basses 'without' an Adam Clayton signature is becoming difficult, I think the ones without will be worth a few quid in years to come!
    2 points
  3. 2 points
  4. Fretting hand....(you need to be playing through your amp for this). Just spend 10-20 minutes putting gradual fretting pressure with fretting hand and hear when notes play/sound cleanly. Start with no or very little pressure and add pressure until note sounds. This is all the fretting pressure you need...any more is wasting muscle energy and may cause fatigue and badly intonated notes. The thing is to be constantly aware of this (minimal fretting pressure) when playing. Unfortunately, when people start concentrating on what they are doing with their non fretting hand that the fretting technique goes pearshape and they start to overpress again.
    2 points
  5. Ok. Well I got mine the other day but so far have only been able to give it the briefest five minutes check over. Bear in mind that I'm learning the bass at the moment so don't really have a wealth of experience to fall on. What I would say is that almost certainly this is designed for guitarists, not bassists. Yes it will work with a bass - it doesn't need to hear chords in learn mode to work out a rhythm, it will respond to a bass line and then you can turn the bass down completely to just hear the drums but as a drum machine alone it's not that brilliant. They are not that convincing and as Al points out the rhythms it produces are random so for my needs as a practise tool it has limited value. What I need is something that will produce a consistent rhythm every time I practise the same piece, not a different rhythm each time to keep me on my toes. Would I have ever paid full price for one of these? Hell no, but for the £40 I splashed on it its an OK bit of fun. A dedicated drum machine would be much more useful though.
    2 points
  6. My phone has auto-corrected to worse things than that in the past!!!
    2 points
  7. I'm amazed this is a thing! ha ha ha! It's a bit like saying that an able bodied person prefers walking with their left leg rather than the right.
    2 points
  8. Well, you never know. There might be new BC members that don't know my position. Plus the whole "Proud B List Bar Band Player" is sort of a new tag phrase for me. (: Blue
    2 points
  9. So - lots of fun today First of all, I had to get that silly vertical cable to lie down. You wouldn't think Schaller mainly deal in guitars and basses...how many 3" - 4" deep basses do you know that could have a control chamber that would accommodate this design 'feature'? And the only way of doing that is to invalidate the warranty on what is a very expensive bit of kit by taking off the very stiff, very thick sealed rubber boot: And while we're on the subject of 'I love Schaller, but...', if I turn round the guitar to see the other side, let me give you a quick quiz... Question: Between the two types of knob: nicely powder coated solid brass knurled, allen-key secured, standard 6mm shaft beauties push on, plastic, non-standard 3mm shaft, small top hat ...which is the dirt cheap Harley Benton offering and which is part of the Schaller flagShip top of the range (and very expensive) piezo pre-amp mixer offering? Yes - the nice knobs are the Harley Benton ones. Honestly, I DO love Schaller - great service and some great, great products but, if you're looking, fellas...come on...you are better than this! So, I found this in my bits box: And the bottom left hand bit has an i.d. of 3mm ...and when you put it on the sanding wheel, you can get this - a 6mm o.d. (you make knobs, Schaller - yes, 6mm...the standard size of the knobs you supply to millions of us!): And that fits on the non-standard 3mm shaft of the three way rotary: On which the nasty cheap Harley Benton knob itself fits: Call me uncouth, but I think that looks better : And then came the rest of the day (pretty much 12 hours) with the myriad of tweaks, and drills, and earthing and tinning and checking and planning, until: And - knock me down with a feather - it all bloody works! And the hatch still fits. And I'm going to go and have a long sit down....
    2 points
  10. The original bassist in Saxon, played open as much as possible, so the other hand could be held aloft in rock salute! \m/ ?
    2 points
  11. There is negligible difference in tone between open or fingered note. The reason to avoid open strings is when it comes to transposing: Far easier to transpose a riff/lick/line etc if all notes are fingered.
    2 points
  12. Feedback for Kev's great bass gear exchange, please let me know how it was for you!
    1 point
  13. I know this will open a can of worms but personally i just don't get the fuss??? Admittedly he was unique and extremely talented but some of the stuff in my opinion is just a muddled up row....millions of tuneless notes played at extreme pace. Give me Jamerson anytime a master of Groove....i can feel my ears burning already lol.....Jaco played some memorable stuff but just not a fan of that nonsense noodling sorry
    1 point
  14. Haven't seen anything about this here so I thought I'd put the word out, currently on Kickstarter - For the lazy - it's a 3 channel looper/mixer, each with High and Low Pass filters, send level, different filter slopes, and crucially, internal sends to the other two channels. On the surface it sounds like a boring utility pedal, but it opens up a lot of possibilities that led me to order the super DIY version for a modest $60 (incl. shipping), though a full version will run you about $250 I think. Multiband distortion with completely different pedals is a big one, but the possibilities with time-based effects are what really appeal to me, the idea of stacking delays and reverbs in controlled feedback loops makes my inner post-rock/ambient nerd go all a quiver. It's 200% funded so it's definitely happening, and VFE are a solid company so you're not throwing your money into a black hole (like some of the other pedal kickstarters...) Take a look, or don't.
    1 point
  15. Brass just-a-nut 3 can be bought and added for about £50. If it has a 2 piece bridge then it's a good bass. I would go for the Streamer if it's a 2 piece bridge. This comes after owning both Streamer Stage 1 and an FNA.
    1 point
  16. A Finn Typr R Fretless 4 would make me seriously happy
    1 point
  17. Love it. You already have a bass collection! 10/10!
    1 point
  18. I know what you mean. It's hard to judge on videos and sounds clips. It seems you need to try a few different types before you decide. Although if you buy a used one and aren't happy you should be able to sell it for the same. To be honest you could get two identical models of any bass and you'll probably find they sound / feel slightly different! Good luck on your quest!
    1 point
  19. just installed Firefox and im in fine, thanks Phil Starr!
    1 point
  20. I'm in the fens in South Lincs - I bet it's flatter here than your zero fret (unless you have a board of less than 12" radius )
    1 point
  21. Yep 4 notes that can be found easily regardless where the left hand is before or after, for example im glad of the open A on the instrumental break In freak and the 2nd part of the good times line , that's just 2 examples of one bands songs
    1 point
  22. 'Following' is different to 'commented on' - they are now two separate things. Confused me too at first. I tend to check my 'new posts that I've commented on' and only ask for alerts to things i've manually followed that I need to keep track of better.
    1 point
  23. Quite right. I nearly laughed too
    1 point
  24. Opinion, yes. Sort of means a reason for or against. Where was your opinion ? You just posted a big yawn. If you see a thread title that has no interest for you, move along. No one forced you here
    1 point
  25. As far as learning goes, this may sound a bit mad but you should try to join a band as soon as possible. It's the quickest way to learn an instrument. If everyone in the band is better than you (not always a given, actually!) then you tend to play up to their level very quickly, and learn much more quickly than sitting at home practising. You're not only learning the bass, but how to play with other musicians and how to do gigs. Getting out there and doing it isn't practising, you're already flying!
    1 point
  26. Further to Rik's comments, the watts are Class H
    1 point
  27. Your OP does not mention whether you've already visited a site called basschat.co.uk where there actually is a forum section for gear, in which a forum called "Bass Guitars" contains dozens or even hundreds of treads were all the info on the 4H is readily available. Other than that, it's reported to sound closer to a StingRay, and the H pup is indeed positioned in the StingRay spot. Somehow, the back of my mind seems to tell me the 4H does not have the 4-band EQ, but I'm sure someone will correct me if that is wrong.
    1 point
  28. Don't forget to post what gear you are using
    1 point
  29. Loads of admiration for the guy. I've read his biog, watched clips of him play with my mouth agape, wandered how marvelous it must have been to be in his presence, acknowledged his influence, and understood that he changed the world of bass playing.... ...but I don't really like any of his tunes. Also, Dry Cleaner from Des Moines would have been better through Jamerson's taste filter. IMO, obviously.
    1 point
  30. The most notable difference seems to be the pickup, with any luck it's routed in a P config and that will alleviate all doubt
    1 point
  31. Saw I might be due £16 duty/handling fee on £39 tuners Dropped through letterbox half hour back
    1 point
  32. The bass player in this song is only using open strings. Maybe he hurt his wrist!
    1 point
  33. I admire his skill and think his playing with Joni Mitchell was exquisite. I do love Weather Report though for me the draw is Zawinul not Jaco. And I probably enjoy Alphonso Johnson’s playing more. Jaco’s solo work tends to leave me a bit cold though and always feels a bit self indulgent to me. However impressive it is. Perhaps for me he’s just a player I prefer when working within constraints rather than free to go where he wanted...
    1 point
  34. It's Broad Bass - they even used the name in full on some models:
    1 point
  35. I've said it before, but I'm amazed at how neck dimensions seem to vary so much I used to think there were P necks and J necks.... and that was it! How wrong was I? I once owned a 70's P which was heavy as hell, and had a really wide, really deep neck Just the other week, I went to try another 70's P, and that wasn't particularly heavy, and the neck was a tad wider than my more modern P basses, but not overly deep I've played others which have deep necks, but are not too wide, and others which have quite wide necks that aren't overly deep.... It demonstrates that if you're a bit fussy about neck dimensions (either way) you really do need to try a bass out BTW Bridgehouse..... lovely P bass drool......
    1 point
  36. 1 point
  37. I remember walking into the drum-hall att Musikmesse for the first time... Danne McKenzie in the Wincent Drumsticks-booth described it best: - When the doors open, it´s like in Lord of the rings-movie when they´re in the mines and the orches are first heard and then gets closer and closer and louder and louder...
    1 point
  38. Wembley Loudspeakers are your friend. They can test it and do any repairs needed. http://www.wembleyloudspeaker.com/
    1 point
  39. I think I’ve found the winner!! That would set the paisley off lovely
    1 point
  40. Yes, and also because they are sticking out higher than the metal switch less chance of accidentally changing the settings of the effect.
    1 point
  41. This, from Limelight. We used pics of the original plus from the Mega$ US CS version to try to make it look as close as possible. The original pics on the Limelight porn thread need to be re-instated which I will do tonight, but here's a quick preview as I found a pic on my phone.
    1 point
  42. Ok here's a teaser photo. Proper ones will follow....
    1 point
  43. Jimmy Lea, ex of Slade, on Sunday afternoon at The Robin in Bilston. He was premiering his new DVD of his one and only solo gig. Did a one hour Q&A session with the crowd, spoke at length of his current battle with prostate cancer and how his hormone treatment affects his breathing, his throat and fitness due to muscle wastage. He then excused himself to "look for some notes" and came back on with his treasured black Strat and with the help of backing tapes and much support from the 300 crowd he belted through four Slade classics. I didn't see a dry eye in the house. What a bloody trooper!!
    1 point
  44. Clive bought a pedal from me. Great comms and super quick payment, couldn't ask for a smoother transaction Deal with confidence.
    1 point
  45. Bought Stephen's markbass 102p cab the other week there. No stress and all, smooth transaction throughout and 100% as described. Deal with in confidence!
    1 point
  46. Did a trade with Clive ,p bass for a very tasty schechter , Clive alias T-bay is a top fella ,deal with confidence people He's a credit to the forum👍
    1 point
  47. Just sold my bass to Stephen nice easy quick transaction would happily deal with him anytime Thanks again Stephen
    1 point
  48. Steve just popped over to meet his new fretless p bass and to bring me my new stingray5. Super pleasant transaction and he sure takes good care of his toys
    1 point
  49. Steve bought a rack light from me. It was all very straight forward, quick decision and payment, and let me know when it arrived. It's great to deal with someone who knows what he wants and doesn't muck about, so definite recommendation from me.
    1 point
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