Leaderboard

I've been very impressed with the build quality from Yamaha. The basses play like instruments twice the price, so if that's the case why not get two? Fretted and fretless TRB 1005.

I just stumbled upon this quirky piece from the BBC archive. Fascinating stuff from these pioneers.

We were invited back to play for the Hackney half marathon runners for a second year, which also included an afternoon slot on the mainstage this time around. A huge amount of fun: 20k+ runners this year, made doubly special for me as my daughter was one of them 😊

I started on guitar at 14 and played my first gig a couple of years later and have been playing and gigging since then. At age 42 I started bass(EB) when I was asked to sit in with a 15 piece big band and I was horrible but got better and worked with several smaller jazz groups. In 2015 I bought a Stagg EUB and then quickly upgraded to a Yamaha SLB 200 and was playing in two bands. Then in 2018 I visited England in time to attend the Double Bass Bash at Bicester and I was totally hooked and came home and bought a "real" bass, a laminate Engelhardt and then a Czech bass and a couple of years ago got my Shen SB 100 and really started to learn about playing upright and got much better during Covid, no gigs but a lot of practice. The latest step was to finally sign up for weekly lessons last October with a great teacher (bass soloist and symphony conductor) and get to work learning how to use the bow and I have made amazing progress and all my playing is much better. I'm currently in a "little big band" jazz septet, I jam with some jazz friends, I'm working with a new band (jazz, blues, soul) and next week will be in the pit band for a musical in a large theatre. A bluegrass mandolin player saw me playing last fall and today I will be rehearsing with him and we will be playing at a couple of bluegrass festivals, something different, I played at a small festival a couple of weeks ago. The most satisfying accomplishment is that I and several other adults have been asked to fill out the low string section of a 30 piece youth orchestra for a concert in June...after only six months with the bow! I have never worked so hard, the kids are so good I really have to get serious about the music and that pressure has really brought my playing to a new level. I turned 77 a couple of weeks ago and although I have played for over 60years most of my real learning on bass has been in the last 5 years, it's never too late.😊

Aka the "Vootar". Dreamed up by Voormann in 1965. Basically a one-off Vox with four bass strings and the top four strings of a guitar, routed to separate amps. A later version was the Cassandra Elk, with 30" scale, of which there are just three, one owned by Macca...

Quite a few bedroom dealers around on social media/gumtree/ebay who are asking prices in-line or in excess of what actual shops would sell the same instruments for have distorted the market and sellers expectations. Not a lot to be done about it really other than have a polite discussion and offer what you think is fair - as a general point of principal I avoid dealing with people who are being obviously unrealistic.

It was my 50th birthday party last night so I surprised my guests by playing bass with the band we hired. Their bassist didn't mind stepping down for one, which was just as well because I made him film it. This is the first time I've played bass in public, with just a quick run through during soundcheck prior to the party starting. The guy making most of the noise is my twin brother. Also his party. Obviously. 😁 20 may.mp4

Two recent acquisitions. First came the BB2000 (from Alex Carr). I’d lusted after a BB2000 since receiving their catalogue when Making Music Magazine did the old business reply card system. As a young musician, I gazed/drooled for hours at the BB pages. I was never into Fenders at the time so I’m not sure why I was so fixated on them. I drove down to Reading and collected this 1982 bass at the beginning of April. What a stunning bass. Change of strings and a Setup to my preferences and it floored me. Stunning tone and playability. The MC924 I drove to a gorgeous village outside Tonbridge on Saturday and brought it home with me. I got it from the original owner who bought it new in 1980. I had an MC900 which I sold foolishly around 20 years ago. They’ve always been in the back of my mind with the intention to replace it. The neck on this one is far superior to the one I sold, the clarity of the tone is so much better than I remember too. Again, string change, Schaller straplock buttons and setup and it’s a beautiful player. Both keepers.

A thing of beauty is a joy forever. The non aesthetically pleasing string arrangement is because I do not have the required B. The string runs over the headstock are due to the non-pliancy of the plastic-coated strings, not because Jez cannot plot his machine head paths correctly.

New Amp Day! (well, Friday was 😅) I took a bit of a gamble on this amp having not been able to try one first, although I have had a number of markbass amps so kinda feel like I know what I'm getting. As my Little Mark Tube had sold in record time (and before this one arrived), I had my fingers crossed that it was going to be good! 😬👍 Going by the specs and reviews, it seemed like it was going to suit me well. First impressions: Oh Damn! It's bigger than the usual markbass amp size! 😮😂 I honestly was not expecting that! Fortunately I have a bag that's exactly the right size for it. It's also stupidly light for a 1000w amp. I don't know if it's an illusion because it's bigger, but it feels lighter that other MB heads I've had (and definitely lighter than my LMII). Well, I needn't have worried, this thing sounds absolutely incredible! The usual markbass quality is there, but this amp seems to have a little special sauce somehow! Someone whose opinion I value described these amps as having some extra 'Mojo' above the LM range, and I think that's a good description. The seperate solid state and tube gain knobs are a bit of a gimmick in my opinion, certainly where you only have a single tube in there, as its not enough of a difference compared to a full tube preamp to really be that exciting. That said, there is a discernable difference between the two sides, solid state is tighter, faster and more articulate, and the tube gain is softer and rounder. I don't think I'd describe it as warmer as it doesn't seem to add any tonal qualities, it's more the dynamic response that's altered. I was unsure how I'd like the graphic eq, as I'm a fan of simple and I like the usual markbass 4-knob eq, plus of course the VLE/VPF, which are handy for quick adjustments. This graphic is great though! Clearly you have a lot more control over your tone, but the frequency bands they've chosen and the way it's been executed means that the tone is always musical even if you cut some fairly extreme shapes! I normal roll with a low mid (and slight low end) bump on little mark amps, but I seem to be able to get more pleasing results on the Stu, and able to find just the sound I want more easily. And man does it sound great! 😍 Oh and by the way, YES IT'S VERY LOUD!!! I nearly had to get a structural engineer in to check the house out 😂👌 PLUS.... The illuminated eq sliders and Jack sockets are super cool! 😎 So, I'm very happy thus far! Two gigs this coming weekend, so we'll see how it fares in real use. Massive thanks to the team at Bass Direct for their excellent service as always 😉👍

Well, I wasn't wrong when I said that other bassist didn't mind stepping down for one at my party ... He kindly packed my gear away for me at the end of the night and I've just come to put my bass back on its stand now I'm back home and found a note from him inside my case 😂 Nothing ventured!!

I generally look somewhat grumpy - for example, wondering why the rest of them are so damn happy and then I try to work out what Mrs Zero is telling me to do and realise that she wanted me to smile But throughout it all, one should retain one's essential dignity.

Hey everyone, I've been away from BC for a bit figuring stuff out. Well, it's a tough one, an odd feeling. I'm not very good at being centre of attention and as Id said above, feel a bit guilty when I know we're all struggling. At the same time, I don't want Andrew to feel awkward for reaching out to the community either as it's a really thoughtful thing to do. Obviously the back story to my woes is a lengthy one, so the original posts to something that appeared vague probably didn't help. I'm not offended though. In all honesty, I didn't really think anyone would notice or care that much.

Nice example. Don't think I've seen a fretless Force 40 before. Apart from the Tele-type headstock this is the same bass as the Washburn SB40 - as played by Bathiki Kumalo on Graceland.

This is my review of the HB Mustang after its gigging debut a few weeks ago.

Just popping home for a bit before continuing around the globe...

I posted the video to show a example whereby, very experienced musicians and sound engineers, have chosen to go back to using guitar amps - instead of the amp modellers they were using - because, in their experience and within the context of their musical setting, the guitar amps offer a tangible sonic improvement over what is currently available sonically from amp modelling products. Their particular gigging situation is obviously more rarified than most of us ever get to experience, but nonetheless, their choice is testament to the fact that guitar amps still offer something important and unique that musicians, sound engineers and producers value.

If you don’t play flats then you’re just limiting yourself to sharps and naturals.

this one sounds OK till I open my gob on it ! so here is my entry to the May 23 Challenge, based on the picture chosen by NickD, last months winner. EZ drummer does the main work , guitar through Waves gtr3, 2 different patches blended , Bitsa 'bassinator' low end with a bit of chorus , and of course the voice of an angel over the top of it ! lyrics for those interested

An item will either sell or it will not. The only issue for me is whether I personally am happy to pay the price advertised by whoever is selling - be that private or business. If I like the thing and am happy to pay the price - wonderful. If I think it is overpriced then I don't buy it. I see no benefit in thinking about it more than that. I've got better uses of my time. Like practising my scales.... [Might not be true]

found this vintage Peavey gem and just had to take a gamble! Well worth it! Can’t wait to hook up and play this alongside the mk3

https://www.ebay.co.uk/itm/115807085347?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=3EBG3m-QQAW&sssrc=2349624&ssuid=Lr5GXN8gT0-&var=&widget_ver=artemis&media=COPY

Ok folks so I’ve added a new pickguard and bridge do you prefer tort or white ( original )

Easy - The Commodores/FNM

The EBS TD650 rig was making horrible noises when Josh brought it to me, actually sounding like the noise of a failed speaker driver. However substitution of the EBS with my GK MB500 immediately proved that the cab was fine. I must praise Mats Kristoffersson at EBS for providing me with the amp technical information (after signing a NDA with them - which is perfectly understandable). It's great to find a manufacturer who is willing to support small independent repairers and so help keep our treasured gear going. As Josh said, the ECC 83 preamp tube tested out fine and I subsequently learned that it is not in the signal path anyway unless the tube mode is enabled! The standby switch is a nice detail to keep the preamp tube heated and immediately available if needed. Apparently the amp had been unused for several months and I now think that there was a poor connection within the amp causing the distortion and low audio level bleed with the master turned down. A good clean and lube of the internal and external jack connectors seems to have restored normal operation. I also noticed that there was quite a big (~1V) DC offset at the output, but there is a trim setting for that and it's now ~20mV. I also checked the power amp bias setting and the compressor bias, all to factory specification. I have left the amp on soak test with a 4 ohm dummy load for a while and all seems fine. I will check it again periodically over the next few days then pop the lid back on for collection.

Just a follow up to this - just after writing this original thread, I dipped my toe in the Hofner 500/1 pond and bought an Ignition model, which had had a couple of upgrades done to it. I found it a cracking little bass - fun to play (took some getting used to the scale!) and great sounding. This lead me to start looking for a German made model, and I very recently tracked down a beautiful 2010 German Hofner 500/1 62 RI (known as the Mersey bass). Everything Happy Jack said in his quoted post is absolutely spot on. The German model weighs significantly less than the Ignition, balances better on a strap, is better made, and plays and sounds much better. This doesn't make the Ignition rubbish - I loved mine and it gave me the appetite to want a more expensive model, but it's like comparing a £200 P bass copy with a Fender CS P bass.

Two of my favourite artists...

I might need one of these

Interesting reading. I also own both models and have played and gigged both, I did post my thoughts about the HB after gigging it for the first time, I'll try and find the post and copy it here. But in my experience, they both sounded very different as you said but I was highly impressed with how the HB sounded, and mine is still stock, no pickup changes or blend pot mods. The JMJ is your classic big, fat and punchy Precision sound and the HB is a much cleaner and clearer modern sounding bass, IMO, IME. One thing to ponder is the consistency between the models, I'd hope the custom shop pickup in the JMJ (Seymour Duncan?) are pretty much consistent in terms of tone. But the same may not be true of the cheaper HB, the pickups in mine sound great, IMO, a little mid shy for my tastes but with deep and clear lows without sounding bloated, and a clear high end that doesn't get shrill. Maybe it's personal taste, or maybe I just got a good one and you got a bit of a turd with regards to the pickups?

Personally I'd be tempted at 650 from a private seller but wouldn't even consider it at 800 in a store/resaler. Will need some pics though 🙂

About as funny as a tax audit.

In 1979, at the second touring-band gig I had ever attended, I spent the whole gig crushed against the stage directly in front of Algy and his blasting natural-finish Fender P, thinking it was the coolest thing I'd ever seen. This definitely had an impact on my choice of a natural finish P-copy (Satellite!) to learn on when I started playing bass not too long after. Thanks Algy. The gig was at the local university and was meant for the students, but lots of us local kids had blagged our way in. Before the Damned started, I had wormed my way to the front of the packed bar queue, to be confronted by an intimidatingly mature (student-aged!) barman. Not wanting to push my luck too far, I squeaked "A... half of lager, please". He glared at my blatantly underaged visage and growled "This is a punk rock gig. You'll have a pint or you'll have nothing." "Er... ok... a... pint of lager, please" I squeaked back. He served me and I fled, victory pint in hand.

Well, @Waddo Soqable, seeing as you've show us yours.... I was eighteen when this photo was taken. Not much has changed apart from being older, fatter and more weatherbeaten.

I don't have any music vids unfortunately, but did find some pics on an old laptop, here's me in the full drag playing at some gig somewhere, we did some photos in the old nunhead cemetery, which was fun, no really it was...

Ok, unexpectedly, got my bass back from my tech quicker than I thought, after getting the body and neck etc back last week. Here’s a teaser. It’s stunning. : I’m still sorting things like pickups heights, setup, etc. Annoyingly I have worn out the centre detent on the blend control through repeated use, lol. I’ll work around it. It sounds fantastic with the Lusithand Double NFP and the original Turner pickups transplanted over and Andy’s neck on there. Great pickups and I’m always going to be a fan of this preamp. Spoiler…It does sound a bit different, but I’m not yet convinced the mahogany body has made a huge difference over using alder. It is different, and it is noticeable, but not the way a different fretboard wood or completely new neck construction was…however I will keep playing and get some Youtube recordings up soon.

I was considering IEMs but if they make you that belligerent I think I'll give them a miss.

This thread depresses the hell out of me. I'm glad we have it, but I hate to see people who I consider to be friends (even though I have never met a lot of them) pass away