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Showing content with the highest reputation on 02/05/20 in all areas

  1. I think, if someone likes one of your comments, or uses one of the other amusing emojis, you get a Watt. Its kind of a measure of your popularity......or not, in my case, been here for years, hardly a flicker.
    9 points
  2. After quite a few years away from playing bass, I've returned back to my spiritual home on the low end side of things, and I honestly couldn't be happier. Quite a few years ago I traded in my 75 Jazz as p/x on an SG (Yes, I know!) so have been pretty much bass-less since then apart from the time I borrowed a friends Encore Coaster to play a few gigs (including one on the back of a lorry in a field in Kilve, Somerset where Guy Pratt was there and played it backstage in the gazebo - but that's for another time!) Even though I've normally played a Jazz I've always hankered after a Precision as I really love the classic sound and versatility, so after shopping around for a while I took the plunge on a Tidepool Blue Player Precision. I've read great things about the new Player series and having played several MIM Fenders before I can safely say these are by far the best I have ever seen in terms of build quality, features and playability. The quality of construction is fantastic, very tidy indeed, the weight is really nice and the satin neck finish really caps it off. I was really taken by the Tidepool colour, as although I've always been a sunburst/rosewood aficionado, blue's my favourite colour and this particular hue is stunning - the maple really does look gorgeous next to it and the finish of the body itself is flawless. It's a 2 piece neck with the aforementioned satin finish on the back, but with a gloss finish to the fretboard which again looks really nice. Seems narrower at the nut than other P's I've played which is nice, and the neck profile has a reassuring but flat-ish feel as you progress up the neck making it really easy to play. The action is fairly decent out of the box but I'll spend some time setting it up over the next week or so - It's nowhere near as high as it looks on the side on neck shot below, must be the lens on my mobile making it look that way. I think Fender have got these Player basses absolutely spot on, unplugged the sustain and resonance is great with a reassuring throaty growl when plugged in. Now I need to sort a backline out! Here are some pictures taken with my phone but will try and get some better ones later on when I can. Feels so good to back playing bass 🙂
    6 points
  3. Just an update. Got myselfa Smoothie. Absolutely love it. Different enough from my 87 to be worthwhile having both too, so I'm very happy.
    6 points
  4. arrived this morning. Birdseye maple facings, ebony fingerboard I've had a couple of Wal's before (one second hand from the mid '80's, one that was new but not my custom order from the late '90's) and those never quite felt like they were "mine". Also, necks a bit on the chunky side. This one is most definitely mine, and the neck is unbelievably slim and fast. Plus, you know, it sounds like a Wal. Just all round gorgeous - now that I have it the two year wait seems completely worth it. Another reason to hope for the end of the lockdown so I can take it to a studio and play it through a cranked up amp And Paul and Philip at Wal were excellent to deal with - top marks all round. My boss thinks I'm working this afternoon. My boss is wrong
    5 points
  5. This is doing the rounds. But for those that haven't seen it...
    5 points
  6. A lovely example of a mid/late 70s fretless Precision, and at a sensible weight, just 9.75 lbs. The 3-Tone Sunburst is really crisp, and the black p/g works well with it (even though I'm personally a fan of tort with 3TS). Rosewood fingerboard is completely unmarked, and has a delightful, mellow tone & feel. This is a very rewarding bass to play. Similarly, the neck is unmarked and shows no wear at all. Fender dates are notoriously ... erm ... imprecise, but this came to me as a 1976 while the serial number suggests either 1977 or 1978. I don't do the whole completely-dismantle-the-bass-and-photograph-the-bobbins thing, but if you buy the bass then you're welcome to come and dismantle it with me at my studio. All in all, this is a lovely bass in pristine condition, and priced to sell. The bass is in Harrow (NW London) and I am happy to deliver in person or meet halfway (depending on distance), doing so in a civically-responsible socially-distanced sort of way if you prefer. Alternatively, I have appropriate boxes plus plenty of bubble-wrap available and I'm equally happy to post using DPD as courier.
    4 points
  7. Usually £12.49, looks pretty neat: https://play.google.com/store/apps/details?id=com.planeth.gstomper&hl=en_GB
    4 points
  8. Alternatively, dab a spot of glue at the start of the bare string and wrap some excess silk from the end cut-offs of the string around it. A kindof bass player's equivalent of a comb-over!
    4 points
  9. That's the 'problem' with these sorts of threads, one tends to think of bands that you don't like that are successful as over-rated, whereas they are only successful because to enough people they are making music they want to listen to. Referencing the posts above, I love Pearl Jam and Foo Fighters but I can accept that others wouldn't, whereas I cannot abide The Clash, Stranglers, Bad Manners, Whitney Houston ( and wannabees), but I don't consider these acts as overrated, they have very much deserved their success because they've found an audience for their creative output, it's just not me. The best thing about these threads is finding new material in other peoples 'underrated' selections, IMO. Happy listening everyone.
    4 points
  10. Never felt I got the best out of this until today. And you know what? All I did was use a pick. Insane the difference it made. I only just started learning to play with a pick, and thank goodness I've overcome that particular prejudice.
    3 points
  11. Headless 32 " scale with Nova headless system . EMG active jazz type PU and pre- amp. The core of the body is ash topped with rosewood and with a beech neck .Rocklite finger board and Dunlop strap pins . Light weight 7.5 lbs
    3 points
  12. GAS building to uncontrollable levels... Not sure how much longer I can hold out...This is the one for me.
    3 points
  13. I watched the Shadows program. I thought it was an interesting look a the music business at a time when British music was was just starting to find its feet. We went on to dominate the world from these small beginnings. It was an interesting time. Old music isn't bad music. Apache was my first 45, I won it in a competition at school. I played the grooves off that thing.
    3 points
  14. Yes, it’s a good show. The trouble is it clashes with the Craig Charles Funk and Soul show on R6Music which, for me, is the wireless highlight of the week.
    3 points
  15. Purchase 1 arrived yesterday. Damn good cab! Can’t wait for my next 3 deliveries 😁 Well played @Ashdown Engineering
    3 points
  16. She's quite wry and funny too, the antithesis of her Dad. You just have to get over the realisation that you're old enuff for R2
    3 points
  17. A lot of fine hip hop and electronica acts are underrated because all non-fans of these genres hear is the lowest common denominator cack that's played on the radio. For example, while mainstream radio plays 'EDM' dreck (Calvin Harris, David Guetta etc) it never gives airtime to a lot of innovative stuff that emerged in the 90s like Boards of Canada, The Black Dog, Amon Tobin or DJ Shadow.
    3 points
  18. Don’t think I’ve got the physique for that 😕 Not sure gut muting is a valid right hand technique...
    3 points
  19. I am not one for celebrities or famous people, but he is one of the few I would like to have a beer with
    3 points
  20. One of Willie's great comments went along the lines of; "I don't know why everyone is criticizing Lance Armstrong for taking drugs while riding his bike. When I was taking drugs, I couldn't even find my bike!"
    3 points
  21. Up for sale is an almost Brand New Sire Fretless 5 String in beautiful Sherwood Green. ACTIVE & PASSIVE with a huge 18v preamp. I bought this recently from ebay but the neck is too big for my small hands so am gonna stick with my Yamaha 5 string, which the Sire was gonna replace. It's pretty much pristine, the person I bought it from got it from Andertons for about £569ish and I don't think they ever used it. I say it's pristine, however, there's a small blemish on the underside of the body, it also has drill hole(s) for the pickup cover, but bizarrely there's a drill hole on the top side of the body, this could've been sold as a second, not sure, anyway, they're all pictured and I don't believe they detract from this beauty in anyway. Comes with Flatwounds which I can assume are stock Included is the bridge cover and I have some aged white block inlay stickers on order from America which will be included if required (the stand in the pic isn't included) there's also no gig bag as it didn't come with one but have all the original box which is very secure for shipping. PRICE IS £460 INC UK ONLY SHIPPING, COULD BE OPEN TO OFFERS BUT IT'S A GREAT PRICE FOR A NEAR NEW BASS. PRICE DROP £410 INC UK SHIPPING.......FOR QUICK SALE, C'MON GRAB A BARGAIN....................... here's the link to Andertons for the original price. https://www.andertons.co.uk/brands/sire/sire-fretless-basses/sire-version-2-fretless-marcus-miller-v7-swamp-ash-5-string-sherwood-green TECHNICAL BLURB Sire Marcus Miller V7 basses sound better and play smoother than ever before in the 2nd Gen range. The flagship V7 has been kitted out with two advanced single coil pickups bearing a full set of EQ controls, allowing you to mould your perfect personalised tone. Other upgrades can be found made to the neck and fretboard for a new, premium feel. New features The focus of the upgrade has been to improve the overall sound quality and playing comfort of the V7. Marcus Miller worked alongside Sire to redesign the pickups with stronger magnets and coils to deliver a cleaner, deeper tonal palette. Sire have also overhauled the neck design. The V7 now features an extremely comfortable rolled edge fretboard, which you'd usually only find on high-end basses. Neck radius has been extended to 9.5-inches and fretted models are adorned with new medium frets, making for a quicker and more accurate playing experience. The gloss neck coating has been replaced with a much classier satin finish. Its only cosmetic change is to the pickguard, which is also installed on five-string basses as well as four-string variants. Construction Sire like to mix and match woods. The V7 is made of either a well-balanced alder or a slightly brighter swamp ash body. A hard maple neck offers excellent stability and is topped by either a maple or ebony fingerboard. History of Sire Marcus Miller Basses Sire build the now-famous Marcus Miller basses. Marcus Miller is a world-renowned jazz and funk bassist with some of the best bass chops on the planet. He's worked with Sire instruments to make affordable basses - but far exceed their price point in terms of feel, style and above all, sound. How do they do this? Unlike a lot of other guitar companies that outsource their work, Sire own the factory where their basses are built. This means more efficient production and full control over the quality of instrument from start to finish. Sire instruments are doing the world a bit of good by taking a share of corporate profits and giving back to society. They founded schools in Cambodia and Laos to teach children’s music lessons. Specifications Body Body Material: Swamp Ash / North American Alder Pickguard: Ivory Pearl / Tortoise Neck Neck Material: 1 Piece Hard Maple Neck Shape: C-Shape Scale: 34” Fingerboard: Hard Maple / Ebony Fingerboard Radius: 9.5” Frets: Medium, 20 Frets String Nut: Natural Bone Inlay: WH Pearloid Block Neck Joint: 4 Bolt Steel Square Plate Electronics Pickups: Marcus Super Jazz Advanced Electronics: Marcus Heritage - 3 with Middle-Frequency Control Controls: Volume / Tone (Dual Pot), Pickup Blender, Treble, Middle / Middle Frequency (Dual Pot), Bass, Mini Toggle (Active / Passive ) Hardware Knobs: Jazz Type Black Plastic Bridge: Heavy Mass Standard Tuning Gear: Premium Open-Gear Hardware Finish: Chrome
    2 points
  22. Job done, thanks chaps
    2 points
  23. Never thought I’d be typing those words but has anyone heard her six o clock Saturday programme on R2? The playlist is quite unusual, taking in some rarely heard old rock and soul numbers alongside some quite weird stuff. Definitely worth a listen if you haven’t heard it before. Any fans here?
    2 points
  24. Hi there lowriders! This is Rob from the Netherlands. After lurking for a good year, it was time to step in. I've been playing guitar for 40+ years, but didn't touch a guitar for at least 8 years. Decided to start all over again, and made a switch to the bass guitar. Since a year and a half, I've been following lessons at Scott's Bass Lessons. Learned an awful lot, thanks tot SBL and a bunch of great teachers. Sold most of my guitars, and now have a Suhr Classic J, de Gier Soulmate P, and a Sandberg TT4 masterpiece in the stable. Ampwise, EichT900 and a Genz Benz shuttle 6.2. Cabwise, Vanderkley 112MNT and a Barefaced One10 . Thanks for having me here, in this great community! And all the best in these rough times we're going through. Rob
    2 points
  25. I routed the j bridge pup in today, and lots of hand sanding. Coming together. I am thinking of doing the neck in spalted beech as well? Whether it will be strong enough i dont really know! Maybe a couple of graphite rods? Think I will go with a matte black pick guard.
    2 points
  26. Mistresses are an expensive hobby at the best of time. Particularly precarious during lockdown. Just sayin'.
    2 points
  27. Where they designed using an Etch a Sketch?
    2 points
  28. We always get back to taste. This thread is just about who you like or don't like. I love Rush. They are my all time favourite band. Hardly over rated when they had to struggle for 4 albums before gaining any success, then hard work and graft for over 40 years gave them the success that they deserved. They only recently got inducted into the Rock n Roll hall of fame!
    2 points
  29. OK, so that's another short-scale box ticked - it's absolutely BRILLIANT!! 🙂 http://
    2 points
  30. Liza on the drive to the gig, Ana Matronic on the way back.
    2 points
  31. Just going to leave this here. https://reverb.com/item/33366388-harley-benton-sting-telebass
    2 points
  32. The advantage of limited channels is the shared experience, eg Bowie and Ronson etc. Water cooler moments before water coolers were invented!
    2 points
  33. He’s a good egg is @AndyTravis
    2 points
  34. 😂😂 Yeah sold a lot of stuff and was planning on Ashdown but this sale has made things easier and less expensive too😂 Thanks to @AndyTravis for sorting stuff out too
    2 points
  35. Excellent, excellent work sir. My one purchase feels somewhat pathetic now 🤣
    2 points
  36. I like many of Krist Novoselic's basslines, even simple ones tend not to be cliched. We do In Bloom and that's fun to play and challenging to get teh right feel, you need to be 100% locked in with the drummer.
    2 points
  37. The Aguilar arrived yesterday I’ve owned Aguilar amplification before, but not had one of their pedals initial impressions, built like a tank and really easy to dial in a nice sound Didn't get too much time last night, went straight to the up and down settings to check out each filter independently, very impressed! more time to play today And the tone factor is on its way for repair! T
    2 points
  38. We were an eclectic cover band. We played just about every style going apart from jazz. We even delved into Scottish traditional which is harder than it sounds if you don't know the songs back to front. I think my most enjoyable would indeed be reggae as the bass is the forefront.
    2 points
  39. Not sure WB is the best for contemporary music - country or 70s pastiche perhaps! But new music doesn't exist on TV as far as I can tell - occasional very mainstream stuff at the end of One Show or Graham Norton perhaps but nothing at all interesting. Even if it's only Top of the Pops it's better than nowt; I remember watching with bated breath when I was a kid just in case something I liked came on - the joy of seeing the Ruts, or Siouxsie, or the UK Subs was indescribable! And during the 80s there was all sorts; Rock Goes to College, the Tube, those BBC2 shows at tea time with Magenta Devine looking down her nose at those less cool than her. Now there's just YouTube - which has the disadvantage of keeping obscure stuff obscure!
    2 points
  40. Thanks for the shout, dodge_bass and co. As a bass player I’m usually at the back so this moment with the light on me was a rare pleasure. In truth the clip was from my parts bin and the postage was less than the cost of a pint. And who wouldn’t treat a fellow Basschatter to a drink. Here’s to the end of the lockdown when we can get out, go to some bass bashes and all meet up again soon.
    2 points
  41. Hi all, Sorry I haven't had the time to come back to this thread or set up any sort of test/trial. I currently have a wide open test Jitsi meeting room at: https://meet.jit.si/Sohowdoesthisthingwork67 Jitsi is very like Zoom and can handle multiple people on the view, but there is no sharing of data to social networks. From a PC there is no requirement to install anything, it should run fine in the browser. IPad and phones there is a lightweight app. I'll be there about 8pm on Monday if anyone wants to say hello. The room should be unsecured, so you can just hit the link now and test, even if I am not there as host. I think. Please don't share the URL though. I have a Cisco meeting room too, but I haven't used that yet. Cheers, Rich =====
    2 points
  42. Watched guitar heros at the BBC. Can't recall how many times I've seen those clips now. Whispering Bob is still around, bring back Old Grey Whistle test with some contemporary acts. Be better than whatever shíte Jools Holland is peddling!
    2 points
  43. And the winner is... BobBass4K..! Here, then, is your Winner's Certificate (download and save as pdf file, then proudly print and frame...) ... BC_Chal_Cert_2020_04.pdf ... which looks like this (but bigger, of course..!)…
    2 points
  44. Discrete, understated, tasteful and refined. Just a few of the words that might be low on the list used to describe that carnival of geetars! Seriously, that looks a collection that's really fun to own and play.
    2 points
  45. Guy’s so slick that he can swap basses mid solo without missing a note 😁.
    2 points
  46. My short-scale journey started with a couple of '70s Gibson Les Paul Triumph basses back in the day and has led via various SGs and stuff from Maruszczyk, Squier, Ibanez, Spector and ACG to this unique pair. You may already have seen the build diaries AndyJr posted. The natural walnut 'Mervyn' came first (re-bodied Fender Rascal) and has been my main gig bass ever since - I just love it to pieces. The more recent black 'back-up' started with the original left-over Rascal body that Andy re-shaped and used as the basis for a Merv clone. While both are probably keepers (Merv certainly is), I've still got a few s-s boxes to tick. The obvious ones are a Fender Mustang and a Warwick RB Corvette - although more recent stuff such as the SBMM Ray are finding their way onto the s-s bass bucket list.
    2 points
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