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Showing content with the highest reputation on 07/02/22 in all areas

  1. Stunning 20th av Stingray for sale. This one has beautifully rich quilted maple top with a Birdseye maple neck that is to die for. Neck is quite shallow in profile and the satin finish makes it lightening fast to get around. Overall condition is very good. Plays perfectly and buzz free with low action. Frets are perfect as are all electronics. Condition is great. It’s been very well looked after. No nicks or anything through the finish. I think a tiny mark was touched up on the back (see pic 5, just below neck plate)and possibly another on the lower bout. This work was done by a professional. The bout is perfect with no sign of ever being nicked but there is a hint of gold in the undercoat on one tiny area. You can see this in pic 6. Only other point of note is a 1 cm line in the outer lacquer under the neck joint (barely visible pic 9) These things are so minor that I’m not sure did it come from the factory like this or as I said “touched up by a pro” It comes with the original Musicman case which is perfect except for a crack in one of the corners. Weight is about average at 9.4lbs This is one of the best examples I’ve seen of these now rare basses. Note: some of the pictures make it seem lighter in colour than it actually is. I can deliver this in person to London for £50 extra this eliminates customs and import taxes Thanksi
    10 points
  2. For sale this Special Ken Smith BT4 Custom 1986🔥 Rare Ken Smith BT4 1986. - Ebony fingerboard, 24 frets, with mother-of-pearl markers, - Scale 34' Brass nut. - Pickups : Two Smith Custom Soapbars, Hazlab preamp volume,active/passive switch, balance, bass boost / treble boost, power supply. 9V. - Ken Smith tuners Ken Smith bridge (string spacing: 19mm), Dunlop straplocks. Weight: 4.0 Kg All original only Jack changed It is very comfortable to play, thin and very ergonomic handle, low action... Big sound inside: great resonance with a long sustain: deep bass, beautiful growling low mids and well-defined highs... It has some marks of life. Yellowed in some areas and slight cracking of the varnish on the sleeve junction. Price : 3800£/4500€ Ken smith 1.mp4
    9 points
  3. Or 6500€ Alembic Mark King Signature Deluxe 5 string with LED Bass is from December 2015. Spec as follows: 34" - 24 fret - 19 mm string spacing. Neck of Maple and Purple Heart Ebony fingerboard with Abalone inlays Mahogny body with laminated Maple & Purple Heart Cocobole top and back Weight: 5.7 kg - sounds alot but if you can carry an old Musicman or Fender Roscoe Beck/ Warwick Thumb / Peavey T40 you`re fine. Approx. 1kg of this is actually due to the 4 ea. 9v batteries for the Led`s and the brass covers on the rear. Sure you can get a Luthier to make something lighter if required, or get Alembic to make wooden covers (known option). Volume, blend, 2x filters with Q switches. Leds in the neck with switch 95% as new with only slight discoloration of parts of the brass bridge Original case in as new condition Latest list price: 18.000 USD, Add import Tax and VAT on top of that to get it into Europe/UK. Instruments from this brand provides a truely unique life experience of "Before & After". Before - you may wonder what the fuzz is about and whether they are really worth the money. After - all that's left to say is a capital YES! The closest thing to a Steinway Grand Piano I have ever heard from a bass in terms of evenness in volume across the neck, clarity and complexity of the note in which the different wood, strings, hardware and plugging technique all blend into a note that rings with authority, and forever.And an Alembic is not only about a treble hifi sound. It can sound equally powerful like the voice of God with a bad hangover. How this bass sounds: https://youtu.be/i0OCKOeYO3c Selling as I play way too little to have something as this just resting in its case. I can take a 5 string bass in trade plus money. Shipping will likely be expensive due to insurance. For those living in central Europe, I'm willing to meet somewhere in germany for a personal handover which is included in the price (deposit required). Pictures by previous owner used with permission. Regards Thomas What's App: +45 61209520 mail: [email protected]
    7 points
  4. Built this up when I was on my P bass quest and it barely missed out on my number one spot for my go to P bass. I've gone with my Am. Perf. PJ as a slightly more versatile bass, but this P bass oozes vintage yet with a modern flair with the 2021 American Pro (Version I) neck that gets you carbon reinforcement rods, rolled fretboard edges and the new tapered shaft tuners. It's got that Pino Palladino vibe in loads....at a fraction of the price. The body is form NW guitars (American Alder) and is painted with 2 light coats of NW guitar fiesta red nitro over a nitro white primer. Although currently pristine, this bass will certainly "mojify" with use as the instruments of old have since it's done with a light nitro spray. The neck also received a vintage amber nitro coat. One thing to mention is that when I used the dremel to notch out the body and scratch plate for the truss rod tool access, I slightly missed the alignment, so it's slightly off center, only noticable if you really look closely and does not affect using a truss rod tool. And, by the way, I can include an original Fender truss rod tool with the bass. Weighs in at 4.02 kg (8.86ibs.) It's wired with a custom harness to these specs: Matched CTS USA Custom Audio Taper 250K Split Shaft Volume & Tone Potentiometers - smooth linear volume and tone change (no bunching or on/off effect) 0.022uF Sprague "Orange Drop" Tone Capacitor - removes the thinness and harshness inherent with budget capacitors Quality Jack Socket And the pick ups are '63 Fender Pure Vintage. The bridge is from an American Performer and the cavities are shielded. Strung with d'Addario Chrome flats. I use a spacer usually with Chromes as the silks are longer than other strings, hence why on the E string you see a spacer....it's to keep the silk off the saddle. All my d'Addario equipped basses have these spacers. Happy to meet near the coast (Lymington) or London area. Happy to ship within the UK as well.
    6 points
  5. I'm selling my Ibanez semi-acoustic, it's vintage inspired, very light and sounds huge. Only selling as I'm trying to free up some funds. It has recently been professionally set up with a new set of labella flats and comes with a protection racket case (£100-£150 new). Both the bass and case are in excellent condition. Collection only. Now sold.
    6 points
  6. This one: Except I just did, today! @Raymanwhat were you just saying about "never say never?"
    6 points
  7. I couldn't imagine selling my JV Precision; in part because I don't think I'd recoup what I've put into it - knackered bass + re-finish + new pickup and pickguard - but mostly because I genuinely love it. It sounds great and plays like a dream. The neck is the best I've ever ever played, and it's my favourite colour for a bass too.
    5 points
  8. Saturday night. Back at the pub we did last year where you get a very small amount up front from the venue but then they pass round a collection each set to bump up your takings. It's a nice set up (not much space but OK for a trio) with their own PA and monitors which actually work properly and landlady is very helpful with soundcheck (they have to be careful with volume levels). Main drawback is it is a 60+ mile trip each way and with petrol prices being what they are it is borderline as a financially feasible venue now. Went down well though, landlady was happy and had good feedback from punters who upped the total take for the night to close to what we would normally get anyway especially the gigs via an agent taking 15%. They want us back later in year anyway so can't have been too bad. I got cramp in my fretting hand halfway through final encore, had to improvise using pinkie only but don't think it was too obvious.
    5 points
  9. I'm exactly the same. Although my response is the total opposite of many of the comments so far. I just can't see the point in having multiple basses. At least, not at my level of playing. I get it if you're a professional musician playing with several bands or recording and you need a certain sound for a certain occasion. But for a weekend warrior band it all just seems a bit silly to me. I found a bass I like, I play that one. I actually do own three, but one is a cheap semi acoustic I bought decades ago which is pretty much just wall art, then I own a 4 and a 6 string. I exclusively play the sixer, the 4 string is just gathering dust. I only keep it in case I ever want to revert. Despite endless discussions of gear and the every elusive "tone", which is nothing but subjective anyway, in a live band mix a bass just sounds like a bass and 99.9 percent of people wouldn't know, or even care about the difference. May as well just find one you like playing and stick with it as far as I'm concerned.
    5 points
  10. Been busy today, chucked this together but I still need a Blackstone mosfet overdrive to squeeze in there, if anyones got one in a drawer 😄
    5 points
  11. Hello everybody I sell one Jerzy Drozd Oracle Bronze 6 fretless in very good condition. Made by Jerzy Drozd in personne for Sergio Di Finizio in 2014. I'm the second user. The specs: Body in light ash. Neck in 3 parts: Ash - Maple - Ash. Scale: 33' with a very good B. Ebony wooden cover, Ramp & nut. 2 pickups Jerzy Drozd single coil. Bridge adjustable (now 17mm). Electronic Mike Pope: Volume/ Tona, Pan, Bass, High et low Mids (Frequencies adjustables with switch in the cavity), , Switch activ/passiv. Batteries 18v. Dunlop straplocks. With original JD light case. The bass is located in the North of France (Meeting is possile in Calais, Lille, Arras, Boulogne sur mer...). Shipping in UE or UK without problem. Price: £2900 or 3400€ + shipping.
    4 points
  12. We played our monthly gig at The Lookout in Scarborough. Another full house of lovely people in the audience, it's my favourite current gig. First time I've used my Ibanez PNB14E short scale electro acoustic, and was well pleased with the result into my Fender Rumble 100.
    4 points
  13. From Saturday night in a busy pub, this sounds a lot better than I thought it did when I was playing https://fb.watch/b0VIjLHeDt/
    4 points
  14. First gig with my new band, The Spacewasters last night. At a charity fund raiser for cancer in The Fiddlers Elbow in Camden. Seeing as our drummer has had two brain tumours, and had a kidney removed, and still had cancer of the renal gland it was close to the bands heart. Got there 5ish as had to work, fortunately there was a backstage room to store the gear whilst we waited til our slot at 6:30. Went on, provided amp stack of Genz Benz Streamliner with matching 410/115, so all I had to use was trusty Precision & Sansamp. Went really well, didn’t feel nervous at all, was just so happy to be back gigging. Lots of compliments afterwards about how my playing held the band together which was nice. I had a blast, I’m back!
    4 points
  15. Up for sale is my Yamaha BB614. It was de-fretted by the previous owner and has since been professionally set up (currently strung with Thomastik flats). Plays and feels really nice. Only selling as I'm upgrading. It is a little road worn (see pics) but it's a very well made bass for the money. Would make a great bass if you fancy getting into fretless playing. Looking for £150 collection only (no case or box). Now SOLD. Specs found from a previous sale post of the same bass. Construction: Bolt-on neck. Scale Length: 864mm (34"). Fingerboard: Rosewood. Frets: 21 Large. Radius: 250mm (10"). Body: Alder. Neck: Maple. Tuners: Open type. Bridge: Vintage Style. Pickups: Split single coil, Soapbar single coil. 3 Band EQ.
    3 points
  16. https://imgur.com/a/I7hv3WV Absolutely stunning all original Hofner Senator Bass, made in 1965 in the German factory. This is the real deal, and sounds sublime. That wonderful honky low end attack...play with a pick and mute with your palm, you'd struggle to find a better recorded bass tone!! You see so many of these without the original pickguard, but not this one, it's all there. Has just been set up by pro luthier so intonation is spot on, plays like a dream. Electronics are all good too, ready to rock. At present there is no case with it, so a handover near Oxfordshire or London is preferable. But if a serious buyer wanted to source a hard case I am not averse to shipping. Thanks for reading
    3 points
  17. I have been gassing for a Kiloton Tribute on and off for a few years, I was put off in the past by tales of boat anchor weight and the colours; brown or white, which I wasn't so keen on. Now G&L have started selling them in colours I like. @Jonesy lives in the next borough along from me and he invited me round to his to try out his new G&L SB2 Tribute. Thanks mate👍. I wasn't so keen on the SB2 but I could see that it was well made considering the price and wasn't heavy. @OllyW also confirmed in another G&L thread here that his Kiloton wasn't heavy. So I took a punt and ordered online. I've never had a bass delivered before, I always wanted to try them out first but I didn't want to spend a day (and spend on diesel) driving down to Guilford for a £379 bass. My first impressions are: I love the tones you can get from it. I've been mainly playing it with the toggle switch in the middle, which I believe is single coil (?) with the tone and volume on max. It has the barky sound you would expect from a bass with a single bridge humbucker but the E string has a depth and authority I'm very pleased with. I really love it but its new so I will see how I feel about it in a few weeks but this feels like a keeper.
    3 points
  18. I have just completed the build of a new twelve string Thunderbird bass. The entire build process is documented here: https://www.enkoo.nl/brooks-tb-12.html Brooks TB-12 - Mahogany body wings - Nine ply Mahogany/Walnut set neck. Neck through - Opaque white (blonde) high gloss finish - Abalonoid binding - Ebony fretboard - Circle position dots - Jumbo frets - 34" scale - Buffalo horn nut - Three ply black/white/black pickguard - ETS twelve string brass bridge set - Two spokewheel double action trussrods - Carbon reinforcement strip in the neck - Lace Alumitone Bass Bar in the neck position - Lace Alumitone DeathBar in the bridge position - Allparts stacked pots (volume/tone volume/tone) - Mullard capacitors - MEC on-on switch for coil split (humbucker-single coil) - Gotoh GB 350 lightweight bass tuners - Gotoh Stealth ST 31 guitar tuners - 2 x Pure Tone Multi Contact jack output - d'Addario EXL 170 - 12 strings - Weight: 4.25 kg Wiring was done by BQ Music.
    3 points
  19. Early last year, I had a cull of basses I wasn't using. This resulted in me not having any standard 34" scale basses. Just shorties and my Dingwall. It was fine for a bit, but GAS got the better of me. After trying out a Squier Affinity PJ, I reckoned something in a PJ might be just the ticket. I didn't need a new bass straight away so held fire for a bit. Thought I might spot a bargain - and so I did! Got this Revelation RPJ 77 for £60 from Facebook marketplace. It's got some dents, buckle rash and I think it was never kept on a stand. But after some cleaning, new strings and a bit of a setup, it's come up nicely. Need to get some lemon oil or similar as the fretboard is as dry as a bone, maybe drier. It's a lovely candy apple red. Didn't quite capture it in the picture! Sounds alright as is, but needs the cavities shielding. The pickups are neo Entwhistle ones. I think they could be a bit more refined, but they'll do for now. Very pleased for £60! I think the first proper mod I'll do is get a black pickguard on it. Or maybe red tort... 🤔
    3 points
  20. Haha, sorry, I should have been arsed to read it properly then 😶
    3 points
  21. Make-before-break is sure one option that helps. It is also possible to use a 1 M resistor to ground. I had a preamp override in my Modulus, and the pop was negligible with that 1 M. By the way, Kubicki had a five position switch with stdby after off. That way the output did not crackle.
    3 points
  22. Pah! Anybody who says this will be their last iteration of a pedalboard is clearly delusional.
    3 points
  23. Here's a bit of the sparkle
    3 points
  24. If both volume controls are on full a jazz bass will sound a little anaemic. Back one of the volume controls off about 10% (I back the bridge pick up off) and the sound gets beefier.
    3 points
  25. This is true, and i am number 97 😇 https://ampeg.com/support/ https://ampeg.com/pdf/Heritage_B-15_OM.pdf
    3 points
  26. Here's the links to the type of cnc I'm building 👍🏻
    3 points
  27. I own multiple basses (4) and deciding which one to play is in the same category of deciding which shirt to wear. Basses be bassy and they're all ones I like to play, having distilled my dislikes down into a concrete idea of what a bass should be to me. It's got nothing to do with "level" - I don't have to justify to anyone how I spend my disposable income, it's not a competition and I don't have to be a bass god to "deserve" to own multiple basses. They make me happy, and that's all that matters to me. Love, your friendly neighbourhood silly multiple bass owning weekend warrior
    3 points
  28. I think how much an instrument costs and ability to play it is a non-issue. 'Cost' is a relative thing anyway. The price of a Fodera would be off the scale for some of us, for others just loose change. When it comes to buying anything at all my mantra is if I can afford it, will enjoy it and want it I will buy it and I see it as no-one's business other than my own. Well, apart from my wife
    3 points
  29. The bass I drag out for our Status Quo tribute band gigs down the Dog & Duck.
    3 points
  30. I completely understand, but it's also why I'd hate to have a custom instrument built. I'd imagine the conversation would go like Luthier: So what wood do you want? Me: Um, nice wood please Luthier: riiiiigh. Pickups? Me: I think so, yes Luthier: (sigh) neck profile? Me: Yes, definitely a profile. Luthier: (puts down piece of paper) how about this one here I've already made? Me: Perfect!
    3 points
  31. I’ve tried the Noble/Cali combo and it’s a really good pairing. You’ll struggle to make your bass sound sweeter especially with the low cut engaged/bass boosted. It just adds the right kind of lows.
    3 points
  32. I can honestly say it has never occurred to me. I buy what I like and could care less whether anyone else thinks I’m good enough.
    3 points
  33. So yeah I was actually convinced after playing that red Sterling for five minutes so now I have this.
    3 points
  34. I’ve just joined a new band, 1st gig last night. I stick with the drummer and have had a good few comments about how I hold the band together. I’ve tinkered with adding a few runs in, but for me it’s understanding the space where to do it. I don’t want to get in the way of the singer, who has a great voice, no point in doing it where the lead guitar is playing a riff/melody associated with the song, and not when the drummer does a roll. There is still the space fit me to add stuff and I do, but I think it is self confidence/awareness to play where I can, not what I can.
    3 points
  35. Up for sale is my beloved 1974 Fender Jazz Bass. Amazing tone, incredible feel, genuine player of a vintage instrument. Bought by me in early 2006, I have owned, gigged, recorded with, and loved this bass for the past 16 years. I'm only parting with it because I have settled into being more of a Precision guy and I'd like to upgrade on that side of things. Beautiful northern ash natural finish body, one piece maple neck with pearl block inlays and white binding - classic '70s look and a real stunner on stage. 4 bolt neck joint. Original pickups, great clear tone with strong midrange character. Electronics in excellent condition. Feel free to have a listen here on an album I recorded a few years ago: https://louisewright.bandcamp.com/album/the-deep-places Neck is stable and truss rod adjusts freely. Frets are in good condition and takes low action. 1.5" nut width with fat, broad-shouldered neck profile - slightly less deep front-to-back as Fender's current AO '70s or their previous AV '74 Jazz, with a similar shape & feel. Neck is smooth & comfortable, finish has thinned in places but without rough edges. Nicely yellowed nitro finish on headstock and that iconic TV logo. The bass sports Schaller tuners (replacing the almost-seized originals) & straplocks, everything else is original. Neck pickup cover included. Body finish & hardware displays natural wear & patina, particularly around the edges as you can see in the photos. Weight is around 5.2kg - about what you'd expect for a mid-70s jazz, but a wide, padded Levys strap has made it quite ok even for a little guy like me. Price includes shipping to UK via postal service. I am happy to ship to other destinations, please feel free to contact me for an estimate for your country. Rates can vary quite significantly between countries due to the pandemic. Any questions, please don't hesitate to ask!
    2 points
  36. John East J-Retro 01 preamp. £100 delivered in UK This is the 'flat' version. Purchased new from John in December 2021. Includes both the Fender style knobs and a chrome set. It's a glorious bit of kit but I've decided I prefer my Jazz passive with flats old school style. https://www.east-uk.com/product/j-retro-01/?v=79cba1185463
    2 points
  37. He’s just offered it to me at £825 with the following taglines… ”order one from Japan at £1100 if you’d prefer” and ”I’m in no rush to sell, try again if it’s still here next month…” I won’t. To either.
    2 points
  38. HX Stomp for sale in good condition. A few scratches on the bottom but otherwise clean. On Firmware 2.91.0 Original power supply included I have the box somewhere but cannot find it at the moment so please assume it is not included. Open to trades including: EBS Billy Sheehan, TC Corona Chorus, TC Sub n Up.
    2 points
  39. If that's a fully-functional and all-original Dalek, complete with Exterminator, then it might actually be worth £4k. I'm not a fan of the relic'd, re-issued Daleks and they rarely exterminate nearly as well.
    2 points
  40. This will always be an unresolved argument, as it's entirely subjective. We all have our preferences and that's perfectly fine. It may be that people do, indeed, overplay at first. Maybe, when they find their own voice, they will play less - maybe more. We're all different.
    2 points
  41. There’s a few I wouldn’t sell and they are both jazzes, lots have come and gone but these 2 are staying , they just set up with a really low action 1.5mm and play really nice
    2 points
  42. Looks like a grommet so that the silk winding doesn't run over the bridge saddle?
    2 points
  43. Hopefully being three weeks after the last reply won't lead to 'zombie thread' accusations - it's taken me that long to find the two (rather blurry) pics of my first bass. Anyway, my first bass was (is?) a Hondo II copy of a bass by a company well known to all of us. The first pic shows the rather 'zit burst' sunburst and also the dual outputs (no recollection of whether they both worked). You can also just about make out the two impressively-sized wood screws my friend's dad used to re-secure the tailpiece after it broke spectacularly in two just behind the saddles in the middle of a particularly energetic song - it was lucky there was no-one in the way of it as the string tension fired it at some speed through the air before the strings brought it up short... The second pic is the only one I can find of the full bass - not a bad copy all in all, though I remember it having a bolt-on neck rather than being neck-through. I lent it to a friend when I went to university in 1986 and he in turn 'lent' it to his cousin - the trail goes cold in an attic somewhere in Portrush on the north Antrim coast. If anyone has sighted it since, I'd be delighted to hear about it! Finally, as with many others here, my second bass, and first 'proper' bass, was a Westone Thunder 1A, brand new in 1986 (thank you, student grant), in red with the Magnabass pickup. Been lucky enough that I've never lost that or had to sell it, though it's been on a few adventures...
    2 points
  44. a couple of three way switches would be fairly cheap... if you don't want to drill holes in the front of your bass it would be possible to get 3 way slidey type switches and install them inset on the back cavity cover. I did this on an old Yamaha SG I had to add coil taps. Not an ideal situation but lets you try it without any holes on (the front) of your bass.
    2 points
  45. Contrary to what I've said previously, and having spent time with it, I'm going to say this one. For 200 quid its head and shoulders above anything I've had in a long time, it puts a massive smile on my face, it plays itself and it's just an absolute all around belter. I'd be insane to ever let it go, and in fact I want more of them. It's all the bass I've ever wanted and more. *I have said all this in the past, the Kinal, the Overwater etc... but its always been financial difficulties that have forced me to sell previously. Hopefully that won't be an issue again.... but I've learnt to never say never.
    2 points
  46. It could be advanced that, if it can be accepted that 'a bass is a bass is a bass', the difference in price could have been spent elsewhere to benefit some less-well-off person or persons on the planet. It's true that there's no legal law against spending on oneself, but...
    2 points
  47. All in stock condition with OHSC and case candy (including PU and bridge covers). No dinks or issues, just a great playing and sounding bass. Trade for AVRI/American Original P Bass only.
    2 points
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