I've just had a look through the inventory and I seem to have quite a few signature models at the moment 😳.
I can't really explain why I've ended up with so many as I play hardly any material related to the artists in question. I just like the look and sound of the instruments 🤷♂️.
All I'll say is that I wouldn't keep a bass that I didn't get on with and all the ones I still have stand up as great basses (to me) and that's all that matters.
There are also a few that I have bought and then sold for one reason or another including:
Alembic 'Mark King' - weighed an absolute ton and the body was just too large for me. Superbly constructed though and sounded wonderful.
Modulus 'Flea' Bass - I bought this as I wanted a purple one and couldn't find one for sale. Just after I did buy it, @Chiliwailer offered me his purple FB4 which I still have. The blue one went.
Fodera Yin Yang Monarch Standard - I guess this qualifies as a Victor Wooten sig. An absolute cracker of a bass which I only sold after buying a Deluxe Monarch which was even better.
Fender 'Pino Palladino' Precision - A lovely bass with a deep neck that I personally couldn't get on with. Nothing else bad to say about it.
Limelight 'John Deacon' Precision - A very nice replication of JD's Live Aid bass. Nice and light, but had to go to fund another project.
Warwick 'Adam Clayton' Reverso - The only Warwick I've ever owned. You can't sit down and play these basses comfortably. Nice bass, but had to go.
Dingwall 'Lee Sklar' Signature - These are fabulous basses and I fully intend to replace this one day with a Mk2 three pickup version.
These are the ones I still have, in no particular order:
Rickenbacker 4004LK - As soon as I became aware that these existed, I went all out to get one. There are only 60 in existence and Lemmy had at least a couple of them. There was a guy in the USA who had three of them, including one with a pick-up position variation. I think he ended up selling all of them and put his daughter through college with the proceeds! I've had a few Rics over the years and apart from my first one which I stupidly sold (for a guitar no less!) I've always found myself moving them on for various reasons. Not knocking Rics, but as you can see, the LK does not have the archaic (IMHO) Ric bridge - a big plus for me. The wings are hand tooled and no two are the same. Probably not for some, but it makes me happy.
Fender 'Geddy Lee' Custom Shop Jazz - I'm not sure there is much I need to say about these. Just a superbly put together Jazz bass. Again, relics aren't for everyone, but the work on this is just outstanding. 1 of 50.
Fender 'Dusty Hill' Custom Shop Precision Gold Top - This is an absolute joy. Insanely light with a very narrow neck and a single coil pick-up. It's almost effortless to play. There are three top colour variations, black, blonde and gold. I do quite like the black version, but the gold wins for me. 1 of 50.
Mike Lull BBM5 'Bryan Beller' Signature - I'm probably more picky about 5 string basses than I am about 4's. IMHO, there are basses with 5 strings and then there are 5 string basses. This is one of the latter. I met Bryan when he was last touring with The Aristocrats and he kindly signed the control plate for me (both sides).
Fender 'Flea' '61 Jazz - The bass that has given me more headaches than any other. Short version - truss rod went and Fender dragged it out so long that I put a Status neck on it - or should I say Rob Green did. They then sent me a replacement neck 🙄.
Modulus Flea Bass 4 - The replacement for the aforementioned blue version. Absolute belter.
Music Man Stingray Sledge - I'm not sure this is really a tribute, but the model is linked to the fabulous Tony Levin. I've had a lot of Stingrays and recently sold many of them. This one stays and wears flats. Superb.
Fender 'Flea Jazz' Active - This was a bit of an impulse buy as I love J basses and I love Stingrays - the best of both worlds! It's actually not far off the Modulus without the graphite zing. Ridiculously low action and the pre-amp is nuts!
Alembic Spyder - Some years ago I came close to ordering one of the few remaining Spyder basses from Alembic, but for one reason or another it just didn't happen. This one popped up a couple of years ago and it seemed like fate. It a bit on the heavy side, but it does exactly what you would think it does. It also has the heaviest case I've ever come across.
Lakland 44-64 USA Series 'Bob Glaub' - I'm not sure if these qualify, but it has name in the model title. A fairly recent acquisition from @three and what a lovely bass it is.
Fender 'Adam Clayton' Custom Shop Precision - Another fairly recent purchase from @molan. 1 of 60 with hand wound pick-ups by the now retired Abby Ybarra. I do love a sparkly finish on a bass, but I especially love a narrow neck on a Precision body. You may have noticed a trend here 😀.
Yamaha BBPH 'Peter Hook' Signature - 1 of 5 personally signed by Peter at PMT Manchester. This is a really nice player and my first Yamaha. Probably not my last if this is anything to go by.
Lakland 44-64 USA Series 'Bob Glaub' Precision - Another purchase from @three. A belter of a P bass. I'm definitely a fan of Lakland. i don't know why it took me so long!
Finally, one that I don't have a photo of as it hasn't been finished yet. It's a Shuker 'JJ Burnell' Signature Precision Lite. I ordered this before I bought the Lakland above.
Honorary mention to 'Marilyn' which is a Stingray I've added a custom pick guard to as per Gail Ann Dorsey's late 80's model of the same name. I use this solely for Bowie gigs and it's a great example of a late 'Ray.
Not quite 4000 words @martthebass, but some nice pictures.