itu

Nile Rogers, ABBA, songs with sax/piano solos like I'm so excited.

1 000 - 10 000 h. Whenever a tube/valve (similar to incandescent lamp) is turned on, the current spike is the harshest to the component. Less ON/OFFs is always better. If the unit has a soft start of any kind, it will most likely lengthen the lifetime of the part(s).

If you consider any external thing that has a positive effect on audience is low lights. People seem to be braver coming to the floor when the levels are low. If there are some coloured light effects, even better. (I also love, when the bar isn't too far away, because if people hear and see the band well from the bar, audience may become wild from the start.)

Furthest away from drs, perc, and g. My ears hate the highs they produce.

Leo never thought P and J could cost that much.

2 switches: ON/OFF, tone or 1 rotary switch including previous choices.

Finding phase: - connect the pickup to a voltmeter - choose the lowest DC - hit the pickup lightly with a screwdriver - if the voltage goes up, it is in phase

I would suggest another 2x12". Then you have a monitor in your tower. If your head is "not powerful enough", I suppose that you are standing beside the cab. All sound goes to the space, but not straight to your ears. My 2x12" pushes quite some out, but only in big spaces. In a small room the lowest frequencies do not come out too well.

Do you have a printer? Use this: https://incompetech.com/graphpaper/

Some reverb and harmonics, maybe?

Very much Tom Peterssonish, sorry, no, Rick Nielsenish!

Tyler's headstock is not my favourite.

...and Dragonetti needed only 3. There it is!

I've seen a Steinberger XM double neck, but very long ago. If you want only one neck, check Ibanez Ashula. There's the older white, and the newer coloured version. Half fretted necks I have seen few, but comments have been like they represent the worst sides of both worlds, and they require very hard setup. But I haven't had a chance to test one.