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Showing content with the highest reputation on 22/09/20 in all areas
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If that was the undercoat, I guess we can call this the overcoat 😂. It now has to dry our for a few weeks before moving on to the next stage. I love the way it’s looking both blue and green already.7 points
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Undercoat now on as well....6 points
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Up for sale goes a very nice made in Japan Levinson Blade B4. Used but still in a great shape, straight neck, low action, responsive truss rod. It sports swamp ash body in a beautiful transparent honey gloss finish, one-piece maple neck with ebony fretboard and unique active circuitry with additional hum-cancelling coil. It carries small amount of tiny dings and scratches from normal use. Gary Levinson's Blade basses were one of the 90's super-jazz designs and IMHO one of the most successful. More pics will follow. It comes with an old hard shell case which still provides relevant protection. Sending to Europe possible, ask me for cost estimate. Now with limited free shipping.4 points -
I think I should also mention my neighbour (during my late teens), Mrs Sanderson. When my band were practising in the garage, she would come in and tell us how fantastic we were! 🙂4 points
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A pedant writes: "Actually, I think you'll find you can drive over any gig bag in a Sherman tank, or any other heavy vehicle for that matter. Whether it survives or not is an entirely different matter. To be strictly accurate, I think you'll find that you should have stated that you are 'not after something diamond-encrusted that will survive intact should it be driven over by a Sherman tank or any other tracked or untracked armoured vehicle'. No I don't have very many friends, as a matter of fact. Why do you ask?"4 points
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"The Raven" 🖤👍3 points
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So while I'm waiting for the two week paint-hardening period to end (this coming Sunday) so I can get busy with the wet/dry, I thought I'd take the opportunity to mock it together and get an idea of what it will look like... pleased is an understatement. God, I hope it works. The EMG eq is squeezed in place under the control plate and just about fits with the PP3 into the titchy cavity. That's the original black pickguard, with some 50mm reflective checker tape applied. The reflective white bits are very reflective indeed, so I'm hoping it will look pretty good under stage lights. Also: just how good is tung oil?? I cannot believe I've never tried it before. I am never going to lacquer a piece of wood again.3 points
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I've just got my bass back from Dave, it's a Fender Elite Jazz and I've had it sprayed Olympic white nitro from it's original natural. So here is my experience with it.... I bought this bass from @andybassdoyle back in May after being on the search originally for a '75 RI which seem hard to come by. I love the black block on maple look. This bass was in my budget and I thought the modernisations of compound radius, active (although we'll come back to this), matte neck and the possibility of string through bridge were worth a try. After receiving the bass, it felt right and was a joy to play. But that preamp just wasn't doing it for me, so out it went (as well as the Gen 4 noiseless pick ups) and in went a set of Dimarzio Model J's and a VVT set up with the 4th knob being a capacitor switch. Lovely. Then after seeing @AndyTravis 's MM jazz respray, I thought about a spray job on mine. The body on my jazz was a bit plain, so a paint job would help it stand out and I've always liked the idea of a white nitro finish which will age nicely. I believe this model did come in white, but I couldn't see any for sale anywhere with a maple neck. So got in touch with David at the end of July and we went over what I had in mind and such. I stripped off all the hardware and sent it off 11/08. David kept me updated along the way while sanding and prepping and when it came to mixing the colours. And finally the finished bass: Everything fitted (extremely carefully) back together as it should, so happy days. I couldn't be happier with the job David did on it. He is such a nice guy to deal with, the price was very fair (IMO) and the turn around time good too. Over time it will mellow out to a more cream colour and will show wear and tear. So yeah, if you want something resprayed, David is your guy. And now my bass is exactly how I want it. Thanks.3 points
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To be honest I stopped following, the majority of posts refer to a lesson style that was deservedly swept out decades ago. From a quick skim read I didn't spot much about what poster's children get at school now, which would have been interesting, and I am acutely aware I am that guy who forces people to read the dots and play the keyboard. This thread reinforces the perils most modern music teachers are aware of but I'd like to think us as a breed are better at putting the bigger picture across. It's a fine, fine line and we cannot get it right everytime, but the bad old days of thrown chalk dusters and an hour following the score of a symphony are long gone.3 points
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My late father was a pro musician before WW2. He was playing with the likes of Ted Heath and Frank Chacksfield at this time and was on the verge of establishing himself when war intervened. Afterwards he settled for a 'real job'. He continued playing in dance bands until the onset of dementia and he had to move into a home. When I turned up 13 years later he was keen for me to carry on in the family business. I had violin lessons from the ages of 4 to 6 and then moved on to piano. I discovered bass at 14 he was always encouraging. I started going along to a Sunday lunchtime jazz session at a pub in Portsmouth and he would come along afterwards and we both played in a rehearsal big band. It enabled me to discover what an incredible sax player he was. As a result of that, I got to play in a modern jazz quartet with some amazing ex-Marine bandsmen as I found my feet on the instrument. Let's say my mum was as keen on me playing as she was on him playing!! I owe my Dad the career I have had on bass and am forever grateful for that.3 points
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Peavey Fury. A nicely-made, uncomplicated, quality bass, made in the USA in the mid to late 1980s. It's a passive, bolt-on four-string with a ridiculously skinny neck (37mm at the nut) and an aggressive P-sounding pickup. Weight is 3.9 kg, or 8.5 pounds in old money. Controls are tone and volume. I've no idea what the strings are. The action is reasonably low; I'm sure it would benefit from a setup. I had it from BCer Paul S in 2014, on my quest for the skinniest neck known to man; since when it's mostly sat in a case. I've never gigged it. It's not being used, and I need the space and the money. It has some minor dings, but nothing major; it's in good nick for its age. The trussrod turns well (a Gibson TR spanner fits it). When I plugged it in a week ago I couldn't get any sound out of it; I took the scratchplate off and applied some contact cleaner, and it's been fine since then, but I've reduced the price somewhat to reflect the possibility it will need the electrics looking at. The volume pot has a whisper on it when the volume is changed. £150 plus shipping (at cost), bank transfer preferred; I'd prefer not to send outside the UK. I will pack it in a cardboard bass box, in a cheapo unpadded gig bag, all suitably stuffed with bubblewrap; or I can use a battered generic hard-case if necessary for an extra £10 (it's very battered ). Alternatively, I'm happy to meet in a 50-mile radius, and I'm intending to go to north Wales late this week.2 points -
NOW SOLD!!! JAZZ BASS FOR SALE I purchased this bass for a project but I have not got round to starting it, so it's now up for sale.. I believe the body is a Squier, but I'm not sure about the neck, hardware, and electrics. Overall, for the money, the condition is good, it plays well, and sounds great. You are welcome to try it out at my home in Bridgnorth. Collected: £130 Shipped: £140 Despite the decal, THIS IS NOT A FENDER!!! Edited to add sound sample video Jazz Bass Demo.m4v2 points -
This amazing GRBass AT112h cabinet is made of carbon fibre and weighs just 8 kg (17 lbs) - your back will love you. My loss is your gain. I've had this cabinet for 8 weeks, it’s have never been out of the house and it’s in absolutely pristine, as new condition. I need to gather some funds together for a new project. The GRBass AT112h cabinet costs £866 at Thomann - https://www.thomann.de/gb/gr_bass_at112h_8.htm The GRBass AeroTech range of speakers are the lightest bass guitar speaker cabinets in the world. Never has a professional speaker cabinet been produced with this performance to weight ratio. The AeroTech speaker cabinets are made of high-tech carbon fibre materials developed for the AeroSpace industry and are used for rigidity and consistency while offering durability and reduced weight. Overall the Aero series of cabinets when compared to any wood cabinet on the market have better focus, detail, punch, overall richness of sound and a more open soundstage. Here are the AeroTech versions compared to their wood counterparts: 40% lighter weight with greater durability than wood construction. Possess greater consistency in weight and sound by using non-organic material. Employ extreme rigidity that improves sound quality by reducing resonance and control of spurious vibrations in the cabinet. It'd be preferable if any prospective buyer was able to come and play it using their own bass, etc. but I will ship it if necessary. I am based in Bournemouth, Dorset. My feedback - https://www.basschat.co.uk/topic/231476-thebassist-feedback Patented AeroTech plate (2 layers of carbon fibre with specially developed cellular foam) Speakers: 12” Custom Design Jensen Neodymium Tweeters: 1” Tweeter (adjustable) Speaker construction: Bass reflex Power (RMS / AES standard): 450 watts Impedance: 4 ohm Frequency response: 38 Hz - 22 kHz Connections: 2 x Speaker twist Housing material: AeroTech carbon Baffle material: AeroTech carbon Front cover: Metal grille Polymer handle Dimensions: 51 x 39 x 35 cm Weight: 8 kg / 17 lbs Made in Italy2 points -
After a fair bit of research, helped by a couple of threads on here and advice from @ead , I acquired this. I'm very happy! Great neck, good condition bar a few dinks here and there, frets in good nick and a superb player. The seller seemed to think, due to a 'U' serial no, that it was from 95-96 but I'm inclined to think it's a 2010 model given its condition and spec. As the neck shows, this is the JB-62US model that indicates an alder body and US spec pickups; lovely dark tort scratchplate on it too.2 points
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Yup, still using them exclusively - for bass at least.. DSC01673 by VTypeV4, on Flickr 135 number ten by VTypeV4, on Flickr Beavis nearly by VTypeV4, on Flickr I don't do many gigs these days but all definitely have their place at the studio..2 points
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Or DR Black Beauties if you want the roundwound tone2 points
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Made me think of this...... a song featuring the word 'mastodon' (I guess there are not many)... and it has two basses so ideal for basschat 😀 The Stranglers "Dead Los Angeles"2 points
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It's what you need if you are an acoustic guitarist and you want to add some bottom octave on the lower notes. Particularly if you are playing a bass note then a chord on the offbeat (think 'Dum-chuck'). I think the OC-3 is the only pedal that does this, so that virtually guarantees the pedal is going to be a success whatever bassplayers think of it.2 points
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That makes total sense.... now that you say it 😖 Maybe I'll go for Behringer UMC404HDsuggested by @MartinB earlier!2 points
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Now that's a rarity a 66 P bass neck with truss rod adjuster at the headstock end 😂😂2 points
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I'm liking that! If my bass fits then that's what I'd go for for sure!2 points
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I think similar when I do my singing , I have to make sure everyone’s windows are closed before I start up . in these Covid days , I don’t want the neighbours clambering round my garden for a listen , you know how it is !2 points
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Made it.... Just! Here's my entry to to the September 2020 Composition Challenge, inspired by the picture selected by August's winner.... er, me. When taking pics like that there's sometimes a sense of being watched ('ere Ron, that idiot's out in the garden again, shining a torch on the tree!), so I ran with the idea of being observed from beyond. All recorded in Cubase Elephants, using my Jake 5 and my Westbury Standard through the Helix. Standard Cubase plugin thingys, drums from the Mrs, and my unschooled wing and a prayer mixing method (and I don't even know what mastering means, so none of that exotic stuff).2 points
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I've also owned 4 Sterlings (and weighed 2 more belonging to friends) and NONE have been under 9lb 8oz and they have ranged from 2 basses from 1st year of manufacture through to a 2014. The mystical 8lb Sterling is out there with the Unicorns rooting about for Hen's teeth. If anyone has an 8lb Sterling I'd love to see it on a set of accurate digital scales.2 points
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Off white primer is on...2 points
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Cheers Paul Great review and it's got me thinking/hoping this is what we've been waiting for.2 points
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OK, probably a far healthier, more realistic suggestion than mine!2 points
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Play it outside in the remaining autumnal sun and get some rays on it to mellow to yellow2 points
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Looking great. All you need now is for gigs to start happening again and smoking to be allowed in pubs to get some incredible patina on it2 points
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@lemonstar Hi Neil, We’ve pushed on with a new guitarist who’s ace, things were looking Good and then (Half expectedly) the singer called it a day. We’re now In the process of auditioning his replacement. Look for “602 auditions” thread which is like a basschat version of war and peace - I think I started that thread around the time of this one. Thanks for your reply - I was very frustrated, but I’m hopeful now. Andy2 points
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Great thread! Love reading the replies. My parents records certainly shaped my interest in music - mostly Mum - 60s Stax Soul, early rock 'n' roll and some country. My Dad was a pro drummer in the 60s but gave it up to train as a teacher. The second I mentioned drums, I got sticks, brushes, a snare, bongos... but never really clicked with it. I was too young & you can't learn from your Dad (or I couldn't). Then at 15 in 1988 I started saving as my friends and I were going to buy instruments to form a band. I'd never saved for anything in my life but my parents matched my money and at Christmas I bought a Squier. Dad's best friend in music was a bass player and he'd show me drum brushes on bass strings and showed me the 12 bar blues structure. Occasionally he'd recommend something to listen to. He came to pick me up from rehearsal and would always moan about my singers. Then in November 1994, both my parents came to one of my gigs. Mum loved it (not the music so much, but the atmosphere) and Dad took photos. I still have a framed pic of me from that show in my living room. Sadly Mum started developing Alzheimer's around 2009 but they came to a second show in 2014. It was a much bigger show and I guest listed them. I don't think Mum fully kept up with what was going on and Dad was stressed from looking after Mum but she enjoyed it and met some of the band. I haven't played them a recording since 2011. In the early days of Mum's dementia I was playing them an EP and bless her, half way through she said "what is this crap?" The last thing I played her had a song when the band stops and there is a bass run. Mum said "that's my favourite bit" and it seemed a fitting last comment for her to make on my music.2 points
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I've been using Elixir Nanowebs for years now, no issue and they stay bright for ages. The only string I stray to are the DR Jonas Helborg sets (which I think have finally been discontinued, but I have two sets). Ordered some of the coated MarkBass strings a few days back, they arrived yesterday and willbe going on my Spector LT later today.2 points
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My luthier tells me that from a quick look, he rekons the intonation isn't too far out & some saddles need to come forward anyway.. he suggests for the E reversing the saddle to give more play.. he thinks it's possible to fix without moving the bridge etc.. but full report on it tomorrow. I have spoken to the dealership.. They are on board with whatever needs to happen, whether that mean return for full refund or any other permutation... There is currently no other stock though. Sorry to the OP for hijacking this thread! I was going to go to PM but then thought what comes of this all is useful information for any who are interested in the Embassy bass.... To be continued!2 points
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I had recorder in school and piano lessons once a week after school. I ended up playing truant and missing the lessons my parents were paying for. Mum isn't interested in music and dad listened but never played. When (inevitably) they found out what I'd been up to, I knew to fear the wrath of my mother. It was with a certain bewildered relief therefore that the loving, gentle man my father always was, decided to handle the disciplinary hearing. He asked why I bunked off lessons when I clearly loved music. I told him yes but not that music. Two days later he came home with an electric guitar he'd seen advertised on the buy and sell notice board at work. He waited until he saw my bloody tattered finger tips after a few weeks of Bert Weedon or somesuch, and organised lessons with a young guy over the road. Oh and he built me my first amp out of an old radiogram. It wasn't just the single most important event in my teenage years, the start of a life long passion, but it was, and remains, the most wonderful inspiration for how to be a parent I could ever hope to achieve. I miss him so much, and I don't think he had any idea just what he'd done for me.2 points
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And so, as a post-script. P and his delightful wife arrived last weekend to pick up the Guitar Bouzouki. And I think he would be happy in me saying he loves it For me, that is a great pleasure and relief in equal measure! P was able to bring his standard Irish Bouzouki for me to have a look at and listen to and that was fascinating. We both agreed that the Guitar Bouzouki has a much richer sound (which would be hoped and expected) and a strummed chord just goes on, beating sub-harmonics all the way, for a long, long time. The neck between the two instruments was quite different, part designed and fully expected and part more of a surprise. P had requested it to be wider and shallower than his original which will always change the curves and feel, but the thing I noticed straightaway was that the 'V' on the original felt distinctly V shaped to the hand further up the fretboard than my build. It doesn't really show on the profile drawings but it does give it a different feel further up the board. Not necessarily a bad feel, but certainly a different feel. Changing that, if P's conclusion was that he wanted that tweaking, is actually a very easy fix and the sort of thing that can be done on a 'while you wait' basis. And there's a crazy coincidence (that I won't go into detail on) that might mean that finding a convenient time to do that would not be too much of problem. But, that said, even at first play, this is P showing how a Guitar Bouzouki should be played. Glorious! And particularly glorious through headphones2 points
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Not sure BA. I think a fair few think it's somehow not got the same presence as a Ray. I've got both and TBH the Sterling is a beast compared to the Ray - sometimes it's a little hard to tame in a live setting. Despite the smaller body, the weight isn't that much less than its full fat brother (though I've only owned 3 and played a 2 or 3 others) which surprises me though. The neck however has to be my favourite profile of all the bass necks I've ever played.2 points
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Get in son, my second favourite Stranglers album, what a bass player, what a band, what an album, so much so I struggled to choose my ‘I agree with you’ track...1 point
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Doves - Compulsion. I think the bass playing by Jimi Goodwin on this is just brilliant1 point
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No Doubt’s “Rock Steady” album. Some great input from Sly & Robbie and Prince on this one.1 point
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I think it is a stock pickup , i put the price as it was a Bronco anyways.1 point -
Don't think I ever posted this -1 point
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Listening to a 6 Music kind-of-documentory .... it's a show of the all time John Peel Festive Fifty... condensed into one hour... a clip of the music and a clip of Peel for each song. Based on a all-time FF he did in his later years. Lots of good stuff in there (so far.. I'm about halfway) although, as Peel himself laments, a bit predictable........ but here is the opener from the show.1 point
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We asked this of Italy, and Riccardo Damiani replied "they are treated after being wound, it is a special innovative nanotechnology process, you don't see or feel that... looking forward for your feedback when you'll try them". We understand it is an ecologically sound and biocompatible coating, using a new Markbass proprietary coating process.1 point
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Absolutely no problem, it's good that all this info is out there so people can make an informed decision1 point
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Spinning Wheel Blues - Status Quo, 1970...1 point
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No. It’s a crappy pickguard on what was a t24 bass. woeful.1 point
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If you were close enough for me to do a drive by it’d be gone!1 point -
I have here a barely used Plus Pedal, which, for those of you who don't know, allows you to sustain notes indefinitely. It's a really great pedal, with way more control and a much more "organic" sound than the EHX Freeze, or similar pedals. It also feels great to use. The wet/dry pedal is an incredibly useful addition, in combination with the effects loop, that allows you to have separate sounds for your dry signal and the sustain signal, which allows you to create synthy sounding pads and have a completely different sound for playing over the top of them. Unfortunately, it is no longer necessary for the project I was going to be using it for and I cannot justify keeping it in the current climate, so someone else can get a bargain. Condition is immaculate, except for the velcro underneath, and I've still got the box somewhere, so will deliver with that.1 point -
The early, China made Classic Vibes are absolutely amazing basses. Great colour on this one that blue works well with the maple neck. If only I could justify owning another bass...... (well, I haven't got a 50's P bass... hmmm) - Sadly, I already have too many GLWTS Karl1 point
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