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I'm rather fond of Ovation Magnum basses. I particularly like the outrageous styling of the Mk.II but there's nowt wrong with the Mk.IV either ... they share pretty much everything except body shape so they sound and play the same. I have one of each, but while my Mk.II is in a varnished natural finish my Mk.IV came to me in a rather unattractive translucent lilac 'wash', for want of a better word. It was neither transparent nor a solid colour, and the tint was unappealing. Apparently this was a popular finish at the time, although Ronnie Lane had the good taste to prefer a black one on Maggie May and Stay With Me. Apart from being unappealing, the finish had also developed a 'bloom' over the last 40 years. That stronger lilac tint that you can see on the upper horn and the upper bout is not a trick of the light or a reflection ... it was actually there. Not visible under stage lights, of course, but very obvious in daylight. It wasn't a surface problem either, that could be polished out, and I found it really, really irritating. I actually listed it for sale here on Basschat for a knockdown £800 because I was so irritated. Then @Beedster recommended Chris Bowling of Bow Finishing (near Godstone, Surrey) so I took the bass down to him. He agreed that the finish was way past its sell-by and also pointed out that the piece of wood being spoiled was an absolute cracker. So I bit the bullet and asked him to do a refin to match my Mk.II. This was NOT cheap, but By God what a job he did! Isn't she lovely? Isn't she beautiful? Ooh ... I've come over all Stevie Wonder ...

Here is the promised MKIII photoshoot after the refinishing job. The front of the headstock appears to have been left untouched, except for the rounded top bit, which is the same colour as the body. Two more of the near-twins together:

Chris and John at Bow are, for me, absolutely the best in the business. This came back last week - it needed a really high-quality polyester polish job. The work (again) was staggering. Really easy to work with, communicative, obsessive attention to detail, and skilled beyond belief. Not the least expensive but the results are phenomenal

I've indulged myself with a bit of arty photography. Not as good as @Andyjr1515 with his black cloth professional efforts

Got my first Spector yesterday. Euro 5lx in Matt black and blue. Absolutely love it. So addictive and so beautifully finished.

After having joined a heavy rock/mild metal band, I felt that my Sunburst Maruszczyk Jake PJV, Godin A5 or 5 string double bass didn't really fit the bill, image wise, so the hunt was on for a Thunderbird type bass. I narrowed it down to either an Epiphone Pro V Thunderbird or a Jackson David Ellefson Kelly Bird V, and with the help of the good people of BC, and the fact that I found a mint one with upgraded pickups and preamp on Reverb, I went for the Jackson. It arrived this afternoon, so, after managing to smuggle it into my home office without anyone seeing (yes dear, I've had it for years), I plugged it in, switched on my Darkglass Microtubes overdrive pedal and launched into the intro to Ace of Spades. Now, I'm not a fan of battery power ie. active basses, but the upgraded EMG DCX (instead of HZ) pickups and 18v BTC preamp made all the hairs on the back of my neck stand on end. Oh wow. I was going to strip out the active setup and go passive, but I'm not going to now, this is so good. The strap buttons have already been moved (one to the body by the base of the neck, the other high up on the back of the body) so balance is perfect, with no neck dive at all and I also managed to buy a gigbag that fits the shape perfectly.

How, in all my near 30 years of playing bass, I've never listened to this band I'll never know! The pick is out!

I play the music of the Grateful Dead (known as the dead) to groups of people who call themselves Deadheads. So we should be exempt from the prohibition about playing live music to a live audience, right?

Better late than never... Good recommendations so far... I'd add 'Going for the One' too for some awesome bass goodness. And 'Close to the Edge' is sublime. Mr Squire's solo album 'Fish Out of Water' is also excellent with some great support from Bill Bruford and Patrick Moraz.

Will you tell him about patch cables, or shall I...?

Updated board for the upcoming gigs! Can’t wait to get back out there. New Ashdown rig and this board should see me through for a few years.

My favourite bass player (in context, obviously). End of.

I use a genzbenz nx2....212 cab and have to say, very happy.

You'd get disturbingly factual answers to that if you posted in the cycling thread. FWIW the dimensions of my posterior ischial tuberosities mean I require a 145mm saddle, as I have a massive ar$e. Matron.

I managed to find a nice 5-er: It is a great playing bass with low action. Initially I was looking for a 4, but I like the narrower spacing on 5ers. There is an obp3 fitted, which I'll replace for a simpler obp1. The bass sounds great anyway though

I don't think the op was asking which style of playing was correct, nor which we choose to play in which context. The question seems to be more which kind of player are you. By instinct, in your heart. So even though my style has matured (become less risky and adventurous) as I've gotten older, there's no question I'm a front of stage player by nature. I have always been excited by the bass. While I love finding a groove and just sitting on it, I adore hearing an ascending run climb from the swamp, muscle its way through the mix, and rise to glory. When I started out I couldn't play enough notes. I always tried to stay with the kick, but I matched every drum fill beat for beat. I loved it. I had no one to tell me it was too busy and therefore wrong. Listening to the very few cassettes I have of that band, I am astonished by the playing. I doubt I could play half the lines today; my memory isn't good enough, my hands get tired just thinking about it. So that's the player I am. But it isn't the style I play any more. Have I become lazier and boring as I've got old? Yes, absolutely no question. But luckily I have found Basschat where I've learned that I can justify this by saying I am 'serving the song', and 'less is more'. But come see me play and every now and then the music takes me, like a Tardis, back to 1982 and for four bars or so I'm that naive, enthusiastic young bassist who just can't get enough.

Yes, Gail has been discussed many times here, I think that OP popped up in a thread about SBL most recently. Anyhoo, I need no excuse to further discuss her work. IMHO, the version below is the de facto version of Under Pressure where she completely rips the song a new one. Here’s a video of her song Magical which she wrote about Bowie. Just beautiful and has some great backstage clips. .....and finally and predictably my Marilyn-a-like which I use in ChangesTwoBowie.

Barefaced Super Twin filled my need for One Cab To Rule Them All. I usually have to roll off some bass at the amp to get my preferred tone, so no shortage of low end. That said, having bought a One 10 I am now lusting after that sweet vintage-y sound in a more powerful package, eg 2x10...

You've missed out on a PR stunt there, you could have been the 'Flu Fighters'. Yeah yeah I know, Covid19 isn't a flu virus.

Genz Neox 212T are an amazing buy secondhand. Early ones in rat fur, later ones tolex. Weight around 23kg, so not heavy, vertical cone alignment so good dispersion - most of all, sound great.

Heads up -- The film is on BBC TWO (Wales) this Saturday night! 👍 https://www.bbc.co.uk/programmes/m000l3vn

It's all changed. . . . . . . . for the better. The average cabs are OK, but the good cabs are light years better. Today you can buy a 112 that is louder, has more punch, tone and projection than any 412 from back in the day and there are 212's that can take on 810's. It's a whole new world from when I started in the 60's. I'm just glad I'm still gigging and able to use modern bass gear. IMO I sound better now that at any other time. Buy 2 112's then you can decide how many cabs will fit the gig.

Choose your new Bass Bridge: Copper / Brass / or Stainless steel EVO-Cams

On the windows I'm guessing - would be Stranger On The Door (I'll get me coat 😐).

Not the singing then ?

@Al KrowThere you mate. 2x9v for the helix 5 left and the usb.

That was a substantially more eloquent (and probably less red-wine-influenced) response than mine!

If you can afford it, do it. I’m similar, I have some nice basses and only a non-gigging band, but playing bass is my hobby so why not have the instruments I want, providing I have the funds of course.

Yesshows > Yessongs if you ask me (I know you weren't but anyway)

Quickest way into peak Yes for a newbie ... get Yessongs, the triple live album. Seriously.

I'm sure his will help even more... the clean OriginAL through my Little Bastard is quite the thing. I'll try to demo that too

He can be a bit careless in that respect.

Wow! What an introduction to your Spector bass journey - congratulations! EMG 40TW pups with the single coil / humbucker options for both? This thread has gotta take the biscuit for the amount of GAS induced spending on a particular brand of basses, right?!

I had a wave of sadness wash over me watching that. I was thinking how great it is that Bowie steps back and completely let's GAD own that song, wondering how that feels performing it with someone else after having recorded and performed it with the great Freddie Mercury, who he obviously can't duet with anymore. Then I realised that Bowie is gone as well now. For some reason I can't get used to the fact that Bowie's gone.

It's on BBC4HD too

Thought I would learn some real old classic rock tunes that I have never played in any bands I have been in. Fully learnt Black Night by Deep Purple yesterday evening.👍

Yeah, this is a lesson on how not to do customer service! A good example for me personally was Sandberg, I got one secondhand and it was missing the dots by the neck, emailed, got a response from the owner and they posted me some out no charge from Germany!

I loves her 💜