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Showing content with the highest reputation on 23/04/19 in all areas
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Right, photos time. My Stanley Clarke.6 points
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Stock is dictated by how much the shop buys in and it’s policies on selling - they prob have loads of Fenders in stock - doubt its a fire sale They that have paid ‘full fat’ have likely done so in the knowledge of other prices but wanted a specific spec/finish/colour etc. Used ones are great value precisely because of the quality. Yes they take a hit from new to second hand, then it plateaus shame for other quality brands outside of Fender (which is what most people go for) G&L, Schecter, ESP, Yamaha etc. Doubt half the customers are not happy with Delano’s, you have your experience and that’s fine, but I would think it’s a gross over exaggeration. I think most Nordstands I have played have been utter Gash - still a good pick up. There are other options of pick ups available from the manufacturer - may cost you more, but if for example you do a Shuker build course and want to install a pick up he doesn’t normally order/have a deal with - that costs you more as well, or you buy it yourself. Time for Sandberg to up their game.....🤔 constantly tinkering, subtle changes, brilliant QC, innovation about the best customer care you could ever ask for - when a company is emailed and asked where they can buy a tuning peg which broke on their second/third hand Electra (budget range bass) because they dropped the bass - how many Owners of the company would reply personally and send for free. I think other companies need to up their game5 points
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This is my non educated view...though i do have a materials engineering related background so it makes sense to me... Strings vibrate when you pick, strum, etc... They vibrate at a frequency and are held between the nut/fret and bridge. Everything else in the instrument acts as a mass damper absorbing some of the frequencies produced by the vibrating string. This in turn affects the vibrating frequency of the string to affect the tone of the instrument. Simply put, the materials that make up the instrument take away from what’s Beijing produced and remaining vibrations is what’s heard through the pickups.4 points
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Just got this feedback on the book from a new 'friend' on Facebook. 'Rob Palmer just so you know 2 years ago I was playing a week in Greece with the great Kirk Lightsey when I was reading it and I end up giving him the book. Kirk was a very close friend of P.C. and he fell in love with your book... this is the best proof your book is extremely valuable. Thank you for doing such a great job '! Warms the cockles.4 points
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Orion is a very comfy set-neck ride4 points
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I sell two of my five Dingwalls, this is one of them: a super nice Voodoo Prima 6 from 2001 (as it was told to me...) Even if the model is "old" it has many of the features of modern Dingwall basses, like: - dual density body: walnut and alder - heavily quilted maple top and back, and matching headstock - A-tuner on the B-string - three band Bartolini system with three position mid switch, active/passive switching (no passive tone) - Dingwall´s four way pickup switching system - magnet lid over the batteries - wooden covered pickups - wooden knobs matching the body The tone is the best I've heard in any of my Dingwalls, from Jazz Bass-ish bridge via classic bass tones to full out piano-like tones. The bass is delivered in an older original gigbag or a Hiscox case for better shipping protection if wanted. With tools. Very good condition!!! [/url] Serious buyers can have more close-up pictures in private message. Can be shipped on buyer's expense. No trades, please!3 points -
This is my other Dingwall to sell: my beautiful Sklar, that has served me so well. I find I use my Super J5 and my four strings Super J and Super P most of the time nowadays, in our more bluesy acts. Anyway, the bass is in very nice condition, I think I dare to say as new... You all know what it is, so I wont bore you with a lot of tech stuff. The only thing to say is that the colour is a pain in the *ss to get right with a camera. My friend Simba the Cat made a serious quality check in the sunshine two years ago; I'd say the colour is more right in the indoors picture, but still not exactly right. Delivered in original gig bag with tools and new spare strings. Serious buyers can get close up pictures in private message. Can be shipped on buyer's expense. Very good condition! (Did I say that?) No trades, please!3 points -
I did a Version of Ennio Morricone's Ecstasy of gold. What do you think? Cool or blasphemy?3 points
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I thought the body needed something so I decided racing stripes are the way forward to tie in the black neck and headstock I've decided at present not to use the pickguard............... Just waiting for the paint to dry then its time to get it all back together....... 😀3 points
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I'd use whatever the manufacturer says is good for bass fishing3 points
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An alternative, more visually pleasing approach would be to tie a large, colourful helium balloon to the headstock. The more neck heavy the bass, the bigger the balloon. Thunderbirds generally need a giant rainbow coloured unicorn. 😎3 points
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Cort GB4 Custom Bass for sale or trade. Little used and in unmarked, excellent condition, never gigged. Genuine reason for sale: am playing in a classic rock covers band so just not getting any use. Recent new stings and frets leveled and polished. Hard case included. Located near Gravesend in Kent. Would consider trade for Mustang or passive short scale, am happy to put some cash in for the right bass. CONSTRUCTION: Bolt-On CUTAWAY: Double Cutaway BODY: Ash Body w/ Spalted Maple Top NECK: Canadian Hard Maple FRETBOARD: Rosewood FRETS: 22 SCALE: 34" (864mm) INLAY: Rectangular White Pearl TUNERS: Hipshot Ultralight Tuners BRIDGE: EB12(4) Bridge PICKUPS: Seymour Duncan SJB-3N & SMB-4D ELECTRONICS: Duncan Designed BEQ-3 EQ & Mid-Frequency Switch HARDWARE: Chrome Hardware STRINGS: 4 Strings SPECIAL: Neutrik Locking Output Jack2 points -
Needless to say that I'm gutted to be selling this bass. It's the best I've ever played, never mind owned. A new family car has forced my hand here. Anyway.. 2014 Fender Custom Shop Relic '62 Precision in aged Olympic White with matching headstock. Select lightweight alder body, quarter sawn maple neck with a gorgeous rosewood fingerboard. Custom handwound pickups with beveled pole pieces which of course sound amazing - warmth and growl in spades. This bass is beautifully resonant and is unusually loud when played acoustically. Frets are in perfect condition (had them polished recently) and the action is low. It's wearing Dunlop Superbright steels which are a perfect match here imho. It weighs 8lbs exactly with the chrome covers on. Nut width is 1.75" I am the second owner of this CS, buying it from Project Music in Exeter in 2017. The neck feels amazing, so easy to play. I had the back of the neck stripped and then oiled and waxed by my luthier upon arrival. The case shows some signs of use now but still functions perfectly. Keys present and included. It needs to be mentioned that the relic job here is the best I've seen (I shopped around ALOT before I was happy to open my wallet), just superb. The checking to the finish really is something else. Whoever ends up with this will be very happy indeed. I will also be putting it up for sale on a few other sites so hopefully it will go quickly, before I change my mind and sell my kids instead.. £1900. Local collection preferred but I will ship it by courier at the buyers expense. I'm willing to part trade, with cash my way for another P with a used value of up to £750. Ideally a Fender Road Worn P or a G&L SB-1 could be negotiated but I'm open to ideas. It would have to be a lighter weight bass though, as my old back isn't what it was! Thanks for looking.2 points -
It’s the bass equivalent of going outside with no knickers on.2 points
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Many builders offer a choice of pick ups and charges apply according. Marusczyck do and you pay for the different pick ups as per the price it costs them. Having a ‘standard’ spec is pretty normal for a bass builder and if one decides that they want different pick ups it’s not up to the builder absorb the cost same way shuker will charge you for what they don’t normally carry as their ‘normal’ options. Lets remember the likes of Nordstrand pick ups in an Ibanez it’s very possible Ibanez wind those pick ups in-house to Nordstrand spec? It’s not quite the same as Sandberg or any builder offering pick ups from various manufacturers who have their own operational costs, individual overheads and bottom line to make. If one were to buy a Fender what pick up choice do you have other than what comes as standard on that model? Even with the latest up grade to custom shop pick ups. It’s one choice per range.2 points
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I'm anaspeptic, phrasmotic, even compunctuous to have caused you such pericombobulation.2 points
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A lot of these sub sonics come from the percussive element of hitting the strings. When you pluck, before the string is released, it moves over the pickup at a slower speed than a freely vibrating string would, as it's attached to your fingers. If there was no filtering whatsoever in the entire signal chain, you would be able to see the cone move just by wiggling the string slowly over the pickup.2 points
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Still can't believe I snagged my Basic 4 for about tree fiddy. Must be the name - not many people want to spend big coin on something called a 'Basic'!2 points
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It's in the diary, my first time @ a bash!!!2 points
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Here is my latest build. The Brooks Telebird. It is my take on the legendary Fenderbird that was built by Peter Cook for John Entwistle. However I decided to combine the characteristics the Thunderbird body with a 51 P (aka Telecaster bass). The specs are as follows - Two piece Swamp Ash body - Allparts Maple 51 P neck. Bolt on - Vintage blonde finish - Jess Loureiro 51 P split coil pickup - 34" scale - Tusq nut - Wide travel Thunderbird bridge plus tailstop. Nickel - Matte black single ply pickguard - Gotoh GB528 lightweight tuners. Nickel - Allparts push/pull Volume pot - CTS Tone pot - Silver reflector cap knobs - Telecaster jack cup. Nickel - GHS Brite Flats 49-108 I'll post pics of the build process in several answers below.2 points
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Yes a bit of googling provides an interesting read! It would appear that a single string can't produce anything lower than the fundamental, but a combination of two notes can produce a tone lower than the fundamental of either. This is called a 'difference tone'. A good example is the power chord on guitar (root + fifth). Because these frequencies have a ratio of 2:3, they generate a difference tone with half the frequency of the fundamental (ie. an octave lower). Apparently this is why power chords sound so fat.2 points
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Tell Hölger you heard he was rumoured to introduce a colour called ‘September Sunset’2 points
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Here we go - managed to track down the original post:2 points
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I've been using these for the past 3 or 4 months on Fender type basses and I'm really enjoying them - I moved over from exl220s (40-60-75-95). The difference isn't massive but the lighter gauge is preferable for me and there's plenty of bright twang if that's what you're looking for. I've been shopping around but picked-up a few sets at about £18-19 including shipping2 points
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"Babooshka" came up on a thread about great fretless basslines, and one kind soul directed us to a No Treble article with a transcription of John Giblin's sublime performance, so I've been trying to get my fingers 'round that. I'll see if I can dig up the link and share it on here. Anyhoo, it's been a good challenge for my fretless intonation, as it's not often I find myself having to play up the dusty end in E-flat. Definitely a good workout for the ears!2 points
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Get that old 'dodgy kebab' alibi in first 😈2 points
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Damn you're good at this. First you have me on tenterhooks then you start reeling me in2 points
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Sorry, did I say fishing line ? Of course I meant my patented (ahem) ToneConduit music tether. Want to know why all the session players use it ? You'll be amazed at the answer !!2 points
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Sorted, bought an Ibanez SR500 of a fellow BC member. Thanks Stuart!! Off to find an amp!!2 points
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You forgot the 'unboxing' part!2 points
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Here's an early Tokai Jazz (c.1981?). Originally fretted, the bass has a small issue with the truss rod so a few years ago, while the repair chap had it on the bench, I asked for it to be converted to fretless (now has a nice Indian Rosewood board).2 points
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As the list stands- all room costs plus some extra for food and bits are covered2 points
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Excellent news ...I was struggling to find the time to read the pdf you kindly sent me. Now I have ordered a copy you get to splash out spending the massive royalties on a debauched life style, and I get to read it without lugging my laptop around. A win/win I believe!2 points
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Fresh off the plane. One for flats, one for rounds.2 points
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Here for sale is my 78-82 Hardpuncher, the date can be narrowed down by the logo. Dee dee Ramone esque looking. All original still has the metal plate under the control knobs. The white has faded to that lovely creamy goodness. Brand new addagio flats. Plays really nicely truss rod works as it should. 40-41mm nut( my eyes are not great!) The mark in the photos is about the worse of it. Thuners Have a bit of play before movement but hold tune really well. Really nice for the age. Postage is £15.001 point -
Hey folks - my name's Nick and I live in Edinburgh. I've been playing since I was in my mid teens (going to be 40 this year) and moved to Edinburgh a few years back. I'm originally from London but was in Aberdeen for a few years too. Due to the arrival of kids etc. I've struggled to find time to play over the past 3-4 years. Part of trying to get this part of my life restarted includes coming back to forums like this so I thought I'd do a quick intro. As a player I tend to aim into the Jamerson/Babbit/Jerry Jermott/Willie Weeks type space. I got really lucky when I was young as I had a couple of year learning with Paul Westwood who taught me basic harmony and how to walk through jazz standards before showing me how all that stuff culminated in James Jamerson. Since then I've done a load of different things (blues, big band and small band jazz, functions, originals, drum'n'bass / breaks, country / singer songwriter stuff). Gear wise I'm pretty much a J-bass guy - my main squeeze being a through neck 5 string which wears some old flats (it looks fancy but it's basically just a jazz bass with a narrower string spacing) running through a Genz Benz Streamliner and some Barefaced cabs. If anyone knows any good jams or teachers in or around Edinburgh then let me know.1 point
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Best bass combo ever. This one is in great condition and works perfectly. To the uninitiated, it's as close to an all-valve sound as a hybrid amp gets. It's compact, lightweight, beautifully designed and outrageously loud and 'full' sounding. It also has a whisper quiet fan (noisy fans are common with these amps), which is nice. It comes with the Mesa ext. cab cover so the handle hole is in a different place, but still does a sterling job.1 point
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Mine went to a Glasgow rehearsal place couple of year back. That was actually my 2nd one.bought the first from Grants in Edinburgh early 80's. The old Alexander's buses had a storage area for them,often hijacked by women with prams 😄1 point
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I use a Suitcase (older model) with the 4b extension cab for doublebass and I really like it's sound. The suitcase on it's own is only 200 watts (8ohms) and you need to add the 4b to get the full 300 watts (4ohms). All being equal I'd say the Suitcase alone will be better than the Briefcase and worth the extra 'lugging' as I much prefer the sound of the Suitcase plus 4b, it should sound the same tone wise but it's just nicer with the two (and noticeably louder, double the volume of air being moved which is essentially what counts). Soooo if a Suitcase plus 4b (300 watts through 8 drivers) sound nicer than just the Suitcase (200 watts through 4 drivers), the the Suitcase alone should sound better than the Briefcase alone (100 watts through 2 drivers), not to mention louder. The briefcase is not the best to carry, it's not overly heavy, although heavy enough, rather it's just a bit awkward, definitely a two handed job if going more than three feet.1 point
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Due to the nice warm weather the paint has dried nice a quickly so I thought I'd do a quick mock up............ 😀 I don't know if it needs the logo on the lower horn?? 🤔1 point
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Oh that brings back so many memories. That combo and a Tokai Hard Puncher were the sum total of my equipment for much of the 1980s. Hard to believe but that 100W was more than sufficient for everywhere we played. Missing its Stingray and Carlsbro nameplates from the front otherwise I'd be tempted.1 point
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This was the version i used from Ultimate Guitar but i honestly can't remember how accurate it was (or is) I use bass tabs as a guide and work out any bits i need by ear.. Saturday Nights Alright For Fighting Bass by Elton Johntabs @ Ultimate Guitar Archive.html1 point
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I played the Brudenell in Leeds on Thursday, The Rigger in Newcastle-under-Lyme on Friday, and The Maze in Nottingham on Saturday. All three gigs were with Steve Ignorant's Slice Of Life who are absolutely awesome. I'm sure it's the only time I've seen a band without a drummer and still got that feeling I get when the music is "heavy". Interrobang were on these dates too. They're quite cool. I'm still undecided if I like the music but they're nice people and good players. The first two nights were awesome, really packed venues, great sound, great atmosphere etc. Saturday I'd been in the studio all day long and not had chance to eat. As soon as I got to Nottingham I went to the closest place I could to find some food - a dodgy kebab shop of course. I'm not sure if the food was bad or (as others have suggested to me) it was some sort of blood sugar thing, but about an hour after I'd eaten I started to sweat buckets and went very faint. I had to be walked out of the venue and upstairs to the dressing room where I promptly threw up and then sat there for another 2 hours feeling awful, waiting to get on stage. When I finally got on there I was feeling a little better, and I played fine, but the sound was absolutely terrible, lots of feedback from a dodgy vocal channel. Lots of people had left the venue too, which was disappointing. Maybe we went on too late - 11:15 ish. Afterwards it was obvious that everyone left in the venue somehow knew I'd been sick and they all thought it was from booze, which was frustrating and embarrassing in equal measures. Sunday night I played with my heavy band CreepJoint at a local venue. We were supporting a great local band called Clay Lake. I'd have been at this gig to watch them anyway, but they asked us to support and it was brilliant! Only 6 songs so I could go full pelt on the drum kit and it felt good!!!1 point
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Thanks Nik, and I love the Epifani 😊 Max1 point
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Nice work, Sir1 point
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Happy CHRISTMAS !! oh.. I mean Happy Easter 🐰1 point
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Whilst my teenage peers were posting pictures of Pamela Anderson to their wall I had pictures of these.1 point
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Hi Folks @Maxillius just bought an Epifani 310 cab from me in what was a very relaxed and easy transaction from start to finish. Max paid when he said he would, maintained great comms throughout and all in all, was a very good person to deal with. So.. I'm more than happy to recommended Max to everyone here on Basschat! Thanks Max - hope you enjoy the cab. 😊 Nik1 point
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Is nobody excited by the elastic search? It would make a good band name...1 point
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If it’s a Warwick punch you’re trying to get the preamp points are: MEC 2-band Bass: 100 hz Treble 2.5K hz MEC 3-band Bass: 100 hz Mid: 800 hz Treble: 8.5K hz i think someone meantioned you had a helix - see if you can eq in the punch - I’ve done this recorded my Warwick bass straight to jack and then used GarageBand to try and recreate some of how the preamp is working. Playing with a boost at that 100hz point and the 2.5k for me, got me into the right kinda territory for a typical Warwick sound1 point
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