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Showing content with the highest reputation on 23/06/21 in all areas
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You are of course entitled to your opinion, and your feelings are valid. For me, I don't really believe Elton John thinks it's alright to fight on a Saturday night, or that The Proclaimers really would walk 1,000 miles, or that Sting really thought every little thing she did was magic. I think it's possible for a lyricist/author/screenwriter to write a story about characters, without necessarily sharing the opinions of those characters. I don't think it's necessary to agree with the sentiment of a song to perform it. Musical theatre is on my side here 🙂14 points
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My goodness.. if that's how you feel, don't ever join a folk band. The lyrics to half of those tunes will give you nightmares.12 points
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And so with the finish just about where I want it, the myriad of final assembly tasks begins. The idea for using Tru-oil is to do something similar to @Jus Lukin 's headless build - have enough gloss to show off the wood figuring but still have enough grain showing through to retain the organic feel of some lovely timbers. This is pretty much there - below, you can see the gloss on the main reflecting surface but, if you look at the edges of the reflection see the shimmer where the oil has sunk into the grain? It's pretty much like that over the complete top and more-so for the 'strident' grain of the oak at the back : The first part of the assembly is fitting the tuners, because I need those to line up the bridge. Here they are fully fitted with the truss rod cover just placed on at the moment (magnets will be fitted in the next couple of days). The nut, also, isn't yet fitted and finished and nor are the fretboard or frets: In that it is easier to reposition two bridge screws rather than four, I fit two of them first and check the alignment of the two outer strings all the way down the fretboard: Yup - straight. So tomorrow I'll sort the bridge earth, drill the other two holes and fully fit the bridge. Then next will come the cavity shielding and fitting the electrics.11 points
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9 points
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UPDATE TO THE UPDATE... I stated a dispute with eBay re this matter; eBay handed this over to Paypal as that is how I paid. Despite being given repeated opportunities to give ANY response re this matter Peter Barton (aka 'vintageinvestments' on eBay) refused to engage in the dispute process (quell surprise) and Paypal have refunded me. Why this guy has dragged this out is beyond me. He clearly did not hand over the cab to a stranger knocking on his door claiming to have won it... how could anyone know he had sold it on eBay and how the hell did they get his address when even I didn't have it? You just wouldn't would you? The main thing is that in about 30 days I'll have the funds credited back to my credit card (almost 7 weeks after paying) and with the assistance of BC I know a lot more about Mr Barton and I'm wise to him should I ever have the pleasure of meeting him professionally/in person. Oh and I'm still in the market for a TKS cab.6 points
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I think that's the Japanese calendar, in which the year derives from the reign of the emperor at the time. In the Showa calendar, which ran from 1926 - 1989, for the duration of the reign of Emperor Hirohito, 58 corresponds to 1983. And that's a stunning JV. If you didn't give the chap at least a grand for it, you robbed him!5 points
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Not more of that cancel stinky poo! You can't cancel something, that is just a right wing meme. If you don't want to do something you don't do it, its not cancelling it. If your audience don't want to listen to it, its not worth doing it, its not cancelling it.5 points
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I've been a victom of rape and domestic violence, so I find songs which seem to glamourise things like that uncomfortable. Hip hop especially nowadays is AWFUL for its portrayal of the treatment of women, and it really doesn't sit well with me. However, with that said, there are few bands that are intentionally glamourising it because they agree with it, but instead they're telling a story. Anything could be taken to be offensive or insulting to some section of society but we just have to remember that music is an art form and we're entirely allowed to not like or agree with art for it to still be legitimate. Music is art of the time, and reflects the society at the time it was written. With all that said, you have to make the decision about whether you want to play that song, you have every right to say no, just as much as the other members of your band have the right to say yes. I hope you find some kind of compromise that suits everyone!5 points
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Marshall MB 15 in really good nick, sounds good too. One happy teenager (his Mum and his sister aren't too happy though! ).4 points
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4 points
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This. Songs, films, paintings, sculpture - in fact, all art - reflect the time and the culture they were created in. If they don't please or suit you, don't sing, play, look at or listen to them. But please don't whinge about or attempt to "cancel" them. I don't like the great majority of films. The gratuitous violence, covert (and overt) political agenda they promote and the manipulative appeal to base emotions in most irritate me. So I don't watch them (don't even have a telly). However, I recognise that others are free to make their own choices.4 points
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4 points
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Before & After shots. Selling a few pedals basically paid for the Helix and C4 (+ controllers). My conclusion is that this new setup is fun and has a lot more potential sounds and tweakability, but it does lose a few things - the individual pedals are more limited but often sound a bit better at their specific sound and have more obvious/immediate hands-on (or foot-on) control. The new setup is better suited to hooking up to a laptop and planning out presets rather an spontaneous tweaking. Also, the Helix editing system is great and a £20 footswitch will give you two extra footswitches which is plenty to do most things. The C4 sounds great but Neuro editing isn't as intuative, and it needs a £100+ controller to access additional presets via footswitches (and the setup of that isnt that easy either). So I wouldn't particularly recommend people spend £325+ on a C4 and controller if it is just to replace their envelope filter and octaver, but it does also do a lot of great synth sounds so is probably is worth it if you want that too.4 points
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Am I the only one that is shocked at someones woke'ness about old songs? Brown Sugar is an anti slave song and Delilah is about someones, albeit over the top, revenge on someone who wronged him. Make believe and in the past.4 points
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4 points
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On Monday, I played at church in the most difficult service that I can imagine. We recorded four songs for my own mother's funeral ceremony. I am pleased with the results, and am happy to share them with the congregation on the day - we were able to personalise some of the songs, by selecting verses that were more relevant to my mum. That makes them all the more powerful. So far, everyone who listened to the recordings has cried. Me included.4 points
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For the OP yes this is spot on. You don't need to worry as all of this has been taken care of by @stevie in the design stage. For anyone interested you'll notice that we always talk about a speaker's impedance but measure it in ohms, which is resistance. That's because the resistance of a speaker and the crossover components change with frequency. Capacitors resist low frequencies and inductors resist high frequencies. The speaker has a coil in it of course so that is an inductor too and it's resistance to the amp's power rises with frequency. The amp 'sees' a higher impedance. In this case we have a capacitor in series with the horn tweeter which limits the bass and an inductor coil across the horn which shorts out or bleeds off the treble. The horn is louder than the 10" speaker so there is a resistor too, which reduces the horn driver's output. The trick is to match everything up so that at the crossover point there is enough 'resistance' to cut the output to each driver by half so the combined output stays the same across the frequency range. One little point of detail is that the speaker is a really complex load with an impedance that varies at just about every different frequency. Stevie doesn't just rely on theoretical figures in designing his crossovers but by measuring each driver and building prototypes and then measuring frequency responses. It isn't rocket science but a lot of care goes into a simple circuit like this.4 points
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I replaced my old EB stingray5 with a custom built flying V model my guitarist made for me http://cellarguitars.com/index.php/celcellar-v4 points
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4 points
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Selling this as I’ve recently acquired a JMJ mustang Excellent condition with no marks or dings Bridge is now a Gotoh 201 and a black pickguard, the original white pickguard and fender bridge are included Will also included a soft gig bag (it never came with one originally) Price includes U.K. postage3 points
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3 points
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3 points
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Jeezo! They are just songs. Does everyone have to take them so literally? A- most of them were written in a time when things were different and 2- they are just poems. some of these songs are make believe and who in the Dog and Duck is going to complain because of the lyrics of a song that was in the charts? They just dance along enjoying themselves.3 points
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Just had a quick fudge around to get the Phase90 on. I’m still getting a volume drop when the phaser kicks in ? Any thoughts on that ? (And got some toppers seeing as all the cool kids have them 😜😂)3 points
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Metal or Hard Rock - you decide.... My band Soldato released these 3 songs last year. I trialled a load of different gear and I've found and settled on Spector basses to work best for me. Signal Chain on these is a Spector Euro > Tech 21 DP-3X > GK Fusion 800 > BF BB2.3 points
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I wanted one so much I tried to build my own lefty version...3 points
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I picked up a red one. Pretty smitten with it. I guess that makes me gullible as well 😉 Seriously nice player though.3 points
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Onboard FX are a bit silly. Have to stop playing to make a change. That's what my feet are for!3 points
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Great fun bassline. Here's a quick youtube vid I uploaded a while back, may help? As with anything it's about playing it over and over again and building up speed. Good luck!3 points
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Ther are plenty of songs about murder and revenge, even before you go into folk songs: I shot the sherrif Bad like Jesse James Hey joe, Folsom Prison Blues. Delilah etc etc etc. I don't think any of those are actually glorifying or condoning murder. They are simply telling a story. IMHO making a big fuss about some song lyrics just detracts from the real issues in the world.2 points
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I don’t see a problem in adapting lyrics, or even not playing a song if it goes against modern thinking, or it makes a band member uncomfortable. It happens in literature too. In Charlie and the chocolate factory for instance, the Oompah Lumpas were Pygmy slaves in the first edition. It was rewritten in the 1960s.2 points
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I often go to see The Drifters (my Mum is a big fan), and many of their songs are about situations such as waiting for girlfriends at the school gates, or making out after school. Sung by blokes in their 30s/40s. And you know what, none of the audience seem to give a hoot, they just sing along ,dance and enjoy their fave songs being played live by their (current line up) fave band.2 points
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2 points
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2 points
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We did this in a previous band I was in, but our female lead singer subtly rewrote the lyrics so the message was more of a 'you don't have to be a good girl, you don't have to do anything you don't want, and if he doesn't like it tell him to feck off'. I don't know if the punters noticed ,but once she'd done that I was quite happy to play it!2 points
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2 points
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The bass sounds great Jack and that's some very impressive walking bass work there too! 👍2 points
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Surely its a statement of absolute distress at the thought of losing a lover. Its not a statement of fact. People say and do odd things when they are in love. Or was Tom Petty actually having his heart dragged around? They are songs for goodness sake, and if they bring to the public's attention something awful that happened in the past, Brown Sugar, then kids should know about it.2 points
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Wow, that's gorgeous! Checked out the tracks - great bass tone. The few I listened to were a little sleepy for me, but overall very cool stuff. Bummer it was yet another promising band killed by ego. I'm sort of in the same place but further down the road. Did albums and tours and what not back in the 90s, and now I just do the one man band thing with lots of cull/gear churn to rekindle novelty.2 points
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2 points
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Pic from a few days ago of the routing of the back. Mine is the second one up from bottom left.2 points
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Not a song I have ever played in a band, but I always feel uncomfortable when I hear it: I would rather, I would rather go blind Then to see you walk away from me How must blind people feel when they hear these lyrics?2 points
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2 points
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And neck done. While @Matt P 's final whisper coats of Tru-oil were drying I go back to this. The brass nut needed slimming down and thinning down: Then the fret recrowning and polishing: And finally a last tidy up of the rosewood: So all ready to return to @AndyTravis2 points
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2 points
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I play nothing but metal. Mostly Maiden and Megadeth, which I use a pick for but lately I’ve been getting hung up on my wrist position and picking technique to the point of overthinking it and probably making it worse. Sometimes I have a crack at whatever metal track tab gets suggested on YT. Kreator tabs seem very hard to come by online, I find. I warm up to 80’s (guilty pleasure) rock like Whitesnake, Def Leppard etc which I play using finger picking. Am currently trying to develop my finger picking to three fingers so I can switch with the Maiden tunes but it’s going to take some time and practice to build up the finger strength (all things I am often short on). With the pick I've got the attack but with the fingers I've got the speed so it's a work in progress ... I bought the JS2 Spectra last summer but really, have no gear to speak of. I have a little practise amp and a second hand Boss tuning pedal. I do have a virtually soundproof room for practising in though. The background photo on my profile of the Jackson is a picture I took myself at a David Ellefson gig in London a couple of years ago. I went out for a drink with him afterwards.2 points
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To inset the jackplate I first attached it and then scribed round the outside and marked the jack centre-point: Next, I tapped some curved incisions around the marked periphery with a couple of sizes of chisel and mallet: Then drilled the 20mm hole with a forstner and started very carefully chiselling a 1.5mm depth within the marked periphery. It takes care and very sharp chisels. The mallet is essential. I still managed to take a chip out around the hole but happily nowhere that mattered (phew): And done:2 points
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And out comes the acoustic guitar sides bending iron. Note the positioning of the waste bin - it saves time when you are throwing all the snapped ones away But it's a lot easier bending purfling than acoustic side sets ... I reckon this is going to work OK. I'll tidy up the sides of the rebate to get smooth continuous curves so there are going to be no gaps and then get it trimmed to length and glued.2 points
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2 points