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Kinda hesitant but I am thinking this will be the right decision. I never play this absolutely beautiful bass anymore since I got my Fodera. PRICE LOWERED FOR 1 WEEK, then retracting from sale: Selling this beauty for GBP 2300 or 2550 euro + shipping cost (please enquire for info). Built in Germany, 2005 so made of Ovangkol. Almost pristine condition. There's one tiny little dent at the bottom side of the body and one of the tuners is a bit wobbly when there is no string in place (sits solid when the string is there though). I upgraded the nut to a JAN3 brass, everything else is completely original. This bass has a thin neck profile and plays like a dream. Action on it is really stupid low, plays like a formula one race car. Bottom picture is recent, top one I made some time ago. Will ship all across europe plus UK (are there any duties in place yet when shipping between Europe mainland and UK yet?). Bass will be shipped in a hardcase and very well packed. Not really interested in any trade offers, I have too many basses already. Payment options: Direct bank transfer prefered. Transferwise is another option. No Paypal as I have had problems with them in the past and they are crooks. You can check my status here on the forum or the official Warwick forum where I have been an admin for ages. If you want specific detail pics, just ask. Cheers, Marco

Up for sale is my 1965 Fender Precision Bass with its OHSC, as it left the factory. Has numerous dinks, dongs, scratches, checking etc but overall is in fantastic condition. Feel free to arrange to come and have a play with no obligation. Cheers, Si

Last day and then it’ll be withdrawn REDUCED TO £1150 until NYE and then I’ll just keep it. OPEN TO TRADES OF SADOWSKY PJ OR J, AMPEG SVT CL/VR ALL VALVE HEAD, STINGRAY BASS, BAREFACED CABS FRFR ETC... TRY ME TRADE UP OR DOWN TOO Up for grabs a build that was discussed on here when I had the neck up for sale, so I thought I would build it and see how it went. We have a Fender Jazz roasted maple neck, actually a 40mm nut so the same as the Nate Mendel model of P basses. Tuners are GOTOH reverse wind. The body is black walnut, made by me and finished in Shoreline Gold pained by the incredible Dave Wilson. Its absolutely flawless. Picknups are Fender Custom Shop '62 one of my faves. Kiogon loom with CTS pots Badass II Bridge Off white 3 ply scratch plate. Weight 4.1KG Nut 38mm Comes with a generic hard case and includes UK delivery. More pics/build pics are available too. Collection and test drive welcome anytime.

For your consideration today, I have some wonderful but woefully underutilised pedals that I'm releasing back into the wild. It feels good to let these little ones move from the foster home to the forever home but as always this is tinged with sadness! Meris Mercury7 - £235 An extremely charming little chap, can take you from understated plates to the depths of outer space! A seriously, seriously capable reverb. Also included (if you set the pedal accordingly) is a quality slow gear, warbly chorus and some pitch shifting. Talk about VFM! Meris Polymoon - £235 The Mercury7's oft-overlooked sibling! Mental delays lie in wait within this tiny box! You can flange, you can phase, you can even get just a lovely clean digital repeat should you be so inclined. If you connect the two Meris (Meri?) together you can become an instant ambient artiste, which is a nice bonus! Iron Ether FMeron - £175 *SOLD* What a saucy little blighter this pedal is! The long-suffering Mrs. Bandit commented that this pedal made my bass sound "like a ghost or a hacked-off alien". I feel no greater endorsement is required... Iron Ether Polytope - £135 *SOLD* A lovely wobbly chorus. Or a full-on, in your face old school detuned rave attack; the choice is yours!!

Up for sale is my Tuscany Spider resonator bass. This has been well looked after so is in great condition. Fitted with Rotosound Swing Bass roundwound strings which give a lovely warm, full tone through the lipstick pickup. Also sounds great unplugged, and sits nicely with an acoustic guitar, especially when using a plectrum. I’ve also fitted TI Jazz Flat strings in the past which sound awesome plugged it. Collection from Beccles, Suffolk. Or I could potentially meet somewhere for fuel costs. I have a box so shipping is also a possibility. £300.

For sale this beauty, Warwick SS1 from 87 Really nice condition for 33 years old Emg Pickups 3,9 kg Sorry no trade

What a great and informative post! Just as a supplementary footnote; the neck on the OP's bass was almost certainly made by Steve Smith. He was an incredibly talented luthier who founded Heart / Heartwood guitars, and later worked for Goodfellow in the '80's, where his speciality was neck construction. After he left Goodfellow he took a stack of the necks he'd made with him, and set up a guitar repair /custom build workshop in Southend-on-sea, soon building a solid reputation amongst guitarists and bassists for the fantastic quality of his work. Some of the stashed Goodfellow-spec necks evidently found their way onto his occasional custom builds, including my treasured long scale semi "EB-2" (pictured) which has become my go-to bass for most projects. Sadly, Steve recently passed away (2017?) Really lovely bass in the OP, and a good price - bump and GLWTS

well before it was within 3 days of your birthday... now there's a chance it was built ON your birthday! Fancy that!

If this hasn't gone to Martin there's going to have to be a public enquiry

Walshy is the devil

History of Goodfellow basses OK, I'll attempt to answer as much as I can. Bernie was one of the first electric bass luthiers in the country (Wal, Status, Overwater being the others). Bernie started building basses in his shed at the bottom of his garden. Out of the small beginings of a hobby turned business, Bernie partnered Mike Freston (Managing Director) and Phil Harris (of Star Guitars, regular contributor for a guitar magazine and owner of a sizeable collection of vintage guitars) to form what would would become Goodfellow. Following a run of prototypes (I believe 10-15 basses), the first Goodfellow basses (with serial numbers) were marketed. The prototypes were all slightly different in design as Bernie was still finalising what would become the Goodfellow shape, the selection being a mixture of passive and then later, active basses. The whereabouts of these original pre serial basses are unknown, they may still be with either Mike or Phil. If they were to surface, although they are without serial number, they do bear Bernie's signature. The marketed basses (i.e. the ones with serial numbers) were of two designs; the Player and the Classic. The Classic is a Goodfellow that has pretty facings, usually quilted maple, elm burr, poplar burr which were all bookmatched to give the bass it's attractive front. This facing was flanked by another 2mm veneer before being glued to the main core body. There are a few rare examples out there that have both front and rear facings. The Player was a series of Goodfellows that had unusual veneers and finishes. I'm sure anybody following the Goodfellows that have surfaced on here will realise that they belong to this range - the Harlequin has a multi-coloured wafer thing laminated top, with a subtle burst around the edges. Other finishes in this range include the Herringbone laminate, as seen on #003 above. Some of you may have seen the zebra burst, a grey white and black burst Player. All of the basses in this range have a mahogany core with front and back laminates. I believe Lowden stopped producing the Player series when they ran out of vaneers - but they may have kept calling the basses they were producing Players anyway. The necks of both guitars are 5 core laminated necks, bolted on to the body. When the Lowden era came, Bernie was employed for 18 months to 2 years but was out come 1989. That makes the start of the Lowden era to be 1987/8. So, what's the difference between the Lowden era basses and the original "Bernie era" (for lack of a better phase)? Well, there are a few telltale signs. What you have to remember is that these basses went from a small handmade operation to a more mechanised/automated assembly. When Goodfellow was initially taken over, there were numerous components that were inherited - such as pickups, half finished necks and bodies, facias, circuits etc. There are numerous tell tale signs however that give a clue to whether a Goodfellow is a "Bernie era" or a Lowden era. The obvious one is a low serial number. The lower the number, the greater the chance of a bass being a Bernie bass. It's estimated that Bernie made approximately 150 under the original Goodfellow company in Wandswood and Deptford before production was overseen by Lowden. It's not clear what happened to the serial numbers during the transition period. Looking at the headstock, the original logos were the big G logo with the Handcrafted England footer. When the production moved to Lowden, this footer was removed - however, due to the stock of parts that came as part of the Lowden deal, there is a chance that a Handcrafted England neck made it onto a Lowden era bass. With regards to a "sandwich layer", it depends if it is a new stock or old stock neck. On the rear of the headstock, the original Goodfellows have Schaller M4 tuners with the G insignia on the rear of the casing. Of course, the originals have the handmade wooden buttons - these have become a bit of a Bernie signature what with them being common place on the modern GB Rumour. Again, as stocks depleted, these were changed to cheaper metal buttons. In fact, I believe that the hardware, including the bridge were sourced elsewhere (Far East?) later in the later period of production due to lack of original stock and a bid to cut cost. The milled bridge (with the Goodfellow wording across the rear of the unit) was a Bernie original design, but Bernie sought permission from Helmut Schaller and Rene Schaller to make use of Schaller saddles on those bridges and also use the alternative buttons on the M4 tuners. The keener eyed of you out there, may have recognised the Schaller saddle design. Like other pieces of hardware, alternatives were sought when stocks ran out. Circuit-wise, the preamp was only found in Goodfellow basses. The original circuits were all handmade, as they are with todays GBs. The original Goodfellow active circuits however, were much different to what we see now. They were small circuit boards that clicked into place to the loom that was connected to all the control pots and switches within the control cavity. A smart idea, but a very labour intensive process. The stock of boards may have made their way into Lowden Goodfellow basses, it's hard to say but these were later switched out for alternative preassembled circuits. It's worth noting that the Bernie era basses have the disk around the most forward placed pot. Maybe some Lowden era basses too whilst stock was available but from the Goodfellows I have seen, they seem to be without this disk. I believe that some of the prototype basses have a pickup selector switch as opposed to a pan pot. Finally, the pickups. The pickups are quite famous for having a thumb-rest indent on the top surface and having a wooden grainy appearance. Often mistaken for wooden pickup covers, they are in fact solid resin blocks with the pickup encased within. The reason they have a wooden grain appearance is the fact that they are cast from a mould that was made from a wooden master. The wooden master in question, was actually a piece of London Plane (Lacewood) that Bernie carved by hand in his shed in Forest Hill, SE London. Of course, the mix of parts depending upon availability can mask a Lowden bass but a Bernie built Goodfellow will have all the components present. Its estimated that 100-150 Lowden Goodfellow basses were built before Bernie left Lowden. As the process became more automated, Bernie's role there was removed and Bernie was left without work. Following Bernie's departure, the body shape did change somewhat, specifically with regard to shape of the horns. A five string was developed but again, was significantly different to the 5 string design in the plans that Bernie had drawn up. With regards to the "kit" Goodfellows, this is true. Parts, or rejected parts for that matter, were "leaked out" and assembled outside of the Goodfellow production line. The quality of these basses cannot be guaranteed as the pickup routing, neck joint routing and cavity routing would all have to be done to assemble a complete product. As shown through various parts and complete examples turning up on the used market and eBay, the quality of the final product can be pretty poor. After Lowden, Bernie set up Nightingale guitars with Neil McDonald and with a familiar Bernie designed shape, started producing basses. These basses notable included an early incarnation of the Bernie designed GB style circuit (comprehensive circuit board (for the time at least!) with PCB mounted pots) that would evolve into what we see in the GB guitars of today. Interestingly enough, the Lowden Goodfellow basses adopted this style of circuit. Whether this was coincidental or not, I wouldn't like to say. After Nightingale, came GB Guitars, Bernie's latest creations. The modern Rumour bass definitely shows a resemblance to the early Goodfellow design but they are two very different beasts. The electronics and pickups are unique to his GB instruments and help give the instruments a sound like no other. A Goodfellow bass is not a GB (Goodfellow Basses) guitar - buyer beware! His current basses are certainly a mile away from the humble beginnings of the shed builds but I think the Goodfellow history is an interesting story. A move from his Croydon GB workshop to Brighton followed and Bernie now has the chance to pursue both of his passions. His love of bass building... and his love of fishing. Originally sold via the Bass Centre, the Classic has a retail of around £1250 and the Player retailed at approx £950. The more interesting examples of the "Bernie" basses, (e.g. made by his own hands) still sell on the used market for anywhere between £750 to £1500 depending upon it's facias and condition (and whether it still has a Goodfellow branded Hiscox case. Check the GB porn thread for a look at some of the early Goodfellows that have popped up... and check out Graham Gouldman playing a genuine Bernie bass on his TOTP appearance with Wax (with Andrew Gold)... also the bass on stage with the Style Council at Live Aid is certainly worth a look... It's funny, there has been quite a lot of interest in the original Goodfellow basses in the last month. It seems they are pretty popular out in America! Hope that somebody has found this interesting!