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Showing content with the highest reputation on 22/06/23 in all areas
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WHY I BOUGHT IT. I bought the Precision first, because I loved the simplistic look of two knobs & no scratchplate. I like matching headstock & 12" radius. I also liked the arm chamfer, bridge & binding. The big surprise was the pickups. I have never played a previous model Aerodyne with pickups I would consider good. The P has fabulous pickups. Powerful good range and a delicious thump. I hoped the Jazz would be as good as it has the same features. It is indeed a belter. WHY I'M SELLING IT. After a recent purchase, I now have Jazzes in American Deluxe, Elite & Ultra. And this one. SALE PRICE/TRADE PRICE £850 cash, £950 trade, No offers thanks, I'm taking a big hit on this, in a short time. A week after I bought it I was taken in for surgery, so had little chance to use it. It's as new. These were released late 2022, this was bought new April 2023 COURIER I will box it up safely & await a courier, buyer to organise & pay for (including insurance). LINK TO SPECS BELOW (weight of this one is bang on 9lbs on my luggage scales). Their photos are better than any I'd take. https://www.dv247.com/en_GB/GBP/Fender-Made-in-Japan-Aerodyne-Special-Jazz-Bass-MN-California-Blue/art-BAS0012272-000?campaign=GShopping/GB&ProgramUUID=HADAqJarPzAAAAFlea9yjI.G&campaign=GShopping/UK&ProgramUUID=HADAqJarPzAAAAFlea9yjI.G&gclid=Cj0KCQjwnMWkBhDLARIsAHBOftp1C_2kwzSTPEnkpkZF7pTQB0BUeUiTBzZfVaVdoZ6kvXl7gIDZ26QaAvxXEALw_wcB11 points
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Doing my daily constitutional walk I happened upon a big lump with a note on it that said “Free bass amp” I looked around and thanked the lord for his providence. Alas I was a mile from home and I had to carry it, and it weighs 30kg and it’s 24 degrees, so I balanced it out by cursing. Does it work? I don’t know! Still, it was free.9 points
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Last Saturday's gig was an entirely pleasant-yet-unremarkable affair, everything went as it should a nice night was had. Can't really ask for more!7 points
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6 points
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Our little Mexican project will be playing in our favourite old dive on Friday. It’s well rehearsed , we have two trumpets in the band , it will be our second gig.6 points
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Ok, so I'm back on the tribute scene and to be fair you cant play indie music on a sparkly blue shiny bass, so I needed a nice, decent sunburst precision thatd fit in nicely with the look. Fenders were out due to price, so I needed a decent bass for cheap money. After looking around i found a barely used Sire P5. I've had v7s before, nice basses. I also had a p7 which was terrible and was the only bass I've ever sent back. I think it was a bad batch it came from. So, I'd read and watched quite a few reviews on these p5s, most very positive. So I was hoping for a good bass for the little amount I paid for it. On top of the good reviews I'd read some reviewers for some reason making comparisons to american deluxe basses for fit, feel and finish. Obviously that is way wrong and too optimistic....... only it isnt! The bass is truly stunning! It looks stunning it's a dark, rich 3ts and literally everything is extraordinarily well finished, lacquered and polished! Its rolled fret edges are the best I've ever come across and the whole thing has been done with care and attention. The all over kind of gloss finish is up there with the top basses. The p bass sound I always get no matter what p bass I play is a bottom string heavy slightly dull sound. However this p5 nails the sound I've always wanted - think geezer butler doing the intro solo before NIB on the Black Sabbath album. So far - stunning looks, feel, playability and sound, so it was time for the real test - band practice with a loud indie band. It absolutely shone! Very clear, punchy and musical sounding. It never got washed out in the mix and the upper strings came through with clarity and presence. The tone pot made a subtle difference all the way through the range which was nice as well. All in all a superb bass. I expected a lot to be fair and got a lot more. Now, time to check out the other colours available and get them into my other bands!5 points
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love the peavey gear atm have three 215, this on has the og black widows, also have a mk3 and 4 head which I like to use5 points
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I've added a corresponding ebony thickener at the back of the headstock and applied the second reveal coat of tru-oil after a bit more slurrying: While there is often madness in my method with my builds, every now and again (I suppose statistically, it must happen occasionally) there is some method in my madness In this case, it is that, because the two lower tuner positions from the upper view are the top E and B, then the break angle is maximum for these two strings. And yes - there's plenty of sanding to do here : Here's the top after the second reveal coat. That's at least starting to get there... My 'still to do' list is actually quite short. All being well, we should have a playable guitar by this time next week5 points
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4 points
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I have this fella, an early/mid 70s Antoria precision. Really good bass, great quality. Fijigen, I believe. Not masses different to my JV Squier, pictured to the left, which continues to be my benchmark bass. If anything I find the neck a bit more comfy, in fact, as it is a tad slimmer and deeper. Sounds immense, very aggressive 70s P bass tone. Had a look at the serial number on the pickups to try to pin down the date and discoverted that it was, in fact, a 1975 Fender pickup that someone had put in there at some point. That'll explain the tone then! On its own it's worth more than I paid for the bass Someone had changed the pickguard to an all black - I've since swapped the screws for black ones. The original tuners were a bit grindy so I stuck in the drop in Gotohs.4 points
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This was our 'tour bus'... Public transport..? I don't think so...4 points
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Evidently, I'm a weirdo... When I was about 10, so over 50 years ago 😱, my gran started to teach me to read music (she had a piano). I went to a grammar school and we had two music lessons a week all the way from 1st to 5th form (err years 7 to 11 in modern speak??). One of those lessons was music theory / reading music. I started playing cello at school (that was a second form option, so age 12/13) so had to read bass clef. Sadly, I only had the one year of peri lessons as my parents didn't know how the system worked... I took music O level as an optional subject studied in lunchtimes in 6th form. Roll forwards to my mid-30s and I start singing lessons. I soon end up singing bass/baritone in various choirs and regularly performing in concerts - some quite major. In my 40s I do the OU music theory course, which gets you to around grade 7/8 equivalent. I started learning playing the bass viol - you have to have lessons as the techniques are very different to cello. The viol uses bass clef and alto clef (C3) when it goes higher. Some music is notated in octave treble (sounds octave lower than written). Then I bought a tenor viol, which is all written in alto clef (treble when higher). Roll forward to my early fifties and I start playing sax and buy my first cello. Cello uses bass, tenor clef(C4), and treble. I am well aware of how easy it is to acquire bad habits that can really hold you back, so it's find-a-teacher time again... So... it should be no surprise that starting bass, I found a teacher. Lessons currently in abeyance pending a house move. So yes, I always get a teacher to help me to get good technique. Online can help with some stuff, but you do need a teacher that can point out exactly what you need to do/change/fix. I can read all four of the 'standard' clefs - bass, tenor, alto, and treble. There are other clefs, which at various music summer schools have been thrown at me to read - baritone or soprano clef anyone? I'm a bit out of practice on the alto clef as I've not played viol for a while. At some point I'd like to take G8 theory just for fun... (I know, I'm weird). Bagpipes anyone?4 points
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* Edit: withdrawing this for now to see if, with time, my injured left hand grows more comfortable with long scale * Absolutely mint condition, never-left-home long scale Serek Lincoln. Ebony board, dual Serek single pickups, hot rod red nitro finish, unusual J width neck (1.5"). Ordered from Serek straight before I knackered my left hand in horse riding accident in March which has left me only comfortable with short scale. Physio on my hand - as I had reinforced at hospital today - is going to take at least a year and I could use the money for other stuff in my life, rather than have it sat unused in gigbag. Comes with superb Serek padded gig bag and case candy. My £2,800 price tag loses me a bunch of money on the >£3k I paid, so no offers and collected from SW London. Alternatively, postage on top at cost and as agreed. PS, I will probably end up pulling this ad when I am less p*ssed off about my hand but for now its for sale Trade options added below: I already have a fabulous Serek short scale Midwestern 1 but would consider a second Serek MW1 or 2 or a Wilcock Mullarkey or Bisonic Serek ad with specs (NB, it weighs ~8.5 pounds, not the 7.5 pounds stated): https://www.serekbasses.com/product/serek-lincoln-34-scale-1-5-nut-serek-singles-hot-rod-red/3 points
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One and only price drop - £750 Ibanez med scale headless bass with upgraded gigbag and knobs, with mono strap and fretwrap included (original knobs and gigbag also included) Good condition bar small nick at headstock (common on these) and a bit of chipped finish at the strap peg. Most ergonomically comfortable bass I've ever played, super lightweight, mega comfortable neck and balances like a dream. With a mega punchy sound. Has 3 band active eq and active passive switch. Knobs are a custom made resin knobs which reacts to UV light (made by woodland cast in Canada), gig bag is a Shergold deluxe padded guitar bag (perfect fit) Mono strap is a black L mono Betty strap and fret wrap is the perfect size for a 5 string Selling as was bought for a project that didn't pan out, and I'm a 4 string guy at heart Can look at shipping at buyers cost but would prefer local collection or will delivery locally for free or try to arrange a meet3 points
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It's 35" scale, 19mm spacing at the bridge, with a phenolic fingerboard, fitted with Bartolini pickups, and a Mike Pope Flexcore 4-band preamp. Despite the longer scale length, the bass weighs in at only 3.6kg, feels and is very compact, and fits in a 6-string guitar case. I've only gigged it a handful of times, and as such is in pristine condition, apart from one small scratch on the back of the body that I've tried to show in the photographs. Also below is a link to a short YouTube video I made when I first got it. (Please note that despite what I said in the video, the body is moulded around a wooden core, so there is some wood in it! :-D) With these specs and the dreaded Br*x*t import duties you wouldn't get much change out of £3.5k if you ordered one now. Comes with the hard case pictured. Collection is preferred (near Woking in Surrey, junction 10 of the M25) but I'm happy to ship at the buyer's cost. NOW SOLD.3 points
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I mallet-tapped the outline of the rugby-ball jack plate with a variety of radius chisels and then used a small chisel to start creating the rebate: Once it was all level, I rounded the sides, drilled the hole with a 20mm forstner and popped a drop of tru-oil to match the alder before doing a trial fit: And after a couple of experiments, I had a go at the ebony. The great thing about ebony is that it will sand/polish to a good finish. What I didn't know was whether the brown streaks would behave in the same way. They do This is after around an hour, progressing through around 15 grades of emery/micromesh from 180 grit up to 8000. Nothing else - just sanding through the grades: There are a couple of dints that I will lose by repeating the process, but this will be pretty much how the top will finish up.3 points
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3 points
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Remember to look at the audience. Had I followed my own advice, I wouldn't have missed seeing the young lady in the red dress jiggle so enthusiastically at our first gig that she jiggled herself out of the top of it. Take a couple of spare leads (the guitarist is bound to need one) and spare batteries for everything that needs them. Get packed up in good time.3 points
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Looks great Alex 👍☺️ I'm so pleased that Mick's old Markbass head found a new home too... Very true about the BC Marketplace - there's a lot of great gear available at very reasonable prices.3 points
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3 points
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Thanks Spondon, I posted the video on my Facebook page where friends are use to seeing me with Maple Road. I didn't get many responses. I think non musicians and people that have a distant relationship with the arts and music don't know what to make of it. Some of you know there are some folks that don't get the whole " being in a band" thing. I didn't post the video to say " look at me, look how cool I am" It was more like sharing my opportunity. Normally my name never comes up if there's a good project. Blue3 points
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Well, imagine my disappointment when I clicked on here expecting to see a new vid by 00's boy band Blue 😅3 points
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Hi all, I thought I had an account here but I guess I was just a lurker all these years I'm an amateur bass player from France. Playing in a few projects : "Jumping Jack", "Masthar" and recently joined "The Great Procession" I used to play in a Tool tribute called "The Perfect Tool" (from 2010 to 2015). I have a very inactive youtube channel : https://www.youtube.com/c/remizik Regarding gear I'm using two Wal replicas (made in 2009 and 2013) : And also a modified MIJ PB-70's Precision Bass (made in 2012) : The amp is a Gallien Krueger 700RB-II, I'm using a Sansamp RBI as a preamp. These two go in a Ampeg 610 HLF : I'm not using individual pedals anymore, but I'm using a Line6 HX Stomp. That's it !2 points
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Selling my Sterling SUB musicman stingray bass. It’s the rare fiesta red colour, nowhere has in stock. Mint condition never gigged since new, bought it as a upgrade project. It’s been fitted with a Retrovibe Stinger 77’ preamp & pickup with white cover. Sounds amazing, classic pre EB musicman tones. New the bass was £360 Preamp £78 Pick-up £40 £480 Looking for £300 inc a Ritter padded gig bag. Collection in Glasgow. Postage possible if buyer arranges / insures.2 points
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2 points
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Hi there, Due to the need to raise funds to cover the cost of a recently acquired camera (Hasselblad, film geeks) I am reluctantly selling this amazing amp. In truth I didn't really need it in the first place as when we play gigs (which we rarely do these days) there is the house backline, and I have access to this same head in our rehearsal space. I just wanted the same sound at home, but as you can imagine, 500w is a bit of overkill for the spare bedroom... Barely used, in original packaging, with footswitch, manual, original cables etc. Spiel and specs from the Orange website are here: For years, bassists have been combining guitar and bass amps to remarkable effect, adding harmonics and layers of overdrive from a guitar amp to their core bass tone in pursuit of the ultimate live sound. This “bi-amp” trend got us thinking: why drag two amps to the show when you could take just one? The result is the OB1 series of Class A/B rack mountable bass heads, which take care of this and much more besides. The key to the OB1’s unique sound is our footswitchable blend circuit, which adds a veneer of controllable gain and increased harmonic content to the upper registers of the input signal. The lower frequencies and clean signal are left alone, staying just as warm and clear as they would in a “bi-amped” setup. Depending on where the Gain and Blend controls are set, the possibilities are limitless. Toggle the Blend control to achieve anything from a transparent clean boost to all-out filthy grind and everywhere in between. OB1-500 shares the same layout and 2U rack dimensions as the less powerful OB1-300, coupled to a full-fat 500-Watt output section to move some serious air. KEY FEATURES “BI-AMP”-INSPIRED DESIGN The OB1 splits the input instrument signal into two separate paths. One amplifies the clean signal, with all the clarity you would expect from Orange. The other adds stages of gain to the upper harmonics only, controllable via the amp’s Gain knob. These two elements are combined using the amplifier’s Blend control which adjusts the balance between clean and dirty. The Blend control can then be remotely engaged or defeated using the optional footswitch. The gain and blend range allows for almost any tone, from a subtle level boost that cuts through the mix to added girth and presence at moderate settings that fattens up chorus passages, and fully saturated savagery at the extremes. However you dial it in, the OB1 always maintains critical low-end definition, right the way up to the most offensive settings. ACTIVE EQ The OB1’s highly responsive active three-band EQ has been meticulously voiced for maximum effect and minimal fuss. The EQ section is located after the gain and blend in the circuit, allowing full tonal control over the entire range of sounds. The Bass and Middle controls feature ±15 dB of boost or cut, while there is a range of ±20 dB on the Treble control. ALL-ANALOGUE SIGNAL PATH The OB1 series puts Class A/B power back on the map. All circuitry is completely analogue, ensuring these amps sound expressive and musical, even at ridiculous gain levels. RACK-MOUNT FRIENDLY The OB1 Series are our first rack-mountable amps, suitable for 19-inch cases. Enclosed in a rugged powder-coated steel chassis, the fascia is finished in Orange’s classic “pics-only” styling. FEATURES: RACK-MOUNTABLE (2U) “BI-AMP”-INSPIRED BASS HEAD WITH FOOTSWITCHABLE GAIN & BLEND CONTROLS, ACTIVE 3-BAND EQ, BALANCED DI & LINE LEVEL OUTPUTS FRONT PANEL (RIGHT TO LEFT): INSTRUMENT INPUT WITH ACTIVE/PASSIVE SWITCH, GAIN, BLEND, BASS, MIDDLE, TREBLE, VOLUME, FOOTSWITCH INPUT, MAINS SWITCH REAR PANEL (RIGHT TO LEFT): SPEAKER OUTPUTS (SPEAKON), 1/4″ LINE OUTPUT, BALANCED OUTPUT WITH GROUND LIFT SWITCH SPEAKER OUTPUT OPTIONS: MINIMUM 4 OHM: 1 X 8 OHM, 2 X 8 OHM, 1 X 4 OHM OUTPUT POWER: 500 WATTS, CLASS A/B FINISH OPTIONS: WHITE POWDER-COATED STEEL CHASSIS (2U 19″ RACK MOUNTABLE) UNBOXED DIMENSIONS (W X H X D): 48.2 × 26.5 X 10CM (18.97 X 10.43 X 3.93″) UNBOXED WEIGHT: 10.1KG (22.26LB) Collectable from Leeds, or I can meet around Leeds or between here and Cheshire (I am there once a week), or I can post as it's got all the original packaging and will be very secure.2 points
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Greetings from the lovely Thousand Islands on the beautiful St. Lawrence river in upstate New York. I thought it’d be nice to join your august group and see how my cousins across the pond groove!2 points
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I was doing a gig recently at a club we quite often play at. The manager was walking past the side of the stage and stopped to have a conversation with me half way through a song. I continued playing fine and talked to him at the same time without missing a note. It made me realise this is how not to be nervous at a gig, rehearse, rehearse, rehearse until you can do it in your sleep, or at least play while having a conversation. That way you're not thinking, oh g*d the next bit of the song is coming up and what do I do / this is always the bit where 'x' screws up! If the whole band have total confidence it what you're playing you can concentrate on having a fab time. Of course if you're under rehearsed then it's time to poo your pants!2 points
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Right on the US/Canadian border. It’s a resort area on the river.2 points
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I'm sure that at some point Alex will confirm that it's an amazing amp - bats much higher than the price tag I had on it...I took it in part exchange along with the matching cab but had no use for it - I couldn't believe that it didn't sell right away at the price on it. It has a new home now - hope it gets used and gives the enjoyment it was built to do.2 points
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Assuming you've got your set rehearsed OK, just walk on and do it ! I had a big ( many years) break from doing gigs, the first one was just like going straight back in again.. You'll be fine, enjoy it 👍2 points
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… in the old days PayPal defaulted to e-cheque when you made a payment without sufficient funds in your account. Meant you could buy something, for example a BIN on eBay, and then you had several days to find the cash to clear the cheque2 points
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I've been gigging regularly since 1986 and still get butterflies in the hours beforehand. Just make sure you know the material (or at least the key), take a few deep breaths and try to enjoy it!2 points
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As long as you still have the bass then all is good and worst case you have £30 for your trouble.2 points
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If they are d'Addario strings then the ball ends will be different colours - brass, red, black and green (going E-G)2 points
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2 points
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Had lessons from about 15 years old from a blues teacher, so was playing blues and reggae, no YouTube then was just books ,and used to record songs on my cassette 😁 and just keep rewinding them until I got the Bassline2 points
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2 points
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I've decided that it's time to sell my bass. I bought this beauty new in 1989 and have played nothing else since then. It's a beautiful bass to look at, and more importantly, to play. Sadly, I no longer play, and I would rather someone took advantage of playing such a wonderful instrument, rather than it sit in a cupboard. It's the 1989 Limited Edition Streamer, with a birds eye maple top, wenge and bubinga neck (if my memory is correct), and an ebony fingerboard. It has a single Bartolini soap bar pick up. I've looked after her really well. There's one small ding on the upper neck (see pic). It comes with the original gig bag (strap needs stitching back on), strap locks and original tin of wax. I'm looking for £1700 and would prefer it picked up. If you do want it couriered, it will be an extra cost to the buyer. I live in Erith (DA8) but can take it to work (Mile End E3) if that's easier.2 points
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On hold: Bought a Classic Vibe jazz off here a few days ago with a plan to use the lovely colorued Daphne Blue body with my USA maple Fender neck. Fitted right away and works like the dream I had in mind - so the original neck is now up for grabs. Classic Vibe jazz neck, we all know how good these are! This one is pretty much pristine with a nice lightly sanded neck to remove the sticky gloss, feels great! Neck plate also included.2 points
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I got this a few years back with the idea that my other half might take up the bass - she didn't. Anyway, I fell in love with the beautiful rubbery sound of a short scale with flats. I've done plenty of jazz jam sessions and the odd jazz gig with this and it's perfect for that. With the tone open, you get McCartney type tones and rolled off sounds almost upright like. The pickup is fantastic. I'm selling as I have too many basses and I'm decluttering my life right now. Condition wise, it's used not abused. It's nearly 20 years old and it's been played so it's on the good side of what you might expect. There's a small crack in the lacquer at the back of the headstock and a tiny crack in the paint at the neck joint. A couple of dings in the top of the headstock and some blemishes in the finish. It's got Thomastik flats on it which I put on about 6-7 years ago and they have remained since. I'd prefer local pickup in Brighton but I'll post at buyers expense. Thanks for looking.2 points
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Thursday supporting Terrorvision at HMV Empire in Coventry. The van said 30°C when we got to the load in. There's an ancient lift to take the gear up, but people have to walk the 48 stairs up to back stage. I reckon I went up and down at least 10 times during the course of the evening and my legs are still feeling it 4 days later! Ace venue, good sound on stage, and a great reception despite the fact most of the people there had no idea who we (Headsticks) are2 points