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Showing content with the highest reputation on 05/02/22 in all areas

  1. NOW SOLD Here we have a very fine example of a very good quality MIJ Jazz bass which I bought a good few years back I got it from a guy in London who had bought it for his father in the early seventies but he played very little and it was stored in his bedroom for over 40 years in the original case hence the wonderful condition, even the lining is like new. I have never seen another until one came up here recently with the Kimbara badge and they are identical with the steel adjustable MIJ neck plate I think that these were imported under Various names such as kimbara ect.... Its in wonderful condition with no rust or pitting to the chrome hardware and is all original with both pickup covers, I have looked inside the cavities and the wood is solid and not plywood as some of these era guitars were. The workmanship is top notch with lovely binding and block inlays. A comfortable 40mm neck width When I first got it and opened the case I was shocked at how good a condition it was in, as if it came straight from the factory, there are a few very tiny dings that you have to look hard to find and difficult to photograph but that are minor Weight is 4.6 Kg which is the exact same weight as my 75 Reissue Fender Jazz A beautiful collectors piece and probably the best condition bass I have seen for that age The price includes delivery to UK addresses Any question Guys just fire away
    7 points
  2. Charvel Pro-Mod San Dimas V courtesy of Andertons
    7 points
  3. Two Wal mk1’s. The fretless in particular is very special to me. Bought for my 21st in 1983 by my Dad, who unfortunately passed away just two months later. Obvious sentimental value but the fact that it’s a truly wonderful thing helps immensely. I’m 60 this year and this bass feels and plays as good if not better that it did 38yrs ago.
    7 points
  4. Clever playing. In fact he's excellent and it's just an experiment, so i'm not gonna slag him. I cant see me bothering though
    6 points
  5. Price adjustment € 8.250,- EX. SHIPMENT. For sale this special Fodera Olive Monarch 4 Deluxe. The bass was ordered by Jason Desalvo himself, and is made out off the best materials the shop had to offer that time. Click the link to read the story and past about this bass!!! The bass is from november 2011, in mint condition and comes with the original paperwork, tools and case. Link: click on the picture. Soundclip: Specs for the Olive Monarch 4 Deluxe: Body Woods Monarch: One-Piece Ash Body No Tone Block Crotch Olive Top (Solid) Neck Woods: Birdseye Maple Fingerboard 3-pc. Water Maple Abalone Block Inlays Construction Specs: Birth Date – November 2011 Dovetail Construction 34″ Scale Length 4 String Configuration (19.0mm Spacing) 24 Frets (Large) Electronics Options: 2011 Fodera / Pope Custom 3-Band Preamp Fodera / Duncan Dual Coils Monarch Control Layout
    5 points
  6. Hi there! Over the years I ordered many basses to many great luthiers. One of them was Ritter Roya 5 in 2017. Process ordering was really nice. I remember like yesterday being to his place and chossing the amaizing AAA Quilted Maple top and rest of woods. So I got the bass in 2017 and since then I was playing only home a few times because I also ordered in 2014 an Alleva Coppolo LG5 (jimmywood fingerboard) which was more suited to my music. Bass did not left my home and was all the time in the case.So, the bass is in mint condition, comes with nice case (see photo), all original papers from Jens Ritter including Certificat of Authenticity. (The gold writting, can be easily delated on the back of the headstock if that is a problem. Is not a permanent marker). See specs of the bass in photos! Price 4999 euro + shipping. Trades possible, but value for trade will be 6000 euro. Try me with a nice Fodera or a Ken Smith Elite. No 4 strings.
    5 points
  7. I'm selling my Moollon B524, it's a great bass as you probably know about Moollon. It's painted very thin coats of nitrocellulose in root beer finish, I think that finish in not available anymore. I have an extra pair of Moollon pickups, the new ones are on the bass, they are more mellow than the old ones. You can try and see for yourself what suits you. It has a few dings on finish from use but it's in great shape. Wonderful low B and tracks exceptionally well. Will be shipped in ProTerc gigbag. I'm the first owner. Construction: bolt on Body: Alder Neck: 1 piece quartersawn maple Fingerboard: Macassar ebony Fret's: 24th Neck width at nut: 45mm String spacing: 19mm Handmade passive Moollon dual-coil pickups Scale length: 34” Hardware: Moollon fabricated in-house Finish: Rootbeer, nitrocellulose finish Pots: volume neck, tone neck, volume bridge, tone bridge, 3-way pickup selector Weight: 4.2 kg (bathroom scale) Here are few clips of the bass, but you can find them also on youtube https://www.facebook.com/1007775001/videos/778468232865284/ https://www.youtube.com/watch?v=tvlH7lAcwaA https://www.youtube.com/watch?v=j0iJ6-hbIFY https://www.youtube.com/watch?v=mUJsJxSCqHs https://youtu.be/PTaPwJso7iY I would trade it for Moollon J5. Bass is located in Zagreb, Croatia. Shipping across EU is around 50-70 euros. You can check my feedback page on basschat here:
    5 points
  8. Love this. Her voice is fantastic.
    5 points
  9. Since I have decided to go back to drop tuned four string basses, I am putting up for sale a couple of my 5 stringers. First up is my Fame Baphomet 5 bought from another basschatter last year while on tour. Those are German handmade basses made by the same people that makes Mayones basses. The bass is very Warwick inspired in look and feel (MEC pickups, sculpted back, 2 band EQ, tight string spacing). The 2 band EQ makes it incredibly versatile and it can be played passive too (volume pot is a push pull pot). The finish is very striking and it's rough to the touch, I have tried my best to capture it in photo. It has a small dink above the fretboard and a small scratch on the neck but nothing that affects playability. It's been a great pairing to my Warwick Double Buck and I hope it goes to a good household where it gets played. Weight wise my scale says it's 3.8kg but it feels much lighter. Bass comes in a sturdy Fame case as well. Those basses are around £800 quid new so I think £450 is reasonable. No trades as I have just bought something else and I don't want to get shot by my girlfriend. I am based in St Albans, Hertfordshire so feel free to come around to try it. Happy to drive a reasonable distance to deliver/meet up for fuel money or to package it up and use a courier. Happy to use Paypal as long as you're happy to cover the Paypal fees.
    4 points
  10. For sale, beautiful Spector Euro 4 LX Black & Blue matte, in very good condition, like new. without marks or dents. 3.85 kg bought in January 2021
    4 points
  11. Picked this up today for a very modest sum of money. Didn’t go to buy it, it just kinda happened and was added to a deal. I must say, even with crappy old strings on it sure sounds nice!
    4 points
  12. … so I’m going to consolidate my many boards into a ‘Home only’ board for looping stuff etc and a ‘live board’ each for church and then Funk/Motown stuff. Just picked up a used Pedaltrain JR Max for a great price also 👍🏼. My current crop: … the new board: … and what it’ll hopefully look like with one more pedal purchase (Fredric Effects BugCrusher at some point):
    4 points
  13. He doesn't trigger me. I just think he's a reprehensible prîck.
    4 points
  14. My solution was to stop trying to use Jazz basses. Sorry.
    4 points
  15. People generally don't like the success of others. It's quite an ugly human trait really.
    4 points
  16. Wow. Off to sulkily pluck “another one bites the dust” and pretend I didn’t hear that acrobatic madness.
    4 points
  17. I sell my beloved bass from my birth year. Was made in the end of 1974 beggining of 1975 and this can be checked after the 4 bolt screws of the bass. Tone black knob is not original. (See pic). Bass cames with a strong and expensive Calzone hardcase: https://www.calzoneandanvil.com/product/bass-guitar-case/ Price 2999 euro + shipping. No trades!
    3 points
  18. Really enjoyable! An enclosed, heated rooftop bar "battle of the bands" in Bushwick, Brooklyn. We were the old guys playing with a bunch of much younger bands. Our singer entered us in the contest on a lark. We played rings around the other bands and then the judges chose the band that had three very attractive young women in it. So it goes!! It doesn't matter; We had a lot of fun. The venue's management and staff, the sound crew, the video crew and, especially, the members of other bands were all really, really nice with no exceptions. It was a very fun crowd and a nice scene to fall into. Hopefully we'll play with some of these folks again.
    3 points
  19. Ah, but if you don’t like Stadium Arcadium, you don’t like Red Hot Chili Peppers!
    3 points
  20. The new family portrait, with the newest member on the far left.
    3 points
  21. If this was in the uk. I’d already have bought it. damn 🥰
    3 points
  22. That screams Lace Helix bass to me Or am I missing something here?
    3 points
  23. As a fretless player I'm quite taken by the sound of this bass, at least what I've heard of it on YouTube. Love the fact that the fingerboard is continuous and apparently there's a magnetic pup under the board. There's going to have to be some serious saving up for this one but I'm tempted.
    2 points
  24. Yamaha BB435 Had this for about a year, bought from the fount of bass knowledge that is @therealting, original advert linked below. Excellent condition with some minor swirl marks. No dings and only thing to note is a feint scratch on body to the left of the bridge as you look up the neck (see photos). Has previously had a full setup including rolled fingerboard edges and fret level. I've raised the action slightly from when I got it and it's been used lightly at home. Selling as have a BB1025 incoming and therefore no trades either. Also comes with original cream pickguard. Specs: Construction 6-bolt mitre neck Body solid alder Neck 3-ply maple/mahogany/maple Neck finish satin Inlays dot Scale Length 34” (863.6mm) Fretboard rosewood Fretboard Radius 23 5/6” (600mm) Nut width 0/12fret 43/63.9mm Frets 21, medium Nut Graphtech Bridge Vintage Plus Light (steel baseplate/ saddles) String spacing 18mm Machineheads Lightweight open-gear Pickguard 3-ply cream Pickups YGD V5 P/J (alnico V) Controls neck vol, bridge vol, tone Hardware Colour chrome Strings D’Addario EXL170 45-100/130 9.36lb or 4.25kg (from previous advert) Collection from Orpington BR6 is preferred. Can also collect from my parents place in NW4, or I can meet a sensible distance away. Failing that have copious amounts of bubble wrap so can post at buyers cost and risk. No case/gigbag but can throw in one for £15 if needed.
    2 points
  25. ...so here I am. Colorado-based (USA) bassist who last visited the UK before I was even a bassist. Been playing pro over 30 years. It's amazing the stuff you can't learn on TalkBass...
    2 points
  26. Great review, I am getting increasingly excited to get my hands on one. I've always liked Zoom products, the menus are so easy to use, the effects always way better than people say. I suspect the plastic casing and low price has some sub conscious influence. I busted my Helix, but even if I get it fixed I want one of these.
    2 points
  27. I'm not big on the club thing, but I've owned three Ibanez Riadster basses; back in the 80' an original Roadster (happy memories), then another one (awful) and I picked up one as a project (neck, body, bridge, machines) last year. It's had a stripback and respray, new guts. It's wired into the switch and then the volume, so three of the knobs are just there to fill the holes. Sounds fine to my ears.
    2 points
  28. I'm clearly tired out this weekend - I thought an Orpington BR6 was a type of bass I'd struggle even more to play a Shirley B90. The Yamaha, however, looks very nice indeed - GLTWS!
    2 points
  29. At the risk of repeating myself (but I'm going to anyway!), every Jazz should have a series/parallel switch... cheap and easy to do, still retains the original sound but unlocks a humbucking sound which is already sitting there waiting to be unleashed with a simple switch mod.
    2 points
  30. S'funny - both sound to me (apart from Antwan The Swan's attempted singing) like an average, 70's Americana influenced US rock band. Groove and attitude toned right down in favour of MoR type radio play-friendliness! So I'd contend that if you don't like this, you don't like the Red Hot Chilli Peppers. What you actually like is the Sweet Pimento Peppers!
    2 points
  31. If the bass was a keeper, I'd just sort it myself. I wouldn't risk sending it back and getting a dud in return.
    2 points
  32. The Wanted section in the Marketplace is what you're after: https://www.basschat.co.uk/forum/22-items-wanted-no-trades/
    2 points
  33. One million posts in Off Topic already?! Clearly some of you have nothing better to do.
    2 points
  34. Jazzes are what I play the most , and I find that tweaking the pickups /tone controls just very slightly can change the sound completely , have a good tweak about to find the sweet spot you’re looking for. just as an aside, I recently bought an Ampeg classic preamp pedal and the sound variations is really great
    2 points
  35. Go make another thread if you just want to hate on them. Cue quote in 3, 2, 1...
    2 points
  36. I bought Mother's Milk when it came out, and Fishbone's - Truth and Soul came out around the same time. By comparison, the Chilli Peppers just sounded like a pale imitation, with shouty tuneless vocals over slap lines with nothing of interest to say. Hearing Anthony Kiedis trying to sing after all these years is quite painful.
    2 points
  37. Plus some interesting finishes, including a thin layer of stone (some kind of slate apparently) which they can put on as a veneer on the body top.
    2 points
  38. I was an enormous fan back in the day and will always have a soft spot for them, but I'm one of the ones who doesn't like anything they've put out since One Hot Minute (and I didn't think that was great). In fact the quality of their output has always been variable imo, even on the earlier albums I love. They got away with it for me because when it all came together the results were a spectacular explosion of energy and creativity and a punk rocking, funky sound unlike any other band. But I suppose they couldn't keep doing the same old thing over and over, and age will inevitably affect their musical outlooks etc. I listened to this in the hope that there would be something in there that would give me a little spark of the band I used to love, but sadly no. I've been going through this process with every new release this band put out for the last 2 decades, at some point I'll just have to accept it's not going to happen! 😄
    2 points
  39. I am a Transcribe advocate. I use it almost daily for my transcription website. Does what I need it to do.
    2 points
  40. another vote for Transcribe...and a tip someone else shared, on the tracks where bass is more buried & less audible...raise it an octave, pops right out most times. A new app I got on black friday....RipX DeepRemix, not sure how the algorithms work, but you can isolate/ separate drums, bass, vox etc ( various clips on youtube)...generally quite good, some tracks isolate better than others
    2 points
  41. 2 points
  42. I'd never get rid of my GB Spitfire.
    2 points
  43. I recall hearing on a podcast a while back that a player like Marcus Miller doesn’t get the majority of his work because of his brilliant chops but because he turns up on time, is nice to people and plays only the notes the song demands.
    2 points
  44. Technical ability and musical ability are very different mistresses.
    2 points
  45. Paul Chuckle looking well after the loss of Barry.
    2 points
  46. I was thinking more about the time he boasted about sex with underage girls.
    2 points
  47. We've all seen quite enough of Toyah in that kitchen I think.... Really looking forward to this.
    2 points
  48. My big breakthrough with playing fast for extended periods came when I realised that if I turned the amp up I could just brush the strings with my fingertips so I'm hitting the top of the string with much less force than my previous techinque where I was plucking the side of the string. If that makes any sense.
    2 points
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