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Seeing as we're offering opinions here, In my opinion I think you're daft to "shave" the saddles instead of using a shim - non-destructive always trumps destructive as far as I'm concerned.

A drunk punter came up to me once at the end of a gig and siad 'you've got a great moustache'. In the absence of anything else, I'll take that

Here’s some of my work if anyone wants one done 😁

This gem moved in today; I bought it from a friend... Mensinger Joker B6, 35" and 3/4" (19 mm) spacing...

So was Page on a bit of a downward heroin spiral at the time?

Who cares.

Posts like this always remind me of the words of wisdom I got from Martin Ace, long-time bass player of the Welsh band Man. His philosophy of bass playing in a band was, “if you’re bothered about being unappreciated, overlooked or misunderstood you’ve probably chosen the wrong instrument.” But we know, don’t we 😉

So it was my big boy 50th birthday this year and thought I would put together a decent bass as I couldn’t afford a 1980 walnut precision special (£3000) and didn’t feel confident enough skill wise that a self build course would give me the quality instrument I wanted. So I decided to put together a tribute, rather than a copy of said bass. I asked Walshy to build me a custom body (which in the end never happened), so in the end I bought one he had made previously from Chris/beedster. The neck is a roasted maple jazz neck with chrome hipshot tuners. The pickup is a fender custom shop 62 precision pick up going through a Kiogon cloth wired cts, top of the range loom. Currently has a fender bbot bridge but I have got a hipshot A style bridge to go on it a later date (possibly, but I quite like the look of this one). These parts were all bought from people off of BC. Needs a pro set up but even now sounds great to me. Think she might be a keeper. Thanks Basschat!

Well, Been a month (just over) now since discharge from hospital. Have picked up a nice CS fretted Jazz to fill the fretted hole, but the Uberhorn is still the Bass that I come back to time after time. It gets at least some play time every day - even if it's just 10 or 15 mins. I still feel like I'm getting to know it each time I play it, and it feels like more and more of a friend every time as well. I think it's rare to find any instrument that you really connect with.

I love John Taylor. I think he's a great guy and I've had enormous pleasure listen to and playing Duran Duran songs for decades, but, I wouldn't put him in the top ten of any year - let alone 2021. I do wonder what the criteria is. Do they just have to be alive? Or must they have gigged or released material in 2021?

My 80s alternative / Goth duo played the local open mic. Set 1 is us doing Cure / Sisters of Mercy etc on folk instruments (mandolin, bouzouki, mandocello) and then onto the electric set with our drum machine / keyboard programming. We wound up doing a third set completely acoustically in the bar afterwards. Busy day at work and when the night ends with the landlord wavering drink charges, I am reminded that I am not 22 these days!

I play with a really low action and I’ve shimmed many basses successfully, it works perfectly if done correctly

Shims are fine if done correctly.

You agree that John Taylor is the best bassist in the world for the year 2021?

Got my knobs out for @Hellzero Yeah - slight mismatch but close enough for me and given the total cost of the bits was £3.50 then I'm more than happy!

Spector fans, Someone over at TB posted this and I immediately thought of @cetera 🙂 "A long awaited limited run of Spector's fabled X Bass! One of only 40 in the United States!! Originally designed for one of Rock's biggest Bassists, Nikki Sixx of Motley Crue, the X Bass is now available as a Euro Model for a limited time only!! This one has a Gorgeous Flame Maple top with a Blue Black Gloss Finish!" https://reverb.com/item/47547314-spector-euro4xbbg-black-blue-gloss-killer-flame-maple-top-limited-edition-authorized-dealer

Hello all, Reviving the thread since my search has come to and end SO! Long story short I was in a hunt for a "p51" (slab board) bass for years, did quite a research, looked for builders, luthiers even looking to mod a cheap Harley Benton or a Squier. My price range was around 800-1200 usd, so options like Fender Custom shop were out of the range. Also another thing that I really like is the "worn" and "relic" look, therefor the "crafted in japan" model, which is great, also fell out of the choices. I was looking for a true passive, "first electric bass", no frills like Leo would have built it bass Finally... my eyes fell on this luthier from Rome (Italy) called Luca and his ALNUS Basses. He runs a Reverb shop. Does all the wood work himself, all the relicing, the hardware is from Korea (which the relics by himself) and also wires the pickup himself. The bass sounds GREAT. Has the true vintage tone and feel. When the bass came I have to make a little setup since it was BRAND NEW, after that and after I put my trusted Thomasticks flats on ... BOOM ... true 50s fender bass. I invite you all to check his Reverb: https://reverb.com/shop/luca-1 There are some really nice basses. Hope you like it as much as I do

Nothing wrong with a board that does all you ask of it. I admire anyone who can stop buying pedal after pedal, board after board. I am hopeless.

My SR5 Special. And it really is special; by far the best Music Man I've ever played

Snakes are sleeping - cardiacs

I just read a comment on FB where this list is also posted…. ”#1 in the world? He’s not even #1 in Birmingham!” 😂

I guess if JT is your number one player in 2021, he's probably your number one every year regardless.

I reckon more like a centre-back or something, in that the non-footballing public have a reasonable understanding of what the goalie’s role is, even if they underestimate the importance. In that sense the drummer is the goalie.

Phil Lynott documentary 10am tomorrow BBC2.

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Pickup covers have turned up - they do appear to match the knobs @PaulThePlug !

Why do you care what anyone thinks? Do you enjoy playing bass, does it move you? If so, continue to enjoy it. Just the feel of low frequencies rattling my rib cage takes me to my happy place. I get lost in the enjoyment of the subtleties of our wonderful instrument. If others don't get it, it's their loss. Or, in another way, it's not you, it's them. 🙂

Stanley Graham Larry Clarke

I've been setting up instruments for more than 35 years including a decade as a professional, so it means thousands of instruments, and sometimes a shim is needed for two main reasons : - The neck tilting, as there must be one to allow some dynamic. - The break angle at the saddle, as there must be one otherwise there won't be enough pressure meaning the string will get out of the slot very easily and the string will sound almost dead or really dampened. If these two points are met, no need for a shim, just remove it and set up the instrument perfectly.

Was it a Mayones guitar?

@Duarte I have had a Sterling 5 in HS. Good bass but the volume drop on the single coil neck pickup (position 5) was not convenient. The HH has all positions with the same output. The HH Ray (Standard or Special) is very nice as well, but the Sterling with the series routing adds extra bief to the sound.

Or a skeleton w*nking in a biscuit tin.

This is horrible

I doubt if you need a sub based on your audience capacity. Home audio subs won't work, they lack the sensitivity/output to work for PA.

Don't set your alarm clocks, it's on at 22.00, BBC2, Saturday December 4th. Maybe Dorset time is different Mick....😆 Hope you're well mate, Pete.

They have a slightly wider nut than a Jack in my experience.

The micro-tilt mechanism on 70s Fenders only makes the problem of the lack of precision in routing the neck pocket even worse. In theory it's a neat idea. In practice the engineering and quality control standards of the time were simply incapable of making it work. The problem was two-fold. Firstly there was a "striking plate" on the heal of the neck that the micro-tilt screw acted against. This needed to be set perfectly flush to the heal otherwise the screw would be pushing the neck at an angle rather than straight up. Secondly there was problem of the router templates wearing out resulting in over-size neck pockets. Each of these issues on their own would not normally be a problem. However combine the two (and they always were combined) meant that the micro-tilt would also push the neck sideways in the oversized neck pocket, which in extreme cases would mean that the highest or lowest string on the instrument would no longer be over the finger board at the top of the neck.

I've got a CS p bass that was transformed by a shim , it worked fine but just felt it was a bit lacking somehow ,the shim allowed the saddles to come up increasing the break angle over the bridge and POW it now sounds killer As predominantly a double bass player I think that break angle is often overlooked on bass guitars

Oh that’s cool - horses for course - but now you know Timmy C and Chris Cornell. He has the most amazing voice - his solo stuff is worth checking out for sure

I had one, great thing. AFAIAA they are part of the same family as the Jack and the B2 brigade - with or without headstock/body, electrics varied, some had the drop tuner but overalll they were pretty much the same beast and all of a decent quality.

The long and short of it as I understand (as a former employee 2003-2014) soon after my time was done there, the company started to go wrong - The head guy who’d run it as a successful business for years had retired and the people left to run it didn’t have a clue. They went under, a private equity firm jumped in and sold a load of assets (the head office building in Warrington, for example). A guy who owns a brass and woodwind business in Manchester took over about 12/18 months ago. Distributors and brands, burned by the behaviour of the private equity company, unpaid bills and retained stock were reluctant to get involved with the ‘new’ Dawsons and things never really recovered to the point where they could trade effectively. The reviews on Google all tell the same story - all from 2 years ago up until today, there is no way a company in this day and age can turn around that tarnished a reputation. A real shame, not least for the 65/70 staff who were let go. The only remaining store is Chester, there are 4 shop staff (2 former colleagues and 2 who came after my time). I don’t know what they’re stocking, or what the deal is with orders…I’d love to say something more positive. But I won’t.

Probably not what you were thinking of if you were thinking of a tu… ahem, a valve head, but eBay is awash with titchy fanless Class D ‘hi-fi’ amplifiers, for only twenty or thirty quid even from UK sellers, which I assume would work fine if driven from a suitable preamp or multi-effect pedal. They’re probably only actually good for about a tenth of their rated power, but I expect that would be enough.

Mid 90s Streamer stage 1 fretless, customer order for a German music shop Musik Productiv. Great feels, amazing neck profile, ebony board, slim and wide nyom nyom.

My favourite description seen here on BC was 'The sound of a crowd of angry squirrels hurling nuts at a tin roof'. Whoever came up with that deserves a medal or something.

This is the one. Utter tools! https://www.change.org/p/manchester-city-council-remove-our-noise-abatement-notice