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Showing content with the highest reputation on 06/05/21 in all areas
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9 points
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And so to chambers. In many ways, the most important chamber is the control chamber. The internal layout is going to be something along these lines. Plus, of course, the Apollo space-capsule type multi-wire loom driving the Superquad : So the hatch will be something like this: And yes - that top line IS parallel with the neck laths...it's the wide angle lens distorting So I'm going to try something I've never done before. You know when you see someone do something that you think "Wow - why didn't I think of that??" Well, with me, that's usually something that @Jabba_the_gut 's done...but just so he doesn't get too smug - this time it's Fodera. So probably won't work when I try to do it8 points
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A rare Yamaha SB-50 Bass for sale from around 1973. This is a cool bass, well gigged but solid and sounding great. It has a medium scale and a distinctive German carve - or pie crust look. It’s all original but missing the bridge mute and pickup ashtrays. These appear to be quite collectible and crop up on Talkbass occasionally with the predictable daft prices on Reverb. It’s one of Yamaha’s first original basses and it’s quirky ‘Les Paul by Dali’ looks will make you stand out on stage! It’s also very red….. It weighs around 4kgs sounds really very good from old school rock to modern tones. I was amazed by how versatile it is. Plays well and the neck is great too. Not sure how to price it but it’s definitely a sale only and I won’t be sending it overseas - sorry. Let’s try £295 - certainly a change from a MIM Precision. Note there is a crack on the lacquer in the body but this hasn’t effected neck stability. My cat loves it! More pics to follow.7 points
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A little bit of scraping to get rid of the glue squeeze-out and tidy some of the joins, but this is much better than before...and it's flat It's now trimmed to the final oversize before the final shaping rout that will happen once the top is glued on, using the top as the routing guide (yes, I know... ) . The fretboard overhang will be shortened and possibly shaped, depending on @Matt P 's preferences: Just got to finalise and cut the control, cable and weight-relief chambers and then the top can be glued on. Next jobs! Oh - that and ordering the 5 string Superquad...6 points
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Have you ever considered that the Internet.... is not for you?6 points
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5 points
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As @OllyW, just unboxed in the garden and it matches the cushions perfectly. 😄 Oh my! Not plugged it in yet but it's really resonant acoustically, the bassline to Joy Division's 24 Hours sounded great with the droning D string. And before I knew it, tea was burnt. 🙄😁5 points
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Just wanted a ‘Shout out’ to Bass direct. I ordered a Hipshot GB7 for one of my Warwicks Tuesday morning, and it arrived lunchtime Wednesday. I wasn’t expecting such a speedy service, especially not in the current climate & it’s just nice to be surprised 👍5 points
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After a lot of hours I spent deciding whether to buy an old one from the seventies or a new Special I finally decided, taking into account my experience with vintage old Fenders and new Custom Shops. I took a new Special and I don’t think I made a mistake. It has everything. Sound, feel and appearance. Craftsmanship is at the level of Fender Custom shop or Sandberg. There are no flaws that have accompanied previous Stingray models and that have separated me from so many pieces I owned. I am especially happy because I managed to find the color that I like the most and is no longer on offer - Aqua Sparkle .5 points
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4 points
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The third movement of Holst's Beni Mora Suite (1910) wherein the flute repeats an eight note melody 163 times over a repeated underlying theme around which sections of the orchestra depart and arrive? I'm not sure if this qualifies but its an interesting piece, derived, it is alleged from Holst's observation while in Algeria of an Arab street flautist playing the same phrase for two hours or so. I suppose Holst's genius was that he absorbed the flautist's performance rather than throwing a boot at him, which is what most of us would have done.4 points
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Is it bluegrass? Yee-haa. Gold Prospector's dance.4 points
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I was always told it should be in the same position when sitting down and standing up.4 points
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A great recent recording without the usual noisy audience at a tiny bit slower tempo as suggested by the composer himself at the time. The exact same rhythmic pattern repeated 169 times (wisely and suddenly "forgotten" for the end climax), one melody with two themes and only one very late key change (more a modulation) : the result is just perfect. The original title was Obsession of a Rhythm. It says all and everything. And to answer @Stub Mandrel question : who and when invented the idea of a consistently repetitive (underlying) rhythm ? It's Maurice RAVEL in 1928. In fact, in music history, it's a first. Can you do better ?3 points
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44 seconds I step on it - it’s obvious and no it’s not a volume push - it’s all at unity gain - and yes I think most will hear a difference. @Al Krow I am sure you can squeeze something out for the masses clip or no clip IMG_4389.MP43 points
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I've realised that I posted about wearing mine at a similar height as to when I play seated, when all I had to say was, "Check my avatar."3 points
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Lest we forget, he also favoured Henhouse Rotisseries and Tumble Dryers towards the end.3 points
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I sling my bass pretty low and find if comfy to have my right arm fairly straight when playing. Not as low as Tatsu Mikami though!!3 points
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This looks like it's just for guitar at the moment. £989 + a Transmitter. https://www.smoothhound-innovations.com/2 points
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I bought this from Vintage n Rare Guitars in Bath and it has been in its case since then. It's in very good condition with some lovely figuring on the carved top which I havnt been able to photograph. There is a small ammout of buckle rash but nothing that has gone through the finish. IMHO this is a very vibey rock n roll bass with a heavy versatile sound.... This is the original advert "Thunderous sounding Gibson Les Paul Bass from 2000 – this is the second version of the Les Paul Bass with a chambered body and passive TB Plus ceramic humbuckers. Also features a carved maple top, mahogany neck and body with an ebony fingerboard and a 34” scale length. In excellent condition with the original Gibson hard case." https://reverb.com/uk/item/22656992-gibson-les-paul-bass-2000?locale=en-GB Shipping to be arranged.2 points
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This ad has been online for 365 days now - I‘ll take this as a sign and will be keeping my bass and its lovely walnut neck! After enjoying this one for close to five years, I'm selling one of Sheldon Dingwall's best-kept secrets - namely his four-strings being outstanding in at least the same way as the more widely known fivers: The slightly more relaxed scale length than on the five strings (34-36.25" instead of 34-37") and a - to me: still - astonishing featherweight of 3.43 kg (7 lbs 9 oz) were urgent arguments for me - besides the sound, general quality and playability - to import the bass from the UK. Key data: Alder body with maple top, wenge fingerboard with compound radius (7.5-16"), Hipshot custom hardware, Neutrik jack, magnetic battery compartment, Dunlop straplocks. Besides the incredibly three-dimensional flamed / curly maple top, the bass has a few special features which set it apart even inside the elusive realm of Canadian Dingwalls: - a walnut neck with carbon reinforcements, which was usually exclusively available on the semi-hollow Afterburner II models. Currently, Dingwall has dropped the walnut neck option altogether. (To me personally, walnut feels even better - smoother, silkier - than the more widely known and much praised wenge necks that Dingwall prominently use on custom orders... I simply play my D-Bird more than the AB, so someone else may enjoy this). - green luminlays in the fingerboard and its edge - Hipshot D-Tuner - Glockenklang 3-band electronic that can be deactivated via volume pull: In passive mode, the treble pot can still be used to cut treble. I have learned to appreciate these special features very much, on stage as in rehearsals - no wonder, as the bass was built at the request of someone with a lot of experience. You can also see the bass in this video of his: The bass was completed in Canada on 20/08/2012. Since then it has picked up some minor visual blemishes, which I have tried to show as best as possible in the photos - see red marks in the photos. These are dings (dents in the clear coat) only, there is no wood damage. There are a few fine scratches on the black bridge which I have marked as well. Also the tuner shafts are no longer one hundred percent opaque black due to contact with string windings. Neck/frets/trussrod are in perfect condition, though I like to inform people new to Dingwall beforehand what this means regarding frets: Please see this thread on talkbass (reply #30070 and following) for reference. More photos or video chat (Facetime/whatsapp) on request. The colour is called "Honey Amber" and shifts somewhere between a Bengal Tiger and a Tequila Sunrise depending on (stage) light. More than once after a gig I was asked what colour my bass actually was. It‘s also breathtakingly beautiful in daylight! Comes with "birth certificate", tools and the fantastic Dingwall/Levy's gig bag, which I dread to let go almost as much as the bass itself. Currently fitted with the four higher strings of a fresh Dingwall Nickelplated-Steel-5 set and tuned to EADG. The associated B-string comes with the bass, too, so you can opt for either regular or BEAD tuning: The nut will take both sets of strings as its slots have only been widenend, not deepened. Sound files in EADG available via wetransfer (i.e. your personal e-mail is required for download). Available to check out in Cologne, Germany (following covid guidelines/precautions: FFP2 + personal distance + clean hands + current test) on Helix LT / Beyerdynamic DT-770 possible at any time. Test at band volume / in rehearsal space possible on request. I am generally open to near offers / price suggestions. For orientation, please note: New price would currently be in the neighbourhood of £4,300 - and have a waiting period of 18-24 months. I can provide the current Dingwall price list. Former ads by Neil and Ashborygirl for reference. Please be aware that I’m considering the price I paid an utter bargain then and do so even more today: As prices for Canadian models and Combustions have risen substantially in the past years, I cannot in good conscience let this bass go for the same now. (See recent sale of an ABZ 4 on talkbass for reference.) Also, this is not a fire sale. Payment preferably by bank transfer, alternatively Paypal (exclusively using the "Friends & Family" option to protect myself as the seller). I’m very open to and encouraging everyone to take further measures to build up confidence in preparation of an international sale (video chat, exchange of IDs, etc.). Shipping worldwide in double box and lots of padding possible, but has to be arranged by buyer. Instead of the gig bag we could also organise the purchase of a case as the bass fits into any Fender-style case. Collection preferred to shipping, shipping inside EU preferred to outside EU. Private sale, no warranty/return/invoice available. No trade offers, please.2 points
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2 points
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Always adjust the strap from a seated position, that way when you stand up, it will still be in the same place.2 points
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2 points
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<fixed tempo> Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. Likewise Hellzero, apologies for my misplaced quip. I had not intended to derail your thread, nor to offend you. I hope that you can accept my apology. </fixed tempo>2 points
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hah. I'd say you need to find a different luthier. I use nothing but TI Flats - first thing I do when I get a new bass is stick a set of these on. A casual glance at my feedback will indicate how many basses that is = a lot of strings. Never had a duff one, they have been enjoyably consistent. Sound lush on a LP Jnr DC, don't they!2 points
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As a tech question there's a fairly simple answer. If you can't use the PA then you need more than stage monitoring levels. Your 2x7 would probably do the stage monitoring but not the room filling. To do that you need something like 120dB plus so you need a reasonably efficient speaker. Efficiency combined with good handling of the lower frequencies comes from cone area and better magnet/motor systems. You can get small light 12" based speakers that will do this but they tend towards the expensive, technically it's towards the limits of what is possible with current tech and that adds cost. If you want to release as much money as possible I'd be looking at a 2x10 or a 15 as the cheapest way of achieving a single speaker solution. Alternatively go for a reasonable 12 but expect to have to add a second if you start gigging again and funds allow. There's an Ashdown Rootmaster 115 for sale down here for £120 for example, that's too far for you to collect obviously but it is an example of what you might expect to pay.2 points
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There ain't half been some clever bastards - Ian Dury and the Blockheads2 points
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I'm thinking that it might look better with black hardware so it will tie in the pickup aswell?.... 👍🏻 And I think I'm going to bin off the pickguard it doesn't look right to me with not having the raised middle section?2 points
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I've sanded it back a bit because it was a bit too dark for my liking, tiday I thought I'd make a galv pickguard to see how it would look?...... 👍🏻2 points
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I am toying with the idea of headless as I haven't got one as yet? 🤔2 points