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Showing content with the highest reputation on 17/09/20 in all areas

  1. A few months ago I was in an accident and my insurance just paid out. I have "pulled the trigger" on this duo. There is no logic to these purchases WHATSOEVER beyond the fact that after 53wks solid without a week off, the whole lockdown thing and then the accident, I just thought life's too short. Hopefully it should all be with me by early next week. Two weeks ago I was frantically trying to raise money for some impending studio costs and (momentarily) I am tripping over cash. 😻
    20 points
  2. 2008 USA model just after the S-1 switch had been discontinued from the Precisions.
    6 points
  3. @agedhorse you just became my life and career coach as well as my bass guru. Can I buy any agedhorse merch??
    6 points
  4. What I enjoy most about these things is the "mistakes" - the fluffed notes, loose timing and scuzzy tone which should teach us all to never let the quest for perfection get in the way of playing with passion and personality.
    6 points
  5. My all time favourite is my Status Series 2 Classic but I've mainly been playing my Stingray Special for the last two years. It would be a difficult choice if I could only own one. I would probably keep the Status for playability and sentimental reasons, but the Stingray is great to play and sits in the mix better for what I currently do (when we are able to do gigs).
    5 points
  6. +1! There are a zillion variants on neck shapes but the chart below is a useful guide for the most common traditional shapes. Assymetrical neck shapes are also available and can look similar to your drawing.
    5 points
  7. Every email any business sends you has ‘Unsubscribe’ button. It’s one click. SBL send about 20 emails a month. Each one contains this text.
    5 points
  8. I downloaded a spreadsheet from somewhere that detailed the positions for pickups on a variety of bass guitars. For the split P it specifies 295mm from the twelfth fret. As the Yamaha neck appears to be about three quarters of an inch longer than the Encore's, I expected to run out of room to move the pickup by the same amount. This was confirmed when I got the measurement of 295mm. I could almost get there but not quite. I really wanted to get the best from the pickup placement so I decided to remove sufficient wood for clearance at the correct position. I used a Dremel to hog out the worst of the job and finished by hand with a chisel. I am very happy with the result. I can now put the pickup where it is supposed to be with the centreline at 295mm from the twelfth fret. Time for a cuppa.
    5 points
  9. Stonkin master class in rock bass !
    4 points
  10. Would your paid teacher come banging on your door 6 times a day when you didn't invite him round?
    4 points
  11. Happy new to me bass day! Due to hit the doorstep at 4pm today. (Im literally beside myself with excitement. which is a good thing because if it was just me there would be no work done. The fact ther is two of me today, is making things a little easier) Gonna be playing some sweet no latency squelchy Moog synths with this badboy by sundown! *edit* for those not in the know, this bass is capable of outputting midi data to controll actual synths. this is not audio to midi conversion but the notes are triggered by a clever system that tracks our playing through the fretts themselves.
    3 points
  12. Fender Mustang Bass MIJ reissue In excellent condition, comes with a Fender gig bag. I've recently noticed the tone pot is a little looser than the volume pot but neither affect the overall sound and neither pot is noisy. Bass was set up at McIntyre Guitars in Edinburgh last year. Currently strung with D'Addario Chrome Flats. Collection is preferred but I can potentially meet somewhere if need be, or buyer can organise courier (as I do have a box that will work). Buyer is responsible for any Paypal fees. SOLD
    3 points
  13. 3 points
  14. That's not dancing so much as trying to cope with a severe wedgie! Somebody pass her the talc.
    3 points
  15. I built one.... Genuine Flea Roadworn Body Lakland Skyline Neck Tonerider Pickups (have tried a few different pups in but these work well) Kiogon S1Loom
    3 points
  16. He's good isn't he. An asset to any forum he joins. You can buy merch. . . . . . any of the Genz Benz and Mesa Boogie Subway amps.
    3 points
  17. Excellent bass, with a great warm woody tone. Very LOW action & very light weight. I upgraded the bass with a Fender Pure Vintage Bass Bridge, which gives a better tone / sustain. Strings can be perfectly fit to the center of the poles pieces of the pickup. Bass is strung with my strings signature (45/105) in roundwound, from Skull Strings. Bass sounds great for Pick, Slap or Fingerstyle. (Also tried it with flats & it sounds great) The bass will come with a light weight GIG Bag. (Truss rod works perfectly and frets are in excellent condition) Body : Nato Neck : Maple Fingerboard : Maple with black block inlays, 9,5 inches (Radius), 20F Pickups : Fender Designed Controls : Volume, Tone Bridge : Fender Pure Vintage bass bridge Color : Black Weight : 3,5 kg I can ship anywhere BTW
    3 points
  18. for me, part of the feel is the looseness of the playing , otherwise it would be clinical and soul less
    3 points
  19. It's on it's way... I just need to print it. I'm not limiting myself to basses and I won't just be using pianos but the emphasis will be on recycled materials. Website and decal should be ready in a day or two.
    3 points
  20. You young’uns don’t know a good thing when you see it. When I started, tuition consisted of some crap books, ropey VHS videos, deciphering stuff off records/tapes and, if you were very lucky, your local teacher was half decent. It’s paid for and I don’t subscribe as I’m good as I want to be, but i would have killed for such a resource (and others online) when I was starting out.
    3 points
  21. Can't see a bass demo yet, but hopefully not long.
    2 points
  22. Withdrawn, I’ve been playing this a bit more lately & decided to keep it for now. Fender Precision 1977/78 according to the serial number. Has some playing wear but it’s a good’n. Ash body, maple neck. Guitar Info Your guitar was made at the Fullerton Plant (Fender - CBS Era), USA in 1977 - 1978 Production Number: 76111 Trades wise I might be tempted by a musicman. I’m in North Shields, Tyne & Wear. I’d prefer pickup but may meet half way or post if I really have to. I’ve sold 4 basses recently so check my feedback. I decided to get down to two precision’s so that’s why this one is up for sale.
    2 points
  23. I have decided, after much thought, to finally let my Fender Flea bass go. I bought it four years ago, gigged it a lot for the next couple of years, you can see the wear from where my wrist rested on the upper bit. Also the paint is wearing through to the primer along the top edge but it's very hard to see. I have also changed one grub screw in the bottom E saddle as it had rusted up . I have the original grub screw too. There is the original gig bag and case candy Those that have these, know what a great sound comes from them. The 1964 pickups really sound ace. That jazz bass 'fizz' from the neck pickup, the honk from the bridge. It sits in my office, waiting for me to have a noodle on it at lunchtimes, it's been great to play at work. Nice and light too at 3.9kg or 8 pounds and 8 ounces, measured on my digital works scales. But in all realities I'm just not going to use it anymore unless I turn it into a Sting Jazz (which I'm not) I am just a P bass fan. I can ship (UK only) via DPD courier, you can collect , have a cuppa and a natter all things bass I work in Folkestone, Kent and live in Deal. Any questions, fire away I'm not looking for any trades, I'm just trying to thin the herd
    2 points
  24. PRICE REDUCED TO £1,800! The bass cull continues with this genuine 'one of a kind' Status originally made & customised for TM Stevens around 26 years ago. For whatever reason he didn't end up with it & it was then owned by Ashdown for about 20 years and used for testing new kit. I bought it direct from them and it's been played at a couple of rehearsals and one gig since then. Apart from one small surface scratch down the bridge, and some small buckle rash on the rear, it's pretty much perfect - certainly doesn't look 26 years old! The surface marks should be visible in the pictures below - The volume control 'sometimes' has a little scratch sound right at the end of it's travel towards off position but you have to listen very closely to hear this. It may well go with a continued bout of twisting. Some screws and bridge hardware are showing some age but I felt this just added a bit of character It has no serial number and there has been some debate between various Status experts (all of them far more knowledgeable than I) about whether it's an S2 Classic or an Empathy. Rob Green thinks it's an S2 so that's probably a safe bet. Here's what Ashdown said about it: "This S2-Classic is the ultimate combination of traditional and modern guitar design. Made in the 80's built for TM Stevens and painted by a top German artist. TM Stevens never actually ended up with the bass instead it found its way into our possession around 20 years ago and has been one of our go to test basses. Woven carbon graphite and selected exotic woods are combined to create a bass which sounds even better than it looks. It has a wide, even frequency response with huge dynamics and sustain." Note that the artist signature appears to be Andi Graphic Art 94 - this would suggest it's a bit newer than the Ashdown estimate but that 94 may not be the date it was made and/or have nothing to do with that at all. Could just be the 94th piece of custom artwork etc. It has the classic Status electronics with the sweepable mid boost/cut switch and sounds just like a Status should - great cut through that sits in a live mix really nicely. Happy to post anywhere in the UK / EU at cost - probably £25 UK & £40 EU (both with insurance).
    2 points
  25. Selling my 2006 Dennis Galuska Masterbuilt P-bass, based on a '68 'Telecaster' bass. I'm told that this was originally made for the bassist for Athlete, back in the day. I bought this on a bit of a whim but have realised its far, far too nice for me - I can't do it justice and feel like a bit of a fool playing on something so nice!! First thing to note is the weight - mostly due to the super premium ash, the whole bass weighs 7lbs 8oz, which is insane when you consider that it's a slab body! It strikes meevery time I pick it up; it's lovely and balanced and you can wear it for hours without getting tired (unlike most slab-bodied precisions). It's also incredibly resonant. This is the magic of Masterbuilt guitars - the base materials were hand-picked and matched by one of Fender's best and it shows. Neck is a great shape too. A very soft "V" at the lower frets, going into a "C" by 12 and onwards. It feels very natural, and has clearly been expertly hand-carved for comfort. Frets are in great condition and a very low action is achievable (although I wouldn't recommend it!). Custom "block" inlays were also specified as part of the original order, with Ron Thorn (the current head of Fender's custom shop) specifically requested to do them. The work is top-notch - no filler whatsoever and perfect in every way. Nice and subtle too - I'm not usually a fan of block inlays but these look awesome. Finish is a lovely white relic - the spec has this as "super heavy" and "extreme" and it shows on the body! Lots of checking, dings and wear - it feels and looks very played in. On the sound - it's bloody amazing. It's honestly the best sounding p-bass I've ever heard. Think of ANY recording with a full-on p-bass tone and this does it to a tee. Can go full-on snarly precsion growl, or laid-back Pino groove. And super resonance, sustain and clarity all over the neck. The tone on this has a centre detent and acts a bit like a tbx tone control giving enormous versatility. All original save for (i) the machineheads, which have been replaced with Fender-sourced new ones (the g-string head was at some point replaced with a smaller version, so there are four tiny holes under the metal); and (ii) the case, which is a replacement Fender case. All in all the best P-bass you'll ever play, hands-down. This is light-years ahead of regular Custom Shop pieces and it shows, from the feel to the sound. I need a quick sale on this because of another incoming, so I am pricing at £3200. Equivalent basses are up on Reverb etc. for £4-6k. Needs to be sold quickly, however, or I will take it down. I'm in NW London or can ship, fully insured, for £50. I will also take px if need be - just let me know what you've got!
    2 points
  26. Hi everyone, This is a pretty reluctant feeler. If someone wants to bite my hand off for it, ill let it go but otherwise ill keep it. This started life as a Fender Pawnshop Mustang Bass, with the big old mudbucker rather than a standard Mustang Pickup. I found it muddy and indistinct, so replaced the pickup and pickguard. The pickguard started life a mirrored gold pickguard from WD Music and I scuffed it up to make it less reflective. The current pickup is a Aero Mustang, but formerly it was a Nordstrand NM4 (which i still have and can include in the sale for £50), the Aero is a little smoother sounding than the Nordy, but they're similar. This feels exactly like my MIJ Mustang did, I had them both at the same time and preferred this one so sold the MIJ. Its a fantastic sounding and playing bass but two Bass VIs and a Gibson as well as a 32" Squire jag, I've got about all the short scales i need at the moment. SOLD
    2 points
  27. A Big brother for my Mb2. I've been hankering after one for some time now, but with Rob's policy now of only making what suits his business, as opposed to what customers dictate (which is fair enough if he is able to do it), and the rarity of secondhand ones available the likelihood of me getting one looked pretty slim - especially considering my very specific requirements (fretless, unlined, min 17mm string spacing). I just thought I would try my luck on the Owners' Facebook page, and lo and behold I got lucky, a great guy in Italy responded, we did a deal and I am now the proud owner of a Deep 5 to go with my Mb2 4 string. I must admit I was slightly twitchy about sending a not insignificant sum of money to a complete stranger in a foreign country, but I trusted my luck to PayPal's compensation policy and bit the bullet. Antonio turned out to be a really great guy and the bass was in my hot little (actually big) hands within a few days and I couldn't be more pleased. Initially the action was too low for me - lots of lovely Mwah but not much attack and rather inclined to buzz on the low B, but a half turn on the truss rod did the trick and all is now great. This now means there will be no real point in having any other 5 string basses, so I'll be selling a couple of very nice ones soon in the form of a Shuker Artist 5 and Rick Turner Renaissance 5. Probably when things have normalised a bit more and hopefully the Bass community will be more comfortable spending money on bass guitars.
    2 points
  28. I own exactly the same amp, my guilty little pleasure! I used to have pictures of these on my bedroom wall when I was a dorky teenager. These days my wife forbids such filth - Prude.
    2 points
  29. Was in Merchant City Music earlier and tried out a few Reverends (They are all fantastic btw). The Sentinel is a great wee bass, the blade pickup is HOT and bright, but the 3 way switch, not 100% what the settings are but got a great variety of tones. If you're looking at Mustangs at around £800 and want something a bit different I would definitely recommend looking at the Sentinel as an option!
    2 points
  30. "spoiler box in your signature file" - I have no idea what that actually means! I'll remedy the situation if you can explain.😕
    2 points
  31. The video is ok, but it needed more screen time for the bassist 😉 😎
    2 points
  32. I got really excited for a minute! Then realised it's a souped up OC3/POG hybrid. I'm assuming it's digital? I'm still waiting on a Wazacraft Analog OC2 reissue,and watch them fly off the shelves.
    2 points
  33. I have a lot of fun putting bitsa basses together - nothing high end, just grafting orphaned necks onto bodies and playing around with spray paint - that sort of thing. I always put on a "Fender style" headstock sticker as I think headstocks look a little bit weird if they're left blank. Generally, I use waterslide decals, but I find them to be very hit and miss - sometimes they go on perfectly, but more often than not, it takes me multiple attempts to get something I'm happy with. Looking for alternatives, I found an eBay seller - morphiuscraftsuk which does cheap and cheerful, die cut stickers. I ordered the "Fender style" version and although it wont fool anyone (which isn't really the point...), I thought it looked rather good. I got back to them to do another sticker in a font which they didn't advertise on the site and they came back straight away with a number of options. I ordered it, and part II came today. Once again, it looks ace. Customer service was incredibly good, especially as the items were so cheap. Total cost: 2 x £1.49 If you're lovingly recreating a 1963 Fender Jazz, this isn't the product for you. If you're using up those bits from the parts box and you want a quick, no mess logo to finish it off, this might be a viable option. https://www.ebay.co.uk/itm/323769332446?ul_noapp=true
    2 points
  34. The OP reminded me of a NYE gig that I did out UAE. Bruno had just dropped and was pretty hot... and so naturally, the band I was in decided we should follow suit and learn the moves etc. So we did. At the end of the gig, this guy comes up to me and says, "You know what son, when I closed my eyes, I could have sworn with groove like that, the bass player was a brother. Then I saw you dance. Yeah man, you white." - Turned out he was the Mayor of Dallas(? - it was something like that) and one of the funniest, most charming guys I've met. Had us in stitches - and he even went back to his room to fetch one of his prize football shirts to give to the singer as a sign of his appreciation.
    2 points
  35. When I was doing my University project back around '97 I asked my dad if he could find an old Betamax machine and tapes as he was (and still is) an absolute car boot sale addict. Even then it was hard to get them but he came good, and there were a good number of tapes for me to experiment with. I plugged up the machine, tried the tapes, and realised he had purchased someone's entire pornography collection.... (When I say experiment, I meant I wiped the tapes as quick as I could......honest guv......)
    2 points
  36. Some years I got multitracks to a number of Queen songs and I am delighted to say the DI bass tracks are refreshingly as bad as if I'd played them. Add in the mic'd 4x12 and the 1x18 and it all sounds wonderful.
    2 points
  37. Just seen this bad boy on a thread over on TalkBass: I don’t play 6 string or fretless but good lord!
    2 points
  38. Under the bed with the CS Dusty Gold Top. Don't you bloody start 😆
    2 points
  39. My Bitsa Jazz/MM fretless. Love it!
    2 points
  40. Mine is easily and predictably my old Jazz bass. Nothing has ever come remotely close to it for playability and sound. Every time I record and sneakily try to use another bass, I always get told to just go get the fender 😂. It’s not perfect, and yes, some bits are a bit ‘wonky’,(it always looks WAY wonkier in pictures!?!) But in well over 200 basses owned, this one is the most special by a long long long way! It’s a 1990 MiJ 60s reissue, the ‘mojo’ to the finish is real not fake, earned from thousands of gigs since I bought it around 1993. It’s all completely original...apart from the neck, pickups, electronics, all the hardware, scratchplate and stripes. And one of the tuning heads. 😂
    2 points
  41. Yes, there have been quite a few cases of designers underestimating how much effort goes into a successful design. This is especially true where the SMPS and the amplifier work together to improve performance even more as a pair. I know how difficult it is to design reliable SMPS and class D amps, I've done it a few times and it took longer and cost more than I expected every time. Ultimately, even though I have the background and education to do so, I simply couldn't compete with the depth of highly specialized talent that IcePower has in-house. The smart decision (IMO) was to partner with the best designers in the world and exploit their strengths as well as have input into their evolution of new products. Sometimes it better to put ego aside and keep your strengths for where they can make the greatest contributions.
    2 points
  42. I can't not dance while playing. It's part performance but it's also an integral part of making music. Of course I use the word dance in its loosest possible interpretation.
    2 points
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