Jump to content


  • Content Count

  • Joined

  • Last visited

Total Watts

165 Excellent

About radiophonic

  • Rank

Personal Information

  • Location

Recent Profile Visitors

1,706 profile views
  1. Provided you're happy with the Fender style tone stack, I'd go for it. I run an LH500 (tone 2/10/0) and using a very wide range of cabs have never questioned the basic tone or even come close to running out of headroom in live situation. I think it does sound better if you run a higher output bass into the passive input though - it' won't distort but it does seem to sparkle a bit more. The limiter is decent but the bright switch sounds horrible IMO. If you're looking for a lot of shaping options, then it may not be for you but a s a basic and very loud rock workhorse I rate it.
  2. Hmm. From the Darglass website : ADAM responds to MIDI messages from all channels, so you do not have to otherwise specify a MIDI channel to use ADAM’s MIDI input functionality. Doesn't this mean it hears all the MIDI commands sent to all your other pedals and could potentially be a bit of a nightmare in terms of addressing patches?
  3. Will it take 115? Its a really tight part and the low tension is really hurting me. It just sounds messy. As a rule I use d'addario nickel 165 specifically to keep the tension high since the band tune to Eb by default. Maybe a higher tension string is the answer? I just have two songs to nail...
  4. What can I get away with? I'm recording and I need to drop to C# and I need to dig in. A 105 flaps and rattles horribly. I don't have a 5 string. Thanks!
  5. Somebody beat me to it. I posted on the Octaver thread. There will be plenty of bass demos along soon I'm sure. Janek Gwizdala is bound to do one for a start. I always use a BC1X in front of an OC2 as a safety valve for the input level anyway and other than it going nasty when I occasionally hit the input too hard without it, I've never noticed any major difference in the tracking. Forget it below ~A basically. I'm more interested in the poly-mode latency - something that has so far put me off digital octave down options like the Sub N Up. £120 is around what a s/h OC2 goes for these days so if it only does that one thing well, it will be a hit.
  6. No OC2 Waza but now there's an OC5 then. The OC2 full wet sounded close to me. Definitely has that hollowed out sine wave thing going on.
  7. Sounds exactly like a DI to me. Blend with a cab for more life or use a sim if that's not possible. Just watch the phase of the two signals and be prepared to time align. The riff sounded like New Model Army?.
  8. The guitarist in my band has a Sub 5 for demos and while I'm happy for him not to be able to influence the bass parts too early in the process, I do feel sorry for him. His instrument has started making a noise like a very quiet broken bitcrusher - spitty and gated, no top end at all and really quiet. He did send me a wav but it's embedded in a facebook message and unfortunately I can't download it. It's not the battery. All the wiring is intact and there is nothing visibly wrong with the pre-amp board. He's had it from new and never gigged it, so physical damage is unlikely. He needed to max out the gain on his interface even to record a sound, so the output is very weak. My guess is a cap has gone bad - but it didn't slowly deteriorate, it just started doing it from cold one day. Anyone encountered anything similar and know where to start?
  9. I've had one of these on my board for about 4 years. It's a really good and very clean comp with a really usable range. I never notice it unless I turn it off. It really does need an external PSU though - the internal charge pump doubles the operating voltage to 18v and I reckon you'd be lucky to get much more than 3 hours out of it.
  10. Yeah - it looks like they did them in a bunch of colours but they all come up as unavailable. If they've been available recently though s/h may be worth watching. Those PRO-R ones are silly money though!
  11. That's pretty close TBH. The one I recall was more of an open frame so you could grab it easily, but that would do the job. I'm planning to rack a channel strip, headphone splitter amp, interface and a mac mini as a sort of mobile recording rig that will also not look terrible stuck on a shelf in my music room. My bass and all my cables are red too.
  12. Back in the late 80s, a guitarist I played with had all his effects in rack format (of course!) and he had a really cool rack for it all. It looked like a red plastic milk crate, but drilled for about 6U of gear. It was really light and the handles were built in to the design. I've never seen another one but I remember it being a product rather than a DIY job. I'm on the lookout for a lightweight and portable rack solution at the moment and something a bit less ugly than the standard black ABS type would be nice. Anyone remember these things?
  13. Recording board with all the options I might need. Clean DI before the board. Amp DI after it. Meatbox after the ES5 sending subs to its own track. Mic on a cab to get everything except the subs. The Gunslinger sometimes swaps out for a Turbo Rat. I’d run both but I’d need more power.
  14. I don't earn an income from music, so despite the frustrations, playing out is off the cards. Everything band related is still socially distanced - writing, recording a lot of new material, some outdoor 'live to video' for a local charity event. I did worry that we'd lose momentum, but since jettisoning our demotivated and negative drummer, we've demoed all the instrumental parts for an 11 song album. We've got a single recorded and ready to go but I'm not eager to be in a confined space with drunk people at this point.
  15. It's definitely its own thing, but on some apps I can use it like a regular octave and in some I can't. I need to dig out my MF101 and see what it makes of it. The TRS output is definitely a win and that's how I'm using it for recording. What I do like about it is the 50/50 blend sound into an amp though. It sounds quite like a digital octave down, except with no latency. You have to wind back the resonant filters a bit and watch your volume, and it's totally unlike an OC2 but I could definitely see that being a usable sound. I've not heard the Beefbag. I've heard conflicting descriptions with some saying it's more or less a Meatbox and some saying that he made a Meatbox clone but this was a bit different. Can you comment?
  • Create New...