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Showing content with the highest reputation on 19/02/20 in all areas
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As part of my astrophotography hobby, I have software that takes multiple images and averages them together to bring out faint details and hidden shapes. You can then apply techniques like deconvolution and contrast enhancement to achieve a striking but accurate image. I thought I'd try applying this technology here, so I've fed in all of your different favourite basses, and this is the result:11 points
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8 points
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I probably need to do this quickly so I don't regret it too much... (I will) Comes with an official Bergantino cover (that has signs of wear and some minor loose stitching, but that just shows that it has been doing it's job - protecting the CN212 within. No shipping currently UNLESS I can find a big enough box and essential packing. £660 please - I may entertain specific trades and will get a list together, depending on my needs. I'm not gigging at the moment and thus I only need one full bass rig, my Bergantino amp and a pair of matching Bergantino cabinets. So this one is on it's way out to pay a few bills. From one of the finest bass cabinet designers of the 21st Century comes a new range of lightweight cabinets using cutting edge Neodymium speaker technology coupled with advanced lightweight cabinet design. Using only the highest grade lightweight void free Baltic birch and precision built custom drivers, this new range of cabinets from Bergantino Audio are already another hugely popular addition from this established company. The Bergantino Audio Systems ‘Carbon Neo’ CN series of lightweight speaker cabinets nod their head to the traditional HD series but have a different function. These are the lightest speaker cabinets that we make. The precision tuned cabinet architecture and the enclosures are built with the finest lightweight Italian poplar plywood (with Baltic birch baffle boards) selected to our specifications. This lightweight cabinet material (along with the lightweight magnet material) helps reduce the overall cabinet weight. The lightweight carbon covering is used for cabinet cover material and is also lighter than the traditional tolex covering found on most speaker cabinets. A rigid black grille is added to protect the drivers from damage. The internal components used are extremely high quality and they are of Bergantino design. No ‘off-the-shelf’ parts are used. Woofers with Neodymium magnet material are used for the low frequency section of the CN series cabinets. The Neodymium drivers have a punchier low-end and a very sweet midrange that is placed a little more forward in the sound field when compared to the HD series. Fretless and upright players will often prefer the CN cabinets because of how the midrange ‘speaks’ with their instruments. The CN series cabinets have a high intelligibility tweeter mated to the woofers through a custom designed phase-coherent crossover with a tweeter control. Because of the increased cost of the Neodymium magnet material, imported wood for the cabinetry and the unique covering material, the CN series speakers cost more than the HD series, but may just be the right match for your playing style and weight needs. Model CN212 specifications: •2 x 12" Custom Neodymium drivers with 7 oz magnets •high intelligibility 1" tweeter •custom phase - coherent crossover with tweeter level control •Precision tuned 100% Baltic Birch cabinet •power handling - 700 watts rms •frequency response: tbc •sensitivity: tbc db @ 1 Watt/1 meter •2 x 1/4" and 2 x neutrik connectors •impedance: 4 ohms •dimensions: 31"H x 18-1/2"W x 15"D •79cm x 46cm x 38cm •weight: 46lbs/20 Kgs Image and text borrowed from Bass Direct's cached pages (Google search)6 points
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Surprised no-one has mentioned these yet. They were quite different when first appeared and very well made. Bit expensive but if i had the chance i would buy one. Alembic.6 points
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Reduced to £2200 plus postage. The eagle eyed among you may have noticed I've listed this bass before... It's a tough one to let go of, but at the end of the day, it's not getting the use it deserves. As I still absolutely love the bass, it will only be leaving me for either the price stated, or a suitable trade (UK only). *UPDATE- I may consider sensible offers This bass is fantastic. I’ve never owned such an amazingly well balanced and well crafted instrument. Each note, from the low B (big thumbs up) to the A at the 26th fret rings perfectly with sweet resounding loveliness. The neck is incredibly warm sounding for a composite, and it does not move. You could take this bass from sub zero to sub tropical and I seriously doubt the neck would move even a mm. Fancy changing the gauge of your strings? Bang whatever set you like on, you’ll not have to worry about the setup. All this makes this bass the perfect touring bass. It’s smooth, it cuts, it has punch, growl. It’s a great bass. And it would probably cost about twice as much to buy new. It’s in great condition aside from a couple of minor dings on the bottom (just scratches in the poly finish), that to be honest I totally forgot about, so I will try and photograph them too. Has a Bartolini NTMB preamp (which is a big improvement, in my opinion) fitted at present, but will be sold with the original preamp also. - Spalted Alder body with master grade Redwood Burl top - 26 fret Composite Neck with abalone inlays and matching headstock - Black hardware (Zon bridge, gotoh tuners) - Bartolini Soap Bars - Zon/Polyfusion preamp The only trades I’m really interested in are 34” 5 string MTDs, Elrick Evos, Ken Lawrences, Adamovics, Mattissons or perhaps maybe those ones with the purdy butterfly on the headstock Pics and sound clips at the link below (use headphones!). https://www.dropbox.com/sh/l31amla3z028usr/AABsCIFqWGMjpy4RRjxXnScfa?dl=05 points
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Hi everyone A couple of interesting old Fenders turned up at today's rehearsal. #1: A 1963 Jazz, all original apart from a refret. This was used to record the ceilidh set on Mark Knopfler's Local Hero OST, and used in the performance in the film. #2: A 1972-ish Musicmaster, formerly owned by Lindisfarne's Alan Hull. Both wonderful to play. It was nice to spend a bit of time with them.5 points
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5 points
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Day three... we're starting to relax a bit. ha ha. One of the songs has a particularly complicated arrangement that we've had to pore over a bit, but apart from that we've been able to play through the rest of the set mostly without incident. Only one key change surprise, which I consider to be a lucky escape. Another day in the rehearsal hall, and then we're into the arena tomorrow night...5 points
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This is making the trousers twitch at the moment too...prefer the mk1 shape though...5 points
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Twerp Your missus will replace you with an anglepoise lamp - it's brighter than you and is prettier, SkinnyTwerp! Ps. Hi, Mrs Skinnyman5 points
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Oh dear. I do love SD very much. In fact my love of SD was the subject of the best man’s speech at our wedding do. In a Malaysian restaurant in Crouch End. I will not hear a word against them. This thread does not exist.5 points
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4 points
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Now sold pending the usual. I took this in trade towards the end of last year and it’s a fantastic instrument, every bit as good as the reviews say. But after years of trying I’ve finally come to accept that 5 strings are not for me and it’s way to nice a bass to sit unused in my back bedroom. Condition is fantastic - it still has the plastic guard in place that sits between the controls and tells you what they do. Comes with a really nice Yamaha gig bag and user manual. I don’t have the materials to safely ship this so I’d prefer collection or a meet somewhere - I’m up on the Lincs coast but can easily meet anywhere along the A1 corridor from Wetherby all the way down to Stevenage or Welwyn. PM me to see what we can arrange.4 points
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Just heard back from the lady selling this bass in Leeds, jamir15 is definitely duplicating listings and is a fraud, if you see a bass being sold by this seller beware!4 points
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I love an offset design and would love to own an Ovation magnum one day. All of the models are ace, but this is my favourite.... The Lakland Decade is gorgeous too4 points
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Well plenty of evidence here that... it's a matter of personal taste. Interesting to see a third version of what a volute is (clue the original word means snail's shell). I also quite like this which may have a 'P' pickup but manages not to look like one:4 points
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Breaking news.... man doesn't like something other people like.... 😂4 points
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Back in ~2006, Gibson made a limited run of SG basses in non-standard colours including pastel pink and TV yellow. I have long been a fan of TV yellow (Johnny Thunders, Buzzcocks etc) and so have been on the lookout for one for absolutely ages. This popped up a month or two back on Reverb and, after a decent price cut, I snaffled it. Its in superb 9.9/10 condition, weighs a shoulder-friendly 8.1 pounds, typical SG short scale ... and its minion coloured according to Mrs C 🙄. Great alternative to my 1971 Mustang. One happy bunny!3 points
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3 points
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3 points
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I used to listen to a lot of rap , and one of my favourite albums is , The Chronicle by Dre , I still have the battered original copy, well worth a listen3 points
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3 points
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As an aside, the first bass player I noticed was Kelly Groucutt. The first band I really got into was ELO and at some point I realised you could listen to a song focusing on different instruments and that's how I discovered basslines.3 points
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3 points
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Well, I'm honestly surprised at how absolutely fecking good this sounds! I don't know why I'm surprised, but I am and it's glorious. When I die from spinal compression (8-10 days) have me buried with these...3 points
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And presenting: my 2006 5BSREG quilted maple top with walnut core. Not quite a NBD because I've had it a few weeks now. The tone and playability are exactly what I was after, and it sits so well in the lap or strap. Unfortunately I've only gigged it once, when the IEM mix failed and there was only a Marshall 10 inch guitar amp to monitor from! But I could certainly feel the low B-string notes in the venue . I'm looking forward to hearing it properly with the band next time, and it should just need the Radial JDI to FOH and maybe a bit of onboard preamp tweaking as necessary. It also sounds terrific for home practice through the DAW/headphones - no hiss, and very punchy. It came strung with Sadowsky Blue Labels, which sounded very fine indeed, but I noticed that they did not quite sit in the bridge notches. This was affecting the action, so I swapped them for the KS taper cores that were included in the case, and bingo - excellent action and 'that' tone. Super pleased with this, and with my trusty Bruce Thomas Profile as 4-string P bass I honestly think it's the end of GAS after 35 years. And yes, you can have that in writing.3 points
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It could, as thermal power is limited mainly by the gauge of the coil. However, as you pointed out, to realize 126dB at 62Hz would require an xmax in the vicinity of 25mm with at least 96dB sensitvity. There's no such thing as a driver with 25mm xmax that has 96dB sensitivity. A 25mm xmax driver might have 86dB sensitivity, reducing maximum SPL by 10dB. Phil is being kind to say that they're trying to deceive. I'm more inclined to call them as I sees them. They're peddling a load of BS. The combination of 126dB continuous (dB SPL @ 1m) with frequency response: 62 Hz – 20 kHz (±3dB) from an eight inch woofer loaded cabinet of that size is impossible to realize, by a very wide margin.3 points
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Leo didn't get everything right the first time. This isn't 100% right either, but it's bloody good. I should know - owned 3, sold 2, regretted selling 2.3 points
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Just chiming in. At this stage in my life I just need to be making money to supplement my part time job and avoiding the need for childcare. It also allowed me to secure a mortgage as I could show a regular income. For this end the cover band/ wedding band role has been perfect. A regular income in the music business is hard to come across but a busy wedding band provides that. It depends on your life situation I guess.3 points
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3 points
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Say you needed a new fridge for the practice room. Your drummer will be laughing all night long and maybe until the end of the week. Now you need to buy a full tube 1200 Watts head weighting another 70 kilos. Are the dampers of your car ok ? 🤣3 points
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This thread is quite interesting in what it tells me about P and J basses. Take them away and with a few obvious exceptions (Rics, T birds, semi acoustics ) most everything else looks hideous. * Not all, but most. So perhaps it becomes increasingly obvious why those ubiquitous fender shapes remain the start point for so many manufacturers. The Aria Proll SB for me is the exception to the rule. *personal opinion expressed as fact, not actually a provable proposition.3 points
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3 points
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Fcuk 'em, he had every right to say them. Too many people complain about modern music having no depth and meaning but that was a brilliant, stirring performance with a real point to it.3 points
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3 points
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Traditionally speaking, the 'good bits' are Peg, Josie, and Deacon Blues. Whether or not you like any of those is, of course, another matter. It's worth bearing in mind that Aja is NOT the best album by Steely Dan, not by a long chalk. The easy winner is a late-period double album called (IIRC) The Best Of Steely Dan.3 points
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2 points
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This probably illustrates it more clearly? : The fret positions for each string is fixed mathematically, appropriate to each scale - in this example, the G at 31", the E at 33" and the other two strings at their respective intermediate scales. But where the E scale and the G scale start and end is up to the builder. They could both start at the same place at the nut (top example) and the whole 2" difference will be seen at the saddles Or the G could start 1" inset at the nut, (like the middle example), which will mean that the saddle will be 1" inset too Or the saddles could start in the same place at the saddles (like the bottom example) and so the whole 2" difference taken at the nut Or multiple combinations in between or beyond! In the case of Pete's Piccolo, I decided to have the nut almost perpendicular and take the bulk of the offset at the saddles: And so the slant of the lower frets was pretty modest but it gets steeper the further up the scale you went. In this case, the perpendicular fret was probably the 2nd fret. But it was only a 1" difference between the E scale and the G scale so the angle at the upper frets and saddles were still acceptable. The E saddle is pretty much 1" further to the back than the G saddle, representing the two scale lengths. Doing it like this, most of the frets are angled in the same direction. In Tom's case, I have a 2" scale difference so if I had made the nut perpendicular, then the upper frets and saddles would be very angled indeed. So I decided to position the G string nut such that I would have the same angle at the nut as at the bridge, albeit in opposite directions. To do this, I positioned the G string nut 1" towards the tailstock compared with the nut position for the E. The bridge saddles line isn't marked here, but it will be the same angle as the nut, albeit in the opposite direction, with the G saddle being 1" offset towards the headstock compared with the E saddle. So here there is an angle change and - where the change happens is the mid point, which is at the 12th fret in both cases: For someone who likes building necks and fretboards there could be many a happy hour making all the variations to see which felt best to the player or which gave advantages or disadvantages relating to pickup positioning. Happily, that someone won't be me2 points
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I often debate a Stacked knob set up for mine, but I don’t want to mod it. A CS64. Also has the pleasure of tweaking @sshorepunk’s similar (but not the same) CS64 last week which was also in the realm of “best Jazz I’ve played...”2 points
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2 points
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"Oi love, pass us the aja - the sausages are stuck to the steely pan again" 🍳2 points
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Wot even is a 'Aja'? Sounds like an oven cleaner, or a brand of spatula. Steely Dan = beige. *hides*2 points
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I think there is a difference between hatred and letting people know actually his stuff is real and still goes on, if you listen closely he talks about rehabilitation being needed, and the need to show more positivity. If we take the race side of things out of one of his points, is it not a tragedy that people from Grenfell towers are still homeless? Maybe race/poverty/social class is an issue there. You can probably safely say if a block of penthouse Appartments in Chelsea or Park Lane or somewhere like that burnt down, something may well have been done by now....? Being different from the ‘norm’ is an issue whether it’s race, gender or mental health, private vs state school education, North vs South, fat, skinny etc. I do reiterate this that I wager most people on here are moderate, so none of these things are issues for them as they would not see these ‘differences’ as barriers, it’s uncomfortable because it feels wrong as you/we know better, but for the majority of folk out there they will see a difference and discriminate. I don’t mind telling a story. Rugby club I played at had an old dear who did the teas, brilliant lovely woman, kind of one you want for a gran or a great aunt. She came out to the others and me one day with “I don’t like black kids, they are always up to no good” Obvious response was, “You cant say that! What about Cuzzie?” (I is a bit black) ”Oh not him, he’s different” and I get my usual cuddle. No madness from me, it’s the exposure she has had, but she slowly changed her views. Many people won’t based on ignorance, or even worse actively discriminate. This stuff needs to be out there, and people who are moderate need to be encouraged to have a word if they see something not socially right going on, it’s the ripple effect. This music will reach much more people in a way compared if he wrote it and placed it in a blog, or in print, and hopefully do some good as well as provide enjoyment.2 points
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No matter how I look I keep coming back to the Ibanez SR body quite different sounds, which I put down to the pickups. The 400 on the left is heading to a luthier at the weekend to be de-fretted.2 points
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That’s an awful lot of money. How do they justify that? Their overheads aren’t going to be the same as a band playing the royal Albert hall for instance, which was the venue for the last big gig I attended when I saw Steven Wilson there two years ago. I think I paid about £30 for that. A friend of mine saw King Crimson at Birmingham symphony hall, that was £50 for a three hour show.2 points
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Oh dear ..... I am getting out of this thread fast. Mooooooooooooo!2 points
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Exactly. The HA series is great. Just put a 1000w class D in it. Job done. But no. Let's discontinue the 5500 which is well beyond its alleged 500w output. It's just devastating. Total morons.2 points
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2 points