Leaderboard

So, with the missing knob arrived, final finished pics As always, thanks for the fantastic support and tips and tricks you have all generously given along the way

You should like Rick Wakeman for this alone ......

In the end, it's your choice whether you have a car or not, and it's the band's choice whether they are willing to take on a member who doesn't drive. For some bands, that won't matter, for others it will be a deal breaker.

Back in the early '70's, I played in my first band. We had a set list of 28 songs, 18 of which were Wishbone Ash numbers. It would be fair to say that we were a Wishbone tribute band. Anyhow, we split up around 1978 and having not seen some of the guys for 40 years, we're having a reunion jam in Glasgow on 3rd February. Last night, I contacted Tim Brown, the drummer with Martin Turner plays the music of Wishbone Ash, ( A legal complication with the name) to find out what strings he uses on his Thunderbird. Tim was kind enough to get back to me this morning with the info I required. I just want to give Tim a big up for being a thoroughly nice chap and a great drummer.

Try these guys. They recovered my bassman and did a really great job. They could build you one http://www.zillacabs.com/

I'm lovin' the Aria. If you score any Matsumoku made bass in excellent condition as you have, you really can't go wrong.

I would say that the only responsibility the house band has is to hand you an instrument that is in tune. That's not cast in stone either. I'd love to agree with you though. I've done an Open Mic where I've been caught out by an insistence that I play the house bass despite having my own with me. I was stood in the wrong spot for the monitor too because the cable was short and routed badly. I was more crap than usual because of it so I get your point. Next time I went to that pub it was with @PaulWarningand Wendy as their guest. I suppose because we appeared as a trio for the first few numbers I didn't get pressed into using the house bass. I was still rubbish but I felt much more capable and probably sounded a bit better too. When I came away I revised my ideas about these sorts of sessions. Like yourself, I will always want to play my own bass but I am ready to go regardless. Getting asked to step up when you aren't ready is also something I have experienced. It didn't go very well but it won me the notoriety of a short piece of video on twitter when someone kindly clipped out a relatively botch-free part of my meagre effort. I did have my own bass for that but I could just as easily been handed the house bass. My point is that you can't predict what you'll be given but you are expected to make do. I see it as a necessary part of my development on my way to becoming a well-rounded player to meet these circumstance and cope. 'standard set-up' - what is that anyway? We had a thread a while ago where BC members compared action at the 12 fret. I'm still trying to pick the bones out of that one. Oh yes, OT; my housemate gave me a lift to the local OMs and I got a taxi home each time. @Len_derby was kind enough to invite me and give me a lift to the other OM out of town. Last year was the busiest bass year I've had. That's not saying a lot by average standards but it is a booster for my timid ego. This year I aim to build on it. No car though. Wish me luck.

Art is not the artist. go back 100 years and it’s likely every piece of art was made by a racist. Another few and you’ll find slavers.

Wow! Really nice Spector and a lovely bit of firewood! [JOKE]

I've got a Korean Spector - love it - easily as good as the Euro LX 4 and 5 I had around the same time - glad you're enjoying it as much as I knew you would. I've been looking for one of those Arias with a broken headstock so I can have a headless system installed - if you decide to smash it up, let me know.

Two iconic basses. I've owned Korean Spectors and they're superb. Well done.

I'm with Q on this one - not seen / heard anything so far that makes me think: 'yup, that is going to be amazing in a band mix'. Definitely glad I backed out of getting one new at the end of last year, due to slow supplies! I'll maybe pick it up third hand after Cameron's bought it off Mr Gisser in Cam's 2018 Black Friday sale...

It's unreasonable... to YOU. But not them, clearly. I know where you're coming from, 'though. You sound like a person who will be at the required place at the required time, regardless how you have to get there. But for a band who doesn't know you well, that attitude is an unknown quantity. It's a risk. Words are just words. I know people that I know I can absolutely rely on, and will never let me down. But I also know people who are lovely, yet I wonder how they managed to tie their laces in the morning... and the first time you meet both types, they seem almost identical and they all talk the talk. Some people may be more trusting than others. Some people may have been burnt before and avoid certain situations at all costs... It's nothing to do with fairness really.

I run four of them, 2 on my big rig board and 2 on my doubling board (I mount the receivers underneath, connected to power Voodoo labs psu and run them to an ABY switch) Never had any dropouts or anything. Once of them has a dicky battery door so I just use a rubber band to hold it in place. They all are in the Neotech strap pouches designed for them and the one with the dodgy battery latch and rubber band go on my upright's tailpiece so no worries about it moving about or anything - so the metal belt clips aren't a concern for me (they are flimsy). I run mine with Eneloop rechargeable batteries (the black ones) and never had a moments grief. I have run them continuously to test capacity and have got just over 7.5 hrs from the black ones and 5.5 from the white ones.

there are some very distinct similarities. I listened to thirty seconds of it and that was 29 too long.

I know it's a guitar but never the less, I reckon that's the mutt's baubles mate.

Have a listen to the Peel Session version on youtube, it`s much clearer to work out what exactly is going on.

Here's a bit of a crazy idea re home made knobs. It seems really hard to find bushings to insert with an internal spline to use with standard pots - I believe the spec is T18 - or T24 for the fine splined knobs that I think CTS use (just to be awkward). However I did find these https://www.thonk.co.uk/shop/knob-insert-for-diy-knobs/ ...though these are splined on the outside (and not the inside) to fit into a hole, and have a set screw - so you could use these on smooth shaft pots with the flat on the side. They may well work on normal splined shafts as well given the set screw would lock on to the shaft OK. Then I saw they also sell these "micro knobs" https://www.thonk.co.uk/shop/micro-knobs/ ... which are set up to go on a T18 splined shaft. So in theory you could drill a hole the outer dimension of the knob and then glue the whole knob into the wooden outer casing. A couple of strokes of the hacksaw to score the knob to give the glue something to really grip into and it should be pretty solid. That doersn't help with the fine splined T24 style pots though. R

So nice. Top work, as ever.

Hang on, hang on! Brain wave. Behringer XR18 / Midas MR18 is an interface as well as a mixer! ipad/android/pc/mac control. Midas would probably be the nicer out of the two to have if you want to do recording at home as the preamps are a little bit nicer than the standard ones on the Behringer.

Yeah, I watched the tv prog about that, looks like the whole band, but particularly John Lydon had a ball doing that. From the footage shown I`d say they enjoyed playing to the kids and having a cake-fight in the afternoon much more than playing to the adults in the evening.

I think a lot of musicians mellow out once they grow up, they just settle into being reasonable chaps who mostly realise they have been extremely lucky to have had a successful career in music. Having said that there are plenty of exceptions and then there's John Lydon who remains as acerbic as ever and, frankly, long may it last.

I was involved in a a fairly unpleasant motorcycle accident (for which the other driver was wholly responsible, and admitted so in court) which left me very twitchy about driving when I was able to do so again. I had a course of CBT which I was very sceptical about, but which turned out to be very beneficial.

How about https://www.thomann.de/gb/the_box_ma5.htm

Classic Rick.

It's a toughie...I always enjoyed Michael Jackson's stuff (the big 3 albums anyway, Off the Wall, Thriller, Bad) not to mention playing it. PYT is one of his best tracks IMO, but when I hear it these days, it's soured. It's pretty overt, just the title alone. So much so that I probably wouldn't actively put it on to listen to myself. It's not a contrived reaction or anything, more of a natural repugnance that has developed unconsciously. To his music I mean, not to what he almost definitely got up to, cos it goes without saying that that's just above-ground repulsion. But I wouldn't castigate anyone for listening to him, I don't see it as a reflection on them in the slightest.

It does make a difference (to me) what type of person they are. I haven't read the Gary Glitter thread but my opinion of Metallica ( the band members) plummeted after watching Some Kind of Monster.

WRT all the 'not stackable' complaints. Has anyone tried running a Pork Loin into a Muff type fuzz? i.e. Would you even want to stack this combo? I pair mine with a Rat - which works very well for my purposes, but I'd imagine with a Muff, it would be very dark and possibly not that usable. I'd assumed the logic here was two flavours of quite dark drive.

I know what you meant and I made my point probably a bit too harshly. What I should have said was "you can still be reliable with public transport." 😊 That situation was very disappointing. Let's face it, we've all been rejected from bands due to ability (not enough or too much), style, image or whatever, but when you nail the audition and then get thrown out for "non-musical" reasons like not having a car when no mention of how much of an essential criteria that this allegedly was it really grates.

Being able to turn up and play with minimum fuss counts for a hell of a lot. Because the hobbyist will be being ferried about by another hobbyist who is potentially now finding it less of a hobby.

Slightly of Topic but I only just found out the Guy from Boney M didn't sing on any records , it wa the German producers voice

I probably wouldn't listen to the material but I'd have to say 'Rock and Roll (Parts 1 & 2)' would feel more acceptable than 'Do You Want to Touch Me'.

My father claimed to have sold him drugs, (great romanticist was daddy), one of his many tales, along with being spat on by the stones in Chelsea somewhere.

Yup, can't disagree with that! Here's mine, beautifully refinished by @Grangur of this estate. Maybe you should let him loose on yours, too, and he'll be able to turn it into something worth nearer £400 rather than £40?

I wish I mever sold mine now 😔 I might get some more and put them in my jazz, then sell on the SDs that are in there at the minute

They should put the price up, they'd have plenty of interest then! Very much enjoying the Entwistles on my Jazz bass. They're the ceramic ones, not the neo ones, but they're just amazing. Really nice single-coil vibe. They sound more like Jazz bass pickups than, er... Jazz bass pickups. Or something.

@Al Krow does Mrs Krow know you are considering an acquisition or a DOWNGRADE trade....?

Personally I'd be put of listening to anyone with Gary Gilters rap (I did see him live 3 times and loved the shows). Having said that I know you can take this to any level you like regarding the behaviour of an artist or sportsperson etc so I'd not judge anyone who still listens to glitter just because it puts me off his music Listening to someone doesn't make you like them after all Also , I'm not sure if his band get anything out of sales etc but it's a shame for the band they also have been written off by many . I suppose it's like one hit wonders who where on TOTP with Savile , they'll never get aired again on reruns despite it not being their fault

Of course this guy is an idiot. I hope he doesn't buy anything made in China. To do so would be to support a nasty, vicious, totalitarian state the crushes personal freedom under foot.

"Complicit" gets to the heart of it for me. If I listen to this music, am I somehow endorsing the views of the musicians? If I buy (for example) eggs laid by caged hens, I am absolutely complicit in the cruelty to those hens, because my money is going back to the people who inflict that cruelty. (That example comes to mind because I've been dealing with it this weekend.) If I listen to Motown, am I complicit in their exploitation of black musicians? I now know that my most ever favourite blues rock guitarist is a Trump supporter - should I let that ruin my intense delight in his guitar playing? Those two are actually different - one is historical and one is now - that seems to matter, but should it? If the music promoted the nastiness, then no. I would never play in a UKIP band, or buy their cds even if I liked the sound. Personal connections are different - I'm lucky that I only have music I wouldn't otherwise like, made by friends, so I go with it for the sake of friendship. If I had negative personal associations with a particular musician, I probably would reject their music too - but that's about emotional resonance, not complicity.

Lake Placid Blue! Yay! ..and tort. Wut?