Rubbersoul

I take your point. Thankfully I've not had this happen to my gear but if it did I would be royally whizzed.

I’ve only ever played multi band gigs and gear share was always agreed in advance. I think the best way (as I think has already been suggested) is for every band on the bill to bring an item of backline. To me, that means everyone is invested fully in the gig and makes for a more enjoyable event. I don’t have boutique gear though, it’s all second hand, hard working and sturdy as a sturdy thing.

Any of the bass channels I’ve tried were a bit dry (although there are some on here I haven’t seen). I also dabble in the dark side that is guitar and I always enjoy guys like Ryan Bruce and Ola Englund because they are light-hearted as well as providing reviews, tips etc. Are there any of the channels listed in that sort of vein or does anyone know of any?

I’m really not a fan of jazz but this is undeniably cool. Most excellent.

Wee.bit of Billy Bragg. Excellent stuff.

Here’s my band Crackhead Control. We played a closed set in memory of an old mate of the singer. It was he who talked our singer Billy into forming the band. Anyway, here’s a wee tune called Johnny Won’t Play Those Hippy Games. We’re a punk band, no apologies 😂 https://www.facebook.com/100000196504020/posts/4258973617452480/

I’ve used Lightworks with some success. Yes it is tricky to get the hang of but once you figure it out it does everything you could ask for. Also, it’s free. Here’s a link if you want to check it out. I have no background at all in video editing, just figured stuff out from the tutorial videos and the forum. https://www.lwks.com/index.php?option=com_lwks&view=download&Itemid=206&tab=0

Hi, Just thought I’d share a review I received today of Plague Doctors debut ep, Outbreak. It’s from Ragged Records and I hope it’s ok to post it here 😎 Superb beginning! This is a nice thick slice of well-produced dystopian heavy rock. I really like the inclusion of the voice over sections in 'Reality Check' lending an unusual political sensitivity to the sound, it’s worrying music for disaffected times and works well. ’ Creature’ is equally appealing, with a huge sound despite the programmed drums (be interesting to hear this band with a real brute of a live drummer). The lyrics are excellent I thought, capturing the paranoia of these times perfectly. ’Oblivion Seeker’ has a real sleazy crawl to it, and on this track the machine drums add to this beautifully, - like being caught in the cogs of a nightmare. I could imagine driving across Trump’s America with this on the radio, and that voice sounds genuinely pained/half insane, just right. ‘ Forgotten’ is blessed with a superb bass sound you could bottle and sell on its own. This is impressive and accomplished new rock, mined from the deep and the dark. Reviewed by Ragged RecordsSuperb beginning! This is a nice thick slice of well-produced dystopian heavy rock. I really like the inclusion of the voice over sections in 'Reality Check' lending an unusual political sensitivity to the sound, it’s worrying music for disaffected times and works well. ’ Creature’ is equally appealing, with a huge sound despite the programmed drums (be interesting to hear this band with a real brute of a live drummer). The lyrics are excellent I thought, capturing the paranoia of these times perfectly. ’Oblivion Seeker’ has a real sleazy crawl to it, and on this track the machine drums add to this beautifully, - like being caught in the cogs of a nightmare. I could imagine driving across Trump’s America with this on the radio, and that voice sounds genuinely pained/half insane, just right. ‘ Forgotten’ is blessed with a superb bass sound you could bottle and sell on its own. This is impressive and accomplished new rock, mined from the deep and the dark. Reviewed by Ragged Records

Thanks for all the comments folks but I have discovered a slight issue I could use your help with. Was having a noodle today and I’ve noticed a strange buzz underlying clean notes. It’s almost like it’s farting out (odd description I know but not sure how else to put it). It definitely sounds electronic rather than anything loose. There’s no crackling in the pots and they adjust volume and tone as you would expect but do you think the problem could be there? Thanks.

Was blown away by the generosity, honestly. When he said he was giving it to me I genuinely thought it was gonna be something I’d need to work on. Nope, it’s excellent as is, it just needed a good clean, some switch cleaner on the pots and jack and some lemon oil on the fretboard. Lovely low action, intonation perfect. Set of Ernie Ball 45 - 105 and it’s a growling beast of a thing 😁

Was given this bass yesterday. Made in Japan, early 90s from what I can tell. Was filthy but, once cleaned up and restrung, it plays brilliantly. Oh, there was a hard case with it! 😁😁😁

Cheers 😁

Thanks for the feedback. I’ll look into that, although I did try several different systems to check the mix, as did the other 2 guys in the band. Glad you liked it overall 😎

Hi folks, here is the second release from Belfasts’ Plague Doctors. The bass, guitar and vocals were recorded in a pro studio but produced and mixed by me in my home studio. Blast it out and enjoy!

Steve Ignorant with Paranoid Visions this month. It has at least been rescheduled for next year.