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Showing content with the highest reputation on 19/05/20 in all areas

  1. Beautiful example of late 80’s Doug Wilkes Fretless, set up by himself about 5 years ago. Brazilian mahogany body, Canadian rock maple neck, Indian rosewood board, Schaller hardware. One humbucker and one neck set piezo pickups. Sounds and plays like a dream, fantastic value for money.
    7 points
  2. At last the joke becomes reality: Defendant: “He attacked me with his guitar” Judge: “Hmm, first time offender?” Defendant: “ Yes sir, a Precision I believe”
    6 points
  3. I reckon if @BigRedX was burgling a house and saw a Precision (even just on a stand) he'd put everything back and leave 😂
    6 points
  4. NOW £950 cash price (collected or meet within 100 miles of Darlington) £950 couriered IF buyer organises & pays for courier £1100 trade value. 2016, with Sandberg gig bag, OR cheapo, flimsier than the Fender version (but good condition) tweed style hard case. The colour is similar to the Mark 11 Steve Harris Precision Weight 8lb 6oz. Hand aged by Sandberg's staff. This spec on a Mark 11 would be over £1700. Plek'd, zero fret, 40mm nut, so between P & J specs, vol (active/passive, push/pull), pan, treble (which also acts as a tone control in passive mode), bass. 6 bolt Canadian Rock Maple neck, rosewood board, light Ash body. I bought some sticky marker dots for the fretboard, but didn't need them. They are included in the sale. I gig share in a band so I'm not going to be out much when we finally return. 3 very expensive basses is a luxury I don't need at the moment, hence the sale. Will meet within 100 mile radius of Darlington, social distancing to be observed. NO BOX to courier in, sorry. Lovely bass, reluctant sale so please don't think anybody will hammer me down, happy to keep it for a while yet. Feedback linked at end of advert, keep safe & thanks for looking.
    5 points
  5. Just stumbled upon some Suzi Quatro 'The Bass Line' Lockdown Videos She's posted about 34 so far, If its your bag fill yer boots !!
    5 points
  6. Please look at the official statements from CITES or NAMM. By 2019 CITES decided to confirm an exception to CITES II for Musical Instruments. CITES II was effective since 2017 and contained restrictions on a lot of Dalbergia and other wood species like all Rosewood, Cocobolo, Bubinga etc. The restrictions keep to be effective now but because in Musical Instruments the part of these woods are quite small CITES accepted an exception. Brazilian Rosewood is listed since 98 in CITES appendix I and has been banned for all officially undeclared exports. And this appendix I is NOT changed by the exception rules of 2019 ! By the way - Export from Brazil is forbidden since 1968 ! So unfortunately it is still risky to ship Brazilian Rosewood across EU borders. In between EU across all countries (and until end of 2020 for brexitted countries) there is no risk as it is an unregulated trade zone. I am not sure whether flight passengers from UK to Germany have to pass the customs since Brexit. I don‘t think so. From Jan 1st 2021 this will happen. Do not underestimate the knowledge of customs guys ! In Germany they are well trained people !
    5 points
  7. <<<< SOLD >>>> Xotic Jazz Bass 4 string, Trans Blond, in fantastic condition. Built in Japan in July 2010 and factory fitted with Lindy Fralin single coil pickups with wooden covers. Vol, Vol pots with just/pull on vol1 for active passive and push/pull on vol2 for series switch. 3 band Xotic IQ High and mid frequencies dip switched are on rear panel on this model - gives a cleaner look than on the front! 21 fret maple fingerboard Comes with two pick guards , the original white one and the black sparkle one i had made and is currently fitted. I'm really struggling to find a mark on it, testament to the quality of the finish and how well its been liked after. Frets, truss rod are all as they should be. Weight is 9.5 lbs (4.3Kg) I personally loved the bass in passive mode when i was running it with Dunlop flats and combined with the Franklin pups sounded lush. I tended to then just switch to active when i wanted the extra boost. I just recently strung it with DR Hi-Beams and in active ode will do a great modern jazz thing. Price is £1125 I'm in Pinner HA5 and you're welcome to collect(from my doorstep!) or i can ship across EU in a hardcase.
    4 points
  8. My carefully thought out rationalisation plan rolls forward. In no way am I selling a bunch of stuff I bought last year just to buy a whole pile of new shiny stuff this year. 😬 I have become the proud owner of an Ashdown RM500. And its blooming lovely. Bought from @Chris1127 of this parish, the idea is to pair it with the Ashdown 12" cab I bought last month. Giving me a modular system suitable for rehearsals, smaller gigs and with the flexibility to handle bigger stuff too. Essentially a 2x12 with a 500w head. First impressions. Does it replace my ABM? Kind of. It's similar but different The drive control is way dirtier than it's counterpart on the ABM, the tone controls slightly less flexible. But it has a shape button which Trace Elliot lovers will warm to and some others won't like at all, needless to say I love it. A variable compressor which feels pretty aggressive, a good thing to my ears, reminds me of the TC Electronic spectracomp toneprint I put on my BG250. Main volume is a nice tactile dial; let's you feel each increment as you turn it. It's a comfortable one hand lift, rather than an easy one, the handle on the top is well sited for balance. Oh and it's loud. Really loud. I've not had the needle close to the red and kept the master at the first click! What else? The cab and combo are not a perfect match as the feet are on the side which puts the horn at the bottom on one, top on the other. A bit of an ocd challenge, but the speakers not quite lining up may be for some physics or other so I'll live with it.
    4 points
  9. Yet another use for a Precision. These basses are more than a one-trick pony.
    4 points
  10. The last couple of days have been about the final knockings - final shaping and refinishing of the neck, set-up and strap buttons I had built a couple of tweaks to help the balance but the main one - fitting Axesrus' wonderful lightweight aluminium tuners - was dashed because of (presumably Covid-related) non-availability. Instead, I have fitted some really, really nice open gear Hipshots - but, honestly, they are quite a bit heavier than the Axesrus ones. But when Matt tried it out. I watched how he played and we discussed that yes - he does want to get to that 24th fret..and with his thumb wrapped round and so the back button wanted to be in the 'traditional' place if at all possible. But what I do (with all of my builds) is first fit the back button, then pop a slippy strap on it, over my shoulder and, holding the strap in various positions while supporting the guitar, gauge where the balance was going to be. And it looked like we could get there. So on went the back button (and nowhere near the 'goldilocks' zone of 12th -13th fret I always recommend!): ...and then popped a slippy strap on and hands off... So, whatever position Matt likes to play, it should be absolutely fine Final bit of polishing up tomorrow and it's ready to go to Matt. So one last glance before it goes into the gig bag: Yup - that'll do Thank you all again for your kind words and encouragement along the way - always immensely appreciated
    4 points
  11. Up for sale the original Gary Willis GWB-1 fretless bass by Ibanez. The thickest low B imaginable. The previous owner has done some great mods: the fingerboard has been refinished with cyanoacrylate the signature from the headstock has been removed tuners replaced with Hipshot Ultralights The bass has overall very little wear. Included is : the bass, the original hard case, original tuners. This indeed is a PRO instrument and a keeper. The reason I'm setting it is I switch btw. my fretted and frettless quite often. With the fretted having a 19mm string spacing I never really got used to the narrow string spacing. It makes my fingers stumble and simply does not feel natural. I'm also open for trades: fretless, 19 mm, bring it on
    3 points
  12. I’m learning to live 24 hours a day with the GF. Believe me, its harder than any of the songs mentioned here 😂😂
    3 points
  13. Ooh, scuse me, you might want to open the window. Had a jalfreizi last night and I just cut a nasty Lionel.
    3 points
  14. Seeing as I must have had it for 10 years it's probably time I shared a pic of my Mk1 California. Recently swapped in Black Label pups in place of the Delanos. It's a weighty beast, but sexy nonetheless 😉
    3 points
  15. I cannot think of a personality type less suited to our beloved instrument.
    3 points
  16. So, if I've read this right, you don't want to play a 5 string bass but you're buying one because you can't get the 4 string version! If you don't mind me saying, planning to only use the top 4 strings on a 5 string bass is a weird idea. If you buy a 5 string bass you should be intending to play all the notes on all strings. You're not buying this bass for the right reason. I predict you'll be selling it inside 6 months.
    3 points
  17. Totally agree about the string spacing. When getting started, you can easily treat the Low B as an extended thumb-rest, which actually makes the bass very easy to play as a 4-string. Once you start using the B-string 'properly', don't get carried away with playing really low notes ... think instead about playing across the neck rather than zooming up and down it. If you're playing in E, for example, make your foundation E the 5th fret on the B-string rather than the open E string. You may be surprised how much more versatile you become.
    3 points
  18. Also very active in fundraising for military veterans - started his own organisation for them - by all accounts a very nice chap. But then, he would be, wouldn’t he? Bass player, innit?
    3 points
  19. Check this out. Slap bass on an upside down bass, by Stan Sargeant.
    3 points
  20. Fodera Victor Wooten Monarch Deluxe 4 year 2012 excellent condition
    2 points
  21. The LORD tells us that Idle hands are the devil's workshop... and thus did it come to pass that I unexpectedly stumbled across this unholy beast. Almost immediately, voluminous clouds of sulphurous GAS appeared. Eww! Save me, Jebus! But I've been yearning for one of these - on and off - for many years, particularly in Polar White. After an epic struggle with my inner thoughts and feelings the planets all lined up and lo, it fell into my hot 'n' heavy heathen's hands. It has accumulated a fair number of dings, dents and scuffs over its 37 years and the Hipshot tuners are clearly not original - but the rest of it is, including the monstrous 3-band EQ-B Tone System, Sure-Grip Controls, P5S and J5S pickups, Accu-cast Bridge, 5-piece maple and walnut laminate through-neck (with steel tone bars), ebony board, ash wings and original green velvet-lined leather case. Serial number dates it to May, 1983. Build quality is superlative. Finish is a heavenly cream pearl under a light amber lacquer with highlights of gold and green. Very lush. It looks like butter, but plays more like silk. A stunning range of big, bold, very usable sounds on tap. Incredibly responsive, hugely playable and punchier than Punchy McPunch, winner of last year's 'Mr Punchy' competition. It's alive! Once I get more acquainted with it, I'll record and post an audio clip. But for now, I'm pretty stoked. Praise be!
    2 points
  22. FOR SALE/FOR TRADE MLP Princess SC 6 strings, made by the Hungary Luthier Molnár László. It's an excellent condition bass. MLP bass are famous for their exemplary finishes and craftsmanship, and for the sound who can make you think of the Fodera Singlecut sound. This bass give you a modern, warm, and crispy sound. Neck is incredible... Specifications : Body : European Walnut Neck : 5 pieces laminates of quartersawn maple and mahogany Fingerboard : Kingwood (Very similar tonally to Brazilian Rosewood. Though it is CITES regulated, this material is allowed within the European Union and is a great alternative to Brazilian RW) Inlays : White side dots Headstock Veener : European Walnut Headstock : 3 + 3 Shape, with engraved MLP Logo Frets : 24 Siver/Nickel in absolutely mint condition Pickups : EMG 45J on Neck and EMG 45TW (with split) on Bridge Preamp : EMG 3 bands EQ Preamp with passive tone (Dip Switchs on the electronic cavity) Controls : Volume Neck/Volume Bridge with Split/Tone/Stacked Bass and Treble/Stacked Medium and Mids frequencies selection Tuners : Wilkinson "GB707" like Bridge : MLP Bridge, a sort of fusion of Ken Smith and Fodera bridges Strings spacing at bridge : Adjustable from 17mm to 19mm. Actually very close to 19mm Nut : Ebony Strings spacing at nut : 9mm Knobs : EMG knobs Scale : 34" Hardware color : Black Trussrod : TWO bi-directional trussrods that work perfectly Land of Craftsmanship : Handmade in Hungary Weight : A little bit less 4.5kg Action : From 2.25mm under the B string to 1.75mm under the C string at 12th fret. You can go lower if you want Finish : Satin Finish For sale with hardcase. This wonderful bass plays like a dream. Perfect modern sound, i don't keep it just because i already have a Leduc Maurad 6, so it's a little useless for me... You can see all pics and listen it here : https://drive.google.com/open?id=1rfRIHdIpHzJiZzyPGLNZ2nsvjPZdxH3x Videos on Youtube : MLP Website : http://mlpguitars.com/ Don't hesitate if you have some questions or if you want more pics or sounds. For trades propositions, i am very open. All is welcome, Leduc, Modulus, P bass, Jazz Bass, Fretted or Fretless, 4, 5, or 6 strings... Just try me. Shipping OK, of course. Now the Pics :
    2 points
  23. 1964 Fender Precision in Sunburst All original, no modifications, no swap outs and no refrets. I purchased this from Andy Baxter Basses - I still have the original invoice in the case if you want to check it out for provenance etc. Neck date is showing October 1964 - this was likely assembled and finished late 1964. Showing an L-Series Serial Number. Brazilian Rosewood board, clay dots, reverse tuners. I'd say the pickup is a mid-range output for a bass of this date. Currently strung with Chromes. Action is low - just under 1.8mm top end to just over 2mm lower end. As with any bass of this vintage, it's the pictures that count.. I can take more if you want to see anything specifically. Comes with original case, and original bridge/pickup covers with screws. No Trades. No overseas shipments at all. As I'm out and about with work all over the place anyway (despite the current situation!) I will most likely hand deliver myself given the cost - but we can discuss. £5500
    2 points
  24. The Korean ones are decent imho
    2 points
  25. Now admittedly, not my amp. But when I got my Roost cab made, it was straight down to the studio to go through a lovely Selmar.
    2 points
  26. The worrying thing is the only reason a pub pays for a band is to pull the punters in. Why pay a band to attract punters if the pub can't let them in due to social distancing. It's sad but as long as social distancing is a thing, I don't think there'll be a pub band circuit to play. I really hope I'm wrong but I just can't see how it could work.
    2 points
  27. @Ricky 4000 is to shy to do this for himself, and also in a state of some confusion caused by fainting goats and neatly folded towels. But he's invited me to share a picture of his Vig on this thread. I have no idea why.
    2 points
  28. That one's especially for John Hall!!!
    2 points
  29. As would it be useful to have " Brought a spare and used both because I could" - which is really my answer. That said never had either of the two fail at a gig... When I was playing in a function/wedding band this was my standard setup... We'd to three 45 min sets and I'd either do alternate sets or maybe do one (or two at most) change in course of a set (which took less than 5 seconds because of the Lehle switcher pedal) depending on the songs in the set. Could play the whole set with either bass fine, of course, but hey! Like they say, you never buy an insurance policy hoping that you'll use it but, if you ever DO have to use it you'll be glad you had it...
    2 points
  30. Can't stand these hard Lionels, my bums going numb sat here.
    2 points
  31. Stop scratching boy, people will think you have fleas. Sorry sir, its this jumper me mum knitted, making me right Lionel it is.
    2 points
  32. I kinda love my SVT VR 😁 It’s epically loud, sounds great and EQ is fine for what I need it for. I am looking forward to my CTM300 still though
    2 points
  33. Wow Chris, nicely done - really enjoyed that. If I could ask a question please.. what kind of bass is that and how do you tune it?? And is that one of the latest Roland electronic kits the drummer is using? Sounds great. Here's my latest offering, I really love when Michael Brecker's solo kicks in here on this tune A Game of Inches by Gordon Goodwin's Big Phat Band. Not gonna lie, took me ages to learn this!!
    2 points
  34. Stay with your senses, I can't afford it yet. Leave your senses the moment I say the word.
    2 points
  35. Czech Rep I think, decent prices (you can juggle the currency on the website), big range. http://www.thepickguardshop.com/Fender+®++PVVETXdBVE02a25jdmRXWjBGMlk
    2 points
  36. Leonard Cohen is guaranteed to get me out of any room. What a dirge.....
    2 points
  37. Deffo a Fender, as the Police use them! 🙂
    2 points
  38. Def, Sid Vicious found that out at a gig by hitting someone over the head with his. Probably the best use he ever got from it...
    2 points
  39. Couple of Fakers. On the left is Mr Konig's retired Renegade. Simple as get out, just vol/tone and a series/parallel MM. On the right is Sunday's purchase. Bolt on Hondo II 🙂
    2 points
  40. Now onto my second board, an uber simple Pedaltrain Nano build to complement the HX Stomp Nano + build I did a while ago (quoted above). This is similar to that, just no HX Stomp involved lol. I've got a Korg Pitchblack Mini on that now, using the full fat Pitch Black on the nano. I thought it'd be easier having everything on one board, quicker set up and less prone to damage. The tuner and instrument selector both battery powered so no need for any power leads. The later is passive, just has a battery to power the LEDs that are actually useful. It uses a batter box with switch underneath (I had to modify it, replaced the straight lead for a right angled on and changed the center + to center - in the process). It is a bit ironic having a pedal board with no effects, but I don't always need them I suppose! They are all mounted using 10 mm 3M Dual Lock pads, by previous build used 15 mm 3M pads that I think are more appropriate. The 10 mm pads still work, you just need more of them lol. Pics below:
    2 points
  41. We have a large Meaco dehumidifier for our place and it had been fantastic. They’re not the cheapest, but really help with my breathing as there’s a Hepa filter too as well as obviously removing moisture from the air and the build up of mould and condensation. Even though it was north of £200 it comes thoroughly recommended.
    2 points
  42. Here are some samples @ClassicVibes Recorded direct into an Ashdown Tone Pocket (set flat), then via USB into Audacity. No trickery on settings (that I am aware of at any rate). Gratuitous bass pic: P pup solo, EQ set as near to flat as I can get it by ear LE4 P only flat.wav J pup solo, EQ set as near to flat as I can get it by ear LE4 J only flat.wav Both pups at my preferred settings of c.30-35% bass, c.20-25% treble LE4 both AD B33 T25.wav Bass max, treble flat LE4 both max bass.wav Treble max, bass flat LE4 both max treble.wav Both pups on, EQ set as near to flat as I can get it by ear LE4 both flat.wav Treble at max is very 'squeaky' which is probably my less than perfect technique generating unwanted string noise. Sorry about that, several takes needed to get a least worst version
    2 points
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