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Great Thread I still can't get my head around EB bringing out a budget line and calling it Sterling (CEO vanity perhaps) I have a full fat EB USA Sterling, and it's sublime. The quality of the finish and the very slim neck as well as very sturdy high Quality hardware make it a joy to play. I owned it years ago and part traded it, I was very lucky to manage to get it back. It has a one piece Ash body with very unique grain and a matched headstock. It was modded by a previous owner with a Nordstrand vintage pickup, So it has the vintage voiced Alnico pickup, making it sound closer to a Stingray. I occasionally think I could sell it and get one off the far East Sterling SB and unlock some cash,but then I pick it up and I know id regret it. The USA made Sterlings are so well made and as stated smaller bodies and thin necks, great for smaller fellows like me 😁 also they are good enough for Joe Dart etc 😂

New feature alert... Topics in the Marketplace now feature a thumbnail of the item in question. You can either let it automatically choose to generate a thumbnail from your first uploaded image, or upload a specific one when you write your advert. You can also hide the thumbnails if you don't like 'em. I hope it makes browsing the Marketplatz even more attractive. Items you've viewed will be greyed out slightly upon seeing them again. If you're wanting to change your thumbnail then any mod can choose a different image from your uploaded pics, or you can edit your advert and upload a new one. Cheers ped

Thought I'd give the blocks a go, with the frets in. Not as neat as I'd like, but I'm confident I'll do better next time. First 2 in.

Yeah that's new. It also shows moderation events. I think it adds a slight piss-taking twist when someone replies to an old thread 🤣

Hi all, This won't be to everyone's taste, but this guy appeared this morning on my Facebook. I think his playing is pretty cool. Some here might enjoy it.

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So you clubbed him round the head with one.

I did the whole tribute act thing in my 20s - it was hard work, but great fun. 'Twas a Queen act, aided massively by our singer looking (and sounding) uncannily like Freddie, and our drummer having the same hair as Prof. Brian May. As the bassist I wore shorts and a T-shirt, a la Wembley '86, but TBF, all of the attention is on Freddie, so it really didn't matter what we looked like. I think if the band has an iconic look (Angus, Freddie, Lemmy etc...) then I think it's only fair that you try to emulate that, but the sound has to come first.

I feel that I should chime in here as a tribute thingy myself. Of course the music has to be good and sound like the band but in the case of the Police, they sounded rockier live than the records and a bit different depending on the era of their live shows. It has been said that I look a bit like Sting, so that does actually add to the show. I've also studied how he moves on stage and was given the greatest compliment by Billy Kulke (Letz Zep) when he said, you've really nailed that Sting thing. We use the correct instruments (replicas) and I always try to wear an appropriate outfit, depending on what bass I'm using. I saw Wrong Jovi and they did the lookalike thing really well, Ritchie was a touch short but musically they were spot on. Horses for courses of course but the punters do like to see a look a like (I think they do)

A little trick we used on my old band was to put an original in a 3 song medley. Worked really well.

This has degenerated into standard stories of specs, jugs and brock and roll and should be badged as such.

Yup, 3-way selector gives 'Reverse P', then 'Normal P', then Mudbucker.

At least you didn't get. . . . "Play something you know!"

I love the stylings of Reverends. They always feel reassuring familiar but strangely exotic to me 👍

This is great, but I can see it costing me money 😁

Here you go! https://www.basschat.co.uk/topic/452759-new-topic-thumbnails/?tab=comments#comment-4522839 It's a feature I've been wanting to make for a long time!

I love the thumbnails in the Marketplace post titles ... Gonna make it even more difficult for my wallet to keep hold of it's contents! 😍

Kiemsa started out, and continued until the end, as an Originals band, (bass, drums, two guitars, three brass and a lively singer...). The very first dates were self-promoted concerts, but quickly expanded to all venues in an ever-widening radius from the Home Town. After self-financing (from gig takings...) their first CD, they became regional, then national. That's when I 'stepped off the bus' (I started off doing the sound, then the lights when the drummer changed; the ex-drummer did the sound...). Having been self-managed up till then, a management deal was struck and they carried on for a couple more years, touring France and Germany. I was invited to the extremely lively 'Farewell' concert when they split. None of the material was covers, from start to finish. Difficult, even, to categorise; I used to say 'ska/punk/rock'. It always went down well; I have many memories of cafés, bars and pubs where the jammed-in crowd exploded the place with exuberance. It's true that the original songs (and their performance...) was very good indeed, and Martin, the front man, took on the role like a fish to water. If the songs and music are up to it, I see no reason why they wouldn't be well received (but they have to be darned good..!). Here's extracts from one of the larger concerts; the repertoire and energy was the same in tiny bars and clubs (Our Eldest on guitar, stage left; I did the lights...). Happy daze..!

Indeed.. it was an utter piece of sh!t... but, it was OUR utter piece of sh!t...

Also, you've got to have faith in your original material. Absolutely bloody love it? Getting that feeling back from people who've heard it? Get it out there. Playing it 'cos it's nothing special, and people aren't that interested, but hey, it's original and that's what counts...? Maybe have a rethink.

I hope he used tonelego.

Personally I loathe covers bands. I’m in a minority though. Generally the public would rather hear p155 poor Oasis covers than a set list of music that has potential to be great given time. Tricky one.

We used to dance to this at Edwardians Nite Spot in Chester many years ago!

I’ve absolutely no idea what you are talking about ! 😂

I read so many ‘reviews’ on here and on the ‘net which does nothing more than list the specs and make claims about how this product, if it can do X,Y and Z will deliver the goods only to find out that the said bit of gear lives on a shelf, in a rack with ten other basses and never once sees a stage. This is so common on music sites where I’d be surprised if they’ve even played the bass - they’re just regurgitating the press release. I saw it recently with the Dark Ray - it might have been posted on that BC thread about it. Or it’s the gushing ‘review’ followed by the for sale ad a few weeks later citing its pristine ‘unused’ condition.

Nail --> Head. I hate it when people buy something new and immediately 'review' it. I need to spend some time with this before I know what to say. Something that was instantly obvious was that the strings are going to have to go. Nothing wrong with them at all, but I won't be happy until I hear this bass with LaBella flats.

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My cousin was born and raised in Houston, Texas. In '83 Eliminator came out and it was also her first trip over to see the UK family. As a 10yr old boy she introduced me to a couple of bands, one of whom was ZZ Top. Eliminator had just come out and they were yet to break in the UK - certainly my family hadn't heard of them, not that we were any sort of barometer of cool. I played that album to death and bought the earlier records and some of the later ones subsequently. When we took her to get her returning flight, we bumped into one of the band at the airport (I couldn't tell you if it was Billy or Dusty - I was 10 and it was the first celebrity I'd seen in person). My cousin shared the flight with the band and met them for photos / autographs afterwards. Being a three piece I was fascinated that one was credited with bass guitar and one was credited with lead guitar. It was probably through them that I learnt the difference. Years later Dusty sent himself up beautifully in King of the Hill. I always thought they were classy guys. Maybe not a band that stayed at the forefront of my tastes but certainly one who helped steer and shape things for me. RIP Dusty.

Has to be said, not bad attempts. With frets in much more complicated, so well done.

Oh the balance is one of the best bits - no neck dive as there's no heavy headstock off the end. Even if it weren't a headless bass, the long upper horn places the upper strap button a long way up the neck (about the 10th-11th fret). I've thought a lot about the lower strap button, whether the fact it's moved upwards would alleviate or exacerbate neck dive (although there isn't any - it'll sit naturally at whichever angle you want), and haven't reached a conclusion on that, except that it doesn't matter on this bass. I guess that it might alleviate neck climb?

curry on my wayward son - Kansas

Is it good for metal plastic? I'll get my coat......

Ooh, I’m seeing pictures in the unread content list (just the for sale section?), I like that. 👍

If I had £1.6k to spend on a bass then Fender would be way down on the list, can almost get a Shuker P for that.

Not possible as standard, but when I'm done fiddling I'll be looking into extra add-ons (like the 'Bump' button) which could add features like that.

I remember when you could get a plastic Beatles wig for 2/6 at Woollies.

I got all excited when I modelled it - thought I may get even more performance from the little box of goodness, but i've calmed down now 😝

The guy in the Bootleg Beatles tought himself to play lefthanded, when he arually played guitar righthanded, respect

Seeing as I will shortly be fitting flats, this is the only opportunity I'll get to record some samples with the original strings. I've cobbled together a simple backing track from some raw, unprocessed recordings I made last Xmas, just to provide some context. I've selected this particular guitar break because the bassline takes me across all four strings. Here are the six recordings in sequence: Reverse P Open Tone.mp3 Normal P Open Tone.mp3 Mudbucker Open Tone.mp3 Reverse P Closed Tone.mp3 Normal P Closed Tone.mp3 Mudbucker Closed Tone.mp3 And here are the same six on a single file: All Six Recordings.mp3

Make a paper template of the body neck pocket. Tape a sheet of paper on the body above the neck pocket and trace the body neck pocket. Carefully cut out the trace and stick it to the underside of the neck. Make sure you stick the tracing the RIGHT SIDE UP. Pencil mark the neck joint to depth of the neck pocket and take time gently sanding the neck down to match the tracing.

I learned this one on electric bass very early on in my playing career after seeing it performed on TV on an Oscar Peterson fronted Jazz programme. I recorded the programme on VHS video cassette and then recorded the soundtrack off that onto a C90 tape cassette before learning the piece (I didn't write it down that time as I was not reading). No Transcribe software in those days The tune is called 'Airpower' and features the bass player Neils Henning Orsted Pedersen ripping us all a new one. https://bilbosbassbites.co.uk/airpower-niels-henning-orsted-pedersen/

Well despite what I said about launching into a 'review' five minutes after taking delivery, one thing that is immediately very in-yer-face with the OE roundwound strings is the amazing sensitivity to both pickup selection and plucking location. The Mudbucker is less distinctive than either of the split-P selections, but you can certainly hear the differences between the three switch positions. Bring in the Tone knob (which is not just an on/off switch, as is so often the case) and you have a very good range of tones available before you get near the amp's EQ section.

I read quite a lot of reviews when I got Fralin P pickups put in my P bass. The only place that stocked them in the Uk then was Chandler’s Experience in Kew. This was over 10 years ago and the thought of changing them has never crossed my mind.

Looks great - the only thing better would be...

Bet it'd turn out to be made of some mad hardwood and you wouldn't be able to break the bastard !

Shut up and.... no I can't be so rude There are a few Beymas that are really good value, the CMV range are across the board good value. It's a shame they stopped making the SM212 though. In this case the choice of the Celestion Pulse was a good one mainly because of it's mid-range performance. Most bass/mid speakers have a pronounced peak at cone break up. At high frequencies the out part of the cone can't keep up with the centre and the cone starts to flex and this creates frequency anomalies. For a 10 the response is fairly flat and rolls off evenly and this makes adding a horn driven through a simple high pass filter relatively simple. To get a flat response from most bass/mids you need to have a 'proper' crossover and control the roll off for the bass unit. The inductors for this tend to be large and relatively expensive and beyond that you often get other frequency problems which need extra components and design work to tame. You'd be amazed at the manufacturers who don't bother doing more than a cursory job on their crossovers. It's probably why some bassists don't like horns; there's nothing wrong with the horn but the crossover leaves little frequency peaks that sound harsh/distorted/honky. So Win ISD models the bass response and you may well find better 10's but the Pulse was chosen because it gave good enough bass but a really helpful treble that enabled a good response with just three cheap components in the crossover.