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Showing content with the highest reputation on 28/07/21 in all areas

  1. Great Thread I still can't get my head around EB bringing out a budget line and calling it Sterling (CEO vanity perhaps) I have a full fat EB USA Sterling, and it's sublime. The quality of the finish and the very slim neck as well as very sturdy high Quality hardware make it a joy to play. I owned it years ago and part traded it, I was very lucky to manage to get it back. It has a one piece Ash body with very unique grain and a matched headstock. It was modded by a previous owner with a Nordstrand vintage pickup, So it has the vintage voiced Alnico pickup, making it sound closer to a Stingray. I occasionally think I could sell it and get one off the far East Sterling SB and unlock some cash,but then I pick it up and I know id regret it. The USA made Sterlings are so well made and as stated smaller bodies and thin necks, great for smaller fellows like me 😁 also they are good enough for Joe Dart etc 😂
    6 points
  2. New feature alert... Topics in the Marketplace now feature a thumbnail of the item in question. You can either let it automatically choose to generate a thumbnail from your first uploaded image, or upload a specific one when you write your advert. You can also hide the thumbnails if you don't like 'em. I hope it makes browsing the Marketplatz even more attractive. Items you've viewed will be greyed out slightly upon seeing them again. If you're wanting to change your thumbnail then any mod can choose a different image from your uploaded pics, or you can edit your advert and upload a new one. Cheers ped
    5 points
  3. Thought I'd give the blocks a go, with the frets in. Not as neat as I'd like, but I'm confident I'll do better next time. First 2 in.
    5 points
  4. Yeah that's new. It also shows moderation events. I think it adds a slight piss-taking twist when someone replies to an old thread 🤣
    5 points
  5. Hi all, This won't be to everyone's taste, but this guy appeared this morning on my Facebook. I think his playing is pretty cool. Some here might enjoy it.
    4 points
  6. So you clubbed him round the head with one.
    4 points
  7. I did the whole tribute act thing in my 20s - it was hard work, but great fun. 'Twas a Queen act, aided massively by our singer looking (and sounding) uncannily like Freddie, and our drummer having the same hair as Prof. Brian May. As the bassist I wore shorts and a T-shirt, a la Wembley '86, but TBF, all of the attention is on Freddie, so it really didn't matter what we looked like. I think if the band has an iconic look (Angus, Freddie, Lemmy etc...) then I think it's only fair that you try to emulate that, but the sound has to come first.
    4 points
  8. I feel that I should chime in here as a tribute thingy myself. Of course the music has to be good and sound like the band but in the case of the Police, they sounded rockier live than the records and a bit different depending on the era of their live shows. It has been said that I look a bit like Sting, so that does actually add to the show. I've also studied how he moves on stage and was given the greatest compliment by Billy Kulke (Letz Zep) when he said, you've really nailed that Sting thing. We use the correct instruments (replicas) and I always try to wear an appropriate outfit, depending on what bass I'm using. I saw Wrong Jovi and they did the lookalike thing really well, Ritchie was a touch short but musically they were spot on. Horses for courses of course but the punters do like to see a look a like (I think they do)
    4 points
  9. A little trick we used on my old band was to put an original in a 3 song medley. Worked really well.
    4 points
  10. This has degenerated into standard stories of specs, jugs and brock and roll and should be badged as such.
    4 points
  11. Yup, 3-way selector gives 'Reverse P', then 'Normal P', then Mudbucker.
    4 points
  12. At least you didn't get. . . . "Play something you know!"
    3 points
  13. I love the stylings of Reverends. They always feel reassuring familiar but strangely exotic to me 👍
    3 points
  14. This is great, but I can see it costing me money 😁
    3 points
  15. Here you go! https://www.basschat.co.uk/topic/452759-new-topic-thumbnails/?tab=comments#comment-4522839 It's a feature I've been wanting to make for a long time!
    3 points
  16. I love the thumbnails in the Marketplace post titles ... Gonna make it even more difficult for my wallet to keep hold of it's contents! 😍
    3 points
  17. Kiemsa started out, and continued until the end, as an Originals band, (bass, drums, two guitars, three brass and a lively singer...). The very first dates were self-promoted concerts, but quickly expanded to all venues in an ever-widening radius from the Home Town. After self-financing (from gig takings...) their first CD, they became regional, then national. That's when I 'stepped off the bus' (I started off doing the sound, then the lights when the drummer changed; the ex-drummer did the sound...). Having been self-managed up till then, a management deal was struck and they carried on for a couple more years, touring France and Germany. I was invited to the extremely lively 'Farewell' concert when they split. None of the material was covers, from start to finish. Difficult, even, to categorise; I used to say 'ska/punk/rock'. It always went down well; I have many memories of cafés, bars and pubs where the jammed-in crowd exploded the place with exuberance. It's true that the original songs (and their performance...) was very good indeed, and Martin, the front man, took on the role like a fish to water. If the songs and music are up to it, I see no reason why they wouldn't be well received (but they have to be darned good..!). Here's extracts from one of the larger concerts; the repertoire and energy was the same in tiny bars and clubs (Our Eldest on guitar, stage left; I did the lights...). Happy daze..!
    3 points
  18. Indeed.. it was an utter piece of sh!t... but, it was OUR utter piece of sh!t...
    3 points
  19. Also, you've got to have faith in your original material. Absolutely bloody love it? Getting that feeling back from people who've heard it? Get it out there. Playing it 'cos it's nothing special, and people aren't that interested, but hey, it's original and that's what counts...? Maybe have a rethink.
    3 points
  20. 3 points
  21. Personally I loathe covers bands. I’m in a minority though. Generally the public would rather hear p155 poor Oasis covers than a set list of music that has potential to be great given time. Tricky one.
    3 points
  22. We used to dance to this at Edwardians Nite Spot in Chester many years ago!
    3 points
  23. I’ve absolutely no idea what you are talking about ! 😂
    3 points
  24. I read so many ‘reviews’ on here and on the ‘net which does nothing more than list the specs and make claims about how this product, if it can do X,Y and Z will deliver the goods only to find out that the said bit of gear lives on a shelf, in a rack with ten other basses and never once sees a stage. This is so common on music sites where I’d be surprised if they’ve even played the bass - they’re just regurgitating the press release. I saw it recently with the Dark Ray - it might have been posted on that BC thread about it. Or it’s the gushing ‘review’ followed by the for sale ad a few weeks later citing its pristine ‘unused’ condition.
    3 points
  25. Nail --> Head. I hate it when people buy something new and immediately 'review' it. I need to spend some time with this before I know what to say. Something that was instantly obvious was that the strings are going to have to go. Nothing wrong with them at all, but I won't be happy until I hear this bass with LaBella flats.
    3 points
  26. Reduced to £500.00, shipping extra, hard case extra, collection the cheapest option. Bought this bass earlier this year prior to my long stay in Hospital. My intention was to use it as the fretted bass complimenting my Fretless and my change to 34” scale basses. Things being what they are, I find I’ve got a redundant sixth string. I’ve no interest in Chordal playing or even the odd chord so after a short ownership I’d like move it to someone who will benefit from a starter 6ixer that punches well above its weight in value alone. My description is cobbled up from the original txt when I bought this Bass. The Tanglewood Baron is a one off beast and is exceptionally well made, quality is akin to any number of custom basses that run into the thousands, but this is here for a paltry £615.00: including Hard Case and courier UK mainland only at your risk. A trial and more snaps, just ask. The pups and preamp are EMG designed for Tanglewood, though according the person I bought it from they never went past the prototype stage for these 6 string Barons. Tuners are Gotoh according to Tanglewood. Neck is Wenge and Maple, body wings are lightly figured solid maple. Bridge is gold plated brass. Standard 34" scale with 16mm spacing at the bridge and 8mm spacing at the nut. The volume knob has a bit of a crackle it could simply be a bit of dust on the graphite pad of the pot. Other than that mint, condition is easily 9.5/10 plus, no marks whatsoever. The bridge placement and slightly shorter upper horn make it balance very well, typically with Warwicks (especially thumbs!) At 34" feels more like a 36" scale as the body sits quite far to the left of the body. Neck through at this price! As you can see it’s a handsome Bass.
    2 points
  27. Rest well Dusty and thanks for all the music...
    2 points
  28. I've had a full fat Anaconda which was excellent (gratuitous bass pic below). Not tried the Essence series although I saw a few on here f/s and they were getting positive comments.
    2 points
  29. Awesome recording interface to get your signal from your instrument to your DAW. Very simple plug and play and delivers outstanding crystal clear results. Reason for sale is I've expanded my home set up. Price includes postage, and net of any fees. Unit is in pristine condition comes with USB cable. Any questions drop me a line. Thanks
    2 points
  30. 2 points
  31. New Zealand Maori metal... I like these guys. They bring in themes of indigenous history, use indigenous language, and they're very metal...
    2 points
  32. If the results of the rehearsal are positive, then I would be inclined to build a duplicate of what you have achieved and fit a tweeter switch to both. That way you will have 100% redundancy in the event of a cab failure. Normal use with 2 x cabs with only one tweeter switched on to avoid the issues already explained.
    2 points
  33. Thanks for that clip - makes a massive difference listening connected through a decent pair of headphones vs through my laptop speakers! 40 Hz is pretty much what the fundamental on the low E is (41.2 Hz) so you would have thought it should add some weight to the bottom end (which I guess may have been MB's original line of thinking on this?) but, in practice, just seems to cause resonant boominess.
    2 points
  34. I have only been on the periphery of @stevieand @Phil Starr's designs so I cannot make definitive comments* however that one thing I have learnt is that you cannot design a cabinet purely by modelling and that the traditional "rules of thumbs" similarly should be used for guidance. One thing you can be sure of is that the designs that are published are rigorously tested and measured then gigged to ensure that they meet the original design criteria. Of course there are small compromises, there is always a little more that can be gained by making the box bigger, a more expensive driver but in many cases the extra is not worth the extra. * I do lay claim to the phrase "squeezing the balloon" when describing how changing any on parameter of a design affects many others>
    2 points
  35. Serek Sacramento in like new condition. No dings or scratches. Never giged. Specs: -Walnut semihollow body, double black binding, -Walnut neck, jatoba fingerboard -32" scale - Guild Bisonic pickups - Serek Levi's gig bag This bass new with these configurations goes for 3300€, selling just because I need the money. Asking 2300£/2700€
    2 points
  36. I'd be more worried about where they're being released from...
    2 points
  37. A simple read (bar a couple of fills), this is the Darryl Jones bass part for the tune 'Time After Time' from the 1985 Miles Davis album, 'You're Under Arrest'. https://bilbosbassbites.co.uk/time-after-time-miles-davis/
    2 points
  38. I also spend a lot of time doing retakes of my vocals - not that you'd notice - and many of my verses are a take for each line or phrase. I know it's a confidence/practice thing because sometimes I get something spot on, only to stumble over the lyrics or something. At one point I considered joining a local rock choir to boost my confidence and literally "find my voice". I went along to one session which was OK but when I saw the list of songs I decided that I just couldn't do it -too much mid 80s soft rock and worship stuff for me but I;m still convinced thats the kinda thing I need - as well as maybe a bit of help from an the vst.
    2 points
  39. I had a Hofner 185 Artist, for which I paid £30 in 1973, and played it until I got a Hayman 4040 in 1974 and a Fender P in 1975. I gave it to a friend. Looking back, it was a much better bass than I realised at the time. I wish I still had it.
    2 points
  40. My last band transitioned from being a pub blues, blues/rock band into being an originals blues/rock band. The originals tended to blend well with the covers so we didn't have too much of a problem. I'd suggest trying a couple of others, but make sure they work really well with what you play either side of them. If one already goes down well there's no reason a couple more won't. But the opposite is also as important - ditch the ones that aren't working.
    2 points
  41. I've predominately played original stuff over the last 34yrs but done a handful of covers bands. My favourite covers bands do one or two originals just to show that we can and I like that. If a band naturally develops that way, fine, but otherwise 2 or 3 is plenty. Simply put your options are you either role with the general flow or you walk. If I find myself out of thinking with the general band view, I go rather than continuing to be the one person arguing. if it isn't a big problem, put up with it.
    2 points
  42. That was truly painful. Reminiscent of the early rounds of X Factor, when the hopeful's are told they can't sing, and their Dad comes along fuming.
    2 points
  43. I was asked a while back if I wanted to play in a pentecostal worship band. I'm not religious, though I do like a lot of classic gospel stuff. It wasn't quite said explicitly, but it was made known that the general vibe was that you had to have some kind of commitment to faith if you wanted to stick it out, so I passed. I felt it might be a bit hypocritical as well. That said, I've played plenty of weddings where I didn't like the bride or groom...
    2 points
  44. T'would need the processing power of Deep Blue to even try to get my 'singing' even remotely in tune. I think I'd be best relegated to the 'Lee Marvin' camp (and even then...). I envy anyone with a voice (except maybe Lurks...), and applaud anything that improves anything. Precious, me..? Precious little.
    2 points
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