Jump to content
Why become a member? ×

Leaderboard

Popular Content

Showing content with the highest reputation on 22/04/19 in Posts

  1. An alternative, more visually pleasing approach would be to tie a large, colourful helium balloon to the headstock. The more neck heavy the bass, the bigger the balloon. Thunderbirds generally need a giant rainbow coloured unicorn. 😎
    7 points
  2. Sorted, bought an Ibanez SR500 of a fellow BC member. Thanks Stuart!! Off to find an amp!!
    5 points
  3. So kind of you But no - this is paying forward what others have helped me with. I suggest getting yourself a massive jug of Pimms on this summery day!
    4 points
  4. I've experimented with many solutions and the most effective was still a little inelegant. I have a canvass pouch designed to hang from a belt or bag whilst out hiking. This pouch holds a water bottle. So when I cycle to my rehearsal with my tiny travel bass I take the bottle from the bike, fill it with water at the rehearsal room, clip the pouch to my guitar strap (at the bum end of course) and the weight of the water precisely balances the instrument without me having to carry anything heavy on the bike (which would kind of defeat the object of travelling light). I carry the bottle anyway and it becomes lighter throughout the ride as I consume the initial quantity of H2O. So I rehearse with a bottle swinging at my hip. Perfect if, as I say, inelegant. I am therefore adapting the idea for when I'm actually gigging with a neck heavy bass. Quite simply velcro attached to the back end of the strap and a certain number of curtain weights sewn into a flat pouch with the other half of the velcro sewn to the pouch. Balanced bass? Remove the pouch, neck heavy? Velcro it on. The 'certain number' of weights is arrived at through trial and error but by using three smaller pouches rather than one big one I can stick on differing amounts of weight to suit each bass on a case by case basis. Or a bass by bass casis. A bag of curtain weights, yesterday: Pictures to follow. When I've actually done the sewing.
    3 points
  5. Fender American Standard Precision Bass 2015 - NOW SOLD ELSEWHERE For sale, in a vague attempt to reduce my stock of P basses, is this is an American Standard P bass, a series that is no longer available and that is very well regarded for consistent quality. The truss rod turns and the frets are in very good shape. There are one or two very minor dings to the finish from use over the past few years, but nothing awful. The bass is in excellent condition and comes with a Fender Deluxe gig bag. The Rosewood board is in very good condition and has been cleaned and oiled. I would prefer to arrange some kind of delivery/collection/meet up if at all possible. I'm pretty flexible and willing to travel a bit if necessary. Courier would be the last resort and will be at cost to you. If you have any questions at all, or require additional pictures of any details please ask away and I give as comprehensive an answer as I am able. With my modest skills this bass is a bit tricky to capture in pics but here are a few that I hope are better than my first attempt.
    2 points
  6. Looking for a jazz neck for my P bass, found this: https://www.ebay.co.uk/itm/202542172424 I think he has assembled it wrong. Shouldn't the strings go in the front?
    2 points
  7. Right, photos time. My Stanley Clarke.
    2 points
  8. I'd use whatever the manufacturer says is good for bass fishing
    2 points
  9. Orion is a very comfy set-neck ride
    2 points
  10. If you think it would help I'd be happy to give that a go, as long as it was fully funded of course. Maybe the hotel in Antigua where the rehabilitation would take place should have a catchy name like Antigua Support Scheme Inclusive Therapy Care Home, although a bit long it could be abbreviated.
    2 points
  11. The difference is it doesn't shine - it glows.
    2 points
  12. Relicing = a very good thing. IME.
    2 points
  13. To stop neck dive on my EB3 I pass the strap behind my belt.
    2 points
  14. I'm very much in the realms of a cover being a version of a song, not a slavish copying of the original. That, in my opinion, is the job of a tribute band.
    2 points
  15. Sounds a lot more organised than any I've attended! Chord sheets are a great idea. I'd also start a Facebook page and encourage any musicians to nominate songs they'd like to play (e.g. posting a YouTube video), that way you could end up with a bunch of strangers agreeing to learn them before the night and playing some lesser known tracks that otherwise wouldn't have a chance.
    2 points
  16. Now there's a prog band just waiting to happen
    2 points
  17. Relicking most definitely exists in lots of other areas, shabby chic furniture, ratlook cars and bikes, ripped and faded clothes, tarnished and dented brass instruments, scratched and faded string instruments, etc. All fair enough, whether you like it or not doesn't matter as it's most definitely a popular style, the one thing that does matter is that Antigua finish exists and only exists in the guitar/bass world and should be stamped out. Even the bizarre world of fashion or the unemployable that declare themselves 'interior designers' wouldn't stoop this low, so what does that say about lovers of Antigua. Wronguns the lot of ya!
    2 points
  18. Cuzzie.. That blob of solder was absolutely it...near it there was a bare wire in amongst the birds nest. I have resoldered to wire to the blob and guess what.. It is absolutely quiet.. No more fizzle. I have maxed out the treble on both bass and amp everything remains quiet. Please PM me your PayPal addresses and I will send you the price of a pint.
    2 points
  19. I'm sure it's all taken in jest! Just saying as he's brand new to the site, struggled a bit to get hold of the seller, then got 'Lionel Richie'd'! No one wants to be compared to him! 😂
    2 points
  20. As @dmccombe7 says, the black labels have twin pole pieces per string. The pups in the photo above are definitely Sandberg’s “standard” models, hence the little Sandberg logo (4 dots) on the corner of each pickup. Black labels look like this:
    2 points
  21. Totally normal for that model, bridge weighed about the same as the rest of the bass
    2 points
  22. I paid £300 and spent the rest on vodka. My bass looks as good as anything out there after 1700 quids worth of vodka.
    2 points
  23. SOLD Ken Smith's personal bass. Made, owned and played by Ken Smith. KEN SMITH 4 STRING Only two were built, with these characteristics. Model: PAS-II Serial number:#35 Date: 16/5/1981 Natural Gloss. Neck: maple & mahogany (5-pc) NUT: 36 mm !!!!! (52 mm Width at 12F); impeccable neck; maximum comfort. Perfect and functional truss road Body: Flamed maple & mahogany Originals pickups: The bass was transformed active / passive in 1986, keeping the originals pickups. Smith Concentric BT Circuit with a DIP panel switch .....recently installed. Made in NY: At that time, Fodera built the basses for Smith.......read article: https://www.basschat.co.uk/topic/336065-ken-smith-and-the-6-string-basses/ This is the email Ken Smith wrote to his former owner ... " I was a very active studio musician back then and my personal records show ME using this bass on several recording back then, Jingles/Commercials for Radio and TV. I played on about 2,000 recordings like those. Some of the dates were 2 3, 4 or 5 spots on them, not just one. Most were done for Ted Bates Advertising, Arnold Eidus director, Virtuoso violinist and the arranger was Al Datz. Much of the bass parts said "Kenny" in the upper left corner and not "Bass" as you would expect because by the morning of the session, he knew I was playing on it. Also, I took a lot of those parts home, with and without my name on it and used them with my students for lessons I gave then as well. This bass has a 5-pc neck with figured maple and I mahogany. We made only a couple like this 5-pc neck. A piece of my history here! Thank you " Ken Smith President/Owner Ken Smith Basses, Ltd.
    1 point
  24. Hi basschat, i've been using this exercise as a warm-up and warm-down for a long time and thought i would share! let me know how you get on, Bill.
    1 point
  25. I polished up my late 1800s Double Bass with Servisol Chrome Polish and a buffer pad on an electric drill. It came up lovely. I am not joking.
    1 point
  26. The web site from which I nicked the Antigua wall of shame pic alleges that the Antigua finish was born back in the late 60's when the body binding process employed on the Coronado II accidentally burned the edges of the body. The site continues: "Instead of chucking the bodies, Fender developed a color scheme that burst from black on the burned edges to a type of mustard yellow on the inside of the burst". So, not quite the same as the Antigua we know and - er - love. It's even nastier (or nicer, if one is that way inclined).
    1 point
  27. Here's an early Tokai Jazz (c.1981?). Originally fretted, the bass has a small issue with the truss rod so a few years ago, while the repair chap had it on the bench, I asked for it to be converted to fretless (now has a nice Indian Rosewood board).
    1 point
  28. If you like your Briefcase, a Suitcase will give you the same tones but with quite a bit more power and weight. There's a decent looking used Suitcase on eBay at the moment, currently at a reasonable price. It's the older model with the larger cabinet, which I think is better for upright and will certainly give you what to my ears is a more natural low end than the newer, smaller version, which is based on the C4 cabinet with built in amplification (I use both C4 and 4B cabs, but with a separate head). The older Suitcase is a bit of an awkward carry, although nothing too terrible - it's the shape rather than the weight that makes it so.
    1 point
  29. I have an CIJ mustang & a JMJ - Both with fender flats as fitted to the JMJ as stock. Both are excellent basses & the JMJ is my main rehearsal/gigging bass. The biggest differences for me are the finish - I prefer the thin nitro on the neck of the JMJ compared to the gloss of the CIJ and the neck profile. The CIJ has a very skinny neck like a jazz whereas the JMJ’s is a little chunkier & more comfortable for me. I’ve wanted a daphne blue mustang with 'lollypop' tuners since i bought the (white) CIJ & I was initially put off by the ‘roadworn’ finish of the JMJ, but it looks a lot better in person than a lot of Fender’s stock images which I think were of an early prototype where they went a bit overboard with the aging & made it look really grubby. Sound-wise there’s not a massive amount of difference between the two & I’m happy to gig with either using the same fx/amp settings but in a side by side comparison I'd say that the pickup in the JMJ has the edge with a slightly chunkier tone.
    1 point
  30. Dragging this back on-topic, and leaving aside stuff like the cool green inlays and nice minimal redesigned scratchplate - this is the interesting bit of this new Rick: Rickenbacker have threatened to produce a redesigned bridge/tailpiece for years - could this finally be it? The roller saddles seem to be the same principle as the Schaller 3D.
    1 point
  31. Everything you need and more is in this thread 😀
    1 point
  32. Thanks for the over share, Ricky.... 😀
    1 point
  33. The bottle counterweight solution
    1 point
  34. Oh, I see, you're gassing on behalf of others. 'It's all right, honest, it's not for me, it's for a friend!' 😉😎
    1 point
  35. Shielding May be an issue, but if it goes when touching the bridge or strings that may well be a grounding issue. Believe it or not the shielding will be really easy to do yourself, and you don’t need to disconnect any wires. if you unscrew the pots from the front of the bass (normally just a nut and washer) the pot and wires can be fed back out. You don’t need to unsolder anything and I would probably leave the jack in place. Now you can get some copper tape and line the whole cavity. Regarding the ground wire - there needs to be one from the bridge - if there isn’t one, one is needed, if there is one it may have come loose, so it may take a while to find in the birds nest! That pot at 6 O’clock has a blob of solder but no wire into it from what I can see - that may be the culprit. Sorry I am not near you to help!
    1 point
  36. Aguilar DB410 , these don’t really need any introduction ! 4ohms 700watts Flightcased
    1 point
  37. From what i was told (somewhere) that black label pick-upps had twin poles per string rather than the single pole style like delano. Black labels look more like the pick ups on my Geddy Jazz bass. Not sure where i heard that from but a quick google search also showed any black labels like this. Dave
    1 point
  38. +1 to this. The VMs are good basses but the CVs are a good level above imho.
    1 point
  39. I'm going to see my niece's band, Honeyblood. She's got a 3rd album out in May. The last two were both nominated for Scottish Album of The Year.
    1 point
  40. That reminds me. The black & maple P that was originally yours, that I bought from Pestie and then sold back to you. That was one I certainly regretted selling. A beautiful bass. 😟
    1 point
  41. TV Casualty - Misfits, one of the simplest bass lines ever.
    1 point
  42. 1 point
  43. Very recently bought a 3Leaf GR2 pedal off Ian. Smooth transaction, fair price, and a pleasure to deal with! Thanks buddy!
    1 point
  44. Great guys and we've been using their stuff for about a year now: Map Bass, Airline 3P and Rivolta Mondata in the band. We do have a casual non-endorsement relationship with them so feel free to take this whole post with salt to taste, but I'm happy with the quality on all the stuff we got and none of it was special order or anything. Wouldn't be using or defending it otherwise. General thoughts on the Map Bass are that it's incredibly heavy but also possibly the deepest bass I've ever played. Get a lot of other players asking if I'm using a sub octave or something but it's just a very strong fundamental and a lot of output and low end. In fact there's so much low end that I struggled a bit to start with but after lowering the pickups it's now got a nice vintage growl to it. Still very high output and I have to severely rein the gain in on my pedals to keep it clean. We went up to the demo day they did last year with most of the range in and I was impressed with all the higher end stuff. Lot of nice decorative touches across the range that you wouldn't find on a Fender of similar price but the lower stuff definitely felt like it could do with a setup. They're very interesting guitars and get a lot of attention - lots of other players and audience members asking what they are.
    1 point
  45. You can get some cheap and cheerful drills off eBay such as these https://www.ebay.co.uk/itm/7Pcs-Extra-Long-Wood-Drill-Bit-Set-12-300mm-Woodworking-Tool-4-5-6-7-8-10-12mm/162806105922?epid=4011493968&hash=item25e8000742:g:YJwAAOSwmWNclKKx if you are are running wires pretty much the length of the body you would be best routing a channel before you put the top on. You might also want to do something to protect the channel from glue ingress. There would be nothing worse than having the channel blocked by glue once the top is on. I have used things like milkshake straws for this - sounds daft but works for me!!
    1 point
  46. If someone gets up, does their spot, then pisses off straight after playing, they will be last up the next time they come.
    1 point
×
×
  • Create New...