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Adam Clayton managed two gigs in a row once without a new signature model for the third gig, does that count?

BOOM! Got the job!!!! Band is called Fraudio btw. Absolutely stoked and in need of a beer or two. Now begins the hard work!

There's an interesting point here imho. The op, and most of the discussion, is about musicians who have been good and successful all their lives - indeed, why should they stop if they're still good and successful? But @StringNavigator is talking about the joy of coming to it late, or at least taking it up seriously late, and finding that it still flies. In my case - as said before on other threads - I wanted more than anything to play bass when I was 14, and my mother beat it into my head that I never could. For 45 years I would go to gigs and glue my eyes and ears to the bass player and go home and cry because I wanted to play bass and I knew I never would. It wasn't until I was about to turn 60 that on one of those nights instead of crying I got angry - life is too short not to do the things you really want to! - and went out the next day and bought a guitar and soon after my first bass. Thursday night I played a fairly high standard local blues jam. The three other bass players there were all very experienced, semi-pro and much better than me. But dâmn it, for 20 minutes I pretty much nailed some simple but adequate basslines at high speed and high volume to a packed (small - maybe 70 people?) and very appreciative popular local music venue. Joy. I'm re-training at my own expense for a new career in mental health care, and I'm seriously looking forward to at least ten years work (I hope) doing that, but to be honest if I was to be offered the choice between that and ten years in a real gigging band I'd choose the band. I wrote a song for my first bass - I was drifting through life like I'd lost my way / Had no original words to say / Road was empty and the sky was grey / Praying Lord, get me home tonight I was drifting through daytimes, not even trying / Long bitter nights of drinking and crying / Cursing myself for wasting my time / Praying Lord, let me sleep at night Now I'm playing 12 bar blues on a 5 string bass / Finally know I've found my place / Electric adrenaline, state of grace / Singing Lord, let me play all night Blessing 🙂

It sounds like he is a control freak , if the band is a multiple album selling outfit earning you a great living, then he is also a great guy to play with , if you are pub covers band, he is a knob

Just start making suggestions to the guitarist about their tone and gain staging. Then after they have played their solo suggest that you don’t think their delay settings are quite right to accurately represent the song 😂

What music is your fave style? Find a scene of originals on that circuit, and get known. When we started our originals punk band our expectations weren`t that much at all, Tues night multi-band gigs playing to just the other bands, no money etc. Way different, there`s a good punk scene and we`ve managed to put out 3 albums, played 8 different countries so far (ok, England is one of them), done festivals etc. So find that scene, talk to the bands, keep an eye on them on Facebook, when an opening appears go for it. I`ve had more fun, and achieved more in this band than in all of my others put together.

Being "picky" about what you are willing to play is fine, but if you are sitting at home waiting for something "great" to turn up you're also getting rusty and dropping further to the back of other musicians memory banks. When playing you are meeting different players, you're networking, you're keeping match fit. There are possibilities you don't get with something like JMB. A band might be temporary and not your ultimate aim but IMO most playing is better than not playing at all and better opportunities present themselves when you are "out there" and part of a music "scene".

If you're playing in the band for fun, and it's stopped being fun, it's time to leave in my opinion. Life's too short. That's not to say you should bolt after one or two bad gigs or rehersals, but if it's become the norm, what are you getting out of it? If the band forms a significant part of your income, then that's a bit different...

The lead guitarist probably thinks that his is an important , integral part of the song...….he is wrong. I played in a band where the lead guitarist left and we just carried on playing gigs. We even carried on covering All Right Now...with no lead break. Nobody ever made any comment ...they just all sang along with the chorus as usual and we continued to get re-booked. In short…..ignore him.😜

I think the first thing to do is to tell the guitarist you're going to use your own judgement from now on when it comes to how the bass sounds, and let them pull faces. If they can't live with it then it's time to consider options.

At least the jack and lead will be protected and let's face it, if you're playing Jambalaya, Blanket on the Ground or something by Coldplay or Dire 'effin Straits then it can't be a bad thing eh?

We should start a thread to discuss the type of helix thread we would find most useful. "if you could only choose one Helix thread"

Many thanks for the podcasts guys, really enjoyed them. The Wal discussion has ramped my gas for another up to dangerous levels 😍

In essence: if your wireless charges through the jack socket and if your Preamp is wired at the socket to use a jack to switch it on and off in one specific way - there are other ways.. then: (actually the above picture is not representative - you just get an odd buzzing sound and no output but I couldn’t find a picture of that)

I do it because I've seen other bass players do it, and I think it will give the illusion that I'm quite professional. 😁

I always do it as I,m forever stepping on my lead. I always wrap the other end round the speaker handle too, just as a precaution.

Keith Richard's 'Micawber' Telecaster. https://www.fender.com/articles/gear/iconic-mods-the-legend-of-keith-richards-micawber

Sorry to perpetuate the OP's embarrassment, but I've just been directed here by a mod.

I forgot to add ...no problems

I bet you were playing 'Wooden it be Nice' at the time.

I would still talk it through as a first option. If that doesn't get anywhere then you can decide whether or not to leave. Alternatively you could try to drive your guitarist mad by replacing the strings in his packet of spares with cooked spaghetti or adjusting his guitar tuner up or down from concert pitch

Why is quitting the first advice that is always given in these threads. Is this guy the band leader? If he isn't then nicely tell him to stick it. If it is his band then the rules are different. I'd still try to negotiate the end of this micro managing, but either way you've got to come up with interesting parts that show you can be trusted to think for yourself. Quitting should only ever be a last resort and be way down the list.

Willie Nelson and his Martin?

Nile Rodgers' "hitmaker" Strat must be getting on a bit.

OK, I'll bite. The clip below is a video describing the patch I made up to perform sound on sound (Frippertronics). Made for the Floor but I'm sure it can be adapted for the other platforms. And the download on Customtone site. https://uk.line6.com/customtone/tone/4067668/

@KingPrawn, @CameronJ, @GisserD, @mingsta, @Bearfist, @CalDeep, @milford59 Gents - a number of practical and useful tips and suggestions starting to come out now that our pedals have landed. But I suspect these may get lost / be difficult to find in future if folk have to trawl to page 17+ to get to them? No desire to create duplication but would it be worth setting up a separate thread "Helix HX Stomp Owners Club - Tips & Ideas" to capture this stuff plus any patches that we're finding work particularly well? If you'd prefer to just run with this mega thread, that's fine by me too.

Put them in 20 or 30mins before you play, acclimatise to the volume drop! Louder things being ‘better’ is obviously just psychoacoustics. Si

Last night was a club held in a vegan cafe in Cleethorpes... Another enjoyable gig - modest, but enthusiastic audience. This is so much more rewarding than our previous Dog & Duck gigs. We've got a great rapport with Eliana and her band who are travelling with us, and hopefully we'll be doing some more work with her next year. We've now picked up some really nice support slots and festival dates care of the promoter, who not only likes our music, but also really appreciates our attitude. Two valuable lessons last night - Carry spares. My IEC for the Fender went missing at the Keighley gig - it is an unusual fitting, more like those used for high powered computer servers. Fortunately I have my Carvin with me. Second lesson learned, no. You don't need weight for great sound. Everyone agreed, the Carvin sounded different, but either felt it was as God or better than the Fender. Amps for sale section here I come!! Manchester tonight - Night & Day club.

Back in the BB gang. Keeping an eye out for older Japanese ones too, still want to replace my red BB300 which was my first proper working bass.

I bought a GT-1B about a month ago.... so I foolishly thought that I didn’t need a Stomp....... do you honestly think THAT stopped me buying one ? Of course not - I got the discounted deal from PMT Music and my Stomp arrived today....

[Long-winded old-man alert!] Reading this may alter your mind. "Retirement" is only a modern-day phenomenon. We've forgotten that in past centuries, people never retired. They belonged to guilds as shoemakers and blacksmiths, ...etc. When they became old and feeble, they simply cut back until they could no longer pass muster and hopefully, they were wise enough to save for their twilight years. Or successful enough for apprentices to take up the slack. Perhaps retirement was born as a military contractual benefit, to entice men to join such a thing. But, everyone else couldn't just stop working and "retire", as their work, proprietary profession and business was certainly their only means of livelihood. No cushy pension schemes. Life was short and brutal. Most people dropped dead on the job, before they could worry much about "retirement". You bopped till you dropped. Today, most of us work as employees for corps and gov't. Retirement schemes abound. Even doctors and lawyers are salaried, now. Of course, it's a ponzie scheme waiting to collapse as demographics invert. Hence, the big push for immigration. Soon, we'll all witness abrubt and impending retirement upheavals and the fallout of lowered expectations. If you can still command an audience, carry on. Back in the 1980s I watched Peter Noone (aged 71) performing Hermin's Hermits songs for twenty-five people in an open-air park at the CNE fair in Toronto. While sitting on a park bench, I had to wonder how this could be. But I was still young. You're all in for a surprise at 52. That's when you find out how stupid you really are. Things get better after that. By the way, he's still performing. I'm 64 and have long moonlighted as a BP. I have no intention of working the careers that I chose to raise a family and earn a living. But last week I joined a bar band. Why? Because bass playing is my passion. Knocking those four strings about makes me feel like I'm flying. I know that I'm a denizen of the far tail on the BP bell curve and can shake a dance-floor better than most. So why not? (I'd rather recline, drink coffee and watch House MD, Battlestar Galactica, Star Trek, Law & Order and Tommy Cooper; but I seen 'em already. Besides, the actors are really the ones having all the fun. A bar band provides human interaction on a grand scale.) Why is age a factor? Is it youth that is the real commodity? Do you go to a concert to see youth or hear music? Dancer or lurker? That's the part that makes no sense. Mass youth was simply a property of the post-war baby-boom. It's not a religion. Why would anyone seek after a youthful face when they really just want musical entertainment. It's not a romp in a cat-house. It's only entertainment for bar hoppers and pub punters to immerse themselves in a joyful noise and dimness so they feel more secure as they seek a buzz or a mate or give the baggage a good shake in public. Those who like music based on the Fender bass have grown-up and aged. But they still like this music. Look at the Stones. Look at their audience. The sixties was not just a youth rebellion. Most of us were not rebelling. We just liked to hear the drum kits, the Fender basses, the 'lectric guitars, and the vocalists with colourful voices and magical, meaningful lyrics. Trump is 71. Merkle is ? McCartney? Richards? I'd bet that even Elvis would still be gyrating today at 83. Why do they do it, the OP asks? Because there is a public need... Because passion rivals money... Because they can... and they're good at it! Satisfaction trumps waiting to die. Live the life you love... till it's time to die. Let's not call it a disorder. It's a blessing.

I have one on each wrist, one on each ankle and one on my cóck. And another one up my àrse!

I must be double-pro then, as I wear two (one on each wrist, two on one wrist would just be eccentric).

10 holes and only 2 screws. Just like my last visit to a swingers club. Looks very nice though.

Those moments when you get a roar of appreciation from the crowd as they recognise the next song from the first two or three notes - that feels so good.

'RollingStone Syndrome'?

It is all clearly explained in this video, with graphs etc

Now that my Reincarnate bass is almost finished and I still haven't decided how to move forward on the neck thru build!! I thought its time to start planning an new build It's either going to be a 5 or 6 string depends on what donor bass I can get hold of?? This is the shape it's going to be: I'm thinking (at the moment but it could all change?? ) of doing a wood and resin body, I can get for a very reasonable price from a fella that lives in my village and sells 'character timber!! ' a nice looking lump of live edge Spalted Ash which I think would look really nice teamed up with some Black resin I haven't decided if it's going to be trans black or opaque yet??............. 😀

Thomann ftw

I have never, and never will pay for any recorded material that has any of Mr Richard’s drivel on it.

because the lead is bent over where the straplock is so it doesn't come out, see the video above, thats exactly it!

I had a Silver Series P bass and it is the one bass I have sold that I regret not holding on to. It was lightweight, slim neck, played fantastically well and sounded even better. Stupidly I kept on seeking my 'perfect P', not realising I had pretty much let one slip through my hands. A few years and many £hundreds later I do indeed have perfect Ps but it would have saved a lot of time angst and money had I simply held on to that Silver Series. Nice job, btw!

I’d say it’s odd. I’m in an originals band - we are effectively a backing band for an original singer songwriter - he even does the same material solo on his own. For bass duties I’m given a full free range - I decide what to play, when to play it, what kit to play it through and whether it fits or not. There’s the occasional song where he will say “I’m thinking drums and bass come in on V2” or “Maybe keep the bass going through that quieter section for a bit of dynamic variance?” But that’s it. It means we all have a shared responsibility to the sound overall - we have skin in the game. If we write well and it works we feel collectively responsible - and visa versa. Actually makes me want to turn up and play.

I'm sure you do know the answer - time to get your shoes on!

I read somewhere that the Maruszczyk truss rods turn the 'wrong way round'. That is, looking from the heel towards the nut, turning the allen wrench to the left (ie anticlockwise) tightens it. Does the nut turn in either direction? If it turns anticlockwise, try that. For those who wonder why that may be - a standard modern 2-way trussrod has two rods - one above the other. Normally, the rod with the nut sits at the bottom. This is so - on a neck with headstock adjustment access - the nut is still hidden with the downward angle of the headstock. But, you can fit the truss rod in the other way round so that the adjusting nut is at the top. This can be useful in a heel adjustment because the nut sits higher and gives easier access for the wrench. However, if you turn the rod upside down, the rod is now bending the 'wrong' way and the nut needs to be turned in the opposite direction to have the desired effect. Easier to illustrate with a photo, but I'm away from my desktop at the moment. Anyway, @benjo - try turning it the other way unless you are already doing that

Sorry not to have answered this earlier. Regarding acoustic volume, there’s enough to be able to practice without an amp, but without annoying the neighbours. The magnetic pickup gives the “thump”, but adding the piezoelectric gives the "real" DB sound. I use a blend of the two and it sounds fine. Band is doing some recording this weekend , so will try to get a sound sample recorded and then post ASAP.

All went good! :

As would be Basschat, were it not for the vigilance and diligence of the Mod and Admin team. All sites on t'web are bombarded constantly with stuff of the sort; it's up to their teams to make sure that very little gets through, and what does pass, is swiftly removed. It would appear that jmb are less fortunate, s'all..?