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Showing content with the highest reputation on 18/10/18 in all areas

  1. Time for a story, sorry Many years ago lighting was expensive and I was broke. For our band I kibbled some lighting together, ahem health and what? Anyway I had two kitchen spotlight units with three different coloured halogen spots in each, a strobe attached to each and a smoke machine. It was all wired through a homemade footswitch to turn it all on and off. The smoke machine was tucked behind my massively over the top bass rig consisting of a bi-amped pair of 15's and a pair of 12's, aiming behind the drummer. When we did Motorheads Overkill I would stomp on the switch turning off the coloured lights and turning the smoke and strobes on when it got to all the false endings, if you know the song you'll know when I mean. At one gig I stomped enthusiastically on the switch at the correct moment which immediately fell to pieces leaving the smoke machine and strobe permanently on only able to be turned off at the wall. The drummer slowly disappeared from sight, then the guitarist and I and it stayed on for the remainder of the song until the stage area and crowd were completely lost in the fog and blinded by massive white strobes bouncing off the cloud. Oh how we all laughed, well apart from the drummer who was having some sort of epileptic asthma attack
    5 points
  2. Sounds a fun project, if you give us a call and chat to Dave Green(who designed the LB30)he will more than likely give you some advice(he normally does even when not asked...) on how to tie everything up... I’m fairly sure he won’t mind you being ‘inspired’ by his output stage... but sometimes he can be a tad grumpy so you takes your chances 😉
    3 points
  3. I had a Kay EB100 (tulip bass). It did go on the bonfire 😃
    3 points
  4. Kays are getting harder and harder to find these days, as anyone with any sense who had one would have spent an enjoyable afternoon pouring petrol on it and watching it burn!
    3 points
  5. A bunch of Indie halfwits, who are so talentless they are unable to join in with the opening theme, and instead just stand there with their arms folded. A proponent of world music, never heard of before or since, producing some unintelligible atonal drivel, which nevertheless is lapped up by the audience less they be accused of racism for not liking it. A former boy/girl band member trying to gain some real muso credibility to kickstart a solo career, but obviously finding live vocals a bit tough. A former legend living on past glories, much loved by the audience who are obviously saddened that the legend is past their best and the voice is not what it was. A re-formed but fatter and balder line up of a band, failing to make anyone interested in their new material. Plus a painful ‘off the cuff’ chat with a ‘friend’ or celebrity in the crowd.
    3 points
  6. Taken just now from Ebay.co.uk, used, 'BIN', with approximate postage costs. I've not selected on make, just availability, but not damaged, of course... Hi-hat £20 HH Stand £15 2 x Cymbal stands £30 20" Ride £25 16" Crash £25 Total £115 There are also packs of 'beginner' cymbals starting at £20 or so. Is that expensive as a 'get you going' deal..?
    2 points
  7. Some of that is harsh but true. However for an originals project 4 months to write and release 9 songs isn't unreasonable (depending on the songs of course). For the majority of new originals bands a handful of 25-30 minute support slots would the way to ease into gigging. No one is going to want to see an unknown band band with unfamiliar songs playing for any longer. IME originals bands don't need a PA. The venues they play nearly always have them. In the last 10 years of gigging with originals bands I have done less than a handful of gigs at venues that didn't have an in-house PA and engineer to drive it.
    2 points
  8. There were several episodes of spontaneous polite applause from the clientele throughout a very pleasant evening with my quartet at a restaurant/bar in Sutton Coldfield.
    2 points
  9. And don't forget, Bonfire Night is coming up soon... just sayin'...
    2 points
  10. Quite, Health and Safety. Or do I mean Health & Efficiency..? Anyway, the safest way to dispose of a Kay bass is to bury it (not in your own garden, obvs) or leave it in the boot of your car until you can drive to the coast and hurl it into the sea. If you're pressed for time and really can't stand the damn thing, wait until it's dark and throw it into next door's garden, preferably at that bloody plastic flamingo you don't like. Done!
    2 points
  11. His book, Kraftwerk: I Was A Robot is an excellent read.
    2 points
  12. It is indeed a Kay, as sold by Woolworths in the 70s. Didn't cost a lot then worth even less now although some think they are worth a fortune and collectable.
    2 points
  13. This is true. If there is a musician in the audience and you are playing like you don't care, you have probably lost networking and gig opportunities. Always give 101% even playing to one man and a dog. . . you never know who's listening in the other bar. I've been asked to join every band I've been in since 1985. I've picked up every gig and band because a band member suggested me or a band leader dropped in and thought I would fit into his band. So how you sound is important but how you play is even more important. Every gig is a potential introduction to more players.
    2 points
  14. 2 points
  15. Jeff Lynne's ELO at London O2 Arena last night! Wonderful songs, fantastic musicians and vocals, stunning light show and an atmosphere of smiley, happy people singing along..... oh, and my 'young at heart' Mum by my side enjoying very minute. Precious moments for sure :)
    2 points
  16. There is a different switch available, maybe thats more for you: I have a mopar purple NG-2, and have experimented with the pickup configurations a lot... as you might know all the recent Combustion and NG models have all three pickup cavitys routed already, so it was easy to switch positions. After all the testing, my ideal NG-3 switching would look like this - if limited to four positions..: middle/bridge in series middle only bridge/neck in parallel d-bird type all three Neck only sounds worse imo to the middle only. Comparable character, just less tone and definition to it. It has a bit more low oomph. neck/bridge in parallel sounds absolutely cool. Mind that the Combustion and NG models have different preamps. I like the gritty Tone Capsule a lot.
    2 points
  17. Wolfgang Flur, (ex Kraftwerk) last Friday night, in a small club in Cardiff He's now over 70, but still full of energy (more movement / dancing than he did in Kraftwerk) Great songs & accompanying videos, met him afterwards for a signed CD + poster. Nice fella too
    2 points
  18. Even I didn't see this coming - there I was minding my own business on holiday in Scarborough and I walk past the Guitar Gallery on Bar Street and see not one or 2 but 3 brand new 4003 basses in the window. I hurredly walk past pretending I didn't notice them but the damage is already done. For the next 4 days those Rickenbackers are on my mind until it gets too much. Once I get home I am online checking out the prices and who has what. I already know what I want and luckily a few online stores have them. About 10 years ago I was in Glasgow and bought a new 4003 in midnite blue. It was the most beautiful thing I had ever seen but a week or so into ownership I noticed that it had the dreaded running paint. The paint under the lacquer actually ran over the binding causing it to go pale blue. I took it back to the shop and was told that it would need to be returned to Rickenbacker but they didn't have any more in stock by that point so I got a full refund. So mind made up I bought this bass on Saturday, it was waiting for me when I got home tonight and took it straight to the rehearsal. I absolutely love it so far. I keep finding myself trying to place my hand where the pickup cover is but I can't work out if it is because that is where I would find playing most comfortable or just because I can't play there because of the pickup cover.
    1 point
  19. Hi folks I'm having a little clear out of a few basses. I've donated one to a local school and plan to sell these two at very attractive prices and well below where I perceive the market is, mostly in the hope of a quick sale thus preventing me changing my mind. I am happy to deliver within a couple of hours drive from home (PR6) and you are of course welcome to view, try out and collect. Beyond that let's discuss meeting up somewhere as I'd rather not post. There is nothing wrong with any of these instruments and people that know will attest to the fact that I look after my gear. If you have any questions please just ask. So here we go: Fender American Standard Precision Bass 2011 NOW SOLD Comes with Fender hard case and candy. A couple of very minor blemishes, but then it has been a working bass. I actually sold this a few months ago and then managed to buy it back. It's one of the good ones. Black finish with BWB pickguard and Rosewood board. 3.9kgs by my scales. More pics to follow, but here's the general idea: Limelight replica of Geddy Lee's '72 Jazz Bass (2017) £650 NOW SOLD PENDING This was made for me and to my knowledge is the only one made (so far at any rate). It was made using pics of Geddy's actual '72 J bass as well as the Fender CS version and I think it looks very close indeed. The neck is not oiled but has been finished beautifully to play really smoothly. The bass has the Bad A** bridge that has not been aged in unlike the other hardware (per Geddy's bass). Comes with a tatty non-Fender hard case. Weight approx 4.5kgs by my scales. The bass has two pickguards. A nicely aged parchment example and a pearloid white item with the Amalgamation symbol that GL used during the Clockwork Angels tour.
    1 point
  20. Looking for ways to better protect my amplifier when being loaded in the van with everything else... I came across this plastic case for around £22. https://cpc.farnell.com/unbranded/17051n-079-gpb/plastic-case-515x415x135-black/dp/SG33316 They come in various other sizes, and colours... I went for the black one. It has two layers of foam inside, and I bought an additional 6cm thick block of foam, with precut squares, to allow perfect fit of anything else you want to put in there. Total £34. It arrived today. First impression is good. Not the sturdiest thing (hinges and catches will not last a lifetime), but considering the light-weight of these amplifiers, I think it's a good match. Very light too. It'll fit the amp, cables... and there'll probably be space for a bit more. Pictures to follow...
    1 point
  21. Certainly both would be ideal but if you're going to make a start on your own then Geoffs lessons are the only ones I'd follow just to get going a bit until a tutor can be found.
    1 point
  22. 1 point
  23. James was loudest in the mix. They knew he was great ! Even Macca knew he was great.
    1 point
  24. Are you certain of this @kodiakblair? I have been digging (googling!) and I think it's more likely an International series. As much as I hate to disagree with the Peavey oracle!
    1 point
  25. Do Quorn make strings? I sympathise with your dilema but you know the adage that there is no substitute for gut.
    1 point
  26. How many cymbals does a drummer need? Hats, crash and a ride, that's the job done. Use basic tools until you feel you can afford, justify or even need more. Decent cymbals can be bought quite cheaply now and even economy brands are certainly better than they were in the past or at least better than no cymbals at all. He has to hire cymbals in? What's all that about? I've never heard of such goings on. This would not happen in any Northern town. Sounds like a load of old bollox to me. He may have delusions of grandeur! They usually have. 🥁 Maybe the singer is delusional about being a singer too if he can't remember his own lyrics after that length of time. That would be about 8 months since you started the project? If he can't remember them by now, he is either not cut out to be a singer, the songs could be too long and/or full of pretentious philosophical nonsense that no-one but he can understand anyway or, he is a goldfish. Seriously though, it sounds like they are scared to me. Well, maybe the drummers doing a drummer thing and trying not to let the girlfriend know that he needs to actually buy something for a change! 😂 Good advice in above posts though. Book a gig, get a target and you will hopefully find that the rest will get themselves together. If they don't, you have the answer to your OP.
    1 point
  27. It will probably be a good 3 months before you are gigging. So start by booking yourself up some gigs now. In the mean time pop along to some local jam nights as a band. I have done this. Very valuable. Film it too so you can pop it on your website/social media to make yourselves look busier than you actually are. As said before, it will help overcome nerves too and iron out/flag up any weak spots too.
    1 point
  28. Yes it is. That was 79 and Wobble was King for me. That was our first gig at the local youth club, only started playing bass a few weeks before. Remember it like yesterday! We only knew 3 songs Public Image , pretty Vacant and a dodgy version of White riot. We played each song about 3 times until nearly everyone had left. Our drummer was good tho
    1 point
  29. My first 'real' bass was a Kay from Woolworths, with a truly dreadful 15W 'Audition' amp and cab, too. The action was OK if you could afford a taxi from the strings to the fretboard... which I couldn't at the time. Still, it's nice to have these instruments, if only to make you realise just how far we've come with budget basses!
    1 point
  30. Not at all, that's fascinating and pretty much how I do it... after quite a bit of trial and error! Another point to consider is the fact you probably won't get a sound you much like playing solo. It all comes together in concert, which is why your tone should be got when you're playing with your band...
    1 point
  31. I like The Lemon Twigs. I wouldn't consider them Indie at all!
    1 point
  32. True, I guess it's what makes him happy and gives him the onstage sound he likes..............of course it'll turn out he's on in-ears and can only hear the monitor feed anyway
    1 point
  33. Just moved over to spector ..got a couple of 5 string legends classics Best bass ive ever owned ..... Would love a euro 5 hence why ive a selection of bass's for sale...
    1 point
  34. We have one. we use it when we need just a teensy tiny amount of pepper.
    1 point
  35. Since AFAICS only one of the heads is DI'd (the one on the top right) and none of the speakers are mic'd up it's all a bit pointless.
    1 point
  36. OK, when I'm back on 5th November, I'll make every effort to get to go back to collect the bass.
    1 point
  37. The overhead wires might get damaged!
    1 point
  38. Can you Photoshop my belly to make it smaller please.
    1 point
  39. You may end up keeping it. I would !
    1 point
  40. Here's my old one: And here's my current one: And the two of them together cost less than he wants for the one in that listing!
    1 point
  41. Well at the next bass bash you could organise a blind audience fingering and get answers.
    1 point
  42. Forgive me father for I have sinned...it’s been 46 days since I purchased any bass gear....until today. Reset the clock. There’s a Status Series 2 incoooommmmmmmmmming 😃😃😃😃😃😃
    1 point
  43. Whether it's in the fingers, or you have good or indifferent bass gear, one of the main (and overlooked) elements regarding how you sound is how everyone else in your band sounds. It's no good being the world's best bass player if you're in a band with the world's worst drummer or the UK's loudest guitarist. Whether or not you're heard and appreciated is also down to how other people play - do they listen, are they selfish, do they leave space in the music, do they have good timing and groove? Some people (even when playing covers) will fill every nanosecond with noise, so ultimately you can't hear anything much and whether you're a good bass player or not and whether you have good gear or not becomes moot.
    1 point
  44. Interesting idea, I like it
    1 point
  45. I assume my CTM100 would be a class AB, it certainly doesn't run that hot - I was surprised just how unhot it was after a 3 hour gig fairly flat out. I do like the ashdown stuff, apart from the MiBass 220, which just flat out sucks and whatever descriptions you can have, heft, girth, life, almost certainly doesn't have. Sterile, probably. The odd thing is, the CTM100 running at bedroom volumes at home for practicing is fantastic, it is quiet, doesn't lose bass when turned down and just performs really well. Only downside is waiting for it to warm up!
    1 point
  46. The Wal I waited nearly 2 years to be built. Fits like a glove
    1 point
  47. To pay for a wedding, if you must know 😉 it’s back now, that picture was taken last year. The 55 was sold as I required a 5 string at the time... so is the wedding ring actually...so, yeah, both linked 😂
    1 point
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