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Showing content with the highest reputation on 31/07/18 in all areas

  1. Came across these on Facebook the other day and subsequently searched Youtube and there's plenty there too, absolutely awesome. Here's their version of Distant early warning:
    4 points
  2. In the last 10 years I've only played Bergantino and Barefaced. The Berg tone was particularly impressive and I felt I'd reached a whole other level in bass sound when I got them. IMO my Barefaced cabs are another level again, they are monsters for sound and get even more positive comments than my Bergs did, and they generated a lot of praise. IME people do notice the bass player, if you sound good enough! The BF cabs are lighter and I need fewer of them to cover all levels of volume that I require. If my rig was stolen I'd happily replace it with either, but a BF rig would be at the top of the list. I'd expect all of these cabs to sound totally different to your Markbass rig. You might find that a little off putting, maybe not, but the difference will be very noticeable. IMO the difference was a revelation to me and the extra tone and clarity gave my bass playing a boost. I've not heard an amp that didin't sound good through either Bergs or BF cabs. You can go down to Brighton and try Barefaced cabs in the factory. If they have a demo unit on the shelf you can borrow it. You can send the Barefaced cabs back if you don't like them. You can't audition the other cabs and you'll be stuck with them if you change your mind. I'm sure that if I heard one I'd love the VDK. At this level there are no bad cabs, just preferences. PS Sorry, but Barefaced cabs are not flimsy. Don't confuse light for "flimsy". They are as solid as any standard designed cab. If you are careless enough to damage a BF cab you'll have done more damage to a regular cab. I carry all my gear and don't have access to roadies. In 10 years my cabs have never even been scratched. Good covers and care are all that is needed. my 2p
    4 points
  3. Coffee and KitKat at inflated price at a convenient filling station.
    3 points
  4. This has the makings of one of the most useful BC threads ever.
    3 points
  5. More my era of Rush, but this is terrific, too, especially the vocal: I've heard Geddy worse...
    3 points
  6. For sale or trade is my beautiful Music Man 25th Anniversary 5 string. The Music Man case is included. The Bass is in a very good condition and has only some really small scratches on the backside. The sound is incredible versatile. It has a authentic p-bass and Musicman tone. The 4-band eq is mighty! some soundfiles and specs: https://www.bonedo.de/artikel/einzelansicht/music-man-25th-anniversary-bass.html The bass is located in Germany. Shipping is possible. Cheers Chris
    2 points
  7. Hi everyone, I bought a cheap bass Sunday for parts or maybe another build, its a spider bass ? never heard of them. Anyway it has pups and tuners a bridge the neck has been very poorly converted to fretless, the body is a plywood thing that has been butchered in the neck pocket, I thought about re fretting it but ive never done that before but it hasn't cost anything yet so nothing to lose, this is were you come in what fret wire do I buy ? this may not happen depending on the state of the neck, it has been filled in the slots with a softish filler so it might clean up without to much hassle because I haven't got a fret cutting saw. I have an old front door that I took apart to make a body but I wont start that until I sought the neck out, ideas and criticism gratefully received.
    2 points
  8. I too used Markbass very happily for many years, had 2x10, 4x10, 1x12 (x2) and 1x15(x2) and have held onto a couple 1x12s. Still great stuff but Vanderkley and Barefaced are in a different league, which their price would suggest I visited Bass Direct a few years back and did a direct comparison between Bergantinos and Vanderkleys, and I went for the Vanderkleys.. I have been using Vanderkleys for about five years. I recently acquired a preowned Barefaced Super 12T which is a superb one cab solution and I now have trouble choosing between this and two MNT112 or a single LNT210. I visited Barefaced in Brighton and did a direct comparison between the Big Twin and Super Twin. The Big Twin was probably the best single bass cabinet I have ever heard, but as I am nearly always DI'd hrough PA, I went for the portability of the smaller cab, but sonically the Big Twin Is quite a bit more impressive. Barefaced cabs do use relatively thin ply, but are very rigid and well braced. If you respect them and dont hurl them about they are robust enough and really easy to touch-up. The pre and after sales service at Barefaced is excellent . Vanderkley cabs use thicker ply, have less bracing and do seem more robust. I have always preferred tough carpet covering to Tolex, but the 'lumpy' paint on Barefaced cabs is a doddle to maintain. Vanderkley use custom Faital Pro drivers, Barefaced use Eminence drivers wound to Alex's specs. Both companies give exceptional service. A difficult choice, unless you get both!!
    2 points
  9. It's one of those things, they'll all be good, but you just have to make the best guess, if you can't try them. Everyone is just going to say what they use is best for X reason. FWIW, I had a VK 212MNT. Don't be put off by it being rated at only 600w... It's a hugely loud cab and took all a 900w amp had to offer. With very strong lows and clear highs. I went back to Markbass however, and for what I want it does the job far better. Its obviously not a better cab, just better suited to what I need.
    2 points
  10. I love playing The 100 Club, iconic venue, you just get the feel of the place when there. Also love The Star & Garter in Manchester, just great gigs and great audiences, in a venue that is standing proud in a development area and not moving. And lastly The Rebellion Festival at The Winter Gardens in Blackpool, just love that, the biggest and best punk festival, being asked to play there is awesome. 200+ bands over a weekend, you get to catch up with so many people that you`ve met over the previous year, it`s just an amazing time. We`re setting off tomorrow (playing Sunday afternoon), am so looking forward to it.
    2 points
  11. @TimAl. Been on your site. Very nice job! Seeing that you can make everything you are the obvious choice.
    2 points
  12. I saw that clip last week and was really impressed. The bass player gets a great Geddy sound from his G&L bass. Another fun Rush cover band are "Fred Barchetta" who feature Uriah Duffy (ex Whitesnake) on bass. The girl singer really nails the early Rush vocal on this track, I've included a YouTube link below: (Incidentally, how do you embed YouTube clips in replied on this forum?) http://youtu.be/HodK8zn7xz4
    2 points
  13. These puns are boring; the're just going rind and rind.
    2 points
  14. FRFR. Line out from your preamp of choice (or amp, just don't use the power stage), into... RCF 735A or RCF 745A. Will smoke all the aforementioned cabs, especially on treble extension.
    2 points
  15. My back wants me to like Barefaced, but 40 odd years of playing through cabs with ‘baked in tone’ mean I struggle to hear what my brain wants to hear with the ‘clean’ output of the Barefaced range. i haven’t tried the Bergantino, but have played through the Vanderkley albeit at low volume, and I loved the sound. Very creamy and musical sounding, even with the matching amp set ‘flat’. If I was to be persuaded to move away from my SWR Goliath, then the Vanderkley would be top of my list.
    2 points
  16. Based on this I would say Barefaced. They're the one cab that with the 12's I couldn't give you and description of their voice. They're just very flat, and I'm often really surprised at how different, different amps can sound with the same cab. The treble extension with the BT2 is also really nicely executed. The Bergantinos have probably more of the colour I prefer, but they are coloured, which isn't really what you're after based on that quote. Not much experience with the Vanderkleys, I was always recommended against them for one reason or another at the time of buying. Barefaced it is in my view!
    2 points
  17. Gigs I love? I love playing in big fields. Open air festivals, that is. Big stages, big sound systems, big stage sound, captive and appreciative audiences and you also get to see some great bands on the bill. We were booked to play one early this year that was washed out and had to be rescheduled but I haven't been rained on at an open air gig in a few years.
    2 points
  18. Withdrawn. It makes no sense to try to sell this bass for an amount that is close to the amount I spent refurbishing it in the past 12 months. I will keep it although I am committed to playing 6 string basses now and will find another way to fund the ACG build I want. Thanks for all the kind words. John
    2 points
  19. I was trying to think of a polite way of pointing that out too haha Si
    2 points
  20. Hmmmmm....seen at the double bass bash in April......
    2 points
  21. 2 points
  22. This is 27 years old but has recently been completely refurbished/refinished and refretted, consequently it’s in mint condition. The refinish was done by Sims guitars in Kent, they’ve done a truly fantastic job. It features a thuya root face and back with an ash core. The neck is wenge and maple with a 24 fret ebony fretboard which has a very thin band of lighter wood purfling running along the edge. It’s 34” scale length with twin Kent Armstrong humbucking pickups and a Bartolini preamp. The bass is amazingly easy and comfortable to play, and very lightweight. The string spacing is about 18mm at the bridge. I would prefer collection from Birmingham, or I can deliver for train fare. The instrument comes with a Hiscox case. Trades welcome for cheaper 6 string basses plus cash my way. I particularly like the headless thing, so maybe Status?
    1 point
  23. Now SOLD - thanks for looking! ☺ Hi Folks For sale only, this completely unique Custom Build Non-Reverse Thunderbird bass that I bought here on Basschat 7 months ago from Sean, aka Billy Apple. The bass comes with an excellent quality hard case that I bought from chimike especially for this bass, as it's a bit longer than most standard 34" scale basses. For the bass & case, I'm looking for £575 (or near offer). The history of this bass from when it was first commissioned in 2013 is quite a story in itself; read more about it here: To describe the bass properly and give it it's full due, I hope Sean won't mind me quoting him from his For Sale advert last December: "Completely unique custom built NR Thunderbird. The last of the Bachbird body blanks made from mahogany and a lovely rosewood board. Bach also supplied the two piece bridge. Routed to vintage specs by the Bass Doc, with a hand-made bone nut, vintage white scratch-plate, TRC and control cover. Pups are '66's from Steve at the Thunderbucker Ranch, along with one bevel surround and shim. Tuners are Gotoh Resolite GB528's. Vintage white top-hats with a matte white finish and set-up from John Williams at Noiseworks." I'm only selling this because a chance to buy a very special Roscoe Beck V came up recently (which I couldn't ignore), so I'm selling a few things to recoup that outlay - otherwise, I'd be keeping this because it's totally unique - a one-off - and it sounds amazing and gets so much attention at gigs because it looks so cool! Collection from Littlehampton, West Sussex preferred, but am happy to drive to meet up if it's within a reasonable distance. I could courier it (at your expense) in the right circumstances, but only if it's a fully-insured service.. Otherwise, it's just too risky! Anyway, thanks for looking and if you've any questions about this amazing Thunderbird, please ask away here or PM me. Nik
    1 point
  24. OK, I don't think it is going to be a fireman, and I haven't really got any plans yet other than the vaguest of ideas. The only things I do know is that it is almost certainly going to be 32" scale, a 5 string with 17mm string spacing at the bridge and it is going to be using this:
    1 point
  25. 35mm long screw,2mm thick drill to open the hole,5mm thick of the screw
    1 point
  26. 1 point
  27. Whoops sorry. The GK MB500 really rocks through my Barefaced Super12T too. Surprised it's still here, if I didn't have one already I would have bought it at this price!
    1 point
  28. Yup - top cover that. Voice is perfect too. Thanks for posting.
    1 point
  29. Only checked the spot you recommended. I saw nothing in the way of explanation. They made no claims to have solved the engineering tradeoff between cost, weight, efficiency, and fidelity. Also, it's marketing material Disregard marketing material, go for the tech spec. From what I can see, it's an active 2-way speaker, and they've baked in equalisation to counteract the response curve the drivers and the cabinet create, resulting in a flat frequency response curve in the advertised spectrum. Expecting any passive speaker enclosure to match such a setup is unrealistic. Afaik, only a theoretical model speaker can have a flat response. This does not mean they are being dishonest or doing something underhanded. Genelec and other studio monitor makers have done this for decades, and it's the only way to get a very flat response curve: use equalisation to counteract the unevenness all existing drivers and enclosures by necessity have. The curve I saw in their own materials does not put Genelec to shame, so we know it's probably a good compromise between fidelity and roadworthiness. I'll amend what I wrote and say, instead: Regarding fidelity, the higher price of the RCF includes a power amp and built-in equalisation, resulting in a fairly flat response curve between 45 and 20k Hz, while the Acme Low-B2 goes deeper, but does require a power amp to drive it, and probably requires equalisation to match the flatness of the RCF. In practice, I imagine few will benefit from either the extra flatness of the RCF or the deeper low end of the Acme. NB the video does show the RCF responce falling off a cliff under the advertised response spectrum, not that every driver / enclosure known to man doesn't do that.
    1 point
  30. 1 point
  31. 21:48 is where it's at. Check that. This guy does a much better explanation as to why these boxes are simply ridiculous for the money that they are.
    1 point
  32. Just PMd you Rikkers :-) Thanks for kind words Andy - much appreciated :-)
    1 point
  33. 1994 Warwick Fortress One fretted four-string in 'Honey Violin'. Brass Just-A-Nut with individually adjustable slots. MEC P/J pickups with active 2-band EQ (push-pull volume pot to switch to passive). 3-piece wenge neck and wenge fingerboard with 'bell brass' frets. Recessed straplock fittings. All original to my knowledge (I got it used in 2004-ish), in Warwick gig bag. I've only ever used it as a backup so very little wear and tear - IIRC I've literally played one gig with it. It's lived in a hard case 99% of its time with me. Based in Sheffield. Difficult to price as I've only ever seen a couple (except the other one I own) and the last one on here sold quite a while ago. If I'm way out on the pricing, please advise accordingly and I'll try not to be offended. Cheers.
    1 point
  34. 1 point
  35. Yep if you're in the area, the pizza here is amazing quality and great value for money, I recommend a 14. My recommendation Taka Taka, Magic Roll 3 Queens Rd, Triangle S, Bristol BS8 1EZ Open till 4am This place is also very good, great gyros and souvlaki wraps for under £4.
    1 point
  36. We play the Freddie G drum academy at Sparsholt college in Winchester. The venue is just the campus bar but we get to play with the celebrity drummers. So far we've played with the likes of Gregg Bissonette, Steve White, Ian Matthews (kasabian), Craig Blundell and Woody from Bastille amongst others. Always great fun.
    1 point
  37. Went to the Derngate gig, I’m pretty sure the support act was called Strawberry Switchblade.
    1 point
  38. The Basschat mandarins really ought to do something about this thread...
    1 point
  39. Speak to our very own @TimAl who will use yours as a pattern and then work his magic on the Greco logo for you.
    1 point
  40. Hi Those of you who follow my threads will know two things: My workshop is TINY I absolutely HATE routers Well, based on MrsAndyjr1515's assertion that I fill every room in our house with my c**p already, the first item is unlikely to change But I ought to do something about the second one - if only because there still are certain things I have to use a router for and, hand routed, they remain the messiest and most risky operations pretty much of any of my builds. So, with a short break between actual builds, I decided to rethink my cellar / workbench arrangement and ask the question of whether there was any chance of all of getting a small router table in there. And I've just done it and I am so, so pleased with how it's turned out. The research and thinking process was long and painful (especially the thinking bit ) This is what I ended up with: Anyone who has also looked at tables will know that it is a complete minefield of partial and/or ambiguous information of what each option will do or not do, how portable, how big, what routers they are compatible with, what guide rings they are compatible with, what comes in the box and what is extra, how heavy, how easy to disassemble, how stable, etc, etc.. I also had a requirement to be able to easily store it in a very small space when not in use and small enough to be able to use it in the narrow standing space in front of the workbench And this latter requirement knocked 90% of the options out. So a bit of lateral thinking. Was it madness to consider using the folding stand from my £12.00 (yes £12 !!!! from Maplin, god bless em and RIP) lightweight workmate and do a 'bitsa' job on the table itself? Could I use my Draper router fixed base (on the right in this pic) that - against all odds - actually does fit into a so-called universal sub-base: ...and therefore be able to still use it as a hand router with the plunge base and remove it easily for storing the table and changing the router bits. And the answer was yes. Not cheap, but I think meets all my requirements. And - if early trials are anything to go by - SO, SO, SO much safer, more accurate, easier to set up and cleaner than hand routing. This photo was taken immediately after rounding all eight sides of a test piece. The sawdust in the tracks were from an earlier tryout without the vac attached. The rest of the chips - ie none - were what were left after the cuts: Can't tell you how chuffed I am
    1 point
  41. This week, and for the previous couple of months, it's the caline orange burst. Girth, grunt, and authority. I've had so many compliments since I started using it- I don't even think about changing it!!
    1 point
  42. That Lego cab is class. Just think you could take it to a gig in a lightweight plastic tub, assemble, play, disassemble and take it home. Just think of all the configurations you could build a cab for every occasion. Maybe a new concept here - must contact Laney.
    1 point
  43. £400 + delivery, as much as I love Barefaced, & these look fantastic, erm, no thanks.
    1 point
  44. My new custom overdrive has arrived. All in all it is two complete Nightfall units, with all controls on each channel, and the possibility to use A or B or cascade A into B. Also switchable via stereo tele jack from my Boss ES8 switcher. Sounds very nice!
    1 point
  45. Two gigs this weekend, one outdoors (through at least 6 18” subs to assist my sole One10!). My JV never fails to keep tune - I only have a tuner as a security blanket type thing - my trusty P always plays great. Either that or I’m a lumbering sausage fingered oaf!
    1 point
  46. I did a mid day gig yesterday - 40 minutes outside at about 11:30am. No shade. It was for the educational music trust I play with. It was the summer concert and awards for the kids. Most of the show was inside but for some reason they like the interval for the summer show to have refreshments and entertainment outside. It's great fun having to get my gear off the stage and reset it all outside in about 5 mins. My Marleaux did very well considering but I was still re-tuning between most songs. I'm very glad I didn't take the Ray.
    1 point
  47. Now that really isn’t fair, it was gorgeous from the front but that rear shot takes it to a new level. I am on the lookout for one now but guessing they don’t come cheap.
    1 point
  48. I'm not sure it would be as resonant or robust as a body made from say Alder or Ash, but if it sounds good to your ears - then it's a good tonewood!
    1 point
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