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Showing content with the highest reputation on 20/06/22 in all areas
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A great theatre gig at Wimborne Tivoli on Friday night with our 'big' production (lasers, pyro, video screens etc). By all accounts the sound was excellent and visually we nailed it. We got a fantastic audience response and the European agents who had flown in to see the show were suitably impressed. Everything crossed for a Belgium, Holland & Germany tour at some point next year! Woo!12 points
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Third sunday in a row at the same cocktail bar. Last week it was empty amd left us feeling flat. This time we did some social media and they put a board outside. We got a small but highly enthusiastic audience who had a fantastic time, and so did we. Lots of extended improv and several impromptu solos. Also I used my TE Elf to see how it would gig with the GR Bass AT212 and the Epiphone Embassy. The sound was immense and the Embassy incredibly versatile. So a good night.10 points
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Played in the Latch Lifter in Ilkeston for the first time on Saturday. I was a bit on edge, as I do a lot of ...community... work around there, and I REALLY didn't want to be recognised, however even though I was tense, I played well and the whole band sounded really quite tight. Set up was a doddle, and the stage there is excellent. The entire pub is exactly what playing in covers bands or tribute bands is about. The stage looks over a large dance floor and bar which was packed, and even the balcony on the first floor that circles above the dance floor was full by the end. Our friendly bands told us that its quite a tough bar to get moving, however we had people dancing and singing right from track 1 all the way through to the encore's encore. Things started to get interesting when we had a stage visitor take over the lead vocals for "Dakota" (you have to play it, right?). She was utterly terrible and barely knew the words but appeared to be a local hero as the crowd- they were loving it and were recording her. .. so there she stayed for the song. For the last few tracks, we had some younger ladies on stage trying to dance with me or the guitarist too. I kicked my pedals away from under their feet, and enjoyed the show, to be honest... Fun crowd. VID-20220619-WA0004.mp48 points
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Thanks to everyone for the interest shown in this. It’s now sold and gone to a happy new owner! I’m selling my 1982 Fender USA Precision Bass. It’s Olympic White with maple neck and fretboard and is in immaculate condition (see below for the reason why!). The bass has quite an unusual history. I bought it in 2015 from @darbiter who, when I picked it up, told me that his family used to have a music business in London and that this was a bass that his dad (or grandad, I can’t remember which) had taken to use with his band. I got the impression that this was a last-minute, need-a-bass-for-a-gig-tonight, spur-of-the-moment kind of thing. Whatever the reason, the bass didn’t do many gigs before it was put away (under a bed, apparently) and was forgotten about until they came to have a clear out, discovered it and put it up for sale. The bass still has the original factory packaging along with the thumb rest, pickup and bridge covers (which have never been fitted). I only gigged the bass a few times before I got the Jazz which became my main gigging bass and the P was then used exclusively at home. A couple of years ago I got hold of a heavily discounted set of Fender Vintage ’63 pickups. I fitted them to see what they sounded like and ended up leaving them on the bass because they sound really good. The original pickups are included of course so the bass can easily be returned to original factory condition. The bass weighs 10.2 lb on my digital scales, is nicely balanced and sounds phenomenal. I did a little research when I got back home and discovered that Dan’s family, the Arbiters, were significant figures in the UK music scene throughout the sixties and seventies and, in addition to owning the Sound City music store (amongst others), designing and selling their own range of guitars, fuzzboxes and amps (and designing the drop-T logo for the Beatles), were also the official distributors for CBS Fender products from the mid-seventies. So this is a Fullerton-era Precision bass that was the personal bass of by either Ivor or John Arbiter and which has remained unused for years until I bought it. I doubt the provenance makes any significant difference to the price but it’s part of the instrument’s history and should be recorded. It also explains why it’s in such good and original condition. (Dan’s original advert is still on the site, along with a helpful discussion about the serial number. Sadly, the pictures no longer load - apparently there were a few which showed the date stamp inside the neck pocket which dates this to 1982). I'd rather not take the bass to bits at this stage but if serious buyers want pictures of the neck pocket and wiring harness please PM me. As you can imagine, I’m reluctant to send this by post so would much prefer collection or a handover in person. The bass is available to try out here in leafy Lincolnshire or there’s a good chance I’ll be able to arrange to deliver/meet - please drop me a PM to discuss options. Please note: I'm struggling to know how to value this - given the condition and originality, I've tried to pitch it at what I think is a fair price for a Fullerton-era Precision but if I'm wildly out then I'm hoping that the BC collective will be able to help me get to a more informed valuation! Pictures below...7 points
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7 points
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A genuine 1964 instrument. The bass was refinished to a very high standard a number of years ago. When I bought it the electrics were poor and the original pots already gone. I’ve had it rewired and fitted with 250k CTS pots, the pick ups are original. It’s strung with flat wounds. Comes with an Epiphone hard case that it’s fits very well.6 points
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Probably got GAS and wife has said 1 in 1 out5 points
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Note: I've seen something that I fancy so temporary price drop to £750 until one of my basses sells. Here's a nice L2000 that I got in a recent trade. It sounds and feels great as you would expect. I was told it was made in 1992, although I can't see a way to be sure of this. I would have dated in then or earlier, maybe late 80's. Anyhow it is a lovely usable classic. This is a used bass so there ere are a couple of "dings" on the front but in general it is in great condition for its age. Trades? I would like a G&L L1000, SB2, LB1 or maybe a nice Fender Precision of Jazz Special/boxer. I have included some pictures from the previous owner as theirs were better than mine lol. Local pickup or trial welcome but can post at cost if need be. Weight is 4.3kg4 points
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For sale is my USA Fender Precision Pro II in Miami blue. Only a couple of faint surface scratches to the body, otherwise immaculate. Comes with Fender hardcase, paperwork and tools. Weight is about 4.2kg I really need to keep my lightweight Roscoe due to my crap back so I withdrew it from sale but that dose mean I have to part with this which is a shame because this is a belter but hey-ho! I've owned a good few US Fenders over the years and this one dose stand out in build quality and finish. I found the neck profile much more pleasing than my other Pbasses, I believe it's based on early 60's dimensions, can't be certain but it really is nice. The reshaped neck joint with the 5 bolts works well should you venture up the dusty end of the fretboard. Its currently strung with newish DR Nickel Lo-Riders 45-105. I would obviously prefer collection or meet/deliver within reasonable distance but I do have a good box and packaging for shipping. I will only use UPS at £35. If you wish to arrange an alternative it's fine by me. No trades please, sale only. The price is firm, and a bit less than I paid for not too long ago.4 points
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4 points
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4 points
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In Chas Hodges (of Chas & Dave) book he wrote about this, and said that at their sound-checks they got the vocals right first, then added in everything else underneath it so that the vocals always stood out clearly. He did say that a few times they had to advise the sound people that pretty much no-one ever went home from a Chas & Dave gig complaining that they couldn`t hear the bass drum properly, but a few times people had complained they couldn`t hear the vocals, so from then on that was how they worked, they vocals/lyrics being more important than any of the accompanying/supporting instruments. Which is directly opposite to pretty much every sound check I`ve ever done, where probably more time was spent on the level of the kick drum than on (all of) the vocals. Ok, yes, it was punk, but even our vomit should be heard clearly!4 points
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Always liked this one... We have it on our garden centre playlist (along with loads of other dub, about 700 tracks, with hte rest being funk and jazz, with some classical...). And it entertains me no end when some old folks are browsing our pelargoniums, and suddenly, from nowhere, Duckie or Junior shout "Big Spliff"4 points
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apart from all the great recommendations listed so far, I'd recommend this too, with Adrian Sherwood at the console4 points
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When gigs like that happen with nobody, or nearly nobody there or paying attention, we treat it as a paid rehearsal.4 points
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Stingray 40th anniversary edition with paperwork and official hard case. Has been gigged and rehearsed with but is in excellent condition. Plays incredibly well and sounds immense. Build quality is exceptional. I have too many basses and I have a Status which does the same thing as this but also has fairy lights … More info here: https://www.music-man.com/instruments/basses/old-smoothie More photos on request, I’m currently down with covid so responses might be a bit slow or nonsensical 🤣4 points
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Syncopate, to leave space for the solo, by playing the root on the 'one' for the first chord (assuming 4/4...), then the root on the 'three' of the following bar. the. Link up with the drummer, who also stops, except for a heavy beat along with your bass notes. Rinse and repeat. So : One ... ... ... |... ... Three ...| One ... ... ... | ... ... Three ... | etc. Plenty of attention given to the solist, and an intereting break from the rest of the song. Try it..?4 points
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I’ve had it a good few months now and I’m still loving it. Passive like my 63 P or cutlass I use the bass to around 11 o’clock and treble around 9 0’clock I keep the low cut switch off volume I keep to around 12 For active I use the cut switch and dime the bass, treble to suit it makes everything sound rich and creamy. It has enough output to drive my power amp from the 1/4” out but if I’m feeling a little cheeky I run it into the fx return of my Handbox wb100 and it’s just perfect.3 points
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3 points
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So after the failed 'Dip' i've sanded back and gone for Natural in Danish oil. Unfortunatly there is still a little white primer in the grain... but had enough of sanding... As the saying goes 'Close Enough For Jazz...' Jazz body with Kent Armstrong Hot Vintage Alnico P and J Pickups wired with a @KiOgon VBT loom... wearing Adagio flats...3 points
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He is actually a humble chap. He came to the dressing room (tent) of a friend of mine, Deke Leonard, to get a single signed - Man’s Sudden Life - that he’d bought as a teenager. Unusual for a bill-topper, I was impressed.3 points
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I can't believe it's been all these years since I posted this review.... Anyway, thought I'd share an update; I'm still playing the same set of strings, and they still sound fantastic. I've also saved a fortune not having to replace strings approximately every 3 months. I would definitely recommend these strings.3 points
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It’s funny isn’t it, as I went to see The Professionals last year and the sound was easily the best I’ve heard at any gig ever. So it’s not new technology/gear to blame, solely the ears of the people doing the sound. Maybe a lot of these bands as well as having sound-people should have some sort of road manager who can simply say “that sounds awful, sort it”.3 points
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I went to see a band called Mamas Gun, at Lafayette, in London, back in January. The band played to a packed house of 600 people and the sound was excellent and the PA looked pretty 'state of the art'. Fast forward to the beginning of this month and I saw them again, in a small club under a railway bridge in Glasgow, playing to about 50 people,through a not very 'state of the art' PA system. But the sound was equally as good, if not better, at the gig in Glasgow. Interestingly the bass drum did sound too loud for part of the first song but after that everything, including the 4 piece harmonies, sounded fantastic. Their sound engineer really needs a medal. Interestingly he was introduced halfway through the gig by the band, and took a bow.3 points
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I'd have to say NO to that venues request to store gear in their premises at my risk. Too much money in our gear to leave lying around. I dont even leave the car unattended when loading or unloading. My wife stays with the car at all times. If she's not with me the band members take turns staying with the vehicles while others load / unload etc. Dave3 points
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Maybe we as punters are partly to blame because we don't say anything, other than on forums like these. If every time the sound was crap we posted on the band in question's social media pages, and if we could find out who had been hired in to do the FoH post on their pages too, and if it's an in-house PA on the venue's pages as well. Then if enough people do it, then it might become obvious that a mix that is all boomy kick drum is not want the audience want.3 points
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1978 Fender Musicmaster Bass. All original except the pick up was upgraded to a Seymour Duncan SSL-1. This short scale bass has had a recent set up and new strings. Plays really well. Condition wise it’s great considering it’s 44 years old. No case or bag(apart from a well worn gig bag that came with it.) You’ll see these retail at far higher prices so grab this while you can. I was looking for one for ages and ended up with two hence moving this one on. I do have the original pick up which could be included by separate negotiation if you’re looking to have an all original instrument. Happy to meet up to exchange with in reason.3 points
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Here is my super-heavyweight and incredible sounding Marshall 3650 Silver Jubilee head. The output stage features two 300 watt power amps. The sound, as you'd imagine, is thunderous. You have a lot of control with the 7-band EQ. This is an anniversary model created to celebrate Marshall's Silver Jubilee in 1986. These were built for touring musicians and it appears Marshall spared no expense building it. The chrome cover is in excellent condition, with little use. I bought this from a pro (with the 4x10 I sold a while back), and he actually had two (and a lot of roadies, I think). I'm selling as I'm going 100% Class D now. I'd like to keep this if I could, but I must be realistic. The amp itself (in the Marshall sleeve) weighs 25kg. Inside the flightcase it must be over 50kg. I simply can't send this as I don't know of any courier that would take it. I'm based in Bristol and happy to drive out to meet you somewhere nearby. I will advertise this on eBay now but it'll always be cheaper on Basschat, so grab it here if you want it.2 points
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Flawless, never gigged WARWICK ROCKBASS STAR BASS V in stunning black. An absolutely gorgeous beast with a huge range of tones, from the honking Jazz Bass bridge pickup to the vast, fat vintage bottom ends of the neck pickup solo'd. Wonderful warm MEC pickups. Never gigged and kept in smoke free studio. Finish is pretty much immaculate. Please see videos and audio below for more detail. I've recorded me playing the bass on my Fender Rumble 100, via iPhone inbuilt mic, but also off my computer via Universal Audio interface. Sadly, the soft Warwick rock bag supplied with the bass is a shoddily constructed thing which I have been using to take my other basses to gigs and rehearsals. The zips have gone but you're welcome to have it! (I have improvised some zip tags so it still closes). To be picked up from Sevenoaks or mutually agreed nearby areas only please. Here are some specs: Modeled on the brand's Pro-Series and Custom Shop models, the 5-string Starbass Medium Scale takes up a shape very well known to bass players in a laminated maple body. It is fitted with two passive vintage MEC single-coil pickups, a wenge fingerboard and a 2-piece Warwick bridge. Technical sheet Number of strings: 5 strings Handle Type: Glued Wood: 3 pieces with maple and ekanga Nut width (mm): 38.5 mm Thickness in the 12th box (mm): 60.8 mm Nut Type: Just a Nut III Touch Wood: Wenge Fretboard radius (mm): 660.4 mm Fret Type: Nickel Silver Extra High Jumbo Number of frets: 21 Scale (mm): 863.6 mm Checkout Wood: Laminated maple Finish: Shiny Accessories Mechanical brand: Warwick Machineheads Bridge Brand: Warwick Bridge Type: 2-Piece Warwick Belt clips: Warwick Security locks Finish: Chrome Electronic Pickup brand: MEC Pickup Models: Passive Vintage Single Coil MEC Electronics: RockBass active Controls: Volume / Volume / Tone Tone WARWICK2.m4v Warwick Star Bass.mp32 points
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2 points
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Hi All, I hope you're well and thanks for looking. This bass is now withdrawn from sale and the info left up for posterity! 2006 Sadowsky MS5 bass, Made in Japan. Weighing in at 8.8 pounds / 4 KGs on my portable luggage scales. I bought it in from Bass Direct back in December 2020 and it is a stunning bass with a maple neck, an upgraded VTC circuit, nice weight and really well set up. It comes with the older rectangular 'soft-hard' case. Thanks, Jon2 points
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Here I'm selling my 2002 Fender USA Jazz bass in a rare metallic Blue Sparkle, plays absolutely fantastic. Please check all photos for condition. Can be posted at extra cost and buyers risk, but collection is preferred. I'm open to trades, I also have a nice USA P Bass for sale in sunset orange, I'd be interested in trading both for something nice Thanks for looking2 points
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We've had a really busy month so far, belting round the UK in ever decreasing circles. Had a mammoth trek from Yorkshire down to Truro on Thursday to play a gig at the recently refurbished Hall for Cornwall. One of the best venues we've done, with great staff and top notch backstage facilities as well as a good sounding room. We had nearly a full house of 1200 punters, and played one of our best gigs for ages. Well worth the trip (even in a bus with no air con on one of the hottest days for ages!) Also managed to grab a quick chat with our own OBBM cables maestro Dave, great to catch up with him. Friday we schlepped across to Bromley, again in blistering heat and loads of road closures, and then back homewards to York Barbican on Saturday night. Another brill venue, and one of the few that has easy get in from the internal loading bay ( see pic below). Another good turn out, and back home by midnight. Finishing June off with gigs in St Albans, Ipswich and two nights in Bury St Edmunds, so hoping the weather stays a bit cooler!2 points
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2 points
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2 points
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2 points
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Well, after last night, the Epiphone Embassy has gone up a grade. I put a reasonable bass boost and a slight lift on mid and treble on the TE Elf, that made all positions of the blend control usable. In neck position I could get a lovely powerful but rich tone, but also plenty of presence by moving my fingers towards the bridge. With the bridge pickup I could vary hand position to move between a serious cutting honk to a more mellow sound. It just seemed much more pronounced than the variations on my Jazz basses. I was playing through the TE Elf (which gives a bit of built in compression) and the GR Bass AT212. Our guitaruists commented "That Trace sounded killer, very tight sound, no farting bass tones haha" An outstanding instrument for the price. I can't imagine anyone wanting to change the pickups.2 points
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I've been to quite a few Glastonbury festivals and what they show on TV is always the extremes. I've been there wet years and seen the TV crews filming the very worst spot on site which is nothing like the majority of the site. There's always shade somewhere when it's sunny and an endless supply of free water. The crowds can be pretty extreme at the pyramid stage but I've always found better music and much more bearable crowds at the smaller stages. It's not for everyone but don't believe what you see on TV and in the papers, journalists like to sensationalise a bit.2 points
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Your ears could well notice that. I’m working on some movements from a Bach cello suite with my cello teacher. The movement is in d min, but has a crucial Eb and my teacher has me playing it much flatter than I’d expect to for fingering Eb on the bottom C string. It makes a noticeable difference using ‘just’ intonation in this case. On a fretted instrument I’d have no choice, it would have to be an ET Eb which would be sharper and not as good.2 points
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Pinched from 60's Teisco Sharkfin, they even latter added the back bevel at the hook.2 points
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2 points
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2 points
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Around 5% of all road traffic accidents in 2019 involved at least 1 driver or rider over the legal alcohol limit. So, statistically driving drunk must be safer, as sober drivers cause around 95% of the accidents.2 points
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I acquired one of these basses and was surprised too by the quality of the fit and finish. I’ve just upgraded the bridge to a Fender hi-mass and added an Aguilar AG-4M pickup - both of which I found here on the marketplace. Both upgrades were direct replacements for the stock parts too. This is now a fantastic poor man’s Stingray!2 points
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Comp stripe siblings, separated at birth, out to play....2 points
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I’ve used Roqsolid several times. Probably not the cheapest but, in my experience, good quality and certainly durable.2 points
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King Tubbys Meets Rockers Uptown (1976) is essential stuff. Spotify: https://open.spotify.com/album/3W2vBxtqk6gORb4sWWMen6?si=mGooWNjdRi-p16ejlnCYCw Youtube: https://www.youtube.com/playlist?list=OLAK5uy_lhfaHpb7aE6t8OUlg4V3rH1l1hFhsmjXc2 points