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Showing content with the highest reputation on 20/06/22 in all areas

  1. A great theatre gig at Wimborne Tivoli on Friday night with our 'big' production (lasers, pyro, video screens etc). By all accounts the sound was excellent and visually we nailed it. We got a fantastic audience response and the European agents who had flown in to see the show were suitably impressed. Everything crossed for a Belgium, Holland & Germany tour at some point next year! Woo!
    12 points
  2. Third sunday in a row at the same cocktail bar. Last week it was empty amd left us feeling flat. This time we did some social media and they put a board outside. We got a small but highly enthusiastic audience who had a fantastic time, and so did we. Lots of extended improv and several impromptu solos. Also I used my TE Elf to see how it would gig with the GR Bass AT212 and the Epiphone Embassy. The sound was immense and the Embassy incredibly versatile. So a good night.
    9 points
  3. Played in the Latch Lifter in Ilkeston for the first time on Saturday. I was a bit on edge, as I do a lot of ...community... work around there, and I REALLY didn't want to be recognised, however even though I was tense, I played well and the whole band sounded really quite tight. Set up was a doddle, and the stage there is excellent. The entire pub is exactly what playing in covers bands or tribute bands is about. The stage looks over a large dance floor and bar which was packed, and even the balcony on the first floor that circles above the dance floor was full by the end. Our friendly bands told us that its quite a tough bar to get moving, however we had people dancing and singing right from track 1 all the way through to the encore's encore. Things started to get interesting when we had a stage visitor take over the lead vocals for "Dakota" (you have to play it, right?). She was utterly terrible and barely knew the words but appeared to be a local hero as the crowd- they were loving it and were recording her. .. so there she stayed for the song. For the last few tracks, we had some younger ladies on stage trying to dance with me or the guitarist too. I kicked my pedals away from under their feet, and enjoyed the show, to be honest... Fun crowd. VID-20220619-WA0004.mp4
    8 points
  4. Thanks to everyone for the interest shown in this. It’s now sold and gone to a happy new owner! I’m selling my 1982 Fender USA Precision Bass. It’s Olympic White with maple neck and fretboard and is in immaculate condition (see below for the reason why!). The bass has quite an unusual history. I bought it in 2015 from @darbiter who, when I picked it up, told me that his family used to have a music business in London and that this was a bass that his dad (or grandad, I can’t remember which) had taken to use with his band. I got the impression that this was a last-minute, need-a-bass-for-a-gig-tonight, spur-of-the-moment kind of thing. Whatever the reason, the bass didn’t do many gigs before it was put away (under a bed, apparently) and was forgotten about until they came to have a clear out, discovered it and put it up for sale. The bass still has the original factory packaging along with the thumb rest, pickup and bridge covers (which have never been fitted). I only gigged the bass a few times before I got the Jazz which became my main gigging bass and the P was then used exclusively at home. A couple of years ago I got hold of a heavily discounted set of Fender Vintage ’63 pickups. I fitted them to see what they sounded like and ended up leaving them on the bass because they sound really good. The original pickups are included of course so the bass can easily be returned to original factory condition. The bass weighs 10.2 lb on my digital scales, is nicely balanced and sounds phenomenal. I did a little research when I got back home and discovered that Dan’s family, the Arbiters, were significant figures in the UK music scene throughout the sixties and seventies and, in addition to owning the Sound City music store (amongst others), designing and selling their own range of guitars, fuzzboxes and amps (and designing the drop-T logo for the Beatles), were also the official distributors for CBS Fender products from the mid-seventies. So this is a Fullerton-era Precision bass that was the personal bass of by either Ivor or John Arbiter and which has remained unused for years until I bought it. I doubt the provenance makes any significant difference to the price but it’s part of the instrument’s history and should be recorded. It also explains why it’s in such good and original condition. (Dan’s original advert is still on the site, along with a helpful discussion about the serial number. Sadly, the pictures no longer load - apparently there were a few which showed the date stamp inside the neck pocket which dates this to 1982). I'd rather not take the bass to bits at this stage but if serious buyers want pictures of the neck pocket and wiring harness please PM me. As you can imagine, I’m reluctant to send this by post so would much prefer collection or a handover in person. The bass is available to try out here in leafy Lincolnshire or there’s a good chance I’ll be able to arrange to deliver/meet - please drop me a PM to discuss options. Please note: I'm struggling to know how to value this - given the condition and originality, I've tried to pitch it at what I think is a fair price for a Fullerton-era Precision but if I'm wildly out then I'm hoping that the BC collective will be able to help me get to a more informed valuation! Pictures below...
    7 points
  5. Sounded ok once we got going though Fleece 1.mp4
    7 points
  6. A genuine 1964 instrument. The bass was refinished to a very high standard a number of years ago. When I bought it the electrics were poor and the original pots already gone. I’ve had it rewired and fitted with 250k CTS pots, the pick ups are original. It’s strung with flat wounds. Comes with an Epiphone hard case that it’s fits very well.
    6 points
  7. Note: I've seen something that I fancy so temporary price drop to £750 until one of my basses sells. Here's a nice L2000 that I got in a recent trade. It sounds and feels great as you would expect. I was told it was made in 1992, although I can't see a way to be sure of this. I would have dated in then or earlier, maybe late 80's. Anyhow it is a lovely usable classic. This is a used bass so there ere are a couple of "dings" on the front but in general it is in great condition for its age. Trades? I would like a G&L L1000, SB2, LB1 or maybe a nice Fender Precision of Jazz Special/boxer. I have included some pictures from the previous owner as theirs were better than mine lol. Local pickup or trial welcome but can post at cost if need be. Weight is 4.3kg
    4 points
  8. For sale is my USA Fender Precision Pro II in Miami blue. Only a couple of faint surface scratches to the body, otherwise immaculate. Comes with Fender hardcase, paperwork and tools. Weight is about 4.2kg I really need to keep my lightweight Roscoe due to my crap back so I withdrew it from sale but that dose mean I have to part with this which is a shame because this is a belter but hey-ho! I've owned a good few US Fenders over the years and this one dose stand out in build quality and finish. I found the neck profile much more pleasing than my other Pbasses, I believe it's based on early 60's dimensions, can't be certain but it really is nice. The reshaped neck joint with the 5 bolts works well should you venture up the dusty end of the fretboard. Its currently strung with newish DR Nickel Lo-Riders 45-105. I would obviously prefer collection or meet/deliver within reasonable distance but I do have a good box and packaging for shipping. I will only use UPS at £35. If you wish to arrange an alternative it's fine by me. No trades please, sale only. The price is firm, and a bit less than I paid for not too long ago.
    4 points
  9. 1990 Vigier Passion III. Just the bees pyjamas.
    4 points
  10. Thanks for the kind words guy's, the neck on this bass is as described and is a real pleasure to play. I haven't had this bass out of the house very often, but couldn't resist last Friday for a photo when it was sunny.
    4 points
  11. In Chas Hodges (of Chas & Dave) book he wrote about this, and said that at their sound-checks they got the vocals right first, then added in everything else underneath it so that the vocals always stood out clearly. He did say that a few times they had to advise the sound people that pretty much no-one ever went home from a Chas & Dave gig complaining that they couldn`t hear the bass drum properly, but a few times people had complained they couldn`t hear the vocals, so from then on that was how they worked, they vocals/lyrics being more important than any of the accompanying/supporting instruments. Which is directly opposite to pretty much every sound check I`ve ever done, where probably more time was spent on the level of the kick drum than on (all of) the vocals. Ok, yes, it was punk, but even our vomit should be heard clearly!
    4 points
  12. Always liked this one... We have it on our garden centre playlist (along with loads of other dub, about 700 tracks, with hte rest being funk and jazz, with some classical...). And it entertains me no end when some old folks are browsing our pelargoniums, and suddenly, from nowhere, Duckie or Junior shout "Big Spliff"
    4 points
  13. apart from all the great recommendations listed so far, I'd recommend this too, with Adrian Sherwood at the console
    4 points
  14. When gigs like that happen with nobody, or nearly nobody there or paying attention, we treat it as a paid rehearsal.
    4 points
  15. Stingray 40th anniversary edition with paperwork and official hard case. Has been gigged and rehearsed with but is in excellent condition. Plays incredibly well and sounds immense. Build quality is exceptional. I have too many basses and I have a Status which does the same thing as this but also has fairy lights … More info here: https://www.music-man.com/instruments/basses/old-smoothie More photos on request, I’m currently down with covid so responses might be a bit slow or nonsensical 🤣
    4 points
  16. Syncopate, to leave space for the solo, by playing the root on the 'one' for the first chord (assuming 4/4...), then the root on the 'three' of the following bar. the. Link up with the drummer, who also stops, except for a heavy beat along with your bass notes. Rinse and repeat. So : One ... ... ... |... ... Three ...| One ... ... ... | ... ... Three ... | etc. Plenty of attention given to the solist, and an intereting break from the rest of the song. Try it..?
    4 points
  17. So here it is, one of the rarest OE products - the Cali76 TX-LP compressor with a Lundahl output transformer. Complete with a 'Dry Level' control for parallel compression (which thickens up the sound dialed in correctly) and a switchable clean boost (with level control +2 to +8 dB) as well.
    3 points
  18. I’ve had it a good few months now and I’m still loving it. Passive like my 63 P or cutlass I use the bass to around 11 o’clock and treble around 9 0’clock I keep the low cut switch off volume I keep to around 12 For active I use the cut switch and dime the bass, treble to suit it makes everything sound rich and creamy. It has enough output to drive my power amp from the 1/4” out but if I’m feeling a little cheeky I run it into the fx return of my Handbox wb100 and it’s just perfect.
    3 points
  19. Vertigo buddy go. stranglers
    3 points
  20. So after the failed 'Dip' i've sanded back and gone for Natural in Danish oil. Unfortunatly there is still a little white primer in the grain... but had enough of sanding... As the saying goes 'Close Enough For Jazz...' Jazz body with Kent Armstrong Hot Vintage Alnico P and J Pickups wired with a @KiOgon VBT loom... wearing Adagio flats...
    3 points
  21. He is actually a humble chap. He came to the dressing room (tent) of a friend of mine, Deke Leonard, to get a single signed - Man’s Sudden Life - that he’d bought as a teenager. Unusual for a bill-topper, I was impressed.
    3 points
  22. I can't believe it's been all these years since I posted this review.... Anyway, thought I'd share an update; I'm still playing the same set of strings, and they still sound fantastic. I've also saved a fortune not having to replace strings approximately every 3 months. I would definitely recommend these strings.
    3 points
  23. It’s funny isn’t it, as I went to see The Professionals last year and the sound was easily the best I’ve heard at any gig ever. So it’s not new technology/gear to blame, solely the ears of the people doing the sound. Maybe a lot of these bands as well as having sound-people should have some sort of road manager who can simply say “that sounds awful, sort it”.
    3 points
  24. I went to see a band called Mamas Gun, at Lafayette, in London, back in January. The band played to a packed house of 600 people and the sound was excellent and the PA looked pretty 'state of the art'. Fast forward to the beginning of this month and I saw them again, in a small club under a railway bridge in Glasgow, playing to about 50 people,through a not very 'state of the art' PA system. But the sound was equally as good, if not better, at the gig in Glasgow. Interestingly the bass drum did sound too loud for part of the first song but after that everything, including the 4 piece harmonies, sounded fantastic. Their sound engineer really needs a medal. Interestingly he was introduced halfway through the gig by the band, and took a bow.
    3 points
  25. I'd have to say NO to that venues request to store gear in their premises at my risk. Too much money in our gear to leave lying around. I dont even leave the car unattended when loading or unloading. My wife stays with the car at all times. If she's not with me the band members take turns staying with the vehicles while others load / unload etc. Dave
    3 points
  26. Maybe we as punters are partly to blame because we don't say anything, other than on forums like these. If every time the sound was crap we posted on the band in question's social media pages, and if we could find out who had been hired in to do the FoH post on their pages too, and if it's an in-house PA on the venue's pages as well. Then if enough people do it, then it might become obvious that a mix that is all boomy kick drum is not want the audience want.
    3 points
  27. 1978 Fender Musicmaster Bass. All original except the pick up was upgraded to a Seymour Duncan SSL-1. This short scale bass has had a recent set up and new strings. Plays really well. Condition wise it’s great considering it’s 44 years old. No case or bag(apart from a well worn gig bag that came with it.) You’ll see these retail at far higher prices so grab this while you can. I was looking for one for ages and ended up with two hence moving this one on. I do have the original pick up which could be included by separate negotiation if you’re looking to have an all original instrument. Happy to meet up to exchange with in reason.
    3 points
  28. Hi All, I hope you're well and thanks for looking. This bass is now withdrawn from sale and the info left up for posterity! 2006 Sadowsky MS5 bass, Made in Japan. Weighing in at 8.8 pounds / 4 KGs on my portable luggage scales. I bought it in from Bass Direct back in December 2020 and it is a stunning bass with a maple neck, an upgraded VTC circuit, nice weight and really well set up. It comes with the older rectangular 'soft-hard' case. Thanks, Jon
    2 points
  29. https://thebassgallery.com/collections/bass/products/rhino-s-headless-status-bass For the wealthy bass-playing Quo fans among you
    2 points
  30. Rhesus the word. Frankie Valli and the four seasons
    2 points
  31. Bottom Of The World Tom Waits
    2 points
  32. Up around the bend. Hanoi rocks
    2 points
  33. To get £100 out of me they'd need to do a damn sight more than "aim" 🙂
    2 points
  34. I agree with Phil. Why bother to replace both amp and driver in a small budget combo? Wouldn't it be simpler to just sell it and get a suitable cabinet to go with the Markbass head? If you don't want to build one, you could buy a used one and replace the driver if you prefer. It shouldn't be much more expensive and you'll get a much better result.
    2 points
  35. Many years ago I saw Little Feat at the Shepherds Bush Empire and when they started the sound was wonderful. Just like the records. I was standing by the desk and noticed the sound guy never stopped twiddling!! The sound got progressively worse and ended up an indistinct mush and painfully loud. IMO the biggest part of the sound guys job is to know when to leave well alone. It seems many don't understand the concept of less is more.
    2 points
  36. I like the simplicity of the P bass, there's no fuss. Even the look of it is simple and quite minimal. The bridge for example, it's neat, uncomplicated and functional. And then of course there's the tone which can work for almost anything despite being quite fixed.
    2 points
  37. Bought recently from a fellow Basschatter. Apart from my fretless Corvette, not played anything else since.
    2 points
  38. This is the bass I played the most during my 2nd phase of gigging (2004 to 2015). When the pressure was on this instrument got the call. Pics or it didn't happen. M. M.
    2 points
  39. My headstock, inspired by the old double bass extended fret board headstocks.
    2 points
  40. Fender Jazz V - Surf Peal inc. Fender gig bag - now £750 Never gigged or been played for any length of time, still has plastic covering on pup's & pickguard(although there may be a scratch or something on it, can't quite make it out). Noiseless pickups, passive / active switch, sounds great (when it has been plugged in). They have discontinued this line, sticker on back of headstock says 'special edition', as does another stating '75 years'. Gig bag is also new - so new that even the zips still work....if you know, you know... Love the colour but i just haven't really taken to it. Don't have the original box, would be prepared to look at how it could be shipped but obviously would prefer collection or travel / meet up etc. Can also accommodate if you want to play and see how it sits with you. Would entertain a trade for something 4 string & Fender road worn, a jazz or JMJ Mustang perhaps. All the details & specs are in the link, any questions welcome. https://rattleanddrum.com/products/fender-deluxe-active-jazz-bass-v-5-string-in-surf-pearl
    2 points
  41. Yep I did think he must have looked terribly old fashioned with his dinosaur rig to some - but I bet he doesn’t give a hoot, and neither do I, I’d love to play through a rig like that.
    2 points
  42. Not sure whether it fully fits the brief, as it feels like about 95% of metal bands are unheard of by more than about 1,000 people. Still, my shout is Boss Keloid (from Wigan no less) with the oddly titled 'Melted on the Inch'. There's a great live playthrough on their YouTube channel which I almost prefer to the actual album mix...
    2 points
  43. Absolute belter of a bass! I have one that's a decade older, with a rosewood neck and front routed control cavity, it blows me away every time I plug it in. GLWTS
    2 points
  44. Ours was good, it was a village pub ½ hr from here, outside in a tent (one of those big teepee ones). Easy enough setup as there was a stage for the drum and we could park next to the tent, although I threw a bit of a strop that I get all the PA stuff out while the rest of them were messing round with the banner, but it was an easy setup and the singers son was there and helped with the setup. Sound was great - I think it is easier to do sound outside without reflections and I brought the sub. It was a short 2 hour gig and also 7-9 rather than 9-12, so it was a nice thing. A bit cold though, considering I had been in the sea on the previous day trying to cool down, it was a bit of a change. But the audience were good, a lot of dancing in the first set, which is unusual, and then the more usual, not much until half 8 then "1 more song' from 9 until we finally did finish 20 minutes later
    2 points
  45. I’ve got sad love for gigging at the moment. Terry, one of the guitarists in my covers band, Night Shift, has stage 4 cancer. He’s undergoing the treatment and has been told it’s controllable but not curable. He wants to gig as much as he can, while he can - music means so much to him. The previous two weekends to this one we gigged three times in each. He’s shattered after each one and sleeps for 12 hours. We carry and set up all his gear for him. We are having some great times, but it’s bitter-sweet.
    2 points
  46. Massive attack vs The mad professor is a great album for the more contemporary minded.
    2 points
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