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Showing content with the highest reputation on 07/02/22 in all areas

  1. Stunning 20th av Stingray for sale. This one has beautifully rich quilted maple top with a Birdseye maple neck that is to die for. Neck is quite shallow in profile and the satin finish makes it lightening fast to get around. Overall condition is very good. Plays perfectly and buzz free with low action. Frets are perfect as are all electronics. Condition is great. It’s been very well looked after. No nicks or anything through the finish. I think a tiny mark was touched up on the back (see pic 5, just below neck plate)and possibly another on the lower bout. This work was done by a professional. The bout is perfect with no sign of ever being nicked but there is a hint of gold in the undercoat on one tiny area. You can see this in pic 6. Only other point of note is a 1 cm line in the outer lacquer under the neck joint (barely visible pic 9) These things are so minor that I’m not sure did it come from the factory like this or as I said “touched up by a pro” It comes with the original Musicman case which is perfect except for a crack in one of the corners. Weight is about average at 9.4lbs This is one of the best examples I’ve seen of these now rare basses. Note: some of the pictures make it seem lighter in colour than it actually is. I can deliver this in person to London for £50 extra this eliminates customs and import taxes Thanksi
    10 points
  2. For sale this Special Ken Smith BT4 Custom 1986🔥 Rare Ken Smith BT4 1986. - Ebony fingerboard, 24 frets, with mother-of-pearl markers, - Scale 34' Brass nut. - Pickups : Two Smith Custom Soapbars, Hazlab preamp volume,active/passive switch, balance, bass boost / treble boost, power supply. 9V. - Ken Smith tuners Ken Smith bridge (string spacing: 19mm), Dunlop straplocks. Weight: 4.0 Kg All original only Jack changed It is very comfortable to play, thin and very ergonomic handle, low action... Big sound inside: great resonance with a long sustain: deep bass, beautiful growling low mids and well-defined highs... It has some marks of life. Yellowed in some areas and slight cracking of the varnish on the sleeve junction. Price : 3800£/4500€ Ken smith 1.mp4
    9 points
  3. Or 6500€ Alembic Mark King Signature Deluxe 5 string with LED Bass is from December 2015. Spec as follows: 34" - 24 fret - 19 mm string spacing. Neck of Maple and Purple Heart Ebony fingerboard with Abalone inlays Mahogny body with laminated Maple & Purple Heart Cocobole top and back Weight: 5.7 kg - sounds alot but if you can carry an old Musicman or Fender Roscoe Beck/ Warwick Thumb / Peavey T40 you`re fine. Approx. 1kg of this is actually due to the 4 ea. 9v batteries for the Led`s and the brass covers on the rear. Sure you can get a Luthier to make something lighter if required, or get Alembic to make wooden covers (known option). Volume, blend, 2x filters with Q switches. Leds in the neck with switch 95% as new with only slight discoloration of parts of the brass bridge Original case in as new condition Latest list price: 18.000 USD, Add import Tax and VAT on top of that to get it into Europe/UK. Instruments from this brand provides a truely unique life experience of "Before & After". Before - you may wonder what the fuzz is about and whether they are really worth the money. After - all that's left to say is a capital YES! The closest thing to a Steinway Grand Piano I have ever heard from a bass in terms of evenness in volume across the neck, clarity and complexity of the note in which the different wood, strings, hardware and plugging technique all blend into a note that rings with authority, and forever.And an Alembic is not only about a treble hifi sound. It can sound equally powerful like the voice of God with a bad hangover. How this bass sounds: https://youtu.be/i0OCKOeYO3c Selling as I play way too little to have something as this just resting in its case. I can take a 5 string bass in trade plus money. Shipping will likely be expensive due to insurance. For those living in central Europe, I'm willing to meet somewhere in germany for a personal handover which is included in the price (deposit required). Pictures by previous owner used with permission. Regards Thomas What's App: +45 61209520 mail: [email protected]
    7 points
  4. Built this up when I was on my P bass quest and it barely missed out on my number one spot for my go to P bass. I've gone with my Am. Perf. PJ as a slightly more versatile bass, but this P bass oozes vintage yet with a modern flair with the 2021 American Pro (Version I) neck that gets you carbon reinforcement rods, rolled fretboard edges and the new tapered shaft tuners. It's got that Pino Palladino vibe in loads....at a fraction of the price. The body is form NW guitars (American Alder) and is painted with 2 light coats of NW guitar fiesta red nitro over a nitro white primer. Although currently pristine, this bass will certainly "mojify" with use as the instruments of old have since it's done with a light nitro spray. The neck also received a vintage amber nitro coat. One thing to mention is that when I used the dremel to notch out the body and scratch plate for the truss rod tool access, I slightly missed the alignment, so it's slightly off center, only noticable if you really look closely and does not affect using a truss rod tool. And, by the way, I can include an original Fender truss rod tool with the bass. Weighs in at 4.02 kg (8.86ibs.) It's wired with a custom harness to these specs: Matched CTS USA Custom Audio Taper 250K Split Shaft Volume & Tone Potentiometers - smooth linear volume and tone change (no bunching or on/off effect) 0.022uF Sprague "Orange Drop" Tone Capacitor - removes the thinness and harshness inherent with budget capacitors Quality Jack Socket And the pick ups are '63 Fender Pure Vintage. The bridge is from an American Performer and the cavities are shielded. Strung with d'Addario Chrome flats. I use a spacer usually with Chromes as the silks are longer than other strings, hence why on the E string you see a spacer....it's to keep the silk off the saddle. All my d'Addario equipped basses have these spacers. Happy to meet near the coast (Lymington) or London area. Happy to ship within the UK as well.
    6 points
  5. I'm selling my Ibanez semi-acoustic, it's vintage inspired, very light and sounds huge. Only selling as I'm trying to free up some funds. It has recently been professionally set up with a new set of labella flats and comes with a protection racket case (£100-£150 new). Both the bass and case are in excellent condition. Collection only. Now sold.
    6 points
  6. This one: Except I just did, today! @Raymanwhat were you just saying about "never say never?"
    6 points
  7. Saturday night. Back at the pub we did last year where you get a very small amount up front from the venue but then they pass round a collection each set to bump up your takings. It's a nice set up (not much space but OK for a trio) with their own PA and monitors which actually work properly and landlady is very helpful with soundcheck (they have to be careful with volume levels). Main drawback is it is a 60+ mile trip each way and with petrol prices being what they are it is borderline as a financially feasible venue now. Went down well though, landlady was happy and had good feedback from punters who upped the total take for the night to close to what we would normally get anyway especially the gigs via an agent taking 15%. They want us back later in year anyway so can't have been too bad. I got cramp in my fretting hand halfway through final encore, had to improvise using pinkie only but don't think it was too obvious.
    5 points
  8. Been busy today, chucked this together but I still need a Blackstone mosfet overdrive to squeeze in there, if anyones got one in a drawer 😄
    5 points
  9. Hello everybody I sell one Jerzy Drozd Oracle Bronze 6 fretless in very good condition. Made by Jerzy Drozd in personne for Sergio Di Finizio in 2014. I'm the second user. The specs: Body in light ash. Neck in 3 parts: Ash - Maple - Ash. Scale: 33' with a very good B. Ebony wooden cover, Ramp & nut. 2 pickups Jerzy Drozd single coil. Bridge adjustable (now 17mm). Electronic Mike Pope: Volume/ Tona, Pan, Bass, High et low Mids (Frequencies adjustables with switch in the cavity), , Switch activ/passiv. Batteries 18v. Dunlop straplocks. With original JD light case. The bass is located in the North of France (Meeting is possile in Calais, Lille, Arras, Boulogne sur mer...). Shipping in UE or UK without problem. Price: £2900 or 3400€ + shipping.
    4 points
  10. We played our monthly gig at The Lookout in Scarborough. Another full house of lovely people in the audience, it's my favourite current gig. First time I've used my Ibanez PNB14E short scale electro acoustic, and was well pleased with the result into my Fender Rumble 100.
    4 points
  11. I couldn't imagine selling my JV Precision; in part because I don't think I'd recoup what I've put into it - knackered bass + re-finish + new pickup and pickguard - but mostly because I genuinely love it. It sounds great and plays like a dream. The neck is the best I've ever ever played, and it's my favourite colour for a bass too.
    4 points
  12. From Saturday night in a busy pub, this sounds a lot better than I thought it did when I was playing https://fb.watch/b0VIjLHeDt/
    4 points
  13. First gig with my new band, The Spacewasters last night. At a charity fund raiser for cancer in The Fiddlers Elbow in Camden. Seeing as our drummer has had two brain tumours, and had a kidney removed, and still had cancer of the renal gland it was close to the bands heart. Got there 5ish as had to work, fortunately there was a backstage room to store the gear whilst we waited til our slot at 6:30. Went on, provided amp stack of Genz Benz Streamliner with matching 410/115, so all I had to use was trusty Precision & Sansamp. Went really well, didn’t feel nervous at all, was just so happy to be back gigging. Lots of compliments afterwards about how my playing held the band together which was nice. I had a blast, I’m back!
    4 points
  14. Up for sale is my Yamaha BB614. It was de-fretted by the previous owner and has since been professionally set up (currently strung with Thomastik flats). Plays and feels really nice. Only selling as I'm upgrading. It is a little road worn (see pics) but it's a very well made bass for the money. Would make a great bass if you fancy getting into fretless playing. Looking for £150 collection only (no case or box). Now SOLD. Specs found from a previous sale post of the same bass. Construction: Bolt-on neck. Scale Length: 864mm (34"). Fingerboard: Rosewood. Frets: 21 Large. Radius: 250mm (10"). Body: Alder. Neck: Maple. Tuners: Open type. Bridge: Vintage Style. Pickups: Split single coil, Soapbar single coil. 3 Band EQ.
    3 points
  15. https://imgur.com/a/I7hv3WV Absolutely stunning all original Hofner Senator Bass, made in 1965 in the German factory. This is the real deal, and sounds sublime. That wonderful honky low end attack...play with a pick and mute with your palm, you'd struggle to find a better recorded bass tone!! You see so many of these without the original pickguard, but not this one, it's all there. Has just been set up by pro luthier so intonation is spot on, plays like a dream. Electronics are all good too, ready to rock. At present there is no case with it, so a handover near Oxfordshire or London is preferable. But if a serious buyer wanted to source a hard case I am not averse to shipping. Thanks for reading
    3 points
  16. I have been gassing for a Kiloton Tribute on and off for a few years, I was put off in the past by tales of boat anchor weight and the colours; brown or white, which I wasn't so keen on. Now G&L have started selling them in colours I like. @Jonesy lives in the next borough along from me and he invited me round to his to try out his new G&L SB2 Tribute. Thanks mate👍. I wasn't so keen on the SB2 but I could see that it was well made considering the price and wasn't heavy. @OllyW also confirmed in another G&L thread here that his Kiloton wasn't heavy. So I took a punt and ordered online. I've never had a bass delivered before, I always wanted to try them out first but I didn't want to spend a day (and spend on diesel) driving down to Guilford for a £379 bass. My first impressions are: I love the tones you can get from it. I've been mainly playing it with the toggle switch in the middle, which I believe is single coil (?) with the tone and volume on max. It has the barky sound you would expect from a bass with a single bridge humbucker but the E string has a depth and authority I'm very pleased with. I really love it but its new so I will see how I feel about it in a few weeks but this feels like a keeper.
    3 points
  17. I have just completed the build of a new twelve string Thunderbird bass. The entire build process is documented here: https://www.enkoo.nl/brooks-tb-12.html Brooks TB-12 - Mahogany body wings - Nine ply Mahogany/Walnut set neck. Neck through - Opaque white (blonde) high gloss finish - Abalonoid binding - Ebony fretboard - Circle position dots - Jumbo frets - 34" scale - Buffalo horn nut - Three ply black/white/black pickguard - ETS twelve string brass bridge set - Two spokewheel double action trussrods - Carbon reinforcement strip in the neck - Lace Alumitone Bass Bar in the neck position - Lace Alumitone DeathBar in the bridge position - Allparts stacked pots (volume/tone volume/tone) - Mullard capacitors - MEC on-on switch for coil split (humbucker-single coil) - Gotoh GB 350 lightweight bass tuners - Gotoh Stealth ST 31 guitar tuners - 2 x Pure Tone Multi Contact jack output - d'Addario EXL 170 - 12 strings - Weight: 4.25 kg Wiring was done by BQ Music.
    3 points
  18. Early last year, I had a cull of basses I wasn't using. This resulted in me not having any standard 34" scale basses. Just shorties and my Dingwall. It was fine for a bit, but GAS got the better of me. After trying out a Squier Affinity PJ, I reckoned something in a PJ might be just the ticket. I didn't need a new bass straight away so held fire for a bit. Thought I might spot a bargain - and so I did! Got this Revelation RPJ 77 for £60 from Facebook marketplace. It's got some dents, buckle rash and I think it was never kept on a stand. But after some cleaning, new strings and a bit of a setup, it's come up nicely. Need to get some lemon oil or similar as the fretboard is as dry as a bone, maybe drier. It's a lovely candy apple red. Didn't quite capture it in the picture! Sounds alright as is, but needs the cavities shielding. The pickups are neo Entwhistle ones. I think they could be a bit more refined, but they'll do for now. Very pleased for £60! I think the first proper mod I'll do is get a black pickguard on it. Or maybe red tort... 🤔
    3 points
  19. Haha, sorry, I should have been arsed to read it properly then 😶
    3 points
  20. Make-before-break is sure one option that helps. It is also possible to use a 1 M resistor to ground. I had a preamp override in my Modulus, and the pop was negligible with that 1 M. By the way, Kubicki had a five position switch with stdby after off. That way the output did not crackle.
    3 points
  21. Pah! Anybody who says this will be their last iteration of a pedalboard is clearly delusional.
    3 points
  22. If both volume controls are on full a jazz bass will sound a little anaemic. Back one of the volume controls off about 10% (I back the bridge pick up off) and the sound gets beefier.
    3 points
  23. This is true, and i am number 97 😇 https://ampeg.com/support/ https://ampeg.com/pdf/Heritage_B-15_OM.pdf
    3 points
  24. Here's the links to the type of cnc I'm building 👍🏻
    3 points
  25. I think how much an instrument costs and ability to play it is a non-issue. 'Cost' is a relative thing anyway. The price of a Fodera would be off the scale for some of us, for others just loose change. When it comes to buying anything at all my mantra is if I can afford it, will enjoy it and want it I will buy it and I see it as no-one's business other than my own. Well, apart from my wife
    3 points
  26. The bass I drag out for our Status Quo tribute band gigs down the Dog & Duck.
    3 points
  27. I completely understand, but it's also why I'd hate to have a custom instrument built. I'd imagine the conversation would go like Luthier: So what wood do you want? Me: Um, nice wood please Luthier: riiiiigh. Pickups? Me: I think so, yes Luthier: (sigh) neck profile? Me: Yes, definitely a profile. Luthier: (puts down piece of paper) how about this one here I've already made? Me: Perfect!
    3 points
  28. I’ve tried the Noble/Cali combo and it’s a really good pairing. You’ll struggle to make your bass sound sweeter especially with the low cut engaged/bass boosted. It just adds the right kind of lows.
    3 points
  29. I can honestly say it has never occurred to me. I buy what I like and could care less whether anyone else thinks I’m good enough.
    3 points
  30. So yeah I was actually convinced after playing that red Sterling for five minutes so now I have this.
    3 points
  31. I’ve just joined a new band, 1st gig last night. I stick with the drummer and have had a good few comments about how I hold the band together. I’ve tinkered with adding a few runs in, but for me it’s understanding the space where to do it. I don’t want to get in the way of the singer, who has a great voice, no point in doing it where the lead guitar is playing a riff/melody associated with the song, and not when the drummer does a roll. There is still the space fit me to add stuff and I do, but I think it is self confidence/awareness to play where I can, not what I can.
    3 points
  32. My lovely Special is now up for sale as since I’ve had my 74 P I’ve barely touched it and it’s way too good to be a wall decoration. I’ve had the bass from new in late 2018. For full disclosure the body was replaced by Ernie Ball USA last year due to the previous having an ‘ash bora beetle’ infestation. Turns out there was a few basses affected by this infamous little bug that had a penchant for a specific type of ash. Ernie Ball were truly amazing in sorting everything out, excellent customer service throughout. The whole bass was then checked over and set up with the new body by UK Ernie Ball reps and as such the body really remains pristine. It will come with the correct D-tuner (cost me £120), Musicman original case and the case candy + original tuner. Plays amazingly, lots of tonal versatility from the 18v preamp. There’s a small dink on the head stock and a tiny spot on neck (see pics), otherwise in excellent condition. The Om transfer on the pickguard is easily removable if so desired. Being the special it’s a lightweight bass in comparison to its predecessors, I think 8.5lbs from memory. Also I don’t think they do the Aqua sparkle colour anymore so here’s a chance to get ‘the one’. It’s a proper funk machine and by far the best Stingray I have owned. Looking for £1650 collected, willing to work with buyer on courier options but buyer will be responsible for costs/insurance. *Possible trades but will need at least £1k cash my way - lightweight jazz bass (under 8.5lbs), Barefaced One ten, Sterling Ray 34 or similar, Sub stingray, either US or the recent cheaper ones.
    2 points
  33. I can't be arsed to read through all this, but I've had a Fodera Monarch for about 14 years now. When I bought it (used) it was the most I'd put into a bass, flipped a Sei and a Modulus plus added some cash in to get it. I guess it owes me about 3 grand, but I reckon it's saved me a fortune as it's the bass that pretty much killed gas for me, and I had a serious churn of high end basses before getting it. Nothing else I've played feels as good, or frankly does such a great range of tones in a band context. I've no idea whether I'm good enough for it, and for all the times I've taken it out to gig (dozens and dozens), only one person ever has spoken to me about it cos they clocked what it was. Could I afford it now, no! And especially not for what they command these days. I'm not sure why they get so much stick for what they cost really, value is so subjective, and there are more than a couple high end makers charging close to Fodera money for what are in essence Fender variants. As I said in a thread a few month's ago, if you're offended that Foderas seem expensive, have you seen the price of bassoons?!!
    2 points
  34. Here’s another reason why this question makes little or no sense… let me tell you the story of two of my basses… I’m no Victor Wooten on the bass but a kinda competent pub rocker at best who’s done cover bands and the like in the past. Back in 1993 I saved up for a bass I really wanted. It cost me about £500 second hand. Less than a decent US P bass. Well built and well looked after but deeply unfashionable it was, nonetheless, a bass that I’d seen played a few times and I liked the look and the sound. It’s been my main bass ever since and has done the majority of gigs I’ve ever done - from stately homes to posh hotels to theatres and clubs to scummy pubs and flatbed lorry stages. But I love it. Then there’s my other bass. A hand built, boutique bass which would cost me over £5k to replace with a waiting list/lead time measured in years (if the company was taking orders at the moment). That means I could easily sell it for 6 grand second hand if I so desired. But I love that bass too, so it’s not for sale. So which one is the right bass for me, given my adequate hobbyist player status? So which one is the more appropriate for my level of player? Maybe it will help if I post a photo of each one to help you decide… Here’s the one I bought for 500 quid… And here’s the boutique one with a replacement value of 5 or 6 grand…
    2 points
  35. If that's a fully-functional and all-original Dalek, complete with Exterminator, then it might actually be worth £4k. I'm not a fan of the relic'd, re-issued Daleks and they rarely exterminate nearly as well.
    2 points
  36. I understand the sentiment about guilt or (possibly) “imposter syndrome”. But ultimately if you like something, it’s affordable to you, and you’re not harming others by your choices, then why not? I wouldn’t, but I’m stuck with a poverty “make do” mentality that refuses to spend over £500 on an instrument or piece of back line even if I could afford to spend more. I’m probably missing out. It’s not based on reverse snobbery, or sending low expectations to others. Just an upbringing that’s hard to shake off. 😎👍🏻
    2 points
  37. It's an odd question. You should never somehow feel inadequate/inferior/unworthy because your gear doesn't costs thousands of pahnds. Play what you want on whatever you want and if anyone looks down on you, just punch them in the throat. Simple.
    2 points
  38. I'm embarrassed to say I have just realised that I possess more posh basses than posh shirts...
    2 points
  39. Agreed. But there's definitely a law of diminishing returns as you head up the price scale. Playability is something that I've not paid enough attention to vs focusing on tone - but I've realised that drives how much I want to pick up and play a bass and it won't simply boil down to price. Getting a bass properly set up is obviously key, but how comfortable the bass is to wear, which will vary for each of us with our non-identikit frames, it's weight and how well it's balanced, the string spacing and neck profile are things inherent to a particular bass. I love my sub-£500 used Yamaha BB 2005, I also love my Ken Smith: both really great basses.
    2 points
  40. It’s oft repeated on US based forums that anything imported must be bad and low quality… I find it a odd view point to think that a country can’t build a simple solidbody guitar and then broadcast that view via a advanced technological device made in that country…
    2 points
  41. A video always worth revisiting 👍 (especially when everything you attempt to play is silly fast).
    2 points
  42. A 7 string bass will give me more freedom, but a 4 string will give me more focus, ah, frets, ideal for chordal work but a fretless is more expressive, ooh that's a nice acoustic bass guitar arch top, but a double bass might do it better especially if I get an expensive bow and learn how to use it... ooh, what's that shiny thing over there, a new pedal I haven't tried out, hmm I think I need a new boutique bass to play through it, ah but I could get that cheap Squier and spend hours agonising over custom replacement pickups........ = my average week.
    2 points
  43. It could be advanced that, if it can be accepted that 'a bass is a bass is a bass', the difference in price could have been spent elsewhere to benefit some less-well-off person or persons on the planet. It's true that there's no legal law against spending on oneself, but...
    2 points
  44. I remember I was playing at hastily set up bar, at the Edinburgh fringe with some friends, for a laugh. There was no money in it but I was playing it for the craic. As I came off stage with my bass, which was a red Squier Precision, a fellow bass player ( I assume) approached me and accused me of taking a £4,000 Pino Paladino Precision to play in a shitty bar full of drunks. He seemed to think it was sacrilege. If somebody had a £4000 bass and wanted to play it at a shitty pop up bar, I think they should should be allowed to. it's nobody's business but theirs.
    2 points
  45. I much prefer the sound of the Sire...
    2 points
  46. Samick makes everything for everybody. It's the only guitar factory in the world. Everyone else is lying.
    2 points
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