Leaderboard

One of my favourites is ..."You're The One That I Want"...from Grease.

Well, here is the latest family photo. Don't hate me for buying them all... but I think I have a problem... 😉 Top Left to Right TT4 Creme - Masterpiece TM2 Orange - HCA Panther - Bocote Top & H/Stock Bottom Left to Right UMBO Red - HCA 48 Red - HCA Grand Dark San Remo Blue 😀

Guess most of you have seen this, but it's interesting if you haven't

That’s funny - someone took the graphite thing a bit too literally! Leave it as it is - it’s a great conversation piece!

Forgive me Basschat, for I have sinned. On my way home with a matte black BB735a from Wunjo 😬 😈

Artists would often record different versions of the same song, sometimes with different arrangements, sometimes with different musicians. I'm not overly familiar with Jameson's or Kaye's history, but it's quite probable that each would have been called in for different takes/versions of the same song. As time goes by, for some songs, even for the featured artist and producer, knowing exactly whose bass part ended up on the released version would be nigh on impossible to ascertain.

My latest offering to the pedal gods...

I think the binding is going to work well. Once the fingerboard has been scraped and finished and the binding corner rounded off, it should look pretty integral and - more to the point - it should work well from a playing perspective. I think this may well become my preferred method: Next task will be to cut the pickup chambers but that will probably be at the weekend earliest

Color sample time. Gold over pick guard material scrap, both black and white. I use Didspade pigments. Very economical and available in small quantities. Satin gold pearl powder in clear acrylic lacquer. Pearl gray primer/ surfacer is the way to go.Touch up gun for samples. Matching headstock on this one.

Blah blah blah weight blah tone blah blah. Get a grip everyone. Matching black headstock trumps everything.

So the most important head is the only one you can't change? Though filling it with oil seems strangely attractive 🙂

How would it defeat the point? You have an accelerator on your car... you decide how far to push it down. I also don't need to know how much 'power' I'm putting into a cab, it is irrelevant. I turn up the volume, it complains, I turn it down... I've ran a 200 watt cab with a 2000 watt power amp and never once had a problem; because I used the gain/volume controls. Not trying to be awkward but folks are seriously wrapped up in the numbers and seem to forget that the obvious deciding factor in all of this is 'human' and you are in control. Just to throw this in the mix; my present set-up is a 750 watt amp which I use with a 2x10 cab (or two) and have done for some years, I recently trialled a 100 watt amp with the same cab(s) and I managed to continue gigging without killing any piece of equipment or ANY detriment in tone that the audience heard (no trickery with PA back-up).

Whoah! That’s a WHOPPER!! Look at how big it is compared to that house.. Is it 34 foot scale?!

Why is no one discussing that blue LED? Very subtle - less is more.

Father, forgive me for I have sinned. I didst count the strings to four and all was good. And then I didst count yet another string. Five was the number of strings and the number of the strings was five. And yea, did I allow myself to yet pluck the string and the sound was good. I turned aside from the path of righteousness and found within myself that I did yet make music that was pleasing to the Lord God of Bass with sinful lack of effort, and the music didst exceed that which I could yet play when the number of strings was but four. And Lo! The band of disciples - for always shalt the other players of strings follow the Lord God of Bass - did say that it was good and did promise to wreak a plague of locusts upon my soul should I worship at the Temple with but four strings. They spake in tongues and didst proclaim 'thou now hast a decent instrument and we do dig thy grooves, man'.

That looks great! Can you do one in roasted flamed maple?!? Mmm, roasted maple...

I stick to the Holy Scripture, as outlined below: A Reading from the Book of Bass, Chapter 4, Verses 16 to 20: 'First enter thou the purveyors of the Holy Bass. Then thou must count the strings to four. Four shall be the number of the counting and the number of the counting shall be four. Five shalt thou not count, neither shalt thou count three, excepting that thou then proceedeth to four. Six is right out.' 🙂

The Christmas gig offer was lovely “Trav, I need a bass player for a high profile gig in Manchester - I don’t want anyone else, but I appreciate you’re on a break. Would you consider it?” Suppose it’s nice to be wanted 🤔😂

We'll you should see my new Kramer Forum IV !!! .... Purple/Pink animal print body wrap, Spector pickups, Kent Armstrong 2 band active, not sure if that’s original but sounds beefy ... Mr Leopard will be very happy \m/

I bought on of these v for a project Aria Pro II Magna: https://www.amazon.co.uk/MADE-JAPAN-High-Quality-Brass/dp/B00IC9QW1C/ref=sr_1_15?s=musical-instruments&ie=UTF8&qid=1542014383&sr=1-15&keywords=bass+nut+brass Seems to be good quality & works a treat. Was posted from Japan & arrived fairly quickly. I'd replace the nut, add new strings & then set-up. If you've still got dead spots, maybe look at tweaking the truss-rod (if you think it needs it), adjust the bridge. If all else fails, get a quote for a luthier set-up. Good luck!

If you wear a glove to pluck, why not sew a pup into the palm - then you can learn to move up and down the neck to always be on the 'sweet spot', and subtle shifts in intensity will be possible too. Shouldn't be too difficult to master.

The resistance was pretty easy re: BBP35. The active/passive versatility of the 735a just filled me with more delight. And I much prefer the matte black of the 735a to both the sunburst and the midnight blue offerings of the P35. Tom @ Wunjos did do me a nice deal which convinced me to abandon all thoughts of buying via the Yamaha Music Store. I’m a happy bunny - It’s an incredibly classy looking instrument IMO!

Vulfpeck - Dean Town is a good workout.

That would look good 👍🏻

Good choice

I was going for the understated look!! 😁

I’ve never really got on with Gibson’s method of binding - especially the “nibs” - it all seems a bit of a faff that doesn’t really seem to help playability. I’m really liking your solution though - I love the feel of an old board where the frets are worn away from the edges so you can’t really feel them at all.

she did Last Train to Clarksville apparently, to me her bass lines seem to stand out more than others, probably because she used a pick, now where's that tin hat?

Yes....in the 60's she was behind many a great groove and is also a talented guitar player. One of my favourites is I'm A Believer (Monkees)....great line IMO. I guess it's no surprise that Macca rates her as one his great inspirations.

Yes indeed. I shall be taking the beauty along.

Not sure I like your tone young man! 😎

Yes - I'm afraid so. Mind you, it's a clone, bar some small tweaks, of @Len_derby 's so hopefully you'll be able to see that one

Yeah it seems like a sort of sport to them, hear a band and think now that Lemmy, he just needs far less top end and gain, why a James Jamerson sound would fit in that Motorhead of his far better.

Depends - if totally flat then about 2-3 hours, but if not then less.

Haha. well, word’s got out that I’m depping for a mate’s band on 23rd December for a posh hotel gig. So a few people have been in touch. This offer seems a bit more me, so I’m meeting them all next week all being well.

Finally, an update. The neck is finished, tru-oil slurried and currently waiting overnight for the water slide decal to dry before sparying some poly over the top of the logo to bury it. Tomorrow, hopefully. The body is mid-finish. I brushed on a few coats coats of General Finishes High Performance to act as a sanding sealer - providing a flat surface for the colour - which will be a (hopefully) beautiful creamy white. I'm using 1/3 Antique White and 2/3 Snow White, both (fake) milk paints from General Finishes. They're basically just a low gloss acrylic (no lactose involved) paint, but they spray nicely and are completely compatible with the High Performance, which I'll also use as the top coat. I spray using an HVLP turbine, but I turn the pressure down really really low. Being an HVLP I don't have a pressure guage, but my guess it's only running at 1/3 or so of it's capacity - basically just enough to 'flop' the paint out of the gun in big gobs and onto the surface - it'll flatten itself nicely as the water evapourates. I've found that increasing the air flow simply fills the air with clouds of vapourised paint that bounces off the surface, but doesn't improve the quality at all, but does make me nervous about what i'm breathing in, even with a full mask. Here are a couple of coats:

Fun gig for our jazz standards quartet on Saturday night, a somewhat rustic old fishing lodge on the shore of Lake Nipissing here in Ontario.We hadn't played there before and didn't know what to expect but it was a lovely big room that is a bar/restaurant and we had lots of room to set up beside a huge fireplace. Unfortunately on Friday night and most of Saturday we had our first real Northern Ontario snowstorm and although the roads were generally in good shape we knew some of our friends and band fans would not want to make a long snowy drive and so we were pleased with the 30-40 folks who showed up. Most would have had about an hour drive on a mix of highways and rural roads so we knew they would be an appreciative crowd. We usually play three sets over three hours and got through our first set and then passed out copies of our playlist (almost 150 songs) as we have done in the past in situations like this and after a couple of songs to start the set we played mostly requests for rest of the sets so the audience is involved and get to hear what they want and we play songs we might not have chosen for a particular gig.Everyone is happy and it keeps us on our toes. Meals supplied, good staff, plans to rebook us soon and an extra $100.00 on top of our usual fee.Everybody wins ! We were in good form and played exceptionally well and had a lot of fun going into our seventh year together.

I use TC cabs. The RS210 & RS112. They do indeed colour the sound but I really like how they do it. They are quite old school warm and middy to my ears and handle drive really well.. Then again I never have the horns on. Probably not the best if you want clean, flat response from your cabs.

It’s easier if you play notes rather than frets or string numbers.

Been meaning to transcribe this up for a while, so your post was a good boot up the bum! Here's the verse groove which will hopefully get you started http://jodiebremaneson.tumblr.com/post/179996854396/waitresses-christmas-wrapping-bass

Nearer the neck makes the sound more "rounded". Nearer the bridge for a more aggressive "clipped" sound. So there is no "Right" position. Some will talk of a sweet-spot but it's down to personal preference.

Yes, but he/she's crossed the house so to speak so good on him/her. Bass playing is a bit like Hotel California, You can check out any time you like but you can never leave...

The trick about writing good lyrics Is to just use your sense of empirics When you come to use 'Orange' You'll just have to write 'Sporange' You'll have everyone in hysterics.

Like MacDaddy says, don't overthink it. Write a whole bunch of stuff, and you'll realise that there are lyrical hooks there if you look for them. Musical theory? What's that got to do with the lyrics? Caesar's Palace, Morning Glory, silly human race.

Ha ha, yes the pain and suffering is definitely a feature of guitar building. In fact, the more my skills grow the more I realise that guitar building is, like tennis, mostly about avoiding unforced errors. The lapse in concentration, the inexplicable routing using a template that's upside down, drilling too deep, or too shallow, or not at all, not checking fret slot depth etc etx..... I've done them all. Several times. New swear words have been invented. The occasional infantile tantrum. But as @SpondonBassed says, it's inevitable and you just have to rely on your skills or improvisation!

More of an issue is this.... All the blocks are white, apart from the one at the fifth fret (block 3) which is blue. What the...?!%@%! I didn't notice before because they were only rough sanded, but once glued in and starting to sand it was obvious that it didn't match at all. This is the first time I've used MOP and as a natural material I'm sure there is some variation in hue, but that is ....well, a bit much. Very disappointing. I guess I have two options: 1. Grab my router, and zap that little bugger. Hope I can get it out relatively neatly and re-rout the channel. Get the retailer to send me one that is the correct colour, re-glue, re-radius and put it all down to experience. 2. Relax. It is at least at fret 5, so I can pretend that it's a design feature. And no one will notice apart from me anyway. Anyone with any opinions? (Oh and also I'll email the supplier and ask whether that blue is in fact within the accepted range of 'white'....🙄)

Love the Seafoam green ones.... However the thing that brought me here was the thread title - it's been driving me (and my OCD/Pedantry) crazy for days..."Sandberg appreciation scociety" Please, please, please amend the spelling...

Hello, Chris from Smooth Hound Innovations here. Happy to answer questions you might have about the Classic wireless system. [quote name='dood' timestamp='1435090254' post='2805426'] I'd be keen to test both verses a standard 20ft cable. I wonder if Line 6 are being a bit keen and SmoothHound conservative? [/quote] Well, the exact latency is 7.68ms so 8ms is a [i]little[/i] bit conservative! A quick point about latency, sound travels in air at around 1 foot per millisecond so adding 8ms latency is the same as standing 8 feet farther away from your amplifier. Whether you're playing bass or lead doesn't really make any difference, it's all about the attack. I appreciate the latency figure is not the lowest around and as EBS freak says, if you need to add a lot of [i]additional[/i] latency (eg chain a bunch of digital effects and monitor through a digital desk) you could get to the point that it is noticeable. All the comments we've had so far on latency though have been positive. People keep saying things like "No latency" which isn't strictly true!