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Showing content with the highest reputation on 10/08/18 in all areas

  1. The Squier JV-P fiesta red - pic requested
    5 points
  2. A Danelectro Longhorn, bought secondhand in 1969! Here I am playing in a folk rock band in Exeter in 1971 called Retrospect. I think that's a pick hanging out of my mouth, not a fag. We won the Melody Maker rock contest for the South West area, and then bombed miserably at the finals held at The Roundhouse in Camden. I remember we really felt like innocent country bumpkins up in The Big City. A young Phil Beer is the violin player here, since these early days he's had a long a well respected career playing with Paul Downs as 'Show of Hands' - well known on the folk circuit for many years. In 1972 I sent the Danelectro up to John Birch in Birmingham to fit a Rickenbacker back pup to this - hoping to get more punch and sustain. The result was an iconic bass ruined for no gain and quite a lot of expense, I recall. The stupidity of youth, as ever.
    4 points
  3. Already restricted, thanks. We’ve previously banned him but this time we’re going to make his posts and PMs visible to him only so he’ll have no idea. Theres a warning at the top of the wanted forum Cheers
    4 points
  4. Not easy, but while the two older daughters (2 and 9) played shop in the bedroom. Iris and I did some practice with the blue monkey keeping time. Anyone else got innovative ideas to keep playing while interacting with the kids...
    3 points
  5. Four more coats of gloss on the tops again today, I put the first two on with standard thinners and the last two with anti bloom to let the last coat flow a bit better. After about half an hour I pulled the masking tape of the fretboards. I think they are good now, they certainly look good (as in blemish free), the anti bloom should have gassed off well by tomorrow so I'll have a good look then to see if they are really done but I'm quietly confident tonight. So for the first time here's a hint of the finished things, once I'm happy they are good I'll grab a quick picture upright before hanging them up for a week or two to fully harden
    3 points
  6. I'm not certain yet that I will go for the maple neck but have started to work on it. First time in real terms using the router table. Fantastic! Neatest truss rod channel yet (small beginnings, but beginnings nevertheless ) And then the side profile band-sawn: The heel will have to have an extension added whatever, but the maple blank isn't deep enough to do that with just one - it will end up being a three piece heel. I'll have a think whether I can add a contrasting wood in there or whether that would look naff. If so, I'll revert to the mahogany / walnut blank I've also got and which is a touch deeper and would do achieve a two piece heel. I tell you what, after neck through basses, these necks are TIDDLY!
    3 points
  7. Dave Grohl seems like a lovely chap but the Foo Fighters are rock music for people who don’t like rock music.
    3 points
  8. 3 points
  9. Made his fortune when the previous owner of this bass had to buy a spare set of strings?
    2 points
  10. take of your knob and put a rubber washer under it, will still turn but will take more force to do so
    2 points
  11. This is going in the same direction as "what direction should I place my bass knobs" thread. There is a reason why you have never thought about it before. Because it is totally irrelevant.
    2 points
  12. I must be practicing too much I’ve only got 2 kids
    2 points
  13. As someone who works in the construction industry, my considered opinion is that you'll be ok with a Trace combo, as its gravitational pull is exactly equal to that exerted by the world, so the concrete flooring slab will be sandwiched between them quite safely 🤣
    2 points
  14. Haha! No, she doesn't want a natural finish on hers.. This one is purely for backup purposes, er, or something like that (depends on who is asking). She did say that she likes me making partscasters as it keeps me happy and gets me from "being under her feet too much" Which is a blatant pass to spend money to keep her happy...
    2 points
  15. Nothing virtual about it.....
    2 points
  16. I can’t remember the specifics, but there’s an audio clip on Youtube of a Rush gig where one of ‘em does a flub, and for a few seconds it collapses into a proper tuneless cacophony. just listen to that section on repeat.
    2 points
  17. I think Bilbo’s always struggled to understand why he should stoop to the levels of entertaining people less clever than himself 😄
    2 points
  18. nope, my playing is equally inept whatever colour bass I'm using.
    2 points
  19. The fretboard colour doesn`t make me play any differently but I do find that the colour of the bass itself influences my stage performance - with my black basses I`m more subdued, but when playing the white ones I tend to move about a bit more. Of course at 52 that really means shuffle around more on the same spot, but mentally I`m leaping and running around when the white bass is on.
    2 points
  20. Why is it pointless? I don't get comments like yours,it would seem that anything that isn't jazz is pointless to some people. Surely you play jazz classics,so that must be pointless too.
    2 points
  21. Our keyboard player used to travel with the drummer. Usually they would meet up half way and load into one car. At the end of one evening they loaded up the keyboard players car and he drove home. The next morning he found that one of his keyboards was missing. It had been left on the pavement leaning against a tree! 2 days later he got a call from a local music shop saying someone was trying to get in touch. They had found the keyboard and wanted to return it. All they had to go on was his name on the case and an internet search!! He gave the guy £50.
    2 points
  22. Yup it's happened to me. Left my bass, my amp head and a bag of leads/bits in the boot of the car while I dropped my then-girlfriend off at her house one night. When I came out half hour later the car was gone. I was working as a signwriter at the time in some pawn shops and gave them a list of the missing kit. Unbelievably I popped in a couple of days later to check up and a guy got off the bus outside carrying my bass on his back and came in to sell it so we nabbed him and called the police. Turns out he was very well known to them. Another shop rang about half an hour later with the rest of my stuff. The car was found dumped in a nearby alley the next day. Really shook me up and I immediately went and insured all my kit! Very fortunate that the thieves didn't know what any of it was and just tried to offload it locally - ironically to the people I was working for. Very lucky escape and three days I never want to relive!
    2 points
  23. Either this...or it is a trap So run, run now as fast as you can!
    2 points
  24. 2 points
  25. 2 points
  26. Something a bit more upto date for yall, check these out from Estonia, great stage craft live, and have loads of great ideas, have to say we are doing a cover version of beef grinder its so good. welcome to Lexsoul Dancemachine
    2 points
  27. Hello BassChat! Charlie here from The Gallery... Since BassChat is where you're all hanging out these days we thought we'd join in on the fun and start our own thread! We'll be keeping you up to date with new stock, shop news and all that jazz. This is also another way for you to reach us with any enquiries! If you've never heard of us, this is who we are and what we're about: We're a bass specialist shop situated in Camden, London. The Gallery opened in 1993 and since then has been London's largest bass-only store. We have a huge selection of basses, amps, effects and accessories (new, pre-owned and vintage!). The basement (bassment?) of the shop is home to Sei Bass, which comprises of top luthiers Martin Petersen & John Chapman. They build wonderful custom bass guitars and offer a long list of workshop services. Below are a few pictures of our shop plus a couple of photos of Sei Basses so you can get an idea of what we do... That's it from me for now but I'm sure you'll be seeing more of me on BC from now on! Love, Charlie & The Bass Gallery crew.
    1 point
  28. 1973 Precision Sunburst body with a few scars Refinished maple neck Tort Pickguard Serial Number 392*** 8.2lbs 'B' neck with 40mm nut Strung with new set of Labella 1954 Flats Bridge cover. Schaller Strap Locks but can fit original buttons if required. Period but not original case £2500 Consider trade plus cash for Sadowsky UV70
    1 point
  29. Does it lose socks? I hate odd socks.
    1 point
  30. Those loknob things look nice, but for (at least) 10 dollars a piece, with my 20+ knob pedalboard, that's not a solution I can or wan't to pay for right now!
    1 point
  31. Well the neck arrived today, and it fit like a glove. No drilling or sanding needed. In fact I'd say the pocket was a smidge too wide for it. There was no resistance whatsoever marrying the two together.
    1 point
  32. 1 point
  33. That's two thirds of a house jam without having to leave the house itself. Nice.
    1 point
  34. There's a magic roundabout in Hemel Hempstead as well, though having used both, I think the Swindon one takes the biscuit.... (Fab work on the Les Pauls, Christine!!)
    1 point
  35. Cor blimey. It gets better. I purchased a DHA VTI-EQ-DI-STD from @TPJ Tried it into front end of Helix, through monitors and phones. Then DI into the K10.2. Blimey. I have a few Preamp DI pedals but this is something else. The valve Preamp makes a massive difference - the K10.2 sounds more cab like than it ever has and the warmth, punch, definition and tone is unbelievable. I tried the 64P in and it just came alive. Wow.
    1 point
  36. Did not mention, I have got one some time ago for £150 with Seymour Duncan Pickup on board. This guy wants £500+ for a wrecked bass... Good Luck!
    1 point
  37. A book which in its British publication stumbled over the years through various titles from the original (as above) to Ten Little Indians to Ten Little Soldiers and eventually ending up with the current iteration And Then There Were None, the latter being the title of the US version as first published back in the 1930's. At the time the Yanks saw issues of sensitivity where - it would seem - the Brits did not.
    1 point
  38. There it is, K&K double-sided adhesive : http://www.bluestarmusic.com/KK-Double-Sided-Adhesive-Strips-for-Contact-Pickups_p_766.html And the instructions : http://kksound.com/support/doublesidetape.php
    1 point
  39. Never seen it but it could surely be done. Since you'd be spending a bit of money, to do it properly so the bass played well and consistently, the action would need to be the same over the transitions from fretted to fretless. so the fingerboard would have to be higher by almost the height of the chosen fretwire at the fretless section and lower at the two fretted areas. would pose an interesting luthiery challenge I suppose... I'd love to see and try it if you ever go ahead but on a practical note, anytime I've modded an instrument to fulfil some odd esoteric notion I had, it has always proved to be not as useful in the real world as I had imagined and ends up being sold off at a large financial loss. YMMV!
    1 point
  40. Top work Dood . Also saved him the indignity of having to join the competition - he he
    1 point
  41. Dog poo is a great, relatively unknown, wood filler
    1 point
  42. I got my first bass when I was 13, it was one of those nasty AXE things with a crappy amp from an add in the back of a magazine ('Look In' or something) it was bloody terrible, but because I stuck at it I got a MIM Fender Jazz the following Christmas.
    1 point
  43. I haven't had any problems with the EBS ones, but I've seen a few people saying the Warwick ones can be noisy.
    1 point
  44. She had 13 years in which to do it had she wanted.
    1 point
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