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So I don't believe in my ten years plus on this forum, I have not started a topic header! Abit remiss I know! So to quote Jilted John "Here we go, 11, 111, 1V!" So in the last week I have bought from @CookPassBabtridge a wonderful Vigier Passion 1V. 4 string.. I am in, the very, very fortunate position of owning a few Vigiers.. A passion series 11 with the all carbon neck, 1986. A series 111 passion custom with 10/90 graphite wood neck 1992. Plus this recent 2020 series 1V.. What they all have in common, it the amazing craftsmanship of Patrice Vigiers team of luthiers..outstanding.. The playability and action on any Vigier Passion I have played, is as good as I have found in my nearly forty years of playing/trying (lol) of bass.. They are a niche market for sure..That said, I would say those in the know, know how good they are.. So now I have a series 1V. passion.I had in 2014 A series 1V Arpege, but found the Glokenklang 3 band controls for each pick up, to much for myself personally, and I could not get used to the bolt on neck on this model, compared to the early series basses through neck versions.. The Passion 1V has a more simple layout of bass/middle/treble controls, and is very easy to dial in your sound compared to the series 111/111 basses with thier parametric control and cut/boost switch and tone control. The new Vigier pickups quieter than the wonderful single coil Benedetti ones..which are in my humble opinion still AMAZING!!!. Access to all the 24 frets easy on the series 1V a breeze. Action as good as ever on this bass..If you like a super low action, you will find a Vigier hard to beat! Neck profile super slim on all three series of these basses..but the passion 111 the slimmest..possibly more than an Ibanez soundgear! (Is that possible! lol) Obviously no truss rod which to some may take abit of getting used too..All the three series of basses have an almost totally straight neck with the slightest of slight concave shape..no deadspots whatsoever on the phenolic fingerbords.. if you ever get a chance to play a Vigier seize the moment👍😃

You'll be glad to hear he smashed the set last night and I got to hear some top end from the bass for once!

Thanks to @SumOne the sea foam family got bigger... I've had a EHB1506ms before and currently have the EHB1005sms but always wanted the EHB1005ms in sea foam obviously.

That's New York session legend Neil Jason.

Super streamlined, grab and go, catch all pedalboard:

We did a pub gig in Crawley last night. Packed, two and half hour set so I am feeling all of my 60 years today. Had my Status back for this from the mothership in Colchester fixed and set up beautifully by Rob - have enjoyed playing my Flea Jazz while it’s been away but it’s not my Status! We did Don’t You forget About Me for the first time - went down a storm but anyone else have a drummer who needs the bass player to count him in on some songs otherwise he rattles off so quickly I just can’t get the gallopy bit in the breakdown.

801 Live is Phil Manzanera and Brian Eno with Lloyd Watson, Francis Monkman, Bill MacCormick, Simon Phillips. Well worth a listen if you haven't heard it

May I add the usual comment... Have you tried to play a right-handed bass at all..? Being left-handed does not automatically oblige one to use a 'lefty' instrument. Many Lefties get on perfectly well playing 'righty' instruments (guitar, bass, accordion, piano...). Half of our family are 'lefty' (Our father was a 'hard' lefty...); I have a lefty brother that took to my righty guitars, and was much better than I was, much faster. It's not the case for everyone, I know, but if you're starting from zero, it's worth at least trying a righty bass first. Just my tuppence-worth.

Bob Harris?

Hamburg was awesome. It was sold out, but they're there to see Crass. We went down really well, people were singing along from 3 songs in so we must be doing something right! 4 hours sleep last night so I was hoping to get some sleep in the van. Unfortunately our bassist has some godawful dad rock playlist blasting out the stereo. We just had Come On Eileen 🙃

Whilst cleaning my teeth this morning with an electric toothbrush I found I could do a passable facsimilie of 'Livin On A Prayer'. I may have dribbled toothpasty spit down my front but consider it a small price to pay. That is all.

Would you like mine

Just finished laser cutting the Wal templates.

Spotted online on the Bax website, a 'B' stock Precision for £490. I expected scratches in addition to the damaged packaging that was listed on the site but I have yet to spot any. My first Precision style guitar and so far (about 90 minutes in) happy with sound, feel, neck and weight.

All my cabs were together! So had to hook them up to the 2001rb didn’t I!! from left to right peavey 1820(210/118) peavey 215 x2 customised ashdown 810( now a 2x15)

If not heard... 801 live... Roxy without Brian.

Fiddlers Elbow with Greg Douglass and Penge (Penge?, I meant Pendle) Hippodrome with Full House (Frankie Miller's band).

We've got a saying in the States about sphincters and opinions, I've got to assume you have a similar one on your side of the pond. That's especially true of Talk Bass. I had to leave there ten years ago lest I lose what was left of my sanity completely. 😳

The old dear has scrubbed-up pretty well.

Done that one, the cutting (bandsaw) and smoothing is easy enough. It did not look as good as I had hoped but that is a matter of personal taste. Ideally you will get machine heads with a small back footprint e.g. Hipshots. The Space at the back is a bit tight, I only just got Schaller BMs to fit.

cold cold ground / tom waits

Having built one bass (which was taken by a fire) and about to start my next I see only one pitfall ... Not doing it! S'manth x

Got the studio version by Manzanera, and it's superb, but i thought Eno was the only Roxy muso on 801 , either live or studio ?

To pre-empt the inevitable (bass forum) question. He played a selection (CAR, white) of Manhattan J-style basses https://manhattanprestigebasses.com/ These retail in US at $999

Sometimes when at a gig or jam night we can run out of ideas of riffs to use in our bass lines while jamming a 12-bar Blues. So I've put a YouTube lesson together to give you five Blues bass riffs that are very easy to play and plug into the 12-bar progression. In the lesson I also talk about the main difference between the shuffle and straight feel and what this means for us bass players when we are playing Blues. It's important to get this right because you're gonna clash with the drummer if you play the opposite feel to him or her. In the lesson you'll also get plenty of practice playing through the 12-Bar Blues sequence which you should know back to front if you want to play at a Blues jam night. The five bass riffs are on a free PDF with standard notation and Tab. You’ll find the link to that under the video. Enjoy! https://youtu.be/NJ62_CXc1XM

I was being nice! (ish) But I fail to understand all the love they get. Though to be fair, there's thousands of other bands that loads of folks like that are immho somewhere behind the line going from trite to sh1te! That's the beauty of taste...

Maybe a pre cut nut for say a 12" radius on a 9" radius fret board? Fret the string at the third... there should be a 'light tap' gap between string and first fret. If not try a pit of paper in the nut slot... if this fixes the issue and you dont want to replace the nut then the Super Glue and Baking Soda mix works. did this on my J Bitsa - nothing to loose...

Agree, very polished performance and tremendous sound (esp for the O2). I enjoyed the early/ mid 1970s output (esp Do the Strand, Re-make/ Re-model, Virginia Plain, Every home a heartache being the highlight for me) but I'm afraid the Avalon/Jealous Guy/Dance away etc 'soft rock' leaves me cold

I always think a preamp DI pedal is a good investment, better than a spare amp.

A close friend of mine is a sound engineer and he said when he went through Uni his teachers drilled into him that his ears needed to be protected from day one so even as a student he had custom in-ears made, it’s rare I see him not wearing some sort of ear protection!! I will certainly be wearing some form of ear protection as soon as I get a bigger amp than the little practice one I have now.

. We had hoped to measure a lot more amplifiers. There were plenty there at the bass bash but we simply ran out of time. The result for the Gnome was so unexpected that we spent precious time checking everything over. I had to set up and run a speaker shootout in the main hall and couldn't act as gopher for John. Anyway it was an interesting experiment I think we'll repeat and try to grab more data on other amps. There is free software to do this so if you have a simple two in and two out interface you should be able to do this at home so maybe a few of us could work together and build a database

Did the place fall down shortly after the pictures were taken? 😆

Limestone Cowboy Glen Campbell

Sean Hurley rubs his flats down with Vaseline to dull the tone. No reason to think it wouldn’t work on rounds. If not try some currywurst that’ll be sure to take the zing off

Almost the whole Yes back catalogue. And I love their music.

"Isn't it ironic?" No Alanis. Nothing in your song is.

Can we add Este Haim into the mix?

And so, I present to you the 'Maybe Not A Lull But Just Look At That Colour!' or, just in case the splendid Lull team have been following the thread, 'Maybe Not A Lull But Just Look At That Color!'

This led me on to the great track by Wayne Wade- Poor and Humble ,which was produced by Linval and like lots of tunes back then was backed by the Roots Radics