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Showing content with the highest reputation on 27/07/20 in all areas

  1. I've recently put together this absolute gorgeous P bass.... Neck is 2 weeks old (cost £300), fender Roasted maple. Lovely and straight,clean frets no sharp edges.. Modern C that plays like a dream. Fret board has gloss finish but rear is satin.new black Wilkinson vintage tuners.and black graphtech nut. The neck holes didn't line up perfectly with the body holes, so I filled and re drilled new heel holes.doesnt effect anything about the bass at all..... Just being transparent. Decent northwest G alder p body ( couple of light scratches). New gotoh 201 Bridge, kiorgan wiring harness. Tonerider trp 1 pups (my absolute fave pickups). Fender neck plate. Comes with matt black pick guard and bwb. Fairly new roto's rounds on it This plays and punches like the best of them. Not Heavy, around 9lbs at a guess? Pictures don't sell this bass, it's the best looking bass I've had f sure. But having 2 P's seems silly tbh (my other P will never sell). So if anyone fancies a trade up? Ideally a jazz type bass, ibanez ATK 810/800 anything really that's 4 string non fret less or short scale...... Preferably black/natural and maple neck. Also consider 2u amp.. Gk rb700 etc. Prefer meet up, but postings not outta the question. Better pics later.
    8 points
  2. She’s 5 ! Let her be a 5yr old. Lots of great current pop music she can identify with - way more than the creaking list of old women above - most are older than her nan! Car playlists are good way to mix her music and yours. My 8yr old daughter is a huge fan of Wengie (parents will know) but from long car journeys found some surprising gems she enjoys - Thundercat and the Prodigy. Sgt Pepper and Thriller have also gone down well with all my kids.
    7 points
  3. Well.... Lovely and light. Few little knocks and stuff but nothing that would put you off for under £400. Little rattle on the G Tuner but little bit of tape sorted that right out! Weird little kink in a string that I hadn't seen before. Must have been resting on that for a while! Quick clean and change to LaBella tapes and happy days! Will do a NBD tomorrow after a wee play to work out settings etc. Also, i think I'll drop Sandberg and email and see if I can get a tort guard since they do one for the white version.
    6 points
  4. £800 price drop down to £3200!!! I might be interested in a partial trade with cash my way for something more portable. Will need to be in excellent condition and of a high calibur (Barefaced, Aguilar, PJB etc.) Not interested in Ashdown unfortunately. £3200 cash is much preferred. The head is the absolute flagship from Mesa, the retail on these was a shade over £3600. It has eight KT88 Mesa branded valves for power with two Mesa 12AX7 and one Mesa 12AT7 valves for the pre-amp. The volume is nothing short of disgusting. I once, for a brief moment, got it to half volume and I nearly died in the process, the room actually quaked, that is genuinely no exaggeration. Suffice to say that headroom is not an issue for the 465w this thing puts out. You can run the power section at low (125w), medium (250w) and high (465w) so you can still generate those awesome valve tones at low volume. The EQ section is basically the same as the Mesa 400+ amps with some tweaks to close those gaps in tunable frequency. There's a 5 way 'voice' dial for some very useable pre-sets and the graphic EQ is bypassable if you prefer. The cabs are both Mesa Vintage Powerhouse cabs, both 4x10 and both 600w. Each has a horn switch and one has a switch and horn attenuator. I have 2 absolutely top end speakon to jack cables I'll include too to run the rig at peak efficiency. Both cabs have Mesa trak-lok castors that means the cabs roll very easily and can be removed in seconds for secure stacking. This is a staggering rig, arguably the best rig that any amount of money could buy. The cabs each retailed at £1300 a piece so the full RRP would be in excess of £6200. Proper Mesa Boogie Covers for the cabs and head will be included. This rig is absolutely immaculate and may as well be new. Near 50% less than RRP and it is absolutely mint with a few hours of use. Essentially apart from it being in my house, it's new. This is probably the only time you'll be able to buy this rig in absolutely brand new condition. Shipping is almost entirely out of the picture as the full rig weights about 114kg (250lbs), though if you are willing to pay and organise this I will help to the very best of my ability to facilitate it. Collection is the best option. I am willing to drive to meet if that's preferred, this can be negotiated depending on the time and distance involved. So that's it, the best amp you'll ever see! (Subjective I suppose!!) Based in Wickford, Essex. Any questions, let me know.
    5 points
  5. NOW ONLY SELLING ONE! THE ORANGE/REDDISH ONE ON THE RIGHT WITH THE GLOCKENLANG PRE-AMP - £1950. Well, what can I say about these apart from a small piece of me will die if they sell... It simply doesn't get better than a Custom De Gier Elevation 6 string bass... wait, yes it does! When there's two of them! Having spoken to Sander De Gier, these are 2 of his personal favourite builds. They are absolutely top of the line, amazingly detailed top AND back woods, matching headstock caps front and rear, set necks, incredibly comfortable necks, one with an Aguilar OPB-3 pre-amp, one with a Glockenlang pre-amp, both with custom wood enclosed Häussel Big Mag pick ups. These are fantastically light weight for a 6er, circa 4kg give or take (will weigh them, and measure spacing tomorrow). Both are 34" scale and both are 99% immaculate. Basses of this calibre would cost you around €4000 a piece from Sander today, so this is almost a buy-one-get-one-free scenario. I may entertain selling one, only if the other also finds a home, if you do some fairly complex math you'll find that half of £4000 is £2000, so that'll be the price for one. I have one custom made leather De Gier case that Sander had made for the Elevation series. This will come with the basses, I also have another high quality gig bag for the other. Fully insured postage is circa £40 a piece, I will send them in separate consignments to avoid potential damage, so shipping is £80 for the pair or collection from Basildon, Essex if you prefer. I can meet somewhere if needed for petrol. It is heartbreaking to sell these and I may end up withdrawing them. These are up there with the absolute best of basses that the world has to offer, truly remarkable things. Now, off to cry...
    5 points
  6. About 17 years ago I bought this bass on ebay. 200 quid. Used it for a bit then lent it to my brother in Italy about 13 years ago Went to visit him last week and brought it back to Blighty with me. Restrung with roto swing bass. New battery and wow, what a bass Weighs only 7 pounds so should keep the neck and shoulders happy
    5 points
  7. Ken Smith Elite 20th Anniversary Flamed Redwood Top 6 string (1 of 11 made) Best Ken Smith out of the 10 or so I've owned for a very rare (very few have ever come out for sale) bass. Not looking for trades - selling as bringing down my collection and mainly play jazz style basses these days. Lots of feedback in the forum Specs: Flamed Redwood Top with Matching Headstock. Body Core and Heel Blocks are made of Tiger Maple. The Laminate between the Redwood and the Tiger Maple is Black Walnut, and the Body Features are Tropical Walnut. The Neck is made of Hard Rock Maple with African Bubinga features and heel laminate. The Fingerboard is Macassar Ebony and has Mother of Pearl Top and Side Dots. Pickups and Electronics are the same as the BSR "EG" and includes Series/Parallel Switches. The bass has a 20th Anniversary Backplate and Truss Rod Cover. These were $6,000 when made new in 1999/2000. Bass has cosmetic wear / bumps from the previous owner (I am the second owner and have owned it for the past 15 years), which is reflected in the price, but functionally it works perfectly and the frets are almost as new and plays with an incredibly low action with no buzz. 34" scale. 18mm string spacing 4.6kg / 10.1lb Ken Smith in his quest for the best tone woods found only a limited amount of this rare, old, seasoned, air dried, Figured Redwood. Because of the limited amount, only 11 of the KSA 6 flamed redwood basses were made.
    4 points
  8. Andertons have just confirmed that Mesa are selling direct to the stores now so there are price cuts. I have no idea how much the Mesa bass amps were before but one that I am familiar with - the Dual Rectifier - was £3100 and has now dropped to £2349. A reduction of £751. I (and others too) have been moaning about Westside and their pricing for years. Seems like someone has finally realised that UK sales were being harmed. For guitar amps the used market shouldn't suffer. Dual Recs sell at £1000 to £1200 and I can't see them dropping much. That's still half price.
    4 points
  9. Xotic Xj- it for sale , five string natural very good condition
    4 points
  10. Had mine since 89 with original EMG pick ups. Had the eletronics replaced with Warwicks only replacement of MEC. No difference in sound from the bass and the pots are far nicer to use. This era bass has the nicest neck i've ever played. At this price its a steal. Like someone else said they don't come along too often these days and those early Warwicks are by far better than the later ones. Build quality is superb. GLWTS Dave
    4 points
  11. What do you get if you cross an Elf with a Midget? A Milf? 😏
    4 points
  12. So, got some work done on the Harley Benton kit this week, fortunately the weather round here was absolutely ideal for painting on Sunday too (humidity dropped right down to sub-60%). So, first off the body. Reasonably well finished with a few machining marks but well sealed, just gave it a run over with some 600 grit before any paint to tidy up the marks. The ground wire hole is a very rough job, but that will all be hidden under the bridge plate. 3 piece body, looks and feels like basswood to me. Had to fill in the drilled pickguard holes as they were a mile out from the included pickguard, and even more so from the replacement I'm going to be using. So, toothpicks and wood glue to the rescue! Cut back and sanded flush before paint. Pickguard fitted - nowhere to drill for one screw above the controls, debating just leaving it off as it makes no difference or gluing a bit of scrap wood to the cavity to drill into. Will figure this out later down the line. Headstock, shaped! Going to an early 60s colour scheme but wanted to strink the headstock a bit. The body is very lightweight so trying to avoid any neck dive issues. As such, used a template for an American Deluxe size headstock rather than a vintage sizing. Primer! And colour coat, Shell Pink nitrocellulose. Used a full fin of both colour and clear coat and it's looking good with a decent shine to it. Now to leave it for 3 or so weeks to fully cure before wet sanding and buffing.
    3 points
  13. Also posted this on Talkbass but want to here on Basschat as this is where I bought the bass back in January (from @electriccheese in Spain https://www.basschat.co.uk/topic/348045-1966-fender-jazz-bass-sold/?tab=comments#comment-3824185 ) - a 'hippy refin' with the body stripped to natural (fortunately not sanded or reshaped in the process). The headstock had also been refinished but the back of the neck and heel still had the original finish (some light nitro overspray) and all parts are original down to the covers, tug bar and case. Will note that it has a nice thin C profile, very low action after a prior 'ski jump' repair and comes in at 8.5 lbs. I had it sent directly to Bravewood and had him restore - going for Fiesta Red faded to coral pink (or akin to some of the mythological 'Selmer refins' some of which tended to the flamingo pink shade) - though it turned out pretty much dead on to the hyper-rare Fender Tahitian Coral - over sunburst. I had an original '65 white guard which I sent as well (John fixed the broken tips). John did an amazing job removing some of the overspray and blending in the new finish on the back of the headstock with the old finish on the back of the neck. Really difficult to see any transition. Just showed up here a few days ago. Super pleased with John's work and the bass itself. Set up and playability is crazy good. With gratitude to Basschat!
    3 points
  14. We played a cool private event to a distanced crowd of 75. The band was clicking on all 6 cylinders. It was a fun gig, more than generous pay and after the drinks kicked in the crowd became a lot more appreciative. "Howdy fellas. Here's the scoop for the private Maple Rd. gig this Sat. . We need to be setup and sound checked by 6:15, people start showing up at 6:30 and you'll play 7-10. I plan on getting there at 5. Lots of drinks and food available, we're more than welcome to partake. Huge yard, patio space is decent size to setup on with good power, we just can't block the door to the kitchen because food will be kept inside. About 70 ppl. have rsvp'd and they're super excited. "
    3 points
  15. It worked out for the band too having now spoken to them. Apparently the other applicant was very good and they were having a tough time making a decision. I'd have felt bad if the other guy had been useless and they were either stuck with him or had to go through the process again but in the end they seemed happy to go with him and to have a positive outcome without the need for any more drawn out deliberation. 🙂
    3 points
  16. Grand, I thought as much. I picture Sandberg as "if it ain't broke" types. Going to see the newer one later on.
    3 points
  17. An extremely sensible approach. I've had a couple - you may have played the fretless 4 and fretted 6 Andy - both Paul Herman period I think? After loving Wals since the late '70s (I used to play the Pros in Barrett's in Manchester when the latter, as distributor, had a shop full), I found that owning them didn't really live up to my expectations. Still absolutely gorgeous basses and beautifully constructed, but I think my tastes must have changed
    3 points
  18. I seem to recall that Pete wasn't very well. It would have been easy for him to just walk away, so good on him to stay focussed on the integrity of the brand in those difficult times.
    3 points
  19. My niece, Stina, started off singing Disney tunes with a hairbrush, this is her now.
    3 points
  20. carefully file down the headstock and put a new Squier waterslide on it. Then it will be just as good but noone will nick it Or trade it in for an Alleva Coppolo - I hear they are quite good!
    3 points
  21. Looking at it the other way round: if I won £7000 in a competition, I definitely wouldn't spend it all on a vintage bass. So it's definitely a "sell it" from me!
    3 points
  22. Hi! Pics first, details down below: Details: Weight: 10.5 lbs / 4.7 kg c. on the bathroom scales Scale: 35” Bridge: 19mm 26 frets Nut: 2 3/16” Radius: 40” Body: Alder and Ash (layered), with Quilt Maple top and back Neck: Maple 3 pcs Fingerboard: Ebony Bolt-on neck Hardware: Gold; Tuners have white perloid pegheads Pickups: Alnico V hum cancelling Electronics: Volume, Blend, 3 band EQ (+/- Treble Mid Bass) N.B. the mid control is continuous, as opposed to the 3-way rotary selector switch found on the earlier TRB JP model and other TRBs/BBs Mother of Pearl and Abalone inlays, gloss finish Purchased here on Basschat a number of years ago from the redoubtable TorVic, and gigged consistently since then. This has been my main bass, and it has come with me on tours, festivals, sessions and theatre work. It has never let me down. So...heavily gigged, but as you can see from its condition in the pics, well looked after. Truss rods (both) operate correctly, and the neck is without issue. Bridge adjusts correctly, and the electronics are all in perfect order. Frets are good, finish has some swirls on the back as you would expect from extensive gigging, but no dings. On the treble-side edge (the edge that contacts your leg if played in a seated position) there are two or three small nicks in the finish, and the same is true on the top edge of the headstock, where I've occasionally attached a TC Electronic Polytune Clip Tuner. Plastic cellophane is still on the control cavity plate. This is a world-class bass, arguably one of the best stock 6-ers available "off the peg". Made in Japan craftsmanship, premium woods, quality hardware; an absolute joy to play. I'm very sad to be letting it go. Offering it to you at, I daresay, a bloody good price considering the amount of bass you get (it's a handful) and the eye-watering cost from new (have a look here if you dare): https://www.yamahamusiclondon.com/TRBJP2-'John-Patitucci'-6-String-Bass-Guitar/pidYAM-TRBJP2-TDR Sound/video: Considering the profile of its endorser, there is no shortage of opportunity to hear this model in action. There used to be a good video on the popular website www.youtube.com wherein Patitucci demo'd the bass himself, but this seems to have been replaced by one in which he's chatting throughout, and the bass can't really be heard. For a quick-and-dirty listen, I found this: ...which seems to capture the "quickness" of the Yamaha preamp quite well. Newcomers to Yammies might find that useful; old-handers will know what I'm talking about. The actual bass for sale can be heard here: and you can go right ahead and excuse my sloppy playing throughout. Trades: thank you, no...I'm looking for a DSI Sequential Prophet Rev 2, so unless you have one of those lying around, I'm looking for a straight sale on this occasion. An older Stingray 5 might fit the bill. If it's Natural Ash/Rosewood. BUT THAT'S IT! Hahaha! 😝 Happy to include a generic (non OHSC) HSC - I think it's a Thomann hard shell case...if you want it, it's yours. Shipping: it's obviously better for you to come and inspect it and try it out here in Elephant & Castle where you're more than welcome, but if that's not possible I can ship to you via your choice of courier at your additional expense, or, if it's a reasonable distance, hand deliver it to you in my car for a contribution to the fuel money, whichever is cheaper for you. Many thanks for checking out the ad. Cheers!
    2 points
  23. Oh dear. Does this mean more guitar players will be able to afford the means to deafen us?
    2 points
  24. Over the internet, between us P & I spent a bit of time double and triple checking the intended neck depth and width. P already has a much loved Guitar Bouzouki and ideally wants this one's neck to be just a few mm wider and just a few mm shallower. That has meant that I can taper the neck blank widthways and depthwise. Within a mm or so, this is how the proportions are going to look. To my eye, quite pleasing: And getting the depth in the right order of magnitude meant that I could rough-carve the heel - I will creep up on the final shape once the neck has been profiled. I find the least damage I can do while removing the greatest quantity of timber is using microplanes. I hold them scraper-wise in gloved hands rather than using a handle: Then move onto a gooseneck cabinet scraper: As I say, the heel shape will be worked on over a period of time, but it gives me a head start: You can see here (although this clearly isn't carved and is a mm or so oversize) that the neck on a Bouzouki is quite a bit deeper than a guitar or bass. In terms of the profile, I always try to make sure - even though every instrument has its own feel - that a build has at least a comfortable feel of familiarity to the owner. So I send a profile gauge for them to take a few profiles off their favourite players and try, as best I can, to replicate that: The gauge is on its way to P as I type
    2 points
  25. What you think is just what you think and like your post earlier which was good reading and funny its just your take on it . Its more about the paths people chose when they decide to play .The great writers,pop or otherwise, don't need to be great players ,they employ the great players .For every every great pop song there follows 100 soundalikes because everyone loved the great one .Capaldi has a hit ,5 more sound a likes get signed . Lets face it we aren't living in the golden era of great Pop . Just good to see and hear players getting together and pushing themselves a bit without the ££ and overnight success being the driver. The stuff i've watched of these is without Misch so more music only based .We can all dissect why someone wears that or has that haircut or guitar and even why they are doing it but Heavy metal,RnB, Rap etc makes for far more entertaining analysis ..I think these guys know their market and there seems to be a healthy scene from what i've seen on my YouTube sessions over a few drinks
    2 points
  26. This is literally massive news. I applaud Mesa for taking this step which is long overdue, as the high prices were putting the amps out of reach for many players. The mark ups have become utterly unacceptable over the years. This is great news. Edit: The Subway 4x10 has come down from over £2k to £1,639 on Andertons. Still expensive but not completely unreasonable for a premium 4x10. The WD800 is up on Andertons for £1,039 which I would say is pretty damn good for the quality about the same with the Darkglass 900 series.
    2 points
  27. My tuppence ha'penny: Width and profile are a bit less important than neck thickness and fingerboard radius.
    2 points
  28. No problem, and I'm sure someone far more knowledgeable than I might come in shortly. @javi_bassist it may be worth starting a new thread to ask about them. @Al Krow I think there have been many different iterations of very similar basses over the years, so it depends specifically what era /model we're comparing I guess. I think some of the early ones had PJ pickups and were 34"scale, before they went to 35" and humbuckers. I know some of them had ash bodies, whereas the 1000 series is alder /quilted maple. Some of the Japanese ones I think have 5 piece necks vs the 3 piece on the 1000's,and I'm not sure if there have been some through - neck ones! Some have the 'slap cutout' in the body in the G and D string area. And then there's the Pattituci model also, which is different again. It's a minefield, and I certainly don't know the full run - down. It doesn't help that there seems to be little or no difference in model designations, unlike the BB's where you know what it is by the model number. I found an old thread of it helps at all.
    2 points
  29. Hear, hear @stewblack I don't mind what they feel like but I have quite large hands so that possibly makes it a bit easier. My personal favs are the asymmetric ACG necks made by @skelf that are just delightful closely followed by the Sandberg necks that are also a joy to stagger around on.
    2 points
  30. I’m new to this whole bass cover thing but I’ve got quite in to doing it during lockdown. Here’s my version of ‘Borderline’ by Madonna. 2010 Fender USA jazz bass with Kiogon VVT + Series/Parallel switch. I had it in series mode for this. DI’d via Sansamp bass driver
    2 points
  31. That's very nice indeed Dan, well done an excellent build. GLWTS
    2 points
  32. Yup. Here's my VM4 bearing some scarring after a "Hipshotectomy".
    2 points
  33. 2 points
  34. I would recommend an Ibanez Talman. I have given an honest review of the TMB105 - here: The TMB105 is firmly in the Fender tone and looks universe. That’s why I bought it. It’s £200. It sounds fab, but does need work in my opinion - not a case of buy it and forget it. That said, it’s so cheap you can do what you like to it without much fear or cost. Including new tuners to assist with seated neck dive and chambering, if you wanted....But it will take effort and money.
    2 points
  35. So far as shape goes, I prefer the old shape to look at, but to play the new shape is king. The new tuners are cool, the only gripe being changing tuners now defo means another drill hole, and I don’t think there is a hipshot D tuner which matches
    2 points
  36. I like those control knobs with the white marker. Its always nice to see at a quick glance where my settings are as i do change them occasionally thru the set. When its dark i'm trying to locate the centre notch and move it from there and on the odd time where i've forgotten where my settings are you can't easily see the black groove on the control knob. Dave
    2 points
  37. Cuzzie's right, I think the main difference is the shape, plus the newer one probably has the newer lightweight tuners. Fwiw the newer shaped californias are generally a bit lighter, and for me the ergonomics are better.
    2 points
  38. I am fairly sure the shape is the main difference, older one may have also had different tuners, but aside from that the guts should be mainly the same
    2 points
  39. Spectors with EMG’s I’m assuming? 😎
    2 points
  40. 2 points
  41. I'd sell it and use the money to rent some thugs to send round to Scott's house and "gently persuade" him to remove me from his email list. Seventy thirteen spamming emails a week is more than one man can endure.
    2 points
  42. Taylor Swift is a multi instrumentalist and an incredible pop songwriter. Go back about 50 years and you’ve got Dolly too. Might not be your thing but these two women have written songs that change lives.
    2 points
  43. How about Babymetal?
    2 points
  44. Get it refinished in pristine poly, re-fretted with stainless steel and Plek’d, chuck a bridge on it that doesn’t rag your hands to pieces and re-wire it with a hot pickup. Then gig it.
    2 points
  45. I’ve tried a few Limelights and have three vintage Fenders that were worked on by John. I have to say the Bravewoods are in a completely different league... they are more expensive of course, but a bargain for what you get IMHO.
    2 points
  46. Yes ... I found his fingers in the gigbag and it was all there.
    2 points
  47. All I can say is be open, try and be reasonably confident and remember that you're auditioning them as much as they're auditioning you.
    2 points
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