Jump to content
Why become a member? ×

Leaderboard

Popular Content

Showing content with the highest reputation on 20/05/20 in Posts

  1. Fender precision 5 Feb 1965 L series In original condition ( pickup covers are custom shop) and the capacitor not the original but from the same time I have the original too Brazilian rosewood board Alder body 3,9 kilo Frets have plenty of life Very low action for a preci of this time Very nice player With cites certification With original fender case 1967 Price 5000euro for quick sale (10 days)
    9 points
  2. Here's the full text of his apology, posted in 'Status', a newbie can't be expected to navigate himself around our site as well as us old uns..! 'Hello everyone, just wanted to offer apologies for my perceived rudeness. I have been targeted by courier scammers on other platforms so may have become over sensitive. Sorry. I should have been clear I will only sell in a direct meeting and that’s not easy in these crazy times. Having said all that, the bass is still there and I’m sure I can work out how to deliver to the lucky buyer Best Mike'
    7 points
  3. https://www.getintothis.co.uk/2020/05/dawsons-music-saved-by-manchester-entrepreneur-from-going-out-of-business/ Great Local firm - an established MI retailer has salvaged the company and staff. Made up for all of my old colleagues.
    6 points
  4. Tidied the post. Please keep all personal comments to PM's. Back to selling the bass. Thanks Si
    6 points
  5. Feed every AC/DC song into an AI bot and see what the result is? Why not eh. Sounds mostly like For Those About To Rock, but the lyrics are just a jumble. The opening riff is cool tho! https://loudwire.com/artificial-intelligence-bot-writes-ac-dc-song-great-balls/
    5 points
  6. Thought my Custom Shop Chrome CTM 300 would be appreciated here
    5 points
  7. Welcome 🙂 What a beautiful pair of Jazz basses. Dont hang around here too long. You’ll end up buying loads of “essential” gear you didn’t previously know existed, discover that all your current gear is too heavy, and find yourself in heated debate about things that aren’t real like “Heft”... 😐 Here are a couple stock phrases that will stand you in good stead and save time if you copy and paste them into a handy file upfront 👍 “It’s all in the fingers” - used in reply to any suggestion that different basses / amps are capable of affecting tone in any way whatsoever. ”Jaco only needed 4 strings” - Useful in reply to any topic regarding a bass with 5 or more strings 👍 This is especially poignant as it’s widely known that all bass players want to sound and play exactly like Jaco. “It’s one of the good ones” - Used when selling a Fender bass from the 70s to assure a buyer this particular instrument was on the right side of Fenders notoriously iffy QC at the time... Although as every bass sold on BC seems to be “one of the good ones” I’m not sure where this accusation comes from 🤔 Anyway just a few pointers 🙂 ... oh and if you discover which bass is best for metal can you let the rest of us know so we can finally close the site down and get back to whatever it was we were all doing before. 🎸 🤘
    4 points
  8. For clarity I simply said most audiences don’t care for slap bass. Fans of particular genres or specific bands can obviously go all in especially when it’s such an intrinsic part of the bands style - early Chilli Peppers, Level 42, Marcus et al. There’s defo some confirmation bias going on here (well it is a bass forum, right!). I’d much rather listen to a player play in time, play the right notes and if they can season it with some style and technique fair play. Likes on YT can be attributed to fans of the artist rather than fans of a technique or simply appreciation of a musician playing well. **Cue some slap video with a million hits 😀
    4 points
  9. Wanted to share my recommendation for these basses. To my ears and experience, this would be considered incredible tone for a 1k plus bass. Just insane quality for such a low price. Tuners - nice and tight, the G peg has a zone where it gets a bit crunchy but still works well. Keeps its tuning very very well. I've installed an extra string retainer for the A string as it lacked a bit of punch, but i didnt worry about doing it on a bass this cheap. Fingerboard - no dead spots, no fretwork needed whatsoever, and the bass intonates like a dream, totally in tune chords up high with flats is no mean feat. Neck - obviously no finish makes it nice and smooth, quite thick front to back but nothing outrageous. Truss rod works great and the relief is surprisingly even on either side of the neck (so far!). Neck pocket is insanely tight - best fit on a bass ive ever seen. Pickup - really clean, traditional sound, i have absolutely no issue with the stock pickup and have no reason to change it. Electronics - smooth range on the volume and tone controls, no 'off-to-on' feeling you get with some basses. Good amount of high-end to play with as you can hear in the demo, for my tastes i could use a tiny bit more but this is an easy and cheap fix. Bridge works perfectly well, id prefer threaded saddles but the bridge was installed perfectly so I wouldnt want to change the string position if i could. Pretty ordinary weight, tuners are nice and light so very little neck dive. I expected this bass to be good value for money but i didnt expect to prefer it over my American Vintage Fender P. Maybe that will pass but right now I cant recommend these enough.
    3 points
  10. 3 points
  11. For anyone enjoying this topic, a quick update. I'm waiting for delivery of my trussrod. I will need to widen my slot, which I intend to do slowly with sandpaper. I'll wait for the rod. As I only want to remove the appropriate amount and not more, that seems wise. Once I bung it in and slap the fretboard back on, the next job will be to repair the finish - or I'll be cutting myself when I play. I know the Elders of the Build have a plan in mind for reattaching the board, I assume I need wood glue, which I have. But what (if anything) should I get for repairs to the finish?
    3 points
  12. 3 points
  13. Who is Roger Walters?
    3 points
  14. When he decided to not continue with the band, instead of leaving he sued everyone to make sure noone could have it if he didn't. He lost, they continued and had quite a bit of success. If it was down to him there wouldn't be a pink floyd website for him to put his stuff on. I don't know him or them, but he doesn't appear to be that easy to work with, and obviously they do know him and can decide. And if you want someone else to do somehting to help you, I find going to them rather than just posting a video to all your fans to try and get round them is almost certainly the least likely way to get what you want.
    3 points
  15. This has got to be #1 on the Ludicrous Bargains list this week. Superb classic bass for an absolute steal. GLWTS! At that price, you could get a luthier to add lines and you'd still have a bargain bass.
    3 points
  16. We did a song in June last year - the bass pushes the tune - while it’s not an overly technical part, it’s one of those parts which if you lose the thread; you’re goosed...the rest of the band sat and watched me in the control room. Obviously in the spirit of “banter” etc, they filmed me and were gooning off to wind me up...nailed it in two takes. And not for mistakes - just so he had two takes. The guitarist (who’s now left) took 30 or so takes on a guitar part for the same song. I listen back now and feel my part is a bit robotic and “going through the motions”. in response to the OP - I was a huge Novoselic fan, I liked his gritty, rubbery bass sound. Lounge Act from Nevermind is still one of my favourite basslines. The isolated bass track makes very little or no sense without the other parts - the drum track and bassline sync together wonderfully - the Dave Grohl/Nevermind version much more than the “Bleach” sessions version.
    3 points
  17. I concur. There’s currently a young lady doing pretty unspectacular covers in her kitchen doing the rounds on Facebook. Her engagement figures are huge and there’s the typical male leches making the expected comments. If I played exactly the same, or indeed pretty much any of us, our “likes” or “views” or whatever measure you want to use are unlikely to get out of single figures. This isnt putting the girl down, it’s more a sad reflection on males.
    3 points
  18. I've always owned an acoustic guitar that I've used for writing purposes although I never put much effort into being a guitarist. A few years ago a only band I ever played electric guitar in (C1990) was revived and I needed a suitable instrument, I cashed in some Argos vouchers and got a Squier tele. I changed the scratchplate to black when Rick Parfitt died (we shared the same birthday) I found I actually enjoyed playing it and after the other "serious" guitarist quit last year I ended up as sole guitarist in the band and haven't felt the need to upgrade. If you think I look weird you should see the rest of the band.
    3 points
  19. I think they were only there for the pick playing 😁 Very well played though. All 3 styles executed perfectly.
    3 points
  20. It's a bit like discovering the opposite sex when you were a teenager. It's different and really quite pleasurable. After a few fumbling attempts at the unfamiliar bottom end you soon feel at home🙂
    3 points
  21. As would it be useful to have " Brought a spare and used both because I could" - which is really my answer. That said never had either of the two fail at a gig... When I was playing in a function/wedding band this was my standard setup... We'd to three 45 min sets and I'd either do alternate sets or maybe do one (or two at most) change in course of a set (which took less than 5 seconds because of the Lehle switcher pedal) depending on the songs in the set. Could play the whole set with either bass fine, of course, but hey! Like they say, you never buy an insurance policy hoping that you'll use it but, if you ever DO have to use it you'll be glad you had it...
    3 points
  22. Weird not to have an option for “Sometimes take one”. I often don’t for small gigs, or for church, but will if it’s a major gig or recording. And I have needed my backup recently - was doing a TV recording with my 64P, and had grounding hum issues due to the way they are wired - thankfully had my 60P with me.
    3 points
  23. And my final instalment - this cheep Sonicake Volume / Wah!
    3 points
  24. I've had 30 mins with it so far. First impressions - it's remarkable, and not just for the money. The Low B is full and fat and not twangy. It's genuinely up there with my Stingray - and it has the same D'addario strings. I haven't set the action up to my usual as yet but out of the box it plays very well. Will only need a tweak or 2. The neck profile is lovely. 18mm bridge spacing (I find the Ray at 17.5mm a touch tight. Amazing what another 0.5mm can do!) and a nice C shape on the profile. The Flat tone is very balanced and nicely away from the over-bright trend that seems to afflict many modern basses. The EQ is ok. Bit noisy with the treble boosted to max, but 1) it's a cheap bass, and 2) that's not my sort of sound anyway. I would say that the bass is good enough for an EQ upgrade in future if I feel like it. However I tend to set my sound up on the Amp and then only tweak on the bass for the room if needed - and most of the time that will be to cut rather than boost. P pickup alone is very much like a P except I think the pickup is a little bit closer to the neck (difficult to assess on a different scale) so it's quite deep. Similarly the J seems further from the bridge so it's doesn't quite bark as much as a J on my other basses but it's a good sound, if not quite full Jaco. So far I've tried it with my Helix using a "straight into the desk" sort of DI sound with compression, then into Yamaha HS7 studio monitors. I'll try my real amps and other amp patches later. And for those of us afflicted with age and injury... it is 6.9lb - that's nearly 2lb lighter than my PJ-Ray 5. I have a youtube playlist of the tunes my Jazz band plays so I'll be cranking it after work for a proper run as close to being in the mix as I can. I am now seriously considering getting the other colour as well!!! @therealting
    2 points
  25. Hi all, not sure if this is allowed, but I just wanted to send a shout out to Hercules Stands. In October 2017 I bought one of their wall guitar hanger on Amazon, the ones with the wooden block. A few weeks ago I realised that a metal part snapped, so that the whole hanger was all wobbly and unstable. I emailed their customer service, they asked for a photo and my details, and in just 3 days I got a brand new hanger. Great great customer service, I know which brand I will choose when I need a stand or hanger in the future
    2 points
  26. I acquired this bass recently after looking for an excellent example for years (I managed to secure it in a trade with one of BC's most upstanding members). My search had focused on an XL2 from 1984, the transitional year in which the basses combined (in my opinion) the best bits from the L2 and some of the improvements that would take the instrument on its future pathway. Again in my opinion (and that of the Industrial Designers Society of America) this is an outstanding piece of industrial design - a re-think of the bass guitar from the bottom-up and some advancements that have taken root in contemporary instrument design and manufacture. For me, Ned is a gifted visionary. Enough of the hype, I'm not really a fan of this in ads. So, the basics (and I hope that the images will do most of the talking): 1984 XL2 Active EMG pickups (but not an active circuit) vol, vol, tone (the pots swivel turn very freely but are positive and effective) 1.5" nut - this takes DBE strings 34" scale Original plug-in rest (hurrah!) Original pivot plate Original bag (in good condition but has a slight chemical smell - the bag has been cleaned carefully and is spotless) The condition of this bass is outstanding - I haven't seen a cleaner one in many years. The bass has been played but clearly treated with care throughout its life. There is some very minor player-wear and the odd very small mark, however, for a bass of its age, this is in superb condition. The only flaws of which I'm aware are: The push in battery cover has a repaired crack (this cover appears to be entirely stable) The top strap pin on the pivot is cracked and a small segment is missing (a new delrin pin would be easily fashioned, so I'm told - I don't have the tools or expertise). I use the pin with a Fender grolsch type rubber washer) At some point in its life, somebody fitted two strap pins at the bottom of the bass and one behind the heel. These are very stable and whoever did it made a good job of the work. An unfortunate one though. A friend of mine in a high-end body shop offered to remove the pins and fill with epoxy, flatten and re-gel (about £30). To be honest, I didn't go down this route as I find the bass to be more comfortable on the 'new' pins than on the pivot plate.d The action and playability are legendary on these as is the tone (biblical). The action is currently extremely low (really very low) band the bass is fitted with a new set of Status 30-90 rounds. The tone is incredibly powerful - piano-like clarity as with an Alembic, though a brighter piano than the latter (for me Alembics have a darker piano tone). The stability of the XL2 is also legendary - this is an extremely strong bass and not as lightweight as one might imagine (I'd say around 8.5lbs). In light of the above, why the sale? Well, I'm struggling with back pain that is exacerbated by working from home. My home office needs a major make-over and this involves a new chair. Really good ergonomic chairs aren't cheap, indeed, neither are stand/sit desks and I need both. Also, though I'd love to keep this bass, it also exacerbates back pain. I moved almost exclusively to short-scale some years ago and the ergnomics of the Steinberger - although brilliantly conceived and executed - tend to push the neck out to the left and this involves a bit of a stretch for me. This is a problem over any kind of extended period. So with serious regret, this bass needs a new home. It was everything I'd dreamed it would be but I can't afford to be sentimental - I really need office furniture more than I need (IMO) the most brilliantly well-designed bass in the world. I've priced this at £1975 as I think this is probably very reasonable for a bass of this type in this condition - it's pretty special and it's an awful lot cheaper than others (most probably not as desirable) that are around at the moment. I'm not looking for any trades at all thanks, and I'm firm on the price. It's probably a significant bargain and I'm losing on this. There was a card in the pocket of the bag that indicates that the bass was sold for 2500 Euros in Italy in 2009. I'll include UK shipping in the price, though this is without insurance. I have a large box and tons of high-quality bubble wrap. I can ship in the UK and most of Europe (though there'll be a shipping charge - at cost - for the latter). Collection - socially and responsibly distanced - is possible in Manchester. If you need any specific images, or have any questions, please just ask.
    2 points
  27. Thinking to put black stain on her, then sand it of. Then green, maybe blue or red stain...can’t decide which🤦🏻‍♂️😂 mayby combination green blue? Well... I’ll keep you updated.
    2 points
  28. Forgive the background. I'm pretty happy with the way this is turning out. There are a few things still to do. The stupid EMG jack didn't fit into the jack plate I planned on using (it's a threaded one, so it's not just a case of widening the hole, so I either need to get a different jack or a different plate. One possibility is to make one from the same material as the scratchplate and control plate, which could be a nice touch. I'm still waiting for the neck ferrules and screws to arrive because I somehow managed to forget about them when I was first sourcing the hardware for this, but as it has the extra screws under the scratchplate, I was at least able to attach the neck just for the sake of seeing how it looks... ...and also checking the balance, which is perfect 😀, due, I assume, to a combination of factors all absent on my last build: long upper horn, small headstock, body shape that allows the bridge end strap button to be positioned quite high. I managed to file the saddles to accommodate the heavy strings, which is good. I lost a bit of the black coating along the way, but that was to be expected. I could paint them but I'm not really bothered. This bass will be gigged (if that's still a thing in the future!) so I'm sure it'll be all kinds of relic'd before too long. I also have a much bigger volume knob on order, so I'm going to try them both and see which I prefer aesthetically. I've roughed out the nut but need to level the frets before finishing it. Then I'll add the string retainer and we're good to go.
    2 points
  29. Yes. It is being developed by a IT savvy relative for free but he is busy with other projects that pay so obviously I am put on the back burner whilst the other projects are completed. We are progressing, though, so hopefully we will see Bilbo's Bass Bites up and running before long.
    2 points
  30. Just purchased a beautiful 5 String Smith from a member on this site. Just need to learn how to play it. Now trying to sell some of my stuff to pay for it and create space and peace at home.
    2 points
  31. I think it's a bit of a stretch of the imagination to believe that most audiences even recognise slap bass when they hear it. We flatter ourselves with the importance we attach to this topic, the majority of listeners would think we are counting angels on pins.
    2 points
  32. The man needs a haircut. Surely he can afford one.
    2 points
  33. I see 2.92 has been released. Painless install for me. supposed to fix lots of small glitches in 2.91 / 2.90
    2 points
  34. plus at some of the gigs (remember them?) I've done there is not the space to put the bass back in a case.
    2 points
  35. SOLD For the first time in a long time, I haven’t got an imminent gig, or studio session, so, am taking the opportunity to list a load of kit with a view to change my setup. Am offering loads of bits on here, before I put things on eBay. Sales preferred, may listen to trade offers. Pictures to follow/on request. Shipping not a problem. AirTurn BT200-S4 Pedal - £70 RRP £100 https://www.airturn.com/products/airturn-bt200s-4-controller Amazing bit of kit - i’ve used it for triggering page turns on my tablet when reading charts, but, there are 4 buttons you can customise in all sorts of ways - check out the link. Always used on my board, in unmarked condition.
    2 points
  36. Main advantage being that you can beat the crap out of someone with it, confident in the knowledge you won't need to re-tune it afterwards.
    2 points
  37. HEIC (High Efficiency Image Compression) is the default image format in iOS these days. It's a good format (less destructive compression than JPEG) but not widely used outside Apple and some pro image processing (yet). You can change the default format in the iOS settings and put it back to JPEG to make things more easily shareable. Oh and an Aria CS380 was my first proper bass. Bought it, coincidentally in Chichester, the day John Lennon died. P
    2 points
  38. I stumbled upon a documentary on Prime last night :- Searching for Sugar Man and was astounded by the fact that I had never heard of Rodriguez,the songwriter featured in it before. I am 62 ,the Seventies were "my era" ,I love Nick Drake ( another artiste that didn't get the recognition he deserved then), and I would have lapped up this guys work. Oh I was happy enough listening to all the rock bands of the time but I like a good singer songwriter too. It's a fascinating story, give it a try, there's not much else to do at the moment . 😉
    2 points
  39. The biggest gig I’ve played in recent years was to 2,000 plus bikers at a bike rally. We were the middle band of three, no soundcheck as headliners were late and then took forever (ska band). We hit the first chord and absolutely no sound from the bass (it turned out later that a wire had come loose when I had changed a battery, five minute repair with a soldering iron). I pulled out my spare bass from the double gigbag at the side of the stage and no one was any the wiser (even the drummer didn’t realise until he saw the video footage after the show). When I first joined a regularly gigging band, I was offered the gig on the basis that I would get a spare bass, even if it was just a beater just to get me through a show if anything happened. In over 40 years of gigging, I’ve only needed the spare maybe half a dozen times, but that has included a few of the most important gigs that I have done. So, I always take a spare wherever possible and always for the bigger gigs. I’ve probably had more issues with amps than basses over the years and yes, I do take a spare (a TE Elf these days, which fits in a gigbag and will get you out of trouble at a push) …
    2 points
  40. That’s exactly the point - you cannot look at the view numbers on the videoS and say, yep people like slap because it got X amount. Brandy won’t hit the same heights, it’s not as popular - she has 280k subscribers so getting 80k in a day is probably par for the course. She is a nice player for sure, the more popular the song, the more views no matter what technique is used. No offence to her but I would say Bobby Vega Is an infinitely better player and those 3 videos I posted involving him combined don’t reach one of her pop covers. Pick, finger, slap n pop, tapping, finger slapping like Doug Wimbish-horses for course - done well at the right time sound great
    2 points
  41. I'm quite partial to a Strat.
    2 points
  42. Got closer to the Pony sound using a combination of elements from Annette's version and of my previous version:
    2 points
  43. Another good shout docT! Here she is on Dua Lipa's latest track - loved her use of slap from 3.02 into this. Literally just 30 seconds of slap to finish off and it provides real energy and contrast to her bass line. Bravo. She posted this just 4 weeks ago and has since had nearly 800K hits and 57K likes. Who say's the public doesn't like a bit of slap bass?
    2 points
  44. Practically speaking you don't want anything heavy, it may hit harder but you'll wear yourself out quickly and be slower to recover from each swing, leaving yourself open to counter attacks. You also don't want anything too large or unwieldy either, in case you've not got much room to manoeuvre. Medieval maces and warhammers were a lot lighter than people expect for these exact reasons. In my opinion, the ideal combat bass would be something along the lines of a headless Steinberger-type.
    2 points
  45. And I’d agree with you. Once Upon A Time In The West is such a great opener, such controlled, understated playing. That album also contains my favourite DS track ever, Single Handed Sailor.
    2 points
  46. It would almost certainly be laminated. Stubzy said "Ash". I can't dispute that but then I have not got a good knowledge of timber. Metal is more my line. Yes folks. I'm good for metal.
    2 points
  47. 'Everything I do is etched in mud'
    2 points
×
×
  • Create New...