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Showing content with the highest reputation on 30/03/23 in all areas

  1. After 11 months almost to the day my special order bass is here in plenty of time for my birthday. After trying a much cheaper shortscale and really enjoying it, particularly when playing with a plectrum I decided to get something from my favourite bass brand. The Lionels are often quite lightweight anyway but they do sometimes get up to a massive 8.5lb... So I asked if a Superlight version was possible and it was, for only a modest extra fee of about £140 over the usual price. I also went for a rosewood board with abalone dots. I am informed that this is the first Superlight Lionel that has been built. It arrived this morning and I've had a 20 minute play. From previous experience I often find Sandbergs to be quite bright sounding basses and I was halfway expecting to swap the pickup or the pots or both. As it happens this bass is not excessively bright, in fact the top end is pleasingly mellow. I think I'll be keeping the electronics as is, at least for now. As expected the stock strings are not to my taste at all. I've got a couple of used sets of strings to try to see what suits it best - Ti Flats and EB Group flats (not cobalt ones) and I'll give each set a proper go before deciding on what new set to get. Now the big question. The weight... It's just under 2.6kg / 5.7lb !!!😲 It balances perfectly too. Massive thanks to Mark at Classic and Cool Guitars for the excellent service throughout the process - he's been top notch keeping me fully informed and replying to questions really quickly.
    14 points
  2. Early 1966 Fender Jazz Bass Kind of a reluctant sale. But as my band quit, and with no foreseeable future band activities, I've decided to see if there is a reasonable interest in my Fender Jazz. First things first: the body (beautiful burst) originates from another bass from the same era that dates back to week 12 of 1966 (dating through potcodes), the rest of the bass dates to week 5 (week visible on the tone pot) of 1966. They are so close in dating that they practically could have been together when they left the factory. You wouldn't know if I didn't tell :). The neck is stamped december 1965. Pickups are original grey bottoms (undated). The body was swapped because of it's very low weight. As you can see there is a lot of playwear all around. The body has dents, checking and scratches everywhere, as well as parts of the lacquer worn away. All just honest playwear and no fake relic. The neck has a great satin feel as the finish has worn away. It's also noticably thinner than a few other '65/'66 necks I've laid my hands on. Very comfy. I've had the neck refretted last year with correct vintage size frets. All hardware and electronica function like they should. The capacitor on the tonepot gives a nice middy sound instead of wool. That's especially great with the bridge pickup solood imo. Original pickup covers are present. The bridge cover has quite some oxidation on the inside. The bass is strung with a La Bella 43-104 set of flats. I'll include a good quality Fame hardcase. Like I said I have double feelings about selling this bass, as it's really a dream bass and is definitely the nicest old Fender I've played. But I'll be just playing at home mainly, for the next few years at least... For that cause I'd like to buy a humbucker equipped bass (RHCP play along) without spending new money or accumulating more stuff.. Asking €7.750 Partial trades are negotiable. I am mainly interested in: Music Man Stingray with lacquered neck and maple fretboard (like early '90s), Music Man Sabre (Pre-EB preferred, neck must be good and allow low action), Modulus Flea, Fender Flea active, cheaper type of Alembic, decent 5 string with narrow spacing, maybe a mustang bass or even a nice electric guitar (strat or other Fender type model preferred)...... Otherwise; surprise me. I am located in the Netherlands. Local pickup is preferred, but I am happy to ship (to be arranged by me or the buyer) at buyers risk and expense. Payment through bank transfer or PayPal family and friends. Please note that I will not travel to bring this bass to your country, and I will not send this to a any buyer without receiving a payment first.
    13 points
  3. Just got home from rehearsal using said new JMJ. I set the amp as I usually do then made any adjustments as required, which ended up with a slight low mid boost whereas with my Precisions it’s usually a big cut there. Overall it felt a bit odd as I’m so used to hearing a Precision when I play but if I’m honest it suited the band better, and the guys said so as well. I also had no trouble adapting to the short scale in the band environment. So I’m now even more extremely pleased with this little bass.
    8 points
  4. This bass is in excellent condition. The spec is as follows. Alembic Europa 5 string bass Scale Length Long scale 34" Neck through design with maple and purpleheart construction Ebony fretboard Adjustable height brass nut Solid machined brass bridge with brass saddes mounted to a large brass sustain block Solid machined brass tailpiece. Top wood is Bocate Body is solid mahogany Headstock has a bocate laminate on front and back, with cast brass alembic logo on the front. Tuners are gold coloured. Pickups are alembic MXY low impedance pickups. The Europa controls are volume, pan, filter, Q switch, bass boost/cut switch, treble boost/cut switch. The quick tone switches are bass and treble and are not individual switches for the pickups. Each switch provides 6db boost, flat, and 6db cut. side mounted 1/4" mono jack (see image link) http://club.alembic.com/Images/16271/106010.jpg (Owners Manual) http://www.alembic.com/support/care.html The bass is a neck through design made from maple and purpleheart. Ebony There is an inlay of my initials in the 12th fret which was done by Jaydee custom guitars about 12 years or so ago plus and my name engraved on the truss rod cavity which i may be able to remove if if is a deal breaker or the buyer can just reverse it. The switches are mounted on chrome plated washers as a few years i installed some East ACG filter based electronics which required enlarging the existing switch holes to fit the filter controls. The original electronics have been back in the bass for ages now but I had to get larger washers mount the original switches. If I can find some black washers I will install those instead. The back control cavity cover is gold plated and was like that when i bought the bass. What else can I say. Well it is a great sounding bass and i am only selling it because it is not getting enough playing time so i'd rather it went to someone who will give it more attention. Send me a PM if interested. I have an original case for it also. Some information from the Alembic web site. EUROPA With its elegant and understated form, the Europa bass is the type of instrument you return to again and again, and each time you're reminded of why you love this bass so much. From the moment you wear it on strap, comfort and balance greet you. Plugging into the side mounted jack gives a satifying "kerchunk" in response. Once your amp warms up, the tone that piqued your interest in the first place comes flowing back. This bass is home. Quick tone change switches give instant access to useful on-the-fly sounds. When you're ready to take that solo, you can simply flick the bass and treble switches to the boost position, knowing full well that when you're finished, that original sound is just a click away. The Europa comes standard with Alembic's classic Maple and Purpleheart neck lamination pattern. This engineered beam supports even response across the Ebony fingerboard, and assures that snappy Alembic brilliance will be delivered at every note. Like most Alembic basses, Europas are quite happy in a variety of musical settings. Turn the low-pass filters down to 300Hz for deep tones suitable for blues. Turned up to 6KHz, there's plenty of zing for slap or driving rock technique with a pick. Versatility puts the tone control in your heart and your hands. Since each Europa bass is handcrafted right in our one-and-only shop in Santa Rosa, California, you are able to custom order any aspect of the bass. Custom fingerboard dimensions, wood choices, decorative details, or even things not yet invented are possible. More information Here are some soundcloud clips from a rehearsal with this bass. This is an amazing sounding bass and I have used it on numerous gigs though in recent years I have used it less and less as I have been using my two filter bass more. I would love this bass to go to someone who can get more use out of it than I can. I would prefer not to post it if at all possible and if you want to try before you buy, i can arrange that in my mate's studio so you can hear it at full bore.
    7 points
  5. Hi all Just a note of a positive experience with Hipshot that I had lately I bought a Supertone bridge for my Gibson SG Bass that simply would not intonate correctly - I could get it close, but not exact. This was due to the intonation bridge screws not being short enough. I needed to lengthen the string a bit further than they allowed, which wasn't possible as the saddles are closed and therefore can only be moved back to the limit of the screw (probably not explaining this correctly!) I contacted Hipshot and they sent me four shorter intonation screws for free which solved the problem. Probably not going to break the bank for them but it's nice to see they care and were very helpful. Hope this helps someone in future Danny
    7 points
  6. Breaking news Corona, CA: Fender Musical Instrument Corporation announce a radical departure; a Precision Bass with an existing part of it's extremity removed Yes, it's the Fender Circumcision Bass
    5 points
  7. Wow, how nice is this! And unusually also available as a lefty https://harleybenton.com/product/enhanced-25th-firemist/ 443 notes
    4 points
  8. You've probably seen this kicking about the classifieds for a wee while for not alot of money. Over the weekend I decided just to take a punt on it. Got it delivered today. First impression is that its HEAVY. I don't think I've ever owned a combo this heavy. But.. it sounds tremendous. Had it in a rehearsal this evening with 2 guitarists playing rock covers and it more than easily handled it. Clear, defined, punchy but has incredible bottom end available with just a tweak of the EQ. The size and weight will probably mean this will only get whipped out when it's really necessary.. but for just over 100 quid, I highly doubt you could get a better giggable amp. Very happy with It.. so much so I'm tempted to hunt down a matching extension cab to get that wall of TE.. for this special occasions.
    4 points
  9. So under all that bubble wrap, there is Reverend Justice bass. There’s no case, no cardboard, just a bass, wrapped in insane amounts of bubble wrap. I don’t think, having had countless basses mailed to me over the years, that I’ve ever seen that before? To be fair, it was all good underneath, once I actually found the bass.
    4 points
  10. Starting to suspect the BFR and FCS instruments exist purely to make the prices of the standard offerings of EBMM and Fender seem reasonable 😡
    4 points
  11. My board for Pick Playing Corona Chorus set with “ Duff” tone print Keeley set for a nice “ pick compression” and MXR preamp set to reduce the mids that pick playing a PBass has too much Im liking the set up and the chorus will be mostly off where as the MXR and Keeley always on Finally the result is very quiet pedals and no tone suck
    4 points
  12. I have an unnatural dislike of them, having not missed them in their heyday. They were poop then and they're still poop 20 years on.
    4 points
  13. The number I like least is '28'. Here's why... An aging comedian retires to a retirement home for retired comedians. On his first day there, he goes down to lunch, and there’s a bunch of retired fellow comics sitting around the table. The conversation they’re having puzzles the newcomer somewhat. One of comics at the table announces “12..!” and everybody laughs. Then another one says, “44..!” and there's slapping of thighs and guffaws all around. During a lull in the conversation, the new guy introduces himself, and asks, “What’s going on..? What’s so funny about calling out numbers..?” One of the comics says, “Oh, you’re the new kid on the block, eh..? Let me explain. We’ve all been retired for many years. We’ve been telling and re-telling the same old jokes for so long, we’ve assigned them all numbers. To save time, instead of telling the joke again, we just say the number..!” “Wow,” says the new guy. “I’ve never seen that before. That’s pretty smart. Mind if I join you..?” “Certainly,” the other comic says, and beckons him to sit down. The newly-arrived comic is eager to fit in. So five minutes later, he calls out, “28..!” Nobody laughs – you could’ve heard a pin drop. His voice quavering, he asks, “What’s wrong..? Isn’t number 28 a good joke..?” “Yes, it certainly is,” replies another comic. “But it’s the way you tell it."
    4 points
  14. I watched this interview last night. I like Rick a lot and Robert DeLeo was a huge influence when I was younger. He comes across as such a nice guy and a very capable guitarist and songwriter as well. I loved hearing some of those Stone Temple Pilots songs again.
    3 points
  15. I refer to it as the Dark Lord. Guitar & Bass Build stingray body in gloss black Status Graphite neck with vintage wire frets (the last one they had left!) Aguilar Pickup East MM preamp with the fancy midrange Albridge Bridge Schaller Tuners Dunlop Straplocks The skill and patience of the amazing Huw Price Tonally it blows away my Sr5! I love it!
    3 points
  16. Fingerstyle, sad face EQ. Mids r good for live playing in my experience. It's what I do, not saying anyone else is wrong for doing the opposite.
    3 points
  17. Why not get someone like Jon Shuker to build you a new neck? Then you will still have the fretless neck if you decide to sell...
    3 points
  18. Yes I did, at the end of the rehearsal I didn’t have anywhere near as much fatigue on my back as I usually do, really pleased about this.
    3 points
  19. The photos of my 3 Player basses have expired, so here they are again.
    3 points
  20. Our singer suggested Sweet Dreams Are Made Of This and Tainted Love. I flinched, but he said, just give it a go. We did, and the audience reaction kept them in the set for several years. That's the the gig. Getting a reaction like that never gets old.
    3 points
  21. The Ibanez TMB35 could suit your needs, it's an affordable shortscale 5-string with classic styling, simple passive electronics (2x volume, 1x tone) and quality build for the price.
    3 points
  22. This is a dangerous thread! I've just come across it and you see a £12k 64 P bass and think that's way too much. However, there is a very nice non-original 63 fiesta red P bass for £8k and you think that it's still too much, but not that ridiculous. Then you look at the other basses that seller has for sale and there is a nice early 70s s/b P bass for £5k and you start thinking, well possibly! Perhaps there is something similar out here, maybe a cheaper early 70s s/b P bass with a rosewood board, non-original but modded with a Badass bridge (like I would have put on myself) for £3 or £4k, then suddenly it's not so unaffordable! I've never really thought of buying a proper vintage bass before, although I've owned a fair few Fenders and gig a late 70s P bass now. But the temptation is there...
    2 points
  23. You can buy a pre-EB ray for less: I don’t get it.
    2 points
  24. No Fender/EBMM/Ric mass-produced bass is worth more than £1500 new
    2 points
  25. I’ve visited many times and spent the day there with them once, they are the most helpful bunch of guys I’ve ever met, I’m confident they will definitely sort out any problems you have Grezza
    2 points
  26. Our's isn't either. They must be the only two quiet lead guitarists in the known universe
    2 points
  27. Well, here's the update. Dave watched that last video I made, and he experimented with another rm head. He's found the same issue in that one. He said he's going to revamp the rm range, and he's going to handle my return as well. Gotta say, I am very happy to hear that. I also told him to use a more linear output pot when he updates the line up.
    2 points
  28. Thanks for all the suggestions and offers. I've just taken ownership of a 32" Squier Classic Vibe Jaguar, from the BC marketplace. It was local enough and affordable enough to be a great option to try out medium scale. Looking forward to plugging it and trying it out.
    2 points
  29. He may die as every say's he is not loud enough! And do you know what? He isn't!!!
    2 points
  30. I've heard it said many a time that hiss is better than hum when it comes to bass amps. Some amps though are noiser than others, even from new. I recently had a chance to play through an old Ampeg B2-RE 450 watt amp with 1x15 and 4x10 Hartke cabs, both with horns and both horns were on at the time. The Ampeg was so quiet at idle I thought at first it wasn't plugged in to the cabs. There was virtually no hiss at all even at decent volume levels and controls set flat. I also have a couple of GK amps and even with the volume up high, they barely hiss at all through tweeter cabs. Pre-amps with a tube in them can pick up a bit of noise, especially if the tube isn't at its best. If you have the option try several amp heads with your cab to compare. It might just be a particular combination of amp/cab and not anything really wrong with either.
    2 points
  31. 2 points
  32. I use both. I have a low/high cut per patch, with the low cut set to around 50hz which is the roll-off frequency of my FRFR speaker and our PA speakers (we don't have a sub ... yet) and the high cut around 4khz that bring it into typical bass cab territory. The Global EQ is set to only affect my on stage FRFR and not the PA, so I can compensate for immediate environmental issues - such as 'one loud note' syndrome* which plagues certain venues but isn't noticed out front, and to prevent low end build up. I've been known to run the global eq low cut as high as 80-100hz in some places to tame the low end rumble. Honestly, I think the global eq and routing is worth the admission price alone. It's one of the main things that made me buy a Helix, so much easier to control nuisance frequencies on cramped stages than a traditional bass amp *Whilst I'm able to identify the frequency of several notes, I highly recommend keeping a Hertz chart on your phone to identify offending frequencies. An RTA can be helpful too if you struggle deciding whether it's fundamental from the harmonic. This is one area that I think could be improved for us bassists. I'd love to see something like Bergantino's 'variable feedback filter' implemented into the global eq. This is more intuitive 'note-based' system that sweeps through notes names from E1 - G3 rather than having to recognise frequencies.
    2 points
  33. I always use HPF and LPF with Helix both at home and live… set at 30hz and 7.5khz respectively. I may even move the HPF up to 40 now that I am only playing 4 string again… I find LPF essential for keeping the mix clean especially when using synth bass and distortions where some of the higher frequencies can sound harsh and are very much in guitar/keys territory. I think the kick drum sounds much clearer and the room sounds a lot less boomy with the HPF engaged. My understanding is that if you are using the HPF/LPF eq block the slopes are 12db/octave.
    2 points
  34. Honestly, I think that this is the logical development since Zound were already producing the Marshall branded headphones, bluetooth speakers and other 'lifestyle' products. Marshall is as much a lifestyle brand as it is musical instrument amplification company these days. In fact the lifestyle products are probably more profitable than selling reissues of old valve amps like the JCM 800/900 etc. I really don't have much complaints since the Marshall family remains the biggest shareholder.
    2 points
  35. I was thinking much the same about Oasis myself. I listened to them loads as a kid, though I never do now. I cut my teeth learning to play their stuff on guitar and bass when I was a teenager. Rock 'n' Roll Star is a mainstay of our set, and always goes down well with punters. Our gigs are generally busy pubs, frequented by those looking to have a good night out rather than those with refined music taste!
    2 points
  36. Mid 90's. Be sure that you set your speaker to 8 ohm mode (assuming it's switchable between 4 and 8 ohms) I too would recommend a second speaker identical to your first.
    2 points
  37. Interesting to see the amount of dislike of Oasis on this thread. I'm quite happy to play any Oasis song, with one exception: Wonderwall. God, how I detest that racket. It should have been called Caterwaul. It's the one Oasis song I would instantly veto when picking songs. There are plenty of better songs - Cigarettes and Alcohol, Little By Little, Don't Look Back In Anger, Songbird, Roll With It, Champagne Supernova, even Stop Crying Your Heart Out, but Caterwaul? Faggeddit. The only other song I hate as much is Sherry. If it ever got to the stage of 'play it Laura or you're out of the band' I'd switch off my IEMs so I wouldn't have to endure the horrible noise. Those musical atrocities aside, I can usually get something out of the simplest bass lines - German Film Star and Bad Moon Rising for example - as it's the overall performance that counts. Thankfully, I'm in an 80s post-punk covers band, so I get to play some decent stuff.
    2 points
  38. All different, but I think that’s more down to the variation between individual examples than any particular year-based changed features. 62 has the least substantial neck, but the most modern slightly dry sound 9 pounds ish. 64 very bright with loads of harmonics, good for Jaco type tone, slightly deeper neck, very low action attainable and very worn, so extremely comfortable and easy to play, 9 and a bit pounds. 65 has slightly fatter mid/low end sound, but still cuts through quite heavy just under 10lb, neck similar to the 64. 66 is very light, neck more substantial than the others but still very easy to play. I haven’t played it at any reasonable volume yet, but initial impressions again quite a zingy, bright but full sound. 64 is the one that gets picked up the most, but they all get very regular use and none lives in a case.
    2 points
  39. The Status Symbol; essentially the same as the standard model but with a few bits picked out in shiny chrome; essentially a bass version of the Vauxhall Calibra.
    2 points
  40. So if Ed Friedland calls you to dep for him on the next Mavericks tour, I assume you'll be washing your hair? 🤣
    2 points
  41. I think it all depends on what tone someone likes. That's about it.
    2 points
  42. We’ve been playing together a long time Dave, and between us can usually get through a wide range of songs. My mate Gary is an amazing guitar player / singer and knows so many ‘old’ songs- never ceases to amaze me. We can usually remember song structure / chords etc, it’s the lyrics that trip us up. Because of this we use a massive pad of material accessed via the ForScore app on iPad. Must have over 2000 songs which really helps in such situations. I think audiences understand that to play such a diverse set we need a bit of help so not a problem, and they really appreciate it when we can do their choice. We have a booking to play at a village hall do in the Yorkshire Wolds for the Coronation in May, and guess there’ll be a massive list of requests to challenge us - can’t wait!
    2 points
  43. Now SOLD. Sadly selling my beautiful Spector Euro4 LX-EX as I'm just not getting much use out of it. I've had it for about 7 years, but I believe it was manufactured in 2007 (according to the serial number NB6546). It's in excellent condition, has only been lightly used at home, and for a few rehearsals, in all that time. It has an Aguilar OBP-2 pre-amp (fitted by the previous owner, I believe), and all other original parts as far as I know. EMG pickups (the usual Spector P + J combo), through-neck construction, exotic wood finish (hence the "EX" in the name, I believe), Schaller tuners, and is currently strung with TI flats. Weight is 8.8lb / 4.05kg according to my luggage scales. Comes with a hard case, included in the price. In full working order, nice low action and very playable, no marks or blemishes to my knowledge, and has been professionally set up a few years ago, not long after I got it. Any questions, or more pics, please just ask. Collection from Highworth (just north of Swindon, Wiltshire), or I can send by fully insured courier, in the case and well packaged, for an extra £25.
    2 points
  44. I feel like they saw the Origin and went 'Great, we can whack the price up"
    2 points
  45. If you’re after a collector’s item, turn back now. This is also a feeler since it’s hard to judge interest in this sort of thing, and I’m not convinced I want to sell. This is essentially a bitsa using vintage parts (body, neck, three tuner bushings and the string tree are all from 1971). It sounds great and plays well – I've now weighed it on some kitchen scales and it's just under 9lb. I got the body in 2019 and started building it from there. The body The body has seen a fair few mods typical of the late 70s/80s. It’s been routed for a J pickup in the 60s position, and had the tugbar moved to the late-70s position at some point. It’s also been drilled for a Schaller roller bridge. Early 70s Ps had their bridges mounted too far back at the factory, and whoever fitted the Schaller wisely compensated for this – a nice side effect is the Schaller holes are covered by a BBOT bridge when fitted. The jack was relocated to the side, but this wasn’t done very well and has left a crack in the wood heading up to one of the pickguard screws – it’s not moved in the years I’ve had this body and appears to be cosmetic, but still needs mentioning. The finish is original as far as I’m aware, and some research into the green ‘special’ stamp in the neck pocket suggests it’s to do with custom colours (of which black was one in the early 70s). There’s some decent wear as you’d expect, with bumps, chips, scratches and even some checking - I think it looks lovely. The neck The neck stamp isn’t very readable, but parts of a ‘1’ indicating 1971 are just about visible. It’s a big, chunky profile with a B width nut – I find it comfortable, but I’ve got big hands. The truss rod turns fine and is doing what it’s supposed to do. There are a couple of chips to the back of the neck, none of which have ever bothered me. Lots of lovely lacquer checking to the headstock, and the logo’s perfectly intact. Plenty of life in the frets. The string tree and three of the bushings are original, the last one being from the Gotoh FB30 tuners I’ve installed. I’ll include the other three Gotohs should you want them. The neck has two issues: a high 12th fret I haven’t yet sorted, and a very, very slight clockwise twist when viewed from the headstock. None of the people who have played this bass have noticed either of these problems, but they’re there so you should know about them. The neck’s not moved in the time I’ve had it, and even with these two issues it’s still capable of an action I’d expect most players would be happy with – about 2mm at the 12th fret. I’ve thought about straightening it, but frankly it’s happy where it is and plays as well as my other basses! Other parts When building this I’ve aimed to get parts as close to the originals as possible, so it looks like a ’71 P Bass that went through some typical 70s/80s mods. Here’s a list: Tuners: Gotoh FB30 aged nickel Neck pickup: Seymour Duncan SPB1 Bridge pickup: Dimarzio Ultra Jazz (99% sure that’s what it is, definitely a Dimarzio at any rate – it came with the body) Bridge: Generic BBOT Pickguard: Fender (from a 20 year old MIM so it’s nicely yellowed – this came with tugbar and pickup cover holes drilled slightly wrong, but I’ve corrected them) Neck plate: Fender Vintage Style Strap buttons: Fender Road Worn Tugbar: Fender Knobs: Generic chrome flat tops, poorly reliced by yours truly 😎 Pots: CTS 250K Strings: Fender 7250ML Screws: I’ve aged all the screws, using my ’77 P for reference. They match up decently. Why I’m thinking about selling I don’t really need it - I’ve currently got two other P Basses, and one of them has the same mods as this one. I also have a two year old and a four week old, and barely enough time to play let alone endlessly tinker with this bass (unfortunately there’s something about me that won’t leave a bitsa alone - they’re never finished!) On top of this some basses I’ve seen for sale have piqued my interest, so I guess it’s time for a change. Why I don’t want to sell It plays well, sounds great and looks sexy – basically a vintage bass I’m not worried about gigging with. Also, while I don’t really buy into the vintage Fender hoodoo, I think they look cool and I love the feel of an old bass. With prices shooting up as they are, I know I won’t be able to afford the parts I’ve got here once they’re gone. Pricing & trades This has been hard to price for obvious reasons - hopefully I've got it right? I’m sure I could get more if parted out, but given I’m not totally convinced on selling I’ve opted to keep things as they are for now. With the caveat that this is just a feeler, I am open to trades – things I’d be interested in are a MM Sabre, a Fender Elite (potentially the 2010s PJ in the right finish, but especially the 80s PP), maybe even a vintage Yamaha BB. I tend to like Fender-ish four strings. Postage within the UK is potentially an option, but I’d much prefer the buyer look it over first so they know exactly what they’re getting. I’m based in Southampton but can travel within reason. Bonus pic Gratuitous picture of how I’ve typically had the bass set up – black pickguard, thumbrest above the strings and an 80s Schaller 3D fitted. I call it ’75 mode.
    2 points
  46. It's not always that simple. I set mine for my basic tone for the room, but for a few different songs I want either more of a treble roll off, or a bass boost with a bit of mid scoop etc and I do that from the bass. With 20+ people on the stage I can't always get back to my amp.
    2 points
  47. No surprise to see me in this thread. However.....I may surprise you by saying I haven't bought one of these. Yet.
    2 points
  48. I would scoop my EQ into a nice smiley face, but it would be much easier just to not turn up to the gig.
    2 points
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