Leaderboard

And now both back wings are glued to the through-neck and are level with it so that the whole surface now incorporates the neck angle: Once all of the chambering and control cable routes have been sorted, the top will then glue onto the flat surface, and flush with the top of the neck: In between the two is another layer of 0.6mm veneer: So why bother bookmatching the veneer when no one will ever see it? Well, gosh - a chap's got to keep up certain standards, don't you know!

Well, I must say, my original thread has taken off on a tangent I never expected! I think I'll be content with my $130 Yamaha bass, $90 Ampeg amp, and playing songs I enjoy playing (and my family can recognize)! TripleB67

That Peak Power thing is a bit like Daewoo saying their Matiz will do 122mph, because that's the terminal velocity in air of an object falling off a 1500ft cliff...

I'm Arnel, a 53yo musician by heart but took up another course at university. Still managed to be involved in music in church as bassist, choir conductor & arranger. Started as a guitarist, segued to keys, but in 1999 switched to bass (finally found my niche). Bought a 2H Jackson-Charvel 2B '86 MIJ then, but after 18yrs is now for sale RFS to get a new/used 2 pup (pref 4S passive) PJ or J that i'll keep for life. I'm mainly a background player (i.e. Nathan E in 4play) and play regularly in church weekly with occasional wedding/birthday gigs with other on call musicians. Hoping for fruitful interactions here. God bless us all.

Most the bands I listened to growing up played …. synthesisers... what is this "Fender Precision" you speak of? 🤪

...electric blue, that's the colour of my room... S.P.

Right, finally got this sorted after much phoning around! So basically the only option, should you find yourself in this situation, is to use a third party insurance provider to provide transit cover. There are a few of these companies about but seemingly only one that will cover goods in transit from one private individual to another. The company is called theinsurancebroker.com Tò give you an idea of the cost, for £4000 of coverage shipping to Europe, it's £65. For the rest of the world, £93. Not cheap I know but actually not too bad when you consider the alternative... Hopefully this post will prove helpful - I just wonder how many people are shipping their basses from the UK not knowing they are not even covered by most couriers insurance???

Best 'alternative reality' post of the year....😂😂😂😂

Got the body and neck back this morning, quick mock up looks good to me, still waiting for copper shielding tape so can't finish it just yet.

ooh, good thread I'm another one who has always understood "it's all in the fingers" not to mean that you will always sound (for want of a better phrase) "tonally" identical no matter what you are playing, but rather that regardless of how good or expensive a bit of kit you are using, you won't become a better player because of it, your phrasing won't magically improve because you've got a much "better" bass. You will sound like you playing a more expensive bass. And as someone who uses an assortment of different techniques I'd be pretty annoyed if my slapping sounded like me picking or the couple of different finger styles I switch between depending on the sound I want for a particular piece. But I've seen the opposite belief more than a few times, that using a better instrument will make them a better player, mostly in guitarists - very average players chasing that one guitar or amp that will magically transform them into a brilliant player. One in particular used to watch YouTube videos of players that he rated, and rather than sitting down to work out how they were playing the music he liked, would instead go and buy the amp or guitar they were using in the belief that not using the same gear was the one thing holding them back. He used to turn up with a new amp almost every month - amazing that with every change of amp it never once occurred to him that perhaps it wasn't the tools that were at fault but a bad workman. And to be clear, he did always sound like him - the tone may have varied, but his phrasing was always the same, and the mistakes always sounded like mistakes. But that brings me on to point 2. It may well be that the audience don't notice the difference between instruments, but that's largely because they don't know what the difference is: as long as it sounds OK, or even as long as they don't think it sounds bad, then they're happy, and that's all they should be worried about. However, if the bass makes a difference to you and your playing because it's "better", even if it's not tonally but a confidence boost, then that's a win for everyone. I remember the bass player in an old band of mine where I played guitar upgrading from a Squire P to a US Fender P - I thought the sound was noticeably better (more punch), and it was certainly true that it gave him much more confidence, albeit that his playing wasn't any different...but not once did anybody in the audience (and we played a lot of the same places every few months and chatted to the audience a lot) make a comment about any change or improvement in the bass sound, probably because it was fine to begin with. I always remember a (very good) guitarist telling me, when I was staring out, that a better, more expensive instrument won't make you play better, but it will probably respond to better playing, that it will allow you to play better if you have the skills. Perhaps "better" isn't the right word - maybe "fittest", in the same sense as Darwin uses it in "survival of the fittest" - not meaning the strongest (as people who misunderstand the phrase think) but as in "the best fit" for the particular situation. If we stopped worrying about whether one bass is "better" than another and concentrated on which bass is the "best for me"

Roughly 108 days give or take..... shiny new Status series II to be flaunted, shamelessly, here as and when it arrives...... 🙏🏻😃

I've anyways thought of the Holy Trinity of bass as being Fender Precision, Fender Jazz and Musicman Stingray (Honorable mention to Saint Gibson of Thunderbird). Today's new arrival has completed what I'm now thinking of as my UNholy Trinity. Unholy? Well firstly - as you might notice - they're all five strings. Secondly because the Precision is a (much modified) Squier rather than an actual Fender, the Jazz is a real (albeit Chinese made) Fender but has coil tappable Humbuckers rather than the traditional single coils and now the newest addition is a Sterling by Musicman Ray CA25. Anyway, not had much time with it yet other than to give it a good set-up with a nice low action and to temporarily stick a bit of black adhesive vinyl over the (in my opinion) cheap looking white scratchplate but so far it's looking good. Sounds like a Stingray. Plays nicely. Looks pretty good to me. Now looking forward to giving it a run out at Saturday night's gig. Also, any help choosing between these three scratchplate materials I've narrowed it down to to permanently replace the white plate with would be appreciated. 🙂

Hi all, I'm a bass player from Dundee, Scotland. I started around 30 years ago and still playing today, during that time I took sometime out for family etc. I have 4 working bass guitars including one of my first basses, an Ibanez Roadstar RB 650 that I bought in 1986. The others are Squier VM Jazz, Vester (Warwick Thumb copy) and my current 'goto' bass is a Sire V7. I play through a 400W Eden Nemesis head & Eden Nemesis 4 x 10" cab. Current band genre is more torwards soul music. I'm on the lookout for a Ernie Ball Musicman Stingray or Fender Deluxe P when finances allow (Currently paying for next years familiy holiday). Spotted a couple of nice basses for sale already in the marketplace. I'm looking forward to getting involved and helping out where I can.

No point you saying that, he says he can't hear ambient sounds. 🙂

Not an issue for me

Shape and remove (router) 10mm and add a new piece of timber...oval, heart shape, Batman logo 😏😏.

Yeah, when I turn up it's pretty much all over...

Ok, I stand corrected on the 24. Thumbs do neck dive. But that isn't ALL Warwick as you appeared to imply. My 4 string Streamer doesn't neck dive, as you implied it would. I've not tried a Streamer 5, only Thumb, Corvette $$ and FNA Jazzman. The 2 latter ones didn't dive. No, not spoken to HPW on the matter of the bridge, but I can measure. I can assure you my 4 string basses are set at 19mm. Sorry for not grovelling to you, if that is what you expect. But I'm also not stupid.

Well I managed to intercept the delivery driver before he could make his getaway. 🙂 NBD thread here:

Your relationship is with the retailer, not the manufacturer. So if Gear4Music goes bust, yup for sure you've got an issue unless you pay by credit card or PayPal (doesn't everyone)? And yes you'd get a refund on a credit card as the amount is > £100. You're right about the 3 months lost interest though. Let's do the math: interest rate on savings accounts 1% per annum. 3 months = 0.25% on £266 (including 6 year warranty). Well that's £0.67. Bag of crisps anyone?! PS please remind me how much cash you've got tied up in gear (one of the finest Warwick collections of any BCer last time I looked) not earning any interest right now? 😂

You'll be able to do a 'Recent Status Update' then....

A study last year found that in non-dyslexic people the arrangements of visual receptor cells in the two eyes are slightly different, and one eye is dominant (usually the right). In many dyslexics the arrangement is the same in both eyes, so neither is dominant, leading to confusion in visual processing and perception. So it would make perfect sense for covering one eye to help. In fact it ought to be more widely recommended.

You're right, it doesn't have a waist extension and it does tend to swivel. I've been studying the videos to try and find some uniformity on instrument position/angle etc but it seems that every player has their idea of what is correct for them. Some play with the bass parallel to their body, some at an angle and a couple I've seen, nearly 90° to their body. As mentioned, I'm going to concentrate for a week or two on left and right hand technique and maybe see what developes stance-wise but still look for a tutor before any really bad habits set in.

Ok, got some good pics of the cocobolo pieces: Its hard to see from the picture, but the piece on the left has a gorgeous dark streak running down the centre, so thats what i'm going to use for the top i think. these pieces are about 9mm thick, so along with the wenge centre and the heavy hardware this bass is going to have some serious heft to it. im pretty used to a heavy bass, and i tend to use very wide (4 inch) straps, so i think ill probably be ok if i can keep it somewhere around 10 - 10.5 lbs final weight. the two basses i play at the moment are these two: The Brown Buzzard weighs 10.4 lbs i think, and the purple one weighs 9.5 so theyre both pretty heavy, and my shoulder hasn't given way yet. pickups (the same as the purple buzzard) should be arriving in the next two days as well, so i can sketch out the cavities that will be cut in the wenge centre.

Register with https://www.justpark.com/ . I used them three times for gigs at the O2. It cost £7:50 to park on a private driveway instead of £25 + to park at the venue and then spend an hour in the queue getting out. If you don't mind a 15 minute walk it's perfect.

I've just rejoined. I had a membership in the early days and didn't get enough out of it. Now I feel it has much more depth and I can access it. I learned to read as a kid and just forgot everything. I'm just completing the theory and sight reading lessons done by Philip Mann and its really working for me. I am very grateful for that. I work with some real muso's who are very patient with me but this is making a real difference. Well done to Scott.

I'm certain the BC was at street level. Wasn't there the Acoustic Centre upstairs. I remember my first time up there, Wapping High Street. Coming out of the Tube, you're just expecting this bustling street, but it was deserted; it wasn't really gentrified, from memory no real shops...a narrow road and if memory serves me correct, the street was cobbled?

Sleigh bells in every Xmas no1 single ever.

Can I have a freebie?!

Vicarious gear acquisition can be quite satisfying. Went with my son to the Manchester Guitar Show this morning. He found a handsome Ibby hollow-body to replace his Fender Strat, cheap enough that I didn't have to subsidise it as I was expecting to. Our teacher has always rather coveted the Strat and is now going to have it in exchange for a suitable number of free lessons. I came away with nothing but a cheap, decent quality 2nd hand gig bag, which I needed because mine is about to fall apart. Result all round 🙂

My Aria Primary bass - Gumtree purchase; job lot of three guitars and a practice amp for £45 She's had a bit of swag spent on her; new bridge (Hipshot Supertone), a Delano P-Bass pickup, Dunlop Straploks. I swapped over the white pick-guard to a black one. In the upside, when I got this bass, someone had fitted Schaller machines.

Hey guys - great to see that you're checking out what we're doing over at SBL! Thought I'd chime in to add some clarity that may be useful in some way, shape or form. What I publish on YouTube is a completely different kettle of fish compared to the ScottsBassLessons Membership. My YouTube lessons are kinda bite size chunks of standalone info, usually on a particular subject. The latest one's (as in, for the last 18 months or so), are very "unpolished", show a lot of behind the scenes stuff, and 99% of them are all me. ScottsBassLessons on the other hand is an online school. We have a library of over 40 courses (each course is focused on a particular subject, and some are up to 10 hours long) We stream live classes for our members each and every Monday from some of the best bass educators on the planet (these are also interactive so our students can ask questions, live). I host a monthly "student focus" class - so members can submit videos directly to me, and get a video response from me in return And a bunch of other cool stuff... but I'm guessing you get the idea. Again, just to make it super clear, ScottsBassLessons isn't just me - our faculty consists of bass players such as, Gary Willis, Cody Wright, Rufus Philpot, Steve Jenkins, Rich Bown, Danny Mo Morris (Berklee College of Music), Ed Friedland, Ariene Capp, Evan Marien and many more... As I'm guessing you'll see, it's a big operation and is nothing like what I do on YouTube. I should also mention that all of our courses inside SBL are highly produced, unlike my YouTube videos. If you do wanna check it out, we have a free trial for that exact reason - so you can take it for a test drive and see if it's for you. Any other questions - just gimme a shout! Cheers, Scott. PS. I'll try and keep the meaningless drivel down to a minimum for ya @thebigyin

Flying V's are the answer.

Fit like, baaheed?

No worse than the majority of late 70s Fenders.

Hi Baaheed

Behringer are routinely quoting 4x the actual power across the range of their amps, so this is a 500W into 4ohms and probably around 300W into 8ohms amp. Behringer, or Music Group have fairly recently acquired TC along with Tannoy, Midas and a couple of other well known brands. It's too early for them to have incorporated TC's technology into this older design. They've owned Bugera for a while and increasingly seem to be using Bugera for the badging of their instrument amps. They seem to market everything on the three is better than one and 2000 is better than 500 principle and a lot of their stuff has a lot of features for the price. The other issue with Behringr is their quality, which has been improving and their after sales which is still poor in the UK. Parts and support for anything out of guarantee is almost non existent. Having said that a 500/300 amp at that price is a remarkable bargain. Reliability is better and with an extended guarantee it has to be tempting as a backup.

The also do a mosfet one for around £208. If you do a Google search you will see a number of good reviews/posts come up. I think there has been a recent thread on here regarding Bugera equipment.

Will he make a PJ precision, or put a precision neck on a jazz body. 👍🏻

All the best musicians have 'feel'. Which is a difficult quality to define. Those with feel are not necessarily the most technically adept, and those who are technically adept, may not always have feel. .

Was there as well. Just brilliant arrangements, sound and musicianship.

First impressions at home using a borrowed cab. My Basschat 1x12 Mk2 is having an upgrade at the moment and Stevie has lent me his heavily modified Roland in the meantime. The Roland does not go quite as low as my cab so I am losing a little bottom end at the moment, I will post again about this once I have my cab back. Cosmetically this is a great looking amp. The chassis is solid feeling and everything fits well together. The enclosure seems to be a mixture of steel and aluminium. The debate over the power output of this and TC amps have been had on othe threads but thereseems to be plenty of power on tap. 2000 watts it is not but it is much louder than I can stand in my front room and seems effortless. The fan can just be heard at low volume and is on all the time( I thought that it was temperature dependant, I will check that later). The gain control does not seem to affect the clipping level and whatever level I use the clip light comes on when I dig in, however I cannot hear any distortion. The compressor seems to work well but can squash dynamics if turned up too high. I will probably continue to use my Modified Marshall ED1 instead. The EQ/Tone section is fairly standard with, Bass, Treble and Semi-Parametric Mids. I said earlier that I would prefer the lowest frequency to be lower (220hz is the lowest and I like something in the 100-150Hz region). Saying that the 220 setting does give some punch and I might use a tad at some point. Pictures later but I do love the illuminated Master Volume control. I should also say that all the controls seem positive. I like controls to give some resistance to turning and these do. The Master Volume has little clicks as it turns but they are not defined enough to feel, unless you concentrate. I doubt you would feel them if adjusting live. Finally there is a Ultra Low and Ultra High switch. I was quite impressed with the Ultra Low as it added some low end authority without wooliness. I suspect there is an inbuilt HPF on the amp but I will check that later. The Ultra High switch seemed to add some noise along with the highs and I suspect that one of the higher frequencies of the Mid control would give better results. I usually like to be able to switch off the EQ and this is not an option with this amp. However I fed the output of my Marshall ED1 compressor into the EFX return and it worked very well. I could hear very little difference between that and using the preamp/EQ with all controls at 12 o'clock and all switches off. The main drawback of using the EFX return as an input is that it is after the Mute circuit. I use the Tuner on the Pedal Board as a mute so that is not a problem for me. I have not had a chance to use it in anger ( hopefully next Thursday) so I have not tried the DI. Of course I have used the speakons to connect to the speaker cab and they are 45 degrees clockwise compared to real Neutriks. Not a problem but if you are used to real Speakons, just a bit strange. There is no mention of theses being Combo connectors, again I will check soon but I suspect not. This is not an issue for me as I always use Speakons The handle is excellent. The pictures do not show it but the inside is moulded to be comfortable in the hand and it feels really light. It weighs in at 3Kg or 6.6lbs. Not ultralight but by no means heavy. I will have a look inside soon.