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Showing content with the highest reputation on 18/05/22 in all areas

  1. I don't really like any of of the 'big bass names' that get rolled out on BC. Stanley Clarke, Jaco Pasty-Riots, Victor Wooten, Marcus Miller, you know the ones. All very talented but tedious to listen to. I do love a good pop tune though. Maybe I shouldn't be here? 😁
    11 points
  2. That's because they have more magnets.
    10 points
  3. I had a similar experience once in a rehearsal room. It was vile. Anyway, turned out it was actually one of our guitarists
    7 points
  4. 18 May 2007 - joined latest incarnation of Basschat (having been a Member of various short-lived predecessors). Post Count = NIL. Zero. Not a sausage. Bugger all. 18 May 2022 - older, greyer, happier. Post Count = 13,897 So that's 2.54 posts per day every day for 5479 days. I've got it under control. I can walk away any time I like.
    6 points
  5. I think my band's pretty good. That's clearly and demonstratably an unpopular opinion
    6 points
  6. Good morning everybody, nice to see you all...(stands up slowly and unsurely) My name is Simon, and I like The Proclaimers.
    6 points
  7. You are full on Anti-Cool. I'll see your list and raise you a U2.
    6 points
  8. Basschat seems to have lots of folks who can neither cope with jazz, slap or too many notes bass... Here's a bit of all those 😁
    5 points
  9. Could you just not all get a big house together? It worked for The Monkees 👍
    5 points
  10. This has been with me on hundreds of shows across Europe. £140 on Ebay 10ish years ago. I’ve had other copies since, but something about the neck on this one made it special.
    5 points
  11. Aye, something pretty important. Right hand playing position, simply moving towards the neck or to closer the bridge makes a big difference.
    5 points
  12. I’m glad you feel this way. However this isn’t a debate it’s an “unpopular music opinion” and mine is I think he was boring. now Mick Karn…
    5 points
  13. I bought this beauty from the forum 10 years ago. Lovely golden/honeyed colour, some long-since fixed cracks and the neck was reset before I owned it (original FS thread here, explaining provenance and luthier work carried out: Sounds deep, full and fantastic and is fitted with a David Gage Realist pickup and Thomastik Spirocore (medium gauge) strings. Why sell? Well I got the opportunity to buy back my very first DB from Happy Jack which has big sentimental value, even if its a lower quality plywood Zeller, plus I barely ever gig DB these days, so my flatback has basically become a beautiful ornament requiring occasional dusting! Collection only from SW13 London (Barnes) and priced more than fairly at £2500, which is £500 less than the £3k I paid a decade ago. I can supply a basic Hidersine gigbag (brand new replacement as mice ate my other one ....) or maybe you prefer to bring your own heavier duty gigbag to transport it?
    4 points
  14. Steely Dan and related offshoots are unlistenable to me. I get that they’re top flight musicians and the recording quality is superb, but Yacht Rock really irritates me to the point where I get a bit twitchy.
    4 points
  15. Nothing I have ever tried has worked Unfortunately you are dealing with musicians
    4 points
  16. I can't stand DJ's, and I find it utterly ridiculous that people would flock in their thousands to watch, what is essentially a human CD multi-changer flouncing around on stage like they're actually creating something.
    4 points
  17. He’s picking on the pizza’s now!
    4 points
  18. There is no style of music or style of playing any given instrument that I intrinsically dislike. I love music as an activity to play, record and listen to, and like to think I can give anything and anyone a fair shake. That said, there's musicians and/or musical performances that, having heard once, I have no wish to listen to again. This means that (among many other things) I like Jazz in all its many forms, I like slap, I like rap, I like opera, and I have no issues of principle with the use of any specific recording technique or technology (pitch correction software being a case in point that has come under discussion on these forums in recent history). You're welcome.
    4 points
  19. Probably King Edwards or Maris Piper. Oh, you said tuners. Sorry
    4 points
  20. I have often wondered whether more people than we would like to admit have an Oppositional Defiance Disorder and don't like what everyone else likes simply because everyone else likes it. The more popular an artist is, the more a certain section of the community don't like them.
    4 points
  21. This exactly. I can’t stand either solo bass or bass solos. I am also a sucker for a catchy pop tune. Bonus if it has a good grooving bass part.
    4 points
  22. Last week Ed Sheeran played to massive crowds in Belfast. He writes some decent songs, but I wouldn't pay to see someone with an acoustic guitar and a looper pedal. In my opinion, there's far more life to the music from a full band. Judging by the number at his gigs, my opinion is unpopular. Frank.
    4 points
  23. There aren’t any specific bands that I dislike, but I intensely dislike rap, hip-hop and music like that. One of the younglings at work likes drill & grime & who knows what else, all I know is whatever he’s played I can’t stand.
    4 points
  24. Hey Andy, I’ve just remembered that I had these in my string drawer, I’ve been through so many strings but I’m fairly sure they are labella originals and high tension, the silks are a bit frayed but you can have them for nothing if they are any good to you
    3 points
  25. The La Bella Flats originals Original 52-73-95-110 are very high tension as mentioned by Ricky above i have used these on p basses for 50's 60's genre music and they sound great . but they are very stiff if your not used to high tension flats.
    3 points
  26. Elton John is really really talented. I understand this. However, I am allergic to his music and anyone who collaborates with him is dead to me.
    3 points
  27. I have both LM2 (power A/B) and LM3 (D class). In a band setting it's almost Impossible to tell he difference between these two.
    3 points
  28. Nope didn't get that Stubbsy, sorry. Anyway people who's budget stretches to a Bugera are not costing Genz Benz a penny. They are in different universes price wise. If you can afford a Genz you are very unlikely to choose a Bugera - even if it's just as good
    3 points
  29. Rolling Stones. Massively overrated hackneyed old drivel. The Greatest Rock'n'Roll Band In The World? My árse. They are the Luckiest Average Pub Band In The World.
    3 points
  30. Because we're only talking 4 or 5 folk per band, it's a WhatsApp group chat for the 4 piece and FB Messenger for the 5. Plus Google Calendar for both bands for folk to stick in their holidays/other unavailability. Appreciate that's not really helpful for your situation, can't imagine it scaling up.
    3 points
  31. May I chip in with Phil Collins too?
    3 points
  32. He’s not convincing me. As you probably know, thicker strings sound warmer than thinner ones regardless of what the fretboard is made of.
    3 points
  33. Love the scars … electric basses don’t know the meaning of ‘road worn’. GLWTS.
    2 points
  34. Good Grief! Are you still here? Isn't there a Grammar Police unit you could join, or something? Your talents are sadly wasted on me. 🙊🙉🙈 And ... blocked.
    2 points
  35. Not TV but a bass special from Vic Galloway on BBC Radio Scotland. https://www.bbc.co.uk/sounds/play/m0017cy9 A two hour show featuring some bass-heavy tunes, snippets of Peter Hook, Jah Wobble and Youth among others talking about the low end. Predominantly post-punk era so fans of Jaco, Wooten etc. need not bother themselves with such frothiness.
    2 points
  36. I 100 per cent agree with this, and said so in the worst amp thread sometime ago. I found the Subway D800 to be completely gutless, a terrible, terrible bass amp.
    2 points
  37. That's one of the more stunning yet somehow understated ACG builds I've seen. GLWTS Si
    2 points
  38. I can't be doing with any of that wet 70s Americana nonsense... Everything from the Doobies/Allman to Petty, The Band, not-quite-so-American piffle like Fleetwood Kack, blokes/women with a guitar singing emotional stuff I couldn't give a toss about (eg Janis Ian, Joni, Tim Buckley etc). And I actively hate folk, or at least British type folk of the " I sawe a prettye mayde " type. Including Wishbone Ash, Lindisfarne etc even though one of my neighbours is June Tabor (and she's really nice!). And metal bores me stupid, or at least identikit this-is-where-you-sing-this-is-where-you-growl rubbish, but I do like Rolo Tomassi, because they're at least musically interesting. However, I like jazz... Or at least I like proper unlistenable jazz, anything from Coltrane to Bailey, but not big band or elevator ook like Sanborn. And I like The Funk, The Whole Funk and Nothing But The Funk. Including slap, anything with the bass player playing far too many ( or is it just the right amount?) notes.
    2 points
  39. Mint condition Origin Effects BASSRIG Super Vintage for sale, boxed. The best Ampeg SVT in a box i've used, with cab sim on the XLR out and additional adjustment on the amp output to fine tune to your amp/cab without affecting your DI signal. The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box. When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages. With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone. Collection welcome from WS4, otherwise price includes UK postage.
    2 points
  40. If Beethoven was a musical genius, then I have the unpopular opinion that applying the word 'genius' to anyone involved in popular music, is wrong.
    2 points
  41. Yes, I've done myself with previous version of Logic X. There are two methods: 1. If she knows someone that she trusts who has a suitably up to date Mac, and will let her create a temporary user account on it. Then she can sign on her temporary account, and use her Apple ID to access the store and purchase the latest version of Logic. Back on her own Mac she can then get the most recent version that will run under Catalina, by going her "Purchased" list in the app store. Once that has worked she can delete the temporary user account off the other Mac. 2. Alternatively she could buy the cheapest suitable Mac she can find form an on-line retailer. Create a user account and buy Logic as before, and then download the latest working version on her Mac. Once that has been done, wipe the new Mac and return for a refund under the distance selling regulations.
    2 points
  42. Why bother with two pick ups when one is enough? I do have a couple of Jazz basses, but invariably have both pick ups on full - can't be doing with fiddling around to get 'the right tone' - if it sounds bassy, that's good enough.
    2 points
  43. Thank God! I thought it was just me. Absolutely agree with this 100% I'd never even heard of Jaco until I joined this forum, so I looked him up on YouTube, and I thought it was a wind up. It's like a bad comedy spoof of a bass player.
    2 points
  44. Just had mine delivered today. Planning on mostly guitar use when I bought it but after an hour on bass I am seriously impressed. It has a good range of sounds and once you get your head around it, it’s easy to tweak to your taste. I wasn’t planning on gigging it on bass but think I may well give it a go now. Edit: had a chance to play with this more today and am SERIOUSLY impressed. The system is easy to navigate once you get your around it (doesn’t take long) and it’s easy to build patches from scratch or adapt the ones there already. It has a lot to offer us bass players and even more if you get stuff off the Boss tone studio (I think that’s free but not sure).
    2 points
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