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Showing content with the highest reputation on 20/04/21 in all areas

  1. I'm making space, so this amazing and very special custom Mike Lull Bass has to go. It was born in 2019 and I bought it directly from Mike Lull. This is a very light 3.2kg, short scale P bass with a trans black finish (wood grain visible) on the body, and maple neck and fretboard. Perfect condition. I'm looking for a sale only but I'm open to offers.
    9 points
  2. True, but I'm quite happy to overlook said irony as long as they're p!ssing that whining sanctimonious bellend off.
    7 points
  3. Thought i'd check my speakon plugs and i'm wrong again. They are all screwed terminals right enough. I have to apologise to everyone i disagreed with on this thread. Sorry guys, i was so sure but man enough to say i was wrong. Dave
    6 points
  4. Mosrite Joe Maphis Bass 1967. Price drop £1295 MOSRITE MARK X MODEL # 502 a/k/a “JOE MAPHIS BASS” RARE EARLY PIECE FEATURES: 1. Semi Hollow body. 2. Bound Spruce top. 3. Walnut back. 4. Body depth: 1 ½”. 5. Neck: 3 piece laminated Maple. 6. Scale: 30 ¼”. 7. 20 Frets. 8. Brazilian Rosewood fingerboard. 9. Fixed Bridge with Chrome cover. 10. Volume and Tone Controls. 11. 3 way Selector. 12. AND THE FAMOUS MOSRITE “DUCKFOOT” TUNERS. The coolest tuners ever put on a guitar. TIMELINE OF THE JOE MAPHIS MODEL BASS: 1963-1965: The VENTURES Bass. One pickup. 1966-1969: The VENTURES Bass. Two pickups. 1967: Bust up with The Ventures. Bass now known as MARK X, Model 103. “Duckfoot” tuners introduced. 1967: Joe Maphis becomes MOSRITE endorser and VENTURES guitars become “Joe Maphis” models. The bass become the MARK X, Model 502. ADDITIONAL INFORMATION (from Vintage Guitar magazine): “Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early 1960s or – if that person also happens to be instrument-savvy – the band’s affiliation with Mosrite guitars and basses. Though the partnership lasted only a half-decade, the Ventures have been perpetually associated with Mosrite, as bassist Bob Bogle noted in a 1997 interview with VG. “[The association with the brand] will probably follow us around for the rest of our lives,” he said. “We can’t seem to shake the connection.” A closer look back, of course, reveals more, including the fact that although the band recorded surf instrumentals as the music reached its peak, it actually preceded the genre, charting with “Walk Don’t Run” in 1960. Nonetheless, the Ventures and Mosrite are the first band/brand association recalled by many a babyboomer guitarist. The single-pickup version of the Ventures Model bass was part of the Mosrite line from 1963 to’65, while the two-pickup was offered from ’66 to ’69. The single-pickup example you see here is exactly like the one on the cover of the 1965 album The Ventures Knock Me Out!; its body has the classic Mosrite profile, M-notch headstock, planaria-head truss-rod cover, metal nut, zero fret, thin bolt-on neck with 20 frets (joining the body at the 18th), tiny fretboard markers, 301/4″ scale, adjustable/intonatable bridge with large silo-shaped saddles (covered here by a handrest), “German carve” around its body (as found on most Mosrite solidbodies), and a wood-trimmed tailpiece. A 1965 Mosrite flyer hyped the Ventures Model with a bold-faced proclamation, “The finest performance demands the finest instrument!!” and showed the quartet of Don Wilson, Nokie Edwards, Mel Taylor, and Bogle in matching outfits with matching instruments. Other copy says, “A quality instrument, designed especially for the demanding professional musician and the amateur who desires the finest.” Around the time the two-pickup Ventures models were introduced, the company had switched to “duckfoot” tuners on its basses. When the Ventures’ affiliation with Mosrite ended in a controversial flameout in ’67, the guitar and bass models were continued as the Mark series (the bass was the Mark X Model 103). Mosrite hooked up with another notable guitarist, Joe Maphis, for a signature series of instruments, and the bass in that aggregation was known as the Mark X Model 502. Maphis-series basses had the same neck, short scale, and features as the Ventures Model, but with slightly larger bodies that were a combination of a hollowed-out walnut base (with a depth of an inch and a half) with a spruce top that was, according to factory literature, “music grade.” The bass had binding (called “purfling” in the ’67 catalog) where the top and base joined. “ INFORMATION about this guitar: It is in Very Good cosmetic condition with the usual scratches, dents, dings, and other marks that come from being a played and dragged along guitar for 47 years. The finish cracks are abundant but have almost turned this guitar into an art piece. Look at the photos to see the concentric patterns that have formed on it. Pretty cool I think. It is in excellent operating condition and still has that special “thump and sustain” that can only come from one of these basses. The “German Carve” semi-acoustic body with no “escape holes, aka, “F” holes combined with a “music grade Spruce top” (their words) and a hollowed out Walnut body really makes this a one of a kind bass guitar. To me, and others, it is one of the most underappreciated bass guitars ever built in the USA and is significantly undervalued. Once more people play and hear this bass guitar, the more in demand it will be. A great and legendary MADE IN THE USA MOSRITE guitar. ALL ORIGINAL. There is small hole in the lower horn (see pic) which I guess is where an additional strap button was located. The bass was originally purchased from California, USA and is in great condition for a 54 year old bass. Lots of wear marks but nothing excessive. Only other point of note is that there is some warpage on the pick guard. Check out some Arcade Fire for how this bass sounds - it is use extensively in their back catalogue. Collection preferred but if you really want to have this shipped it will be at the buyers cost and risk.
    5 points
  5. So, I joined the Spector club the weekend just gone! This one is a beauty and a great addition to the fold. Cannot wait to rev it up with a band!
    5 points
  6. So after over 10 years since I last tweaked, I decided that it was time to upgrade the pickups for my Frankenjazz bass and some side-by-side Jazz humbuckers sounded like they fitted the bill. Having Googled a bit and read some comments here (not least from @ahpook ) I rather fancied the sound of Catswhisker pickups. Hand made, British, custom made... perfect. So I ordered a pair of their side by side (two poles + two poles) humbucking Jazz pickups after some very helpful emails back and forth with the guy who makes them, Allan Price, checking out exactly what I wanted, specs, sizes etc. Made the whole ordering process hassle free and full of confidence that they’d fit and work properly. Amazingly the cost was only about £120 including postage - which is about half the price of Aguilar or Seymour Duncan Jazz humbuckers. Result! They arrived after about a week - over the Easter break - and to my eyes look really nicely made. Well packaged for postage. Very neat and tidy. Popped them in the Jazz tonight - the solderless connection on the Audere preamp that I’ve got on the bass made that the most doddly of doddles! Got some nice black screws off Amazon for a bit of a stealthy look too. Having hooked them up the sound is lovely. A real step up from the stock pickups which were on there. Very open and airy sounding while retaining real solidity and punch on both pickups and all settings. And absolutely silent too. Very very impressed and very very chuffed. Just can’t wait to get out and try them out in anger in the real world some time. Bet they sound great at volume through a proper amp. But dead chuffed with them and now top of my list should I need some bass or guitar pickups at any time in the future! https://www.catswhiskerpickups.co.uk/bass.htm
    4 points
  7. Neck through body consists of 5 sections : wenge-acero-bubinga-acero-wenge Mahogany body wings. Flamed mahogany top. Fingerboard in wenge (with splendid veins). Scale 34’. Active coolsound electronics vol-vol-low-high. Inside the electronics compartment there is a trimmer to adjust the gain (and therefore the maximum overall volume of the instrument). Weight : 3,5 kg aprox. Ideal goal for every bassist looking for a very light and ergonomic bass, Biarnel headless Scorcio series can be carried in a guitar gig bag. Lightweight, compact, and very well balanced. the bass is almost NEW.
    4 points
  8. As it is well noted and unanimously decided amongst the great members of this, the marvelous Basschat community; Ted Theodore Logan III is the most generous and giving chap this side of Helsinki. As a result, I am offering up a most beautiful and prestigious Sandberg California Fretless Boom Stick to one very lucky member of the BC community at the very gentlemanly price of just £895... “SAY WHAT?!!...." Yes, you read correctly, there is no need to search for those elusive reading glasses which were simply in your top pocket all along... A meager £895 for all that Sandberg German goodness! “Is Ted mad?!" You may ask yourself... Simply put... “Yes, yes I am." So why not take advantage of Ted's insanity and become the proud owner of what is probably the best Sandberg California TT4 Fretless Bass Guitar in 3 tone Sunburst Matt finish currently for sale at this price?.. “At only £895 of your English Doubloons, you'd be mad not to!!..." (Dirty girl) “Here's the spec'": As new condition!!  Item Description: model: Sandberg California TT4 Fretless Bass Guitar finish: 3 tone Sunburst Matt electronics: Sandberg AlNiCo Passive Jazz Pickups controls: Volume, Balance, Tone hardware: Sandberg Locking Tuners & Sandberg Premium Bridge (matching black) neck: Unmarked Fretless fingerboard wood: Rosewood scale: 34inch (oooh, that's long) weight: 4.4kg case: Sandberg Padded Gig Bag condition: Mint price: £895 (in gold or cash) Happy to arrange insured courier at buyer's cost or for buyer to arrange their own courier. Go on! Get some German wood in those hands and strum it like you've no shame! Here's some brand new pictures to satisfy those fans of “heavy rock".... ...backgrounds... (Taken at the quarry where I currently reside) (Clears throat...) End.
    4 points
  9. Pedal received and quickly tested before going to work, just one word to say... WOW
    4 points
  10. I keep wanting to like The Smiths because of the bass and guitar work, but can never get beyond Morrissey’s whining and as I managed to get past Geddy’s voice (I’m now a big Rush fan), that’s saying something.
    4 points
  11. I was very happy with the ToneDexter and quite content with my sound, but we were performing under ... ahem ... acoustically adversarial conditions and @Silvia Bluejay isn't happy with using these results as the yardstick of success. First gig in six months, performing at fairly low volume with a noisy crowd between us and the cameras, the overheads didn't work quite as planned, we had a f***ing bouncy castle right next to us (with a compressor that masked/interfered with a range of bass frequencies), and the Kolstein turns out to have a bit of a wolf note at C# which Silvie had to EQ mercilessly to tame. Don't get me wrong, it was a great gig and we had a whale of time playing to a garden full of very happy punters who were quite clearly there for our music ... there were Rockabilly fans, Elvis fans, Eddie Cochrane fans, Jerry Lee Lewis fans, these weren't random people and they really liked what we were doing. But if we're being picky, this wasn't a gig where we'd have boasted about either our performance or our sound. So we're playing again on Saturday (at The Wonder in Enfield), the setup will be very similar but with no bouncy castle and we'll have learned from Sunday's gig. I'll be playing the Zeller to see how that fares with the ToneDexter, and hopefully we'll get some better-quality recordings.
    4 points
  12. Price dropped to £750! For sale, my beautiful Maruszczyk Elwood 4a in shell pink. I don't have a lot of information on this bass I'm afraid, but it was bought second hand in mid-2019 from Bass Direct who was selling it "as new" from someone who had changed their mind. New it was £1750 as it has various options, though I don't know what they were and the original listing as since been removed. It's a great bass though and the colour is quite something! It's in great condition with very little to speak of apart from a little bit of wear round the pickups where my thumb presumably goes. So there's a little light ageing at no extra cost Photos can be found here: https://photos.app.goo.gl/K6C4uRyUPPAwg7ZZ6 No trades thanks as I'm going to try and buy back my old bass! I would rather not post this as I've never posted a bass before, and the thought terrifies me. So I would prefer a pick up in the Bristol area or deliver/meet within reasonable distance.
    3 points
  13. ... Stephen's all upset and 'hurt' at the Simpsons. https://www.bbc.co.uk/news/entertainment-arts-56806312
    3 points
  14. On a bit of a Jethro Tull kick at the moment , Songs From The Wood , Heavy Horses and Stormwatch ...
    3 points
  15. I've been on an equipment purge over lockdown. After some trial and error, I am finally content with this board along with my Lakland 44-64 and TI Jazz Flats. I'm using the Fender Downtown Express for some parallel compression and EQ before the bass hits FOH. The EQ is really nice and the unit in general is a steal at full price, so I'm especially happy at getting it for £90 on eBay. The drive is cool, I don't have a lot of use for it but it sounds good and certainly serves the purpose. Mute switch is useful as I use the tuner out to the pitchblack mini which saves some cable space. I don't use the DI out, I reserve that for a Rupert Neve RNDI that sits on top of my amp. Ibanez Bass Tubescreamers seem generally disliked and I totally get why, they are a bit farty when used at higher settings and are generally a million miles away from that modern Darkglass thing. I use it at very moderate settings for simply colouring my tone and adding some mid-thump and I like it for this. I use it as an always on pedal. It also makes the Fender drive sound much better. Maxon CS-9 Pro is just a dream chorus. There's not much about it online but I'm happy I took a punt on it. Expensive, but I'll never need another chorus pedal, it's very rich and deep, and it also has a blend knob. Not much of that hissing thing some other chorus pedals are prone too, it sounds nice and juicy. Mooer shimverb is cool, I use it sparingly in some sparse sections and it does the job just fine, and for £40 I can't complain. I'm only using the room setting so this piece might be changed for something different. I now have zero option paralysis and it feels good.
    3 points
  16. Don't forget to use a PosiDrive #1 bit on those, which is what they were designed for...
    3 points
  17. Neutrik specifically warns OEM manufacturers of cables against using tinned wires with their SpeakOn plugs for the reasons I mentioned earlier. Assembly with tinned wires also invalidates the safety approvals of the plug since the plug’s safety certification is for untinned wire termination only.
    3 points
  18. 3 points
  19. This thread is taking longer to perish than the most ostentatious Hollywood death.
    3 points
  20. Don't go with funny. For that market go with something bland like "Harmony" or "Unity". Bear in mind that a lot of your audience won't be gig going punters, they just want a band that'll play a few songs they know. A name around the love theme would be my recommendation and job done.
    3 points
  21. As far as the sound differences in "premium priced cables" and solid commercial/pro/tour grade cables is generally indistinguishable to those participating in double-blind testing. I have seen these tests many times, and seen folks claim things that proved unconfirmable. The exception to the rule is high impedance sources into high impedance loads (instrument cable), when the cable gets long there can be a significant difference between cables due to the capacitive reactance of the cable and how that reactance interacts with the reactance of a passive pickup. You can experience reduced high end, you can experience resonance effects, and you can experience additional noise. The longer the cable, the more noticeable. This has been my experience (over and over again).
    3 points
  22. The Other Pit Band The Real Pit Band The Original Pit Band Better Than Pit Band
    3 points
  23. Putrid entrails Satan's onanists Sludge eaters
    3 points
  24. 2008 James Trussart Steelcaster PJ Bass. Hand made in 2008 for Simon Rix of The Kaiser Chiefs. Certificate of authenticity and original hard case included. The body finish is called Antique Silver and has a paisley engraved guard & headstock. It has a bolt-on Maple Neck with a Rosewood fingerboard and a recessed steel head cap. Other features include an active pre-amp and Arcane Inc. Hand Wound P&J pickups. Fully set up in our workshop. Nut width:38.75mm. Depth at 1st fret:22.25mm. Weight:10 lbs 7.5 oz. The Steelcaster Bass offers a new and distinctive addition to the bass world. Patented "Holey" steel is used for the completely hollow body, reducing weight and eliminating feedback. This bass has a hollow steel body with perforated steel and custom metal appointments, like the recessed steel head cap that is beautiful to look at and functional, by adding mass to the headstock it increases sustain. The steel body while also being the perfect medium to display the beautiful Trussart custom finishes and engravings also has tonal advantages. The Trussart SteelCaster Bass' tone is a uniquely classic, fat and resonant tone combined with an edge that cuts through. The construction of these instruments is only half of the story, the other half is the finish, every instrument comes with a history and a slight element of neglect, of decay, so it has a personality of its own. 2700 euros (+ shipping everywhere) Bass located in France. Open to trade for 4 strings bass, trade value 3200 €
    2 points
  25. To me, the original piece is a matter of timbre as much anything, which, despite the excellent technicity of the fellow, lacks wholly. I couldn't get far with it. Quite a 'Zappa' approach, and kudos for the enormous work involved, but I prefer the orchestral version, no contest.
    2 points
  26. Thought so, he said he tried that but obviously wasn’t trying hard enough. He’s a drummer.
    2 points
  27. I'm just teasing so i dont feel lonely out here in Dafty Ville. You were very helpful and i appreciate that. No insult or criticism intended other than a little bit of fun. Dave
    2 points
  28. This is my Forte 6. I think it has quite a fancy top (but opinions may vary) , so yes, nothing is really impossible with these. And I love the plain ebony board on this one.
    2 points
  29. @Si600 I’m in the workshop for a while today, if you see one one of these for sale near you I’d recommend getting one, I think you would enjoy using it, they are great for shaping and sharpening all sorts 🙂
    2 points
  30. Dave, you’re such a Klotz. Sorry, couldn’t resist 😂.
    2 points
  31. to be fair his videos make most basses sound really really nice
    2 points
  32. Let’s see some old banged up basses, let’s say nothing after 1990 and nothing which has been faked, just old basses which have had a hard, honest and well gigged life, and are now being loved in their old age. No closet classics for this thread! I will start with my 72 Jazz bass, she’s certainly had a hard life but she’s now getting the love she deserves now she’s nearly 50. Looks like she’s had the bridge ashtray on for most of her life as the original Olympic white is still actually quite “white” under there as it is under the pickguard, also some lovely wear on the maple fretboard. someone in her long life obviously thought that wearing a rather large and meaty belt buckle was the fashion of the time! She still plays lovely though and is fortunate to have survived to nearly 50 with no mods or alteration. Still have the original ashtrays but I don’t dress her up in her Sunday best very often! She was also lucky enough to come to me with her original case, also quite battered but still serviceable.
    2 points
  33. Interesting that you mention Voyager as in all the years they have been around and in all the albums they have released, I only learned about them a few weeks ago - and I love 'em!!!! Brilliant. Dead Letter Circus, Karnivool, Soen, Voyager, VOLA - I really like the big atmospherics and melodies with chunky guitar carnage underneath. Which of course means Devin Townsend gets a mention. I've a massive soft spot of David Maxim Micic, absolutely brilliant.
    2 points
  34. Yes that’s what I meant sorry for May confusion.
    2 points
  35. Aye! I found it surprising I had to scroll all the way down before finding a mention of these The (late) 1980s also spawned the most iconic and successful of all Ibanez bass designs, in 1987:
    2 points
  36. You do realise they've gone and put the machine heads back in the wrong place....?
    2 points
  37. 2 points
  38. Poor lad. I can, at times like these, be incredibly smug because I've never liked Stephen 🤗
    2 points
  39. Not for Neutruik SpeakOn plugs. Under high current, the pressure of the termination (without tinned wired) is better than solder and will not loosen with use either.
    2 points
  40. Maybe fellow Perth proggers Voyager? They're fantastic. They also nearly represented Australia in Eurovision last year! They have a brilliant bass player in Alex Canion too. Gets awesome tones out of his Mayones basses.
    2 points
  41. Low-ball sellers of USA built G&Ls until one cracks in tears
    2 points
  42. I would like to hear a test where everything was the same....including the wood. Would they all sound the identical, or would there still be variation from one instrument to the next?
    2 points
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