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Paulhauser

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  1. @kjfitzy I own and use a SR5006 for about 10 years, which is the six string version of the 5005. It is the most comfortable and ergonomic six string bass I ever had and sounds great, too. It weights in between 9 and 10 lbs which was never an issue for me as it is so ideally shaped to match my preference in ergonomics both playing stand up or seated. (I tend to "wear" the bass in the same position stand up as seated, meaning relaitvely high and it balances perfectly without needing either hand to hold it in place) I also have an earlier iteration of it from the SR Prestige line, called SR3006 which is basically the same model without the wengรฉ top and back and I think the 5 version of it, the SR3005 could be what @thebrig referred to as these were produced in the 2000's and are quite a bit lighter than the SR5000/5/6 basses in my experience. These are not chambered to my knowledge. edit: I know your are looking at the 5005, all the above is my experience with the six string version and based on that, the 5005 is very highly recommended, you'll get a bass that is extremely well made, sounds great and very well designed. Here's the two sixers in question
  2. FWIW: Mayones produced Fame basses for at least one (or more) German retailers (Music Store in Kรถln / Cologne). The neck joint is basically the same as in the OP, just google Fame bass. I'm by no means very up to date with the Mayones offerings or what they produced in the past under the Mayones brand name but by that similarity I assume that this bass was made in the same workshop and might be an one off bearing the M logo. (just because I can't recall seeing a Mayones branded product that was so much similar to a Spector but then again I can be wrong ๐Ÿ™‚ ) I personally think that it is a legit Mayones, maybe a one-off but for that kind of price it certainly worths a try.
  3. I have been thinking a while to install a set of wall hangers and keep my basses there instead of the rack stands. Not that I thought they are better or such but I have a suitable ( = empty) wall in my home office and this way I can see them in their full beauty. Ordered a dozen or so hangers from Th, put them on a board that was lying around since the last garden remodelling and installed them on the wall. There's going to be another on the wall facing this, albeit only for 4 basses. I'll paint it as I just kept the wood as it is since I wasn't sure if I get every measurements and placements right (both the hangers and on the wall) so I can cover extra holes and such later with the stain+ clear coat. But seems like first time is the charm and everything fits and placed just the way it's logiacal and comfortable. Anyway, I put my Spectors there and also realized I never took a group shot of them so here they are ๐Ÿ˜‰ ๐Ÿ™‚
  4. I don't seem to remember trying a 4 string Sadowsky but I owned and used a 5 string Metro and a NY5. The Metro was an early MV5, under M1000 serial. It had some of the best feeling neck I ever tried on a 5 string bass, I could play for hours both thru gigs or practice. 19mm spacing at the bridge. It sounded great with the Sadowksy hum cancelling pickups and was very light, too. I let it go because my other basses at the time were (and still are) Spector 5 string NS basses with a much tighter specing and they fit sound and playing -wise better to my preferences. Still think about getting a Japaneese Metro 5 string PJ from time to time though as they had a great impression on me.
  5. Does going from 5 to 4 but with BEAD tuning count? ๐Ÿ™‚ Normally I use 5 string basses for practice, gigs and recording, too, but in one of the originals band I play in I switched to this wonderful Spector 35" 4 string PJ. The reason was partially so I could justify buying it. No, it was just I fancied a change, never used the G string in that gig and the 35" is great for drop A tuning, too. 35" Spector Euro 4 strings are very rare, having one in the classic 80's white is impossible almost (never seen a white apart from mine which was a custom order of Bass Direct ) Whenever I'm traveling around the fretboard I have always seem to use the B string as a reference point (and it makes a great thumb rest, too ๐Ÿ™‚ )so it was a perfect switch without problems. It needs to be said however that I haven't made a permament switch to 4 string basses or even it wasn't a switch really at all as I keep using by 5 string basses for other gigs and mainly pratice and record with those still. Other than that I got to use a regular 4 string bass last year when I was subbing for an Iron Maiden tribute band. That was a good excuse to use one of my other Spector, a 1977 limited edition which otherwise sadly hasn't seen that much use for the reasons above. Mandatory pic:
  6. This bass orginially had a natural finish (see below) , the pink / magenta color is the result of a refinish that I had done. It is a pre-LX Euro5, made in the early 2000's with full maple wings.
  7. Good to hear! As a funny coincidence I was placing an order for the EMG 40DCX to see / hear what difference it would bring by replacing the bridge J in this one: Since the body is full maple I swapped the original DCs a good few years back for an X series 40P and 40J combination, so it's like the classic PJ Spector in 5 string version. The P has such a bigger output than the J that I had to lower the P quite a bit and make the J as close to the strings as possible to get an even balance. Sounds killer and have been using it for many years now like this but thought about trying a DC in the bridge position (the original DCs are gone)
  8. Great pair I must say. And an admirable self-discipline....I could never get down to two Spectors... too much sentimental value to some of them in my collection. Are those DCs in the NS-4? How is the neck compared to the Starr?
  9. As others said some parts look out of place and if I had a bass with such a top I might just as well put a clear pickguard and bell on it
  10. I think these are some of the best production basses ever. I had a sixer a few years back and it was wonderful albeit the nech was quite substantial for me, both in width and thickness so I sold it in the end, much to my regret. Congratulations @nilorius!
  11. Of the Czech neck through models only the current Euro 5 Classic and the obsolete 25+ years old NS-5CR (the prececessor of the Euro, sometimes turn up on the used market, great basses ) have 34" scale lenghts, all other Euro 5s (pre LX Euro 5, Euro 5XL, Euro 5 LT) have 35" scale.
  12. @cyril233 I would add the following to your list: - Spector Dimension 5 and Dimension 5 HP : 34"-37", both models sound great and are in the same price bracket as the DW NGs - Ibanez BTB805MS : 35-37", priced closer to 1K than to 2K and based on clips it is a seriously good sounding instrument. Had a BTB before and was great but it wasn't the multiscale version - Spector Euro 5LX : I have used them with drop A and standard A tunings and they sounded killer. Some of the best B strings in the business. I have a Warwick Thumb 6NT which does have a great B string but dropping it to A doesn't sound as good as on the Spectors. I personally haven't tried a 36" scale bass but I did use a Dingwall AB5 for a while that had a 37" B string and it was a breeze. (All my other basses are / were at that time 34" or 35")
  13. Can't help but that lower horn is an eyesore for me. Other than that I'm sure these will be good deals.
  14. Yes it does. However, expect a substantial volume drop when using the coil tap (EMG fixed that with the X series TW pickups)
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