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Showing content with the highest reputation on 19/03/21 in Posts
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SOLD!! I custom ordered this beauty approx 18 months ago from Bass Direct and I love it..... but, honestly, I'm more of a Spector-man (No way!! Whodathunkit??! lol!) so, regrettably, I've decided to move this on to raise funds for another Spector purchase. This is the much better looking production model DBird that was sadly discontinued, due to legal issues with you know who over the TBird shape.... and bound to become a collectable as a result! Overall condition is 9/10 with just a tiny chip on the body edge (see pics below). I have NO idea how this got there! I've literally played it live ONCE and just used it at home for the rest of the time.... oh well. It's minor and not particularly noticeable. The colourflip finish on this is amazing though! It looks more blue in the pictures below.... but as soon as you move it around it quickly flips to a stunning purple colour.... and looks amazing under stage lights! Here's the official spec. However, I'd add that it is MORE THAN capable of more traditional tones.....despite the spiel selling it on its aggressive, mid range, modern bite/tone Body & Neck The body is Khaya, a Mahogany variety with accentuated mid range and a brighter attack. A 5-piece Maple neck coupled with a heavy-duty truss rod further complements the treble response while ensuring maximum hardiness. Dingwall manufacture has long-been exposed to extreme climate conditions, so they know a thing or two about reinforcing necks! A Pau Ferro fingerboard adds a little extra warmth and a smooth feel to boot. Multi-Scale Design A noteworthy feature of the D-Bird Custom is its multi-scale design. With a 36.25" scale on the low E string and a 34" scale on the G, the higher string tension on the lower strings gives the bass more punch and clarity where it matters most. Fanned frets allow for super-accurate intonation across the entire fingerboard, with their slanted placement suiting the natural resting position of your hand. It may look odd at first, but you'd be surprised at how easy it is to adapt to this type of neck! Hardware & Electronics The D-Bird Standard is triple-loaded with FD-3N passive pickups. The key to their punchy tone is the use of Neodymium magnets; higher output means a more aggressive sound. This lines up nicely with the tonewood combination, with plenty of midrange bite that produces a distinctly modern tone. Controls are volume, a 4-way rotary switch offers a surprisingly broad tonal palette and master tone Dingwall also opted for a traditional jack plate with Switchcraft jack connection to ensure maximum reliability. Slick smoky black hardware is used throughout, with Dingwall Combustion tuners and a specially designed bridge with a custom riser system - increased adjustability and sturdiness all in one. Specifications Body Material: Khaya Mahogany Finish: Polyurethane Neck Material: Maple, 5-Piece Fingerboard: Pau Ferro Fingerboard Radius: 7.5” Scale Length: 36.25" (E) - 34" (G) Carve: Medium Thin C-Shape Reinforcement: Heavy Duty Truss-Rod Nut Width: 45.5mm (1.8") Frets: 20 Fret Size: 'Banjo' Fret Material: 18% Hard Nickel Silver Electronics & Hardware: Pickups: 3 x FD-3N passive pickups w/ Neodymium magnets Controls: Master Volume, 4-Way Rotary Pickup Selector, Passive tone Hardware Colour: Smoky Black Tuners: Dingwall Combustion Bridge: Hipshot Dingwall Solo Input Jack: Switchcraft Other: Custom heavy-duty padded gigbag and toolkit containing allen keys & Dunlop straplocks included. SOLD!! Payment by socially-distanced cash on collection, Paypal (you pay all fees) or Bank Transfer please. NO trades thank you. Courier at buyers choice/cost but I would recommend UPS via Interparcel. Happy to ship in the UK. Any overseas postage will obviously be much more expensive and there will be additional import/VAT etc costs. Please search out my extensive positive feedback thread (link in sig doesn't work) for assurance of a clean, honest transaction. Thanks!9 points
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Threaded inserts for control cover and truss rod cover done. Really pleased with the look. Waiting on my satin lacquer delivery, then I can finish this off.9 points
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Hi All, Unfortunately going to put this up for sale . Needs Must.It’s a 1983 with Walnut facings it really good condition for its age with a few marks on the neck ( don’t feel them when playing) and dent on the side see the photos.Weight wise under the 10 ilbs so not too bad and signed of by Ian himself. Comes with Wal Brown case. This was serviced in the last 10 year that was confirmed by the second last owner to me and Paul replaced the string tree thus the reason for the dot on the headstock. I know the prices of Wal these days have gone crazy in the last 2 years ( possibly due to 3 year wait / Tool affiliation ) but the above is in line with that last 2 that have sold on Basschat and actually less than some listed elsewhere online .Looking to clear around 5500€ cash so will accept part trade. Interested in classic 80s ( Jaydee/Aria SB/Yamaha BB/Status) basses or possibly a super Jazz /nice Lakland but feel free to PM me: Worse I can do is say no Amp wise : Maybe an Aguilar DB750 or nice rack pre amp Payment via Bank Transfer.I am willing to ship but would wish for the buyer to arrange as the buyer has ownership if in case goes awry. I can double box it also . please feel free to check out my feedback on Basschat All the best Mick7 points
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I've received an update from my Action Fraud report. Let's see if Leicestershire police will do anything6 points
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https://www.theregister.com/2021/03/19/audacity_3/ Worth a read for changes and limitations.5 points
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My own LT in Violet Fade, must say one of the best basses I have played , neck just feels fantastic, I am struggling with health issues which affects my arms and hands, would love to keep this bass, it is a joy to play and looks stunning. I like the combination of the Bartolini's and the Darkglass preamp onboard, also very light which helps me tremendously, I can recommend these to any one, great growly tone which I use often with Extreme Danger !!! The E string is just thunderous, some really nice Spector's in this forum.5 points
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5 points
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Sitting in the living room next to Buddy, our Choc Lab. looking through some BC threads, find one that looks interesting, press play, nice four on the floor drum pattern, then in comes the bass, Buddy gets up, looks at me angrily and walks out4 points
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Fodera Imperial 5 from 2004 in like new condition. The shown pictures are from March 21 and not optimized in any way. Super rare Brazilian Tulipwood Full Top and Board (this has been a 3000 USD upgrade and is currently not offered anymore by Fodera. Brazilian Tulipwood is a Dalbergia species and should not be mistaken for North American Tulipwood which is a common light wood used for bodies. 35" scale, 22 frets and 19mm spacing at bridge. 5pc Maple Neck. The Tulipwood is attractively contrasted by Purpleheart pickup covers and dots. The body is made of Ash. Pickups are Aero Dual Coils, preamp is the famous Pope. The bass has been well cared for and condition is like new. Truss rod, electronics, hardware - everything works as expected. OHSC included. SOLD !4 points
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2009 - Sterling Silver (see registration database details in the pix). These are as rare now as hen’s teeth – none on Reverb and the latest version is nearly £2000 and has horrible little black tuners – probably lighter, but nowhere near as cool as the original clover keys. Although the current Bongos tend to be HH or HS, there’s a lot of love out there for the 4H as deservedly the most “authentic”-sounding (by which I mean Stingray-sounding) variant. I bought this from @Sparky Mark here on Basschat 18 months ago for £750 and it’s been my go-to bass ever since. Since then it’s been expertly set up by Dan Orellana at the Music Inn in Nottingham and fitted with the drop-D Hipshot tuner, which cost me £70 from Bass Direct and works like a dream. I still have the original tuner and will include it in the sale. This lovely bass is in near-mint condition. I can find only one tiny nick in the body, which I’ve shown in the pictures as best I can; and the “pointy” part of the headstock and the jack socket are pristine (they’re often not, for obvious reasons). The case itself is incredibly protective, and has some (but not very much) case candy, if that's the sort of thing you like, and… I have the key!!! The ONLY reason I’m parting with this awesome bass is because I’ve had back problems for years, long before I started playing bass, and – although this is not heavy at 8.6lb – I’ve been finding it a bit of a strain, so I tend to turn to my short-scale Gretsch for preference. Of course, the Gretsch – great-sounding as it is – cannot match the classic Music Man growl and punch of this Bongo, which boasts a lightweight basswood (linden/lime tree) body, a beautiful rosewood fretboard, meaty 18v on-board pre-amp and massively-flexible three-band EQ, and will happily cut through any mix. I am putting this up for sale elsewhere, but not at this price, which is exclusive to Basschat. So, if you’re looking for a premium bass at a bargain price, look no further! I’m in Nottingham and happy to let Basschatters with serious interest come and try it out before buying; or I can post/courier at whatever the going rate is, depending on your requirements; or you can arrange your own courier. I’m not sure of costs at the moment – I’ll get quotes when I know I’ve got to pack it up and have an accurate weight for bass + case + packaging. Payment by cash on collection/bank transfer or PayPal Goods and Services (as long as you pay the fees). I’m afraid I’m not up for trades – I need the dosh to eat and (almost more importantly) to feed my GAS! Thanks for looking! Pete4 points
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I reckon that if enough of us took our respective hounds to the next Bass Bash, the chorus of disapproval might drown out even the most determined of slappers4 points
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Smart dog - our fudge is a choc lab and ridiculously smart; I doubt she’d be a fan either fudge and toffee - I asked them about slap bass but they seemed to think I was suggesting snacks of some kind - though one did also fart, so maybe we should draw a conclusion from that on the topic4 points
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Happy to oblige! See, it's not that frightening! Also gives an impression how weeny I am3 points
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@RigorMortens I've just been asked to re-write my post above by a mate, who is desperately keen to take your 1025x off your hands...so please accept the following corrections:3 points
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Hi All, Just wanted to let you know that this chap on ebay is doing pickguards for several HB basses, he will soon be doing one for my PB-20. Have a look at this link for any of your Harley Benton pickguard needs. https://www.ebay.co.uk/itm/114675042782?ul_noapp=true Happy Friday3 points
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I’m still waiting for his solicitor to prove they’re real3 points
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I've asked Jack to make his Oats Pie. It's loaded with butter, golden syrup and jam.3 points
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@Richard R - Brawley Artemis 4, Brawley Artemis 5, EBS Session60 amp, something to weigh basses with. @Frank Blank - Rob Allen Mouse Fretless, Rob Allen Mouse Fretted, Ibanez SRC6, QSC K12.2, HX Stomp. @Stub Mandrel - Fender Performer, Hohner Jack Custom V, Deathburger (HB kit build), TE 1110 combo? @petecarlton - Mayones Cali4 "Puzzle" Bass: https://www.youtube.com/watch?v=pYAvWZGwc4s&t=13s&ab_channel=BassTheWorld.com @Teebs PRS Kingfisher bass, Godin Passion RG-4 (fingers crossed that it arrives! ) @SpondonBassed - Jack. (That's not short for Jack all, it's just that I can't decide until nearer the time.) @Machines - Sire M5 / Yamaha RBXJM2 / GenzBenz Neo Pak / EICH112XS @bassmansam - Rickenbacker 4003s, Eppy Thunderbird Vintage Pro and Ashdown ABM 500 2x10 combo @jebroad - Not-fender jazz (maybe), squire silver series jazz, old Kay SC, Dingwall combustion, Ashdown 8x10 (Maybe) @Jabba_the_gut - 27" mini basses, Short scale telebass, whatever else I build by then, TC RS210 combo. Cakes @Oldman -RUACH NT 35” Unlined Fretless Custom, head and cab @NickA Since the last one.. got a second Wal with an extra string and those weird metal things in the fingerboard ( supposed to help you play in tune I think, but cause all kinds of problems ). So, yes, please. I'll be there; Couple of Wals and some pjb amps. @Geek99 - POSSIBLE ... Ampeg AMP, bass-doc built relic P, homemade jazz with geddy lee pups, zoom b2.1 @bnt - TENTATIVE - Harley Benton MP-4EB Enhanced "Shamberg" w/ EMGs and its own Ryanair seat, tc SpectraDrive.3 points
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Downsize bargain. This is a Harley Benton MB5. Started out as a passive classic Musicman like bass, nicely built, even had good tuners which can be sketchy on basses at this price point. I have Modded this to a real bad boy of a bass: Neater bridge (much better than the big plate bridges they come with as stock) See before and after pics. Can supply old bridge if required. 2 band EQ from a Sterling by Musicman SUB 5. Is a better mate to this pickup than the sterling i feel not harsh but still has the Musicman punch. I can throw in a used Brubaker brute Mman pickup for an extra £30. (poleless so murder out would be complete!) Series/parallel/single switching, opens the sound up wonderfully. One slight downside, some neck oil got onto the finish on the back. Not easy to remove from the matt finish, but it will come off in time is suppose, (see pic) not visible from the front, otherwise the bass is perfect. This is basically an inexpensive 'classic' like bass, with some serious punch, really nice action, good fret finish. un gigged bit like me for the last year or so.. Nut width is 45mm string spacing 18 mm Weight 4.1 Kg I can wrap the scratchplate in car wrap vinyl (black textured for the full blackout F.O.C) example pic of finish available on request. (before and after shots...)3 points
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This is my Royal Blood rig, it runs into a Mesa 800+ on the bass side and an Avid eleven rack on the lead side.👍3 points
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Lovely! Weird, though...no doors or table-tops yet as far as I can see. Presumably next time MrsJabba_the_gut goes out for her 30minute exercise walk you'll get the kitchen door off and planed down before she gets back?3 points
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Obviously, you'll need enormous space reverb and plenty of compression. I'd also be tempted to turn the vox and guitars right down, and the bass right up. Hope that helps! 😎3 points
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Better made I'd say. T-40's are 6lb of timber with another 6lb of metal bolted on 😱 @Pow_22's bass is definitely a Unity, they got some " best bass " award from Bass Player magazine 🙂 The Dynabass was a bolt on active with 2 single coils, Dynabass/Unity series was a neck through active PJ. Going L to R. Dyna/Unity, Dyna and then Unity. To confuse matters these were also sold in the UK as Dynabass/ International Series.3 points
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Hi folks, I'm looking to grab a Status in the next few months, so I've decided to sell my pride and joy - My EBMM Stingray Special 4HH. I've owned from new and it has been my most prized possession the entire time. Lovely finish, totally loved. I've just had it setup with new DR highbeams at RamJam in Aberdeen. She's got a 18v 3 band EQ and the usual 5 way pickup selector. And the neck 🥰 The ebony and roasted maple is amazing. It feels amazing. It's comfortably the best neck I've played - so taking a bit of a gamble of the Status! If it doesn't work out... I'll defo be back to the EBMM Special! Comes with EBMM hard case and Schaller strap locks. If anyone wants more photos, just let me know. This is the serial checker from EB. Serial #F82390 Manufactured January 3rd, 2019 Build Code 108-CP-50-01-CS-BM Model StingRay Special HH Color Charcoal Sparkle Neck Roasted Maple Neck Ebony Fretboard Pickguard Black Pickguard 2018 Hardware Matte Black Hardware According to the EBMM website, the colour is discontinued and a few places I saw online aren't getting stock for a few months. I'm based in Aberdeen, but happy to look at shipping. 😉2 points
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Everyone has the right to decide what’s most important to them in an instrument. For me it’s tone and feel. Olinto is great IMO for that and offer Brazilian rosewood and old Indian rosewood plus a nitrocellulose finish ,vintage goals for the handwound proprietary pups, and several other vintage style decisions, all of which are important parts of the formulae for a vintage style Fender copy. Another thing I learned through lots of money spending and trial and error is that feel and tone are not dependent on flawless luthery as many people on bass forums assume or wish. It’s mostly about the basic formula, goals, and decisions made before any construction. My Olintos are perfectly reliable and functional, no issues. So drawing a conclusion between perfection and reliability is a false one in wood instruments -leave that to something like a digital electronic keyboard etc. My Olintos are generally well made ( to my opinion or needs) and have no issues. They sound better to me than some other brands that maybe some would think are better made.. If the mission statement is pre cbs Fender then the execution and decisions got there. Lets be even more honest, to the guys who have magnifying glasses and an eager soapbox mentality it’s NOT that you need feel and tone to be #1, it’s that you need and want flawless instruments .. it’s your choice and taste and goal... it’s a main interest in instrument buying. One last thing- my all original 62 J is much less than perfect, way more money , and is an amazing bass. Feel and tone are #1 for people who need them to be, not just want them to be... BTW even if it means cheaper non boutique instruments.2 points
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I am going to spend the next six months learning how to bake cake.2 points
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Here is my entry for this month. I'm going for my Covid jab this afternoon and if I don't feel too bad after I might tweak it a bit. The inspiration for this is fairly straightforward - live for the moment and wait for it all to go wrong. I started with the lyrics and they more or less dictated an 80s AC/DC style song. Unfortunately I can't sing like Brian and I can't play like Angus but in parts it's what I wanted. As usual recorded in Cubase. The guitars are an Epiphone ES339 chosen as it is a close to a PAF as I have, and the bass is a Squier 70s CV PB - all through Amplitube. The vocals are a single recording duplicated on two channels panned L and R with different EQ to see if I could fill out my dodgy voice a bit.2 points
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Really can't see the point of parallel only effects loops. Most of the time you are going to want series, and occasionally if you are running a load of studio quality rack effects parallel can be useful, so a series/parallel switch can be useful. But parallel only? Who does that. You should name and shame. As has been said, unless your amp has a valve power amp section, simply turning down the output should be fine. Of course as has also been said sometimes speaker breakup is part of the sound and sometimes it's just the fact that it's loud that makes it sound "right". Unfortunately there's no quiet solution for these.2 points
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A few tracks here if you want to listen to something a bit different, check out Babe Roots some of their tunes are quite heavy Ambient dub, some great vocals2 points
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Welcome to basschat where anything other than Harley Benton is a waste of money. Reviews of the Olinto basses that’s I’ve read suggest they sound and feel tremendous. Probably why they’re not so easy to get your mits on over here.2 points
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You think that's bad. Leonard runs out of the room if I even walk in carrying a bass/guitar. I don't even have to play it...2 points
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We don’t need to take it out in the carpark... we’re groundhog buddies. 🙂 I get where you are coming from - bleed is bleed though, no matter how loud the band. And of course, if you are playing in venues where you are standing on top of each other due to the lack of space, the techniques I describe all help. You’ll never get people complaining at a gig about non studio quality vocals - but you will feedback. Maybe it’s my ears but I never hear enough warmth and low end in vocals unless the singer is “on” the mic. Anyway, just throwing it out there what I do. Experiment and see what works for your setup. There’s no right or wrong (within reason) when it comes to mixing. If it sounds good, it good. I should probably mention that the best thing you can do to improve your vocals, is to go onto IEMs. Helps people to pitch without resorting to the crutch of a pedal. If people have confidence in their pitch, they tend to sing louder - and that’s better as you don’t have to run the gain so hard.2 points
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I feel myself inexorably being drawn into this .2 points
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Making slow progress, but getting there. 1. A plywood base plate 2. Amp and sockets fitted 3. Plate fitted to speaker cab. I still have to check whether the preamp clicks during switch-off with this amp, and fix it if it does. David2 points
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Hey Rasher, I've got a chart for this in standard and TAB. Also got a video of me playing it on my youtube page if it helps.. Andy I Found Lovin' (Bass & TAB - 4 String).pdf2 points