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Showing content with the highest reputation on 13/12/20 in all areas

  1. Sold SPECTOR NS4 H2 bolt on Woostock NY Very good condition as new Year 2015 Ebony fretboard Preamp Aguilar OBP3 (vol, vol, stack bass treble, mid range control pull push) Weight 7,93 pounds 3.6 kgs Shipped in SPECTOR Case 1780£ / 1900€ p
    10 points
  2. For sale this beautiful D'Alessandro custom Avalon 5 strings, a one of a kind bass, handmade in Napoli. The playability is outstanding, it is the same with the looks: i've never seen a neck like this. Unfortunately she needs to go to raise funds. Partial trades are welcome. The bass is in new condition: the bass is recently checked by Mr. D'Alessandro himself and recieved a good setup with new strings. Specs: Body: ash Top: maple Neck: Maple Fingerboard: rosewood 24 frets Pickups: Haussell preamp: Noll 3 band Active passive Machine heads: Gotoh Bridge: D'allesandro Weight: 4.4kg. The bass comes with a case and can be shipped (costs and risks buyer). Thanks for looking!
    7 points
  3. Hello! I'm reducing my collection. For sale georgeous bass in mint condition.. Custom ordered Luthman. Made of an old walnut, mahogany, wenge ,palisander and ash. ABM hardware, custom Haussel pickups closed in two parts of wood Mahogany and wedge, Delano preamp, woody knobs, satin finish, 34'' scale Very comfortable and versatile instrument.. Highly recommend It !!!
    7 points
  4. So........ I’ve read every post! We’ve covered design of pedal, graphics and box - benefits of amps or no amps, digital vs analogue, the future and the past, personal issues, and I got offered out for a fight - started training only to find out it was in jest, and TB was slated as those that may look upon there. Some are for, some are against, smattered amongst the comments are tongue in cheek ones and pointed ones, even positive ones can have perceivable or actual negative vibes to it. What are we left with............ A bloody good pedal capable of a number of different sounds that’s easy to dial in, but can still be learnt over time to tweak to what is required to match what someone would want. The fuzz can get synth like, the OD does an OD and can be warm and subtle to overt, and clean can be blended into it to retain girth and clarity. Some will like, some will love, I doubt it can be hated. Level of love will decide whether it replaces existing pedals, people new to dirt/fuzz pedals will get a good pedal to cover ground for them. There you go.
    6 points
  5. I’m probably a little more simplistic in my approach, I learn the songs I want to play then I play them. It’s probably why I’m not as good on the bass as I should be, but I can play what I need to do I’ll settle for that.
    6 points
  6. If the lid closure is the deciding factor in getting one or not a sliding lid could be the final nail in the coffin for some.
    6 points
  7. Just checking - got to the 6th bar - already there's a mistake in the transcription, so I can see I'll have to do my own version! 🙂 I'm not in any way an expert at transcribing or using notation software, so don't hold your breath. Edit: There are 6 errors just on the first page, to be nit-picky.
    5 points
  8. Lets face it, there are some folks on here that, were they to receive a cheque for a million pounds from Alex, would complain about the signature. 😁 Such is the nature of the internet.
    5 points
  9. I hardly ever comment on BC, but visit most days. It was funny enough people loosing their stinky poo over the pedal, but now the packaging is mental. I thought the box was a nice touch, I guess Alex could have charged more for the pedal and sent it out in a varnished box with hinges 🤣
    4 points
  10. I finally got the double battery box blocked up and filled in with a piece of swamp ash off cut and topped with polyester filler. I have given the back of the bass some black polyester finish. The back of the body is now sanded flat and ready to have it's final hi-gloss black coating. It's going to look great with the book-matched front that Joe picked from my stock of exotic tops.
    4 points
  11. Obviously - why did he not just electronically transfer the money? (Wire can hurt you right?) Those cheques give nasty paper cuts, don’t get me started if it’s one of those massive ones, plus you’d have to queue to get into the bank to cash it - disaster, I would refuse the money all day long
    4 points
  12. Update by Jan 1st: Buyer‘s from within UK should be aware that for imports from EU to UK since Jan 1st the UK VAT will be applicable. This VAT has to be paid by the UK buyer once the goods are crossing the borders. Note: As a private seller in EU I can not reduce the price for second hand goods as VAT has never been included in the price. (Quote borrowed from mr bassman.de) I have an OLD MM Bongo 6, one of the first. The Bongo 6 was introduced in the spring of 2008; my bass is "born" March 26th 2008. It is a black HH that has some mileage, but I had it refurbished when I bought it. There were some laquer flaws, but now it is black where it should be black. No dings in the wood. The neck is nice and smooth; plays like butter. December 31st is the deadline for you-know-what, since this bass lives in Sweden. Here are some pictures: A very nice bass; everything works as it should. Rosewood board on this; the new ones have ebony. I favour rosewood. I am very, very ambivalent giving this gem up, but it really ain't my cup of tea. String spacing at bridge is 17.5 mm/0.69-0.70". Delivered in the Hiscox case you see... Any questions: ask! Trades? Well, try me. A nice long scale 6-string with 19 mm string spacing or similar 5-string is of interest in a trade.
    3 points
  13. I have the 4HH Special and had the 4H version, with a brief overlap where I had them both. To my ears the HH sounded no different to the H when set to the bridge pickup, which was a relief as I didn’t want to sacrifice that sound, just add to it with the other options the HH gives you. Gratuitous pic alert:
    3 points
  14. My 2020 Stingray Special in Aqua Sparkle :
    3 points
  15. Tragic news, Sean has been a huge influence on my playing since I first heard him back in '93 and is the reason I play fretless and Chapman Stick. To lose both him and Sean Reinert this year is devastating. I had the privilege of being taught by Sean back in 2000 when he was in London recording with Bill Bruford. Not only was he a stellar musician but he was a great teacher who was very passionate about education. Years later I had the incredible honour of - albeit briefly - stepping in to his shoes to play Chapman Stick with Cynic on some shows in 2008.
    3 points
  16. @Deedee sold me his cracking Series 6 AH300 and here it is powering my DR Bass 2x12 cab. Love it!
    3 points
  17. So the pedal costs around £210 plus tacks. Well, someone needed to say it so it may as well be me If you want to talk about dangerous packaging, I have on a couple of occasions cut my finger on those staples that Thomann and other retailers use to keep their large cardboard boxes together before they are taped. Now THEY are dangerous
    3 points
  18. So we can only opine if we want to buy, gotcha.
    3 points
  19. It`s definitely up there, and it was also played by the best line up of Whitesnake by far. I think Mr Coverdale, who was once described by Jon Lord as "the Roger Moore of heavy metal" didn`t realise or appreciate the talent that was in that version of the band. I would be interested in a Neil book or how about one of the talented interviewer type chaps on this site setting up a chat - over the net even - with Neil and he could ask all the questions we are dying to ask?
    3 points
  20. I just think this point is completely moot, unless you're absolutely not buying this pedal as a result of it coming in a wooden box. It comes with a clear warning about small tacks, so isn't an issue. The upside is it saves cost, protects the pedal, reduces waste and as an owner, I like the touch. I've also had other pedals packaged similarly in a wooden box....so this isn't a first. I guess if you will absolutely buy it if they change the box and the symbols the feedback is warranted. If you're not, then it's not opinion the builder should worry about listening to imo as even if they change to your will there's not a sale there. I'd prefer it if this thread started to refocus on the pedal capability tbh......might start a setting thread shortly.✌️
    3 points
  21. The Band, The Meters and Little Feat were fantastic "ensemble" players. You could probably include every Funk band in that list. Funk is a team genre. Also the studio bands like the Funk Brothers, the Swampers and Booket T and the MG's with Isaac Hayes at Stax.
    3 points
  22. @neilmurraybass I too would love to read some of your thoughts, stories and descriptions from your life in music. But I also get that writing a book is a hugely daunting task. One possible alternative would be to do the video version. Leland Sklar does exactly this. It started as a bit of a lockdown thing, but he has produced hundreds of videos now, detailing not just his basslines, but gear stories and much more. It helps that he is a natural storyteller, but if your posts on here are anything to go by - so are you!
    3 points
  23. There are occasions, notably with amplified acoustic instruments, where the sound from the instrument and the sound from the amplification combine, usually at specific frequencies, to start feeding back, or sounding 'boomy' or 'ringing'. Phase reversal can help there, as a phase-reversed amp sound tends to cancel out the acoustic sound, so bringing clarity. Much depends on the stage, venue, proximity of the amp, so it can't be a permanent, 'built-in' thing; it's used by listening to see what sounds best in any one situation. If there's such an issue, phase reversal can be very useful indeed. If there are never such issues, it won't fix what doesn't need fixing. Hope this helps.
    3 points
  24. Well, a lot has certainly been said about the symbols! Have to say the hieroglyphic knob labels make a lot of sense to me. Whether you’re familiar with the symbols for sawtooth and square waves is irrelevant. The pedal enclosure couldn’t be more clearly divided into 3 sections so *at most* you’ll only be thinking about 4 knobs at any one time for each. The top row of each drive section is just gain and volume, bottom rows being EQ shaping. Once you know these basic rules of thumb it’s a walk in the park. And I don’t even own the thing.
    3 points
  25. LTD edition @Alfie Noakes signature Stingray 🙂
    3 points
  26. Just found this - good concert, good sound quality.
    2 points
  27. New ZOOM G6 multi-effect modeler...I guess this is only being released in Japan for the time being, from what I've gathered on the interwebs. https://youtu.be/5nJd8D0ffK8
    2 points
  28. I Gemini, first album from Let's Eat Grandma. The band are two best friends from Norfolk, and were about 16 when they made this. Here's "Deep Six Textbook".
    2 points
  29. Cheers Walshy... Just swinging my Evo on top of my cab at a gig feels good... I have tried a few of the tiny fag packet amps that vibrate off your cab when you crank 'em up a bit, but they never feel substantial enough for the job at hand. The only other amp that has been comparable to my Evo was a Peavey T Max 500 I had years ago. Big amps...Big sound....
    2 points
  30. If this amp has one problem, it's that it does not have an ' instant sound good button' . Having said that, if you invest a little time and thought into it, and start to understand the eq and how it it interacts with all the other effects buttons at your fingertips, you will end up with an amp that you will never need to replace. I have had mine for four years, and the more I use it..(and understand it,) the more I realise how good it is. There are so many amps out there that will cost you much more and offer what appear to be mind blowing promises, but at the end of the day, all you really need is a bit of audio muscle power.. These amps are the Land Rover of the bass amp world, offering nothing frilly or unnecessary, but loads of what you really want as a bass player...power and control. Also, the after sales is second to none if you need help or advice. Good luck with the sale Walshy...you must have something good lined up as a replacement...
    2 points
  31. Doh! At least they’re owning it and rectifying the problem promptly.
    2 points
  32. They're much more car interior friendly than the ABS ones, have a good useable pocket for leads and are really tough - i like them.....
    2 points
  33. Excuse me putting this here I bet you’re all sick of it now 🤗
    2 points
  34. Agree. Everything just works so well in that song. Possibly the best rock song ever written IMHO of course.😀
    2 points
  35. Not my cup of tea. It's an odd choice of song to cover in that style. The original wasn't massively tuneful, but it got by on funk and aggression. Take those out, and there's not much left...
    2 points
  36. Steely Dan for me, incredible musicianship and tighter than a gnats chuff whichever line up they are using.
    2 points
  37. 2 points
  38. Tim is a lovely bloke. He makes great stuff (he’s done about 10 for me) this chap https://www.ebay.co.uk/usr/earlpilanz?_trksid=p2053788.m1543.l2754 seems very well thought of too.
    2 points
  39. I had this beautiful bass from a trade! Roscoe Century Standar Plus fretless 6 string! Body : chechen figured Top : Spanish Cedar Neck : Maple 3 pieces Fingerboard : Diamonwood Lined : Bird's Eye Maple Preamp : Bartolini NTMB Pickups : Bartolini Bridge : Hipshot Bag : Roscoe Price : 1700€ /1600£
    2 points
  40. I don't think there are many around that price range. There are obviously basses like the NS Wav or the Ibanez Upswing, but generally there seems to be a big price gap in the EUB market. You're probably best looking at the secondhand market. You can sometimes find a quality used bass around £1000-£1,500 range.
    2 points
  41. Read the product page: Existing Barefaced owners - here's some ways this can pair up: It's a perfect match for a One10 to make a two cab stack - and if you want your older One10 to match visually then we can sell you a 'script logo' grill on its own. If you have a Two10S and an amp that runs down to 2.7 ohm you can make a 3x10CR vertical stack. If you have a Four10, Six10 or Eight10 then a One10T is best used separately - but is a great way to get your big rig tone in less LOUD scenarios. If you have a Big Baby 2 or Big Twin 2 then a One10T is a great lower volume full-range alternative - the inherent fatness does good things when Fletcher-Munson isn't being so kind to your tone...
    2 points
  42. Keep an eye on my next review gear videos in Guitar Interactive, I think I have a new angle!
    2 points
  43. I know a lot has been said about the price - but let’s break it down. For a decent Fuzz pedal - you would pay about £100 new For a decent OD pedal - you would pay about £100 new You may want something to help a clean blend Boss LS2 is £80 new When you think of it like that and actually it’s more interactive being in one unit - it’s not that bad surely?
    2 points
  44. I'm going to be being disappointed that I might actually have to meet people in person again.
    2 points
  45. does he have a presence off Facebook, Its musician suicide I know but I just wont use or have anything that connects to that website.
    2 points
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